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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #836B1E it is the complementary color #7C94E1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #836B1E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #836B1E shade: #886B19, #997D2C, #AA8F3F, #BBA152 and #CCB365

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #836B1E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #836B1E shade: #836B1E, #72590B, #614700, #503500 and #3F2300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #836B1E shade: #856C1E, #85501E, #85351E and #851E1E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #836B1E shade: #856C1E, #81851E, #65851E, #4A851E and #2E851E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #836B1E shade matches the following richer shades: #856C1E, #927310 and #9F7A03

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #836B1E shade: #856C1E, #77652B, #6A5E38, #5D5745 and #505053

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #836B1E shade: #85341E, #854F1E, #856B1E, #83851E and #67851E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #836B1E shade: #41350E, #635116, #856C1E, #A68825 and #C8A32D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #836B1E shade: #836B1E, #23851E and #421E85

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #836B1E shade: #836B1E, #1E856B and #6B1E85

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #836B1E shade: #836B1E, #23851E, #1E3785 and #7F1E85

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #836B1E shade: #836B1E, #1E8537, #1E3785 and #851E6B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 77 / 49

HEX #836B1E

RGB 131 107 30

HSL 45.74, 0.63%, 0.32%

LAB 46.22, 1.11, 44.15

 

Complementary color

CMYK 45 / 34 / 0 / 12

HEX #7C94E1

RGB 124 148 225

HSL 225.74, 0.63%, 0.68%

LAB 62.42, 11.58, -41.8

 

CMYK 0 / 21 / 82 / 47

HEX #886B19

RGB 136 107 25

HSL 44.32, 0.69%, 0.32%

LAB 46.74, 3.26, 46.76

 

CMYK 0 / 18 / 71 / 40

HEX #997D2C

RGB 153 125 44

HSL 44.59, 0.55%, 0.39%

LAB 53.62, 1.81, 46.32

 

CMYK 0 / 16 / 63 / 33

HEX #AA8F3F

RGB 170 143 63

HSL 44.86, 0.46%, 0.46%

LAB 60.38, 0.65, 45.31

 

CMYK 0 / 14 / 56 / 27

HEX #BBA152

RGB 187 161 82

HSL 45.14, 0.44%, 0.53%

LAB 67.02, -0.3, 44.09

 

CMYK 0 / 12 / 50 / 20

HEX #CCB365

RGB 204 179 101

HSL 45.44, 0.5%, 0.6%

LAB 73.56, -1.08, 42.83

 

CMYK 0 / 18 / 77 / 49

HEX #836B1E

RGB 131 107 30

HSL 45.74, 0.63%, 0.32%

LAB 46.22, 1.11, 44.15

 

CMYK 0 / 22 / 90 / 55

HEX #72590B

RGB 114 89 11

HSL 45.44, 0.82%, 0.25%

LAB 39.15, 2.75, 43.82

 

CMYK 0 / 27 / 100 / 62

HEX #614700

RGB 97 71 0

HSL 43.92, 1%, 0.19%

LAB 31.92, 4.86, 40.99

 

CMYK 0 / 34 / 100 / 69

HEX #503500

RGB 80 53 0

HSL 39.75, 1%, 0.16%

LAB 24.49, 7.45, 33.93

 

CMYK 0 / 44 / 100 / 75

HEX #3F2300

RGB 63 35 0

HSL 33.33, 1%, 0.12%

LAB 16.79, 10.29, 24.71

 

CMYK 0 / 19 / 77 / 48

HEX #856C1E

RGB 133 108 30

HSL 45.44, 0.63%, 0.32%

LAB 46.72, 1.47, 44.7

 

CMYK 0 / 40 / 77 / 48

HEX #85501E

RGB 133 80 30

HSL 29.13, 0.63%, 0.32%

LAB 39.27, 17.89, 37.39

 

CMYK 0 / 60 / 77 / 48

HEX #85351E

RGB 133 53 30

HSL 13.4, 0.63%, 0.32%

LAB 33.19, 32.95, 31.09

 

CMYK 0 / 77 / 77 / 48

HEX #851E1E

RGB 133 30 30

HSL 0, 0.63%, 0.32%

LAB 29.43, 43.09, 27

 

CMYK 0 / 19 / 77 / 48

HEX #856C1E

RGB 133 108 30

HSL 45.44, 0.63%, 0.32%

LAB 46.72, 1.47, 44.7

 

CMYK 3 / 0 / 77 / 48

HEX #81851E

RGB 129 133 30

HSL 62.33, 0.63%, 0.32%

LAB 53.53, -14.31, 50.97

 

CMYK 24 / 0 / 77 / 48

HEX #65851E

RGB 101 133 30

HSL 78.64, 0.63%, 0.32%

LAB 51.42, -26.63, 48.24

 

CMYK 44 / 0 / 77 / 48

HEX #4A851E

RGB 74 133 30

HSL 94.37, 0.63%, 0.32%

LAB 49.89, -37.09, 46.23

 

CMYK 65 / 0 / 77 / 48

HEX #2E851E

RGB 46 133 30

HSL 110.68, 0.63%, 0.32%

LAB 48.82, -45.36, 44.82

 

CMYK 0 / 19 / 77 / 48

HEX #856C1E

RGB 133 108 30

HSL 45.44, 0.63%, 0.32%

LAB 46.72, 1.47, 44.7

 

CMYK 0 / 21 / 89 / 43

HEX #927310

RGB 146 115 16

HSL 45.69, 0.8%, 0.32%

LAB 49.99, 3.11, 52.76

 

CMYK 0 / 23 / 98 / 38

HEX #9F7A03

RGB 159 122 3

HSL 45.77, 0.96%, 0.32%

LAB 53.27, 4.99, 58.53

 

CMYK 0 / 19 / 77 / 48

HEX #856C1E

RGB 133 108 30

HSL 45.44, 0.63%, 0.32%

LAB 46.72, 1.47, 44.7

 

CMYK 0 / 15 / 64 / 53

HEX #77652B

RGB 119 101 43

HSL 45.79, 0.47%, 0.32%

LAB 43.37, -0.28, 34.76

 

CMYK 0 / 11 / 47 / 58

HEX #6A5E38

RGB 106 94 56

HSL 45.6, 0.31%, 0.32%

LAB 40.17, -0.99, 23.5

 

CMYK 0 / 6 / 26 / 64

HEX #5D5745

RGB 93 87 69

HSL 45, 0.15%, 0.32%

LAB 37.07, -0.86, 11.36

 

CMYK 4 / 4 / 0 / 67

HEX #505053

RGB 80 80 83

HSL 240, 0.02%, 0.32%

LAB 34.12, 0.66, -1.76

 

CMYK 0 / 61 / 77 / 48

HEX #85341E

RGB 133 52 30

HSL 12.82, 0.63%, 0.32%

LAB 33, 33.46, 30.88

 

CMYK 0 / 41 / 77 / 48

HEX #854F1E

RGB 133 79 30

HSL 28.54, 0.63%, 0.32%

LAB 39.02, 18.47, 37.14

 

CMYK 0 / 20 / 77 / 48

HEX #856B1E

RGB 133 107 30

HSL 44.85, 0.63%, 0.32%

LAB 46.44, 2.05, 44.43

 

CMYK 2 / 0 / 77 / 48

HEX #83851E

RGB 131 133 30

HSL 61.17, 0.63%, 0.32%

LAB 53.7, -13.4, 51.19

 

CMYK 23 / 0 / 77 / 48

HEX #67851E

RGB 103 133 30

HSL 77.48, 0.63%, 0.32%

LAB 51.56, -25.78, 48.41

 

CMYK 0 / 18 / 78 / 75

HEX #41350E

RGB 65 53 14

HSL 45.88, 0.65%, 0.15%

LAB 22.66, 0.22, 25.57

 

CMYK 0 / 18 / 78 / 61

HEX #635116

RGB 99 81 22

HSL 45.97, 0.64%, 0.24%

LAB 35.19, 0.57, 35.63

 

CMYK 0 / 19 / 77 / 48

HEX #856C1E

RGB 133 108 30

HSL 45.44, 0.63%, 0.32%

LAB 46.72, 1.47, 44.7

 

CMYK 0 / 18 / 78 / 35

HEX #A68825

RGB 166 136 37

HSL 46.05, 0.64%, 0.4%

LAB 57.89, 1.27, 53.79

 

CMYK 0 / 19 / 78 / 22

HEX #C8A32D

RGB 200 163 45

HSL 45.68, 0.63%, 0.48%

LAB 68.51, 2.11, 62.02

 

CMYK 0 / 18 / 77 / 49

HEX #836B1E

RGB 131 107 30

HSL 45.74, 0.63%, 0.32%

LAB 46.22, 1.11, 44.15

 

CMYK 74 / 0 / 77 / 48

HEX #23851E

RGB 35 133 30

HSL 117.09, 0.63%, 0.32%

LAB 48.54, -47.68, 44.45

 

CMYK 50 / 77 / 0 / 48

HEX #421E85

RGB 66 30 133

HSL 260.97, 0.63%, 0.32%

LAB 22.93, 41.22, -51.21

 

CMYK 0 / 18 / 77 / 49

HEX #836B1E

RGB 131 107 30

HSL 45.74, 0.63%, 0.32%

LAB 46.22, 1.11, 44.15

 

CMYK 77 / 0 / 20 / 48

HEX #1E856B

RGB 30 133 107

HSL 164.85, 0.63%, 0.32%

LAB 49.63, -35.05, 5.9

 

CMYK 20 / 77 / 0 / 48

HEX #6B1E85

RGB 107 30 133

HSL 284.85, 0.63%, 0.32%

LAB 28.77, 48.93, -41.46

 

CMYK 0 / 18 / 77 / 49

HEX #836B1E

RGB 131 107 30

HSL 45.74, 0.63%, 0.32%

LAB 46.22, 1.11, 44.15

 

CMYK 74 / 0 / 77 / 48

HEX #23851E

RGB 35 133 30

HSL 117.09, 0.63%, 0.32%

LAB 48.54, -47.68, 44.45

 

CMYK 77 / 59 / 0 / 48

HEX #1E3785

RGB 30 55 133

HSL 225.44, 0.63%, 0.32%

LAB 25.87, 20.11, -46.53

 

CMYK 5 / 77 / 0 / 48

HEX #7F1E85

RGB 127 30 133

HSL 296.5, 0.63%, 0.32%

LAB 32.11, 53.19, -35.92

 

CMYK 0 / 18 / 77 / 49

HEX #836B1E

RGB 131 107 30

HSL 45.74, 0.63%, 0.32%

LAB 46.22, 1.11, 44.15

 

CMYK 77 / 0 / 59 / 48

HEX #1E8537

RGB 30 133 55

HSL 134.56, 0.63%, 0.32%

LAB 48.67, -45.79, 33.53

 

CMYK 77 / 59 / 0 / 48

HEX #1E3785

RGB 30 55 133

HSL 225.44, 0.63%, 0.32%

LAB 25.87, 20.11, -46.53

 

CMYK 0 / 77 / 20 / 48

HEX #851E6B

RGB 133 30 107

HSL 315.15, 0.63%, 0.32%

LAB 31.75, 50.39, -19.99

 

Description

Color code: HEX #836B1E | qconv.com Color code: HEX #836B1E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 107 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 107 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 77 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 77% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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