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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #75A6E6 it is the complementary color #8A5919. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #75A6E6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #75A6E6 shade: #7AA6E1, #8BB8F4, #9CCAFF, #ADDCFF and #BEEEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #75A6E6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #75A6E6 shade: #75A6E6, #6494D3, #5382C0, #4270AD and #315E9A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #75A6E6 shade: #75A5E5, #7587E5, #8075E5, #9F75E5 and #BD75E5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #75A6E6 shade: #75A5E5, #7587E5 and #7575E5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #75A6E6 shade matches the following richer shades: #75A5E5 and #67A4F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #75A6E6 shade: #75A5E5, #82A7D8, #8FA9CB, #9CABBE and #A9ACB0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #75A6E6 shade: #75E3E5, #75C5E5, #75A7E5, #7589E5 and #7E75E5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #75A6E6 shade: #2F78D8, #528FDF, #75A5E5, #97BCEC and #BAD2F2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #75A6E6 shade: #75A6E6, #C975E5 and #D4E575

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #75A6E6 shade: #75A6E6, #E575A7 and #A7E575

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #75A6E6 shade: #75A6E6, #C975E5, #E5B375 and #91E575

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #75A6E6 shade: #75A6E6, #E575E0, #E5B375 and #75E57A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 28 / 0 / 10

HEX #75A6E6

RGB 117 166 230

HSL 213.98, 0.69%, 0.68%

LAB 67.1, 1.05, -37.27

 

Complementary color

CMYK 0 / 36 / 82 / 46

HEX #8A5919

RGB 138 89 25

HSL 33.98, 0.69%, 0.32%

LAB 42.18, 14.71, 42.68

 

CMYK 46 / 26 / 0 / 12

HEX #7AA6E1

RGB 122 166 225

HSL 214.37, 0.63%, 0.68%

LAB 67.16, 0.79, -34.41

 

CMYK 43 / 25 / 0 / 4

HEX #8BB8F4

RGB 139 184 244

HSL 214.29, 0.83%, 0.75%

LAB 73.74, 0.32, -34.49

 

CMYK 39 / 21 / 0 / 0

HEX #9CCAFF

RGB 156 202 255

HSL 212.12, 1%, 0.81%

LAB 79.91, -2.19, -30.79

 

CMYK 32 / 14 / 0 / 0

HEX #ADDCFF

RGB 173 220 255

HSL 205.61, 1%, 0.84%

LAB 85.65, -7.15, -21.95

 

CMYK 25 / 7 / 0 / 0

HEX #BEEEFF

RGB 190 238 255

HSL 195.69, 1%, 0.87%

LAB 91.38, -11.6, -13.23

 

CMYK 49 / 28 / 0 / 10

HEX #75A6E6

RGB 117 166 230

HSL 213.98, 0.69%, 0.68%

LAB 67.1, 1.05, -37.27

 

CMYK 53 / 30 / 0 / 17

HEX #6494D3

RGB 100 148 211

HSL 214.05, 0.56%, 0.61%

LAB 60.42, 1.72, -37.24

 

CMYK 57 / 32 / 0 / 25

HEX #5382C0

RGB 83 130 192

HSL 214.13, 0.46%, 0.54%

LAB 53.61, 2.53, -37.24

 

CMYK 62 / 35 / 0 / 32

HEX #4270AD

RGB 66 112 173

HSL 214.21, 0.45%, 0.47%

LAB 46.66, 3.56, -37.27

 

CMYK 68 / 39 / 0 / 40

HEX #315E9A

RGB 49 94 154

HSL 214.29, 0.52%, 0.4%

LAB 39.57, 4.9, -37.32

 

CMYK 49 / 28 / 0 / 10

HEX #75A5E5

RGB 117 165 229

HSL 214.29, 0.68%, 0.68%

LAB 66.79, 1.32, -37.21

 

CMYK 49 / 41 / 0 / 10

HEX #7587E5

RGB 117 135 229

HSL 230.36, 0.68%, 0.68%

LAB 58.76, 18.74, -49.84

 

CMYK 44 / 49 / 0 / 10

HEX #8075E5

RGB 128 117 229

HSL 245.89, 0.68%, 0.68%

LAB 55.04, 31.96, -55.71

 

CMYK 31 / 49 / 0 / 10

HEX #9F75E5

RGB 159 117 229

HSL 262.5, 0.68%, 0.68%

LAB 57.8, 39.6, -51.15

 

CMYK 17 / 49 / 0 / 10

HEX #BD75E5

RGB 189 117 229

HSL 278.57, 0.68%, 0.68%

LAB 60.96, 47.58, -45.95

 

CMYK 49 / 28 / 0 / 10

HEX #75A5E5

RGB 117 165 229

HSL 214.29, 0.68%, 0.68%

LAB 66.79, 1.32, -37.21

 

CMYK 49 / 41 / 0 / 10

HEX #7587E5

RGB 117 135 229

HSL 230.36, 0.68%, 0.68%

LAB 58.76, 18.74, -49.84

 

CMYK 49 / 49 / 0 / 10

HEX #7575E5

RGB 117 117 229

HSL 240, 0.68%, 0.68%

LAB 54.2, 29.48, -57.11

 

CMYK 49 / 28 / 0 / 10

HEX #75A5E5

RGB 117 165 229

HSL 214.29, 0.68%, 0.68%

LAB 66.79, 1.32, -37.21

 

CMYK 57 / 32 / 0 / 5

HEX #67A4F2

RGB 103 164 242

HSL 213.67, 0.84%, 0.68%

LAB 66.4, 2.85, -44.99

 

CMYK 49 / 28 / 0 / 10

HEX #75A5E5

RGB 117 165 229

HSL 214.29, 0.68%, 0.68%

LAB 66.79, 1.32, -37.21

 

CMYK 40 / 23 / 0 / 15

HEX #82A7D8

RGB 130 167 216

HSL 214.19, 0.52%, 0.68%

LAB 67.53, -0.24, -28.84

 

CMYK 30 / 17 / 0 / 20

HEX #8FA9CB

RGB 143 169 203

HSL 214, 0.37%, 0.68%

LAB 68.41, -1.08, -20.26

 

CMYK 18 / 10 / 0 / 25

HEX #9CABBE

RGB 156 171 190

HSL 213.53, 0.21%, 0.68%

LAB 69.41, -1.19, -11.49

 

CMYK 4 / 2 / 0 / 31

HEX #A9ACB0

RGB 169 172 176

HSL 214.29, 0.04%, 0.68%

LAB 70.23, -0.28, -2.43

 

CMYK 49 / 1 / 0 / 10

HEX #75E3E5

RGB 117 227 229

HSL 181.07, 0.68%, 0.68%

LAB 84.16, -30.96, -10.72

 

CMYK 49 / 14 / 0 / 10

HEX #75C5E5

RGB 117 197 229

HSL 197.14, 0.68%, 0.68%

LAB 75.68, -16.03, -23.5

 

CMYK 49 / 27 / 0 / 10

HEX #75A7E5

RGB 117 167 229

HSL 213.21, 0.68%, 0.68%

LAB 67.33, 0.2, -36.36

 

CMYK 49 / 40 / 0 / 10

HEX #7589E5

RGB 117 137 229

HSL 229.29, 0.68%, 0.68%

LAB 59.28, 17.55, -49.01

 

CMYK 45 / 49 / 0 / 10

HEX #7E75E5

RGB 126 117 229

HSL 244.82, 0.68%, 0.68%

LAB 54.88, 31.5, -55.98

 

CMYK 78 / 44 / 0 / 15

HEX #2F78D8

RGB 47 120 216

HSL 214.08, 0.68%, 0.52%

LAB 50.68, 11.37, -55.62

 

CMYK 63 / 36 / 0 / 13

HEX #528FDF

RGB 82 143 223

HSL 214.04, 0.69%, 0.6%

LAB 58.76, 4.91, -46.61

 

CMYK 49 / 28 / 0 / 10

HEX #75A5E5

RGB 117 165 229

HSL 214.29, 0.68%, 0.68%

LAB 66.79, 1.32, -37.21

 

CMYK 36 / 20 / 0 / 7

HEX #97BCEC

RGB 151 188 236

HSL 213.88, 0.69%, 0.76%

LAB 75.2, -0.88, -27.86

 

CMYK 23 / 13 / 0 / 5

HEX #BAD2F2

RGB 186 210 242

HSL 214.29, 0.68%, 0.84%

LAB 83.41, -1.2, -18.38

 

CMYK 49 / 28 / 0 / 10

HEX #75A6E6

RGB 117 166 230

HSL 213.98, 0.69%, 0.68%

LAB 67.1, 1.05, -37.27

 

CMYK 12 / 49 / 0 / 10

HEX #C975E5

RGB 201 117 229

HSL 285, 0.68%, 0.68%

LAB 62.34, 50.86, -43.68

 

CMYK 7 / 0 / 49 / 10

HEX #D4E575

RGB 212 229 117

HSL 69.11, 0.68%, 0.68%

LAB 87.64, -21.7, 52.24

 

CMYK 49 / 28 / 0 / 10

HEX #75A6E6

RGB 117 166 230

HSL 213.98, 0.69%, 0.68%

LAB 67.1, 1.05, -37.27

 

CMYK 0 / 49 / 27 / 10

HEX #E575A7

RGB 229 117 167

HSL 333.21, 0.68%, 0.68%

LAB 63.48, 48.96, -6.63

 

CMYK 27 / 0 / 49 / 10

HEX #A7E575

RGB 167 229 117

HSL 93.21, 0.68%, 0.68%

LAB 84.76, -38.46, 48.08

 

CMYK 49 / 28 / 0 / 10

HEX #75A6E6

RGB 117 166 230

HSL 213.98, 0.69%, 0.68%

LAB 67.1, 1.05, -37.27

 

CMYK 12 / 49 / 0 / 10

HEX #C975E5

RGB 201 117 229

HSL 285, 0.68%, 0.68%

LAB 62.34, 50.86, -43.68

 

CMYK 0 / 22 / 49 / 10

HEX #E5B375

RGB 229 179 117

HSL 33.21, 0.68%, 0.68%

LAB 76.18, 10.67, 38.47

 

CMYK 37 / 0 / 49 / 10

HEX #91E575

RGB 145 229 117

HSL 105, 0.68%, 0.68%

LAB 83.62, -45.85, 46.43

 

CMYK 49 / 28 / 0 / 10

HEX #75A6E6

RGB 117 166 230

HSL 213.98, 0.69%, 0.68%

LAB 67.1, 1.05, -37.27

 

CMYK 0 / 49 / 2 / 10

HEX #E575E0

RGB 229 117 224

HSL 302.68, 0.68%, 0.68%

LAB 65.56, 57.71, -35.6

 

CMYK 0 / 22 / 49 / 10

HEX #E5B375

RGB 229 179 117

HSL 33.21, 0.68%, 0.68%

LAB 76.18, 10.67, 38.47

 

CMYK 49 / 0 / 47 / 10

HEX #75E57A

RGB 117 229 122

HSL 122.68, 0.68%, 0.68%

LAB 82.5, -53.44, 42.37

 

Description

Color code: HEX #75A6E6 | qconv.com Color code: HEX #75A6E6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 166 green and 230 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 166 230 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, 28 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 28% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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