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Color name
RGB 204 179 101

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 204 179 101 it is the complementary color RGB 51 76 154. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 204 179 101. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 204 179 101 shade: RGB 209 179 96, RGB 226 197 115, RGB 243 215 134, RGB 255 233 153 and RGB 255 251 172

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 204 179 101. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 204 179 101 shade: RGB 204 179 101, RGB 187 161 82, RGB 170 143 63, RGB 153 125 44 and RGB 136 107 25

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 204 179 101 shade: RGB 204 179 101, RGB 204 151 101, RGB 204 124 101 and RGB 204 101 101

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 204 179 101 shade: RGB 204 179 101, RGB 201 204 101, RGB 173 204 101, RGB 146 204 101 and RGB 118 204 101

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 204 179 101 shade matches the following richer shades: RGB 204 179 101, RGB 220 187 85, RGB 237 196 68 and RGB 253 204 52

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 204 179 101 shade: RGB 204 179 101, RGB 187 170 118, RGB 170 162 135, RGB 154 153 151 and RGB 137 145 168

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 204 179 101 shade: RGB 204 124 101, RGB 204 151 101, RGB 204 178 101, RGB 202 204 101 and RGB 175 204 101

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 204 179 101 shade: RGB 167 140 55, RGB 193 163 71, RGB 204 179 101, RGB 214 194 132 and RGB 224 209 163

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 204 179 101 shade: RGB 204 179 101, RGB 107 204 101 and RGB 137 101 204

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 204 179 101 shade: RGB 204 179 101, RGB 101 204 178 and RGB 178 101 204

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 204 179 101 shade: RGB 204 179 101, RGB 107 204 101, RGB 101 127 204 and RGB 198 101 204

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 204 179 101 shade: RGB 204 179 101, RGB 101 204 127, RGB 101 127 204 and RGB 204 101 178

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 50 / 20

HEX #CCB365

RGB 204 179 101

HSL 45.44, 0.5%, 0.6%

LAB 73.56, -1.08, 42.83

 

Complementary color

CMYK 67 / 51 / 0 / 40

HEX #334C9A

RGB 51 76 154

HSL 225.44, 0.5%, 0.4%

LAB 34.41, 17.04, -45.56

 

CMYK 0 / 14 / 54 / 18

HEX #D1B360

RGB 209 179 96

HSL 44.07, 0.55%, 0.6%

LAB 73.96, 0.57, 45.9

 

CMYK 0 / 13 / 49 / 11

HEX #E2C573

RGB 226 197 115

HSL 44.32, 0.66%, 0.67%

LAB 80.37, -0.19, 44.64

 

CMYK 0 / 12 / 45 / 5

HEX #F3D786

RGB 243 215 134

HSL 44.59, 0.82%, 0.74%

LAB 86.69, -0.84, 43.41

 

CMYK 0 / 9 / 40 / 0

HEX #FFE999

RGB 255 233 153

HSL 47.06, 1%, 0.8%

LAB 92.5, -3.34, 41.58

 

CMYK 0 / 2 / 33 / 0

HEX #FFFBAC

RGB 255 251 172

HSL 57.11, 1%, 0.84%

LAB 97.32, -10.19, 38.41

 

CMYK 0 / 12 / 50 / 20

HEX #CCB365

RGB 204 179 101

HSL 45.44, 0.5%, 0.6%

LAB 73.56, -1.08, 42.83

 

CMYK 0 / 14 / 56 / 27

HEX #BBA152

RGB 187 161 82

HSL 45.14, 0.44%, 0.53%

LAB 67.02, -0.3, 44.09

 

CMYK 0 / 16 / 63 / 33

HEX #AA8F3F

RGB 170 143 63

HSL 44.86, 0.46%, 0.46%

LAB 60.38, 0.65, 45.31

 

CMYK 0 / 18 / 71 / 40

HEX #997D2C

RGB 153 125 44

HSL 44.59, 0.55%, 0.39%

LAB 53.62, 1.81, 46.32

 

CMYK 0 / 21 / 82 / 47

HEX #886B19

RGB 136 107 25

HSL 44.32, 0.69%, 0.32%

LAB 46.74, 3.26, 46.76

 

CMYK 0 / 12 / 50 / 20

HEX #CCB365

RGB 204 179 101

HSL 45.44, 0.5%, 0.6%

LAB 73.56, -1.08, 42.83

 

CMYK 0 / 26 / 50 / 20

HEX #CC9765

RGB 204 151 101

HSL 29.13, 0.5%, 0.6%

LAB 66.45, 13.97, 33.99

 

CMYK 0 / 39 / 50 / 20

HEX #CC7C65

RGB 204 124 101

HSL 13.4, 0.5%, 0.6%

LAB 60.06, 28.67, 25.74

 

CMYK 0 / 50 / 50 / 20

HEX #CC6565

RGB 204 101 101

HSL 0, 0.5%, 0.6%

LAB 55.16, 40.77, 19.2

 

CMYK 0 / 12 / 50 / 20

HEX #CCB365

RGB 204 179 101

HSL 45.44, 0.5%, 0.6%

LAB 73.56, -1.08, 42.83

 

CMYK 1 / 0 / 50 / 20

HEX #C9CC65

RGB 201 204 101

HSL 61.75, 0.5%, 0.6%

LAB 79.92, -15.2, 50.39

 

CMYK 15 / 0 / 50 / 20

HEX #ADCC65

RGB 173 204 101

HSL 78.06, 0.5%, 0.6%

LAB 77.88, -26.33, 47.47

 

CMYK 28 / 0 / 50 / 20

HEX #92CC65

RGB 146 204 101

HSL 93.79, 0.5%, 0.6%

LAB 76.21, -36.4, 45.07

 

CMYK 42 / 0 / 50 / 20

HEX #76CC65

RGB 118 204 101

HSL 110.1, 0.5%, 0.6%

LAB 74.81, -45.73, 43.04

 

CMYK 0 / 12 / 50 / 20

HEX #CCB365

RGB 204 179 101

HSL 45.44, 0.5%, 0.6%

LAB 73.56, -1.08, 42.83

 

CMYK 0 / 15 / 61 / 14

HEX #DCBB55

RGB 220 187 85

HSL 45.33, 0.66%, 0.6%

LAB 76.93, 0.16, 54.81

 

CMYK 0 / 17 / 71 / 7

HEX #EDC444

RGB 237 196 68

HSL 45.44, 0.82%, 0.6%

LAB 80.68, 1.7, 66.46

 

CMYK 0 / 19 / 79 / 1

HEX #FDCC34

RGB 253 204 52

HSL 45.37, 0.98%, 0.6%

LAB 84.13, 3.71, 75.81

 

CMYK 0 / 12 / 50 / 20

HEX #CCB365

RGB 204 179 101

HSL 45.44, 0.5%, 0.6%

LAB 73.56, -1.08, 42.83

 

CMYK 0 / 9 / 37 / 27

HEX #BBAA76

RGB 187 170 118

HSL 45.22, 0.34%, 0.6%

LAB 69.91, -1.52, 29.06

 

CMYK 0 / 5 / 21 / 33

HEX #AAA287

RGB 170 162 135

HSL 46.29, 0.17%, 0.6%

LAB 66.62, -1.65, 15.1

 

CMYK 0 / 1 / 2 / 40

HEX #9A9997

RGB 154 153 151

HSL 40, 0.01%, 0.6%

LAB 63.25, -0.01, 1.17

 

CMYK 18 / 14 / 0 / 34

HEX #8991A8

RGB 137 145 168

HSL 224.52, 0.15%, 0.6%

LAB 60.25, 2.1, -13.06

 

CMYK 0 / 39 / 50 / 20

HEX #CC7C65

RGB 204 124 101

HSL 13.4, 0.5%, 0.6%

LAB 60.06, 28.67, 25.74

 

CMYK 0 / 26 / 50 / 20

HEX #CC9765

RGB 204 151 101

HSL 29.13, 0.5%, 0.6%

LAB 66.45, 13.97, 33.99

 

CMYK 0 / 13 / 50 / 20

HEX #CCB265

RGB 204 178 101

HSL 44.85, 0.5%, 0.6%

LAB 73.3, -0.55, 42.51

 

CMYK 1 / 0 / 50 / 20

HEX #CACC65

RGB 202 204 101

HSL 61.17, 0.5%, 0.6%

LAB 80, -14.8, 50.5

 

CMYK 14 / 0 / 50 / 20

HEX #AFCC65

RGB 175 204 101

HSL 76.89, 0.5%, 0.6%

LAB 78.02, -25.55, 47.66

 

CMYK 0 / 16 / 67 / 35

HEX #A78C37

RGB 167 140 55

HSL 45.54, 0.5%, 0.44%

LAB 59.2, 0.44, 47.66

 

CMYK 0 / 16 / 63 / 24

HEX #C1A347

RGB 193 163 71

HSL 45.25, 0.5%, 0.52%

LAB 68.01, 0.41, 50.63

 

CMYK 0 / 12 / 50 / 20

HEX #CCB365

RGB 204 179 101

HSL 45.44, 0.5%, 0.6%

LAB 73.56, -1.08, 42.83

 

CMYK 0 / 9 / 38 / 16

HEX #D6C284

RGB 214 194 132

HSL 45.37, 0.5%, 0.68%

LAB 78.78, -1.73, 33.76

 

CMYK 0 / 7 / 27 / 12

HEX #E0D1A3

RGB 224 209 163

HSL 45.25, 0.5%, 0.76%

LAB 84.01, -1.82, 24.74

 

CMYK 0 / 12 / 50 / 20

HEX #CCB365

RGB 204 179 101

HSL 45.44, 0.5%, 0.6%

LAB 73.56, -1.08, 42.83

 

CMYK 48 / 0 / 50 / 20

HEX #6BCC65

RGB 107 204 101

HSL 116.5, 0.5%, 0.6%

LAB 74.35, -48.99, 42.37

 

CMYK 33 / 50 / 0 / 20

HEX #8965CC

RGB 137 101 204

HSL 260.97, 0.5%, 0.6%

LAB 50.67, 36.66, -48.5

 

CMYK 0 / 12 / 50 / 20

HEX #CCB365

RGB 204 179 101

HSL 45.44, 0.5%, 0.6%

LAB 73.56, -1.08, 42.83

 

CMYK 50 / 0 / 13 / 20

HEX #65CCB2

RGB 101 204 178

HSL 164.85, 0.5%, 0.6%

LAB 75.55, -36.27, 3.8

 

CMYK 13 / 50 / 0 / 20

HEX #B265CC

RGB 178 101 204

HSL 284.85, 0.5%, 0.6%

LAB 55.21, 47.7, -41.02

 

CMYK 0 / 12 / 50 / 20

HEX #CCB365

RGB 204 179 101

HSL 45.44, 0.5%, 0.6%

LAB 73.56, -1.08, 42.83

 

CMYK 48 / 0 / 50 / 20

HEX #6BCC65

RGB 107 204 101

HSL 116.5, 0.5%, 0.6%

LAB 74.35, -48.99, 42.37

 

CMYK 50 / 38 / 0 / 20

HEX #657FCC

RGB 101 127 204

HSL 224.85, 0.5%, 0.6%

LAB 54.35, 12.16, -42.84

 

CMYK 3 / 50 / 0 / 20

HEX #C665CC

RGB 198 101 204

HSL 296.5, 0.5%, 0.6%

LAB 57.73, 53.26, -36.89

 

CMYK 0 / 12 / 50 / 20

HEX #CCB365

RGB 204 179 101

HSL 45.44, 0.5%, 0.6%

LAB 73.56, -1.08, 42.83

 

CMYK 50 / 0 / 38 / 20

HEX #65CC7F

RGB 101 204 127

HSL 135.15, 0.5%, 0.6%

LAB 74.5, -46.68, 29.43

 

CMYK 50 / 38 / 0 / 20

HEX #657FCC

RGB 101 127 204

HSL 224.85, 0.5%, 0.6%

LAB 54.35, 12.16, -42.84

 

CMYK 0 / 50 / 13 / 20

HEX #CC65B2

RGB 204 101 178

HSL 315.15, 0.5%, 0.6%

LAB 57.42, 50.54, -22.42

 

Description

Color code: RGB 204 179 101 | qconv.com Color code: RGB 204 179 101 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 179 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 179 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 50 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 50% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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