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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8ECD6A it is the complementary color #713295. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8ECD6A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8ECD6A shade: #93CD65, #A4DF78, #B5F18B, #C6FF9E and #D7FFB1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8ECD6A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8ECD6A shade: #8ECD6A, #7DBB57, #6CA944, #5B9731 and #4A851E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8ECD6A shade: #8DCD69, #A8CD69, #C3CD69, #CDBC69 and #CDA169

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8ECD6A shade: #8DCD69, #73CD69, #69CD7B, #69CD96 and #69CDB0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8ECD6A shade matches the following richer shades: #8DCD69, #89DD59, #85ED49 and #80FD39

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8ECD6A shade: #8DCD69, #92BD79, #96AD8A, #9B9D9A and #9F8CAA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8ECD6A shade: #C3CD69, #A8CD69, #8ECD69, #73CD69 and #69CD7A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8ECD6A shade: #62AB39, #76C24A, #8DCD69, #A5D788 and #BCE1A7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8ECD6A shade: #8ECD6A, #69CDBC and #CD69B6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8ECD6A shade: #8ECD6A, #698ECD and #CD698E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8ECD6A shade: #8ECD6A, #69CDBC, #A869CD and #CD697A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8ECD6A shade: #8ECD6A, #69C0CD, #A869CD and #CD7769

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 48 / 20

HEX #8ECD6A

RGB 142 205 106

HSL 98.18, 0.5%, 0.61%

LAB 76.35, -37.67, 42.76

 

Complementary color

CMYK 24 / 66 / 0 / 42

HEX #713295

RGB 113 50 149

HSL 278.18, 0.5%, 0.39%

LAB 33.9, 44.97, -43.03

 

CMYK 28 / 0 / 51 / 20

HEX #93CD65

RGB 147 205 101

HSL 93.46, 0.51%, 0.6%

LAB 76.56, -36.49, 45.5

 

CMYK 26 / 0 / 46 / 13

HEX #A4DF78

RGB 164 223 120

HSL 94.37, 0.62%, 0.67%

LAB 82.93, -36.45, 44.35

 

CMYK 25 / 0 / 42 / 5

HEX #B5F18B

RGB 181 241 139

HSL 95.29, 0.78%, 0.75%

LAB 89.2, -36.38, 43.2

 

CMYK 22 / 0 / 38 / 0

HEX #C6FF9E

RGB 198 255 158

HSL 95.26, 1%, 0.81%

LAB 94.31, -34.46, 40.65

 

CMYK 16 / 0 / 31 / 0

HEX #D7FFB1

RGB 215 255 177

HSL 90.77, 1%, 0.85%

LAB 95.64, -26, 33.18

 

CMYK 31 / 0 / 48 / 20

HEX #8ECD6A

RGB 142 205 106

HSL 98.18, 0.5%, 0.61%

LAB 76.35, -37.67, 42.76

 

CMYK 33 / 0 / 53 / 27

HEX #7DBB57

RGB 125 187 87

HSL 97.2, 0.42%, 0.54%

LAB 69.89, -37.71, 43.93

 

CMYK 36 / 0 / 60 / 34

HEX #6CA944

RGB 108 169 68

HSL 96.24, 0.43%, 0.46%

LAB 63.33, -37.68, 45.02

 

CMYK 40 / 0 / 68 / 41

HEX #5B9731

RGB 91 151 49

HSL 95.29, 0.51%, 0.39%

LAB 56.66, -37.5, 45.89

 

CMYK 44 / 0 / 77 / 48

HEX #4A851E

RGB 74 133 30

HSL 94.37, 0.63%, 0.32%

LAB 49.89, -37.09, 46.23

 

CMYK 31 / 0 / 49 / 20

HEX #8DCD69

RGB 141 205 105

HSL 98.4, 0.5%, 0.61%

LAB 76.28, -38.14, 43.15

 

CMYK 18 / 0 / 49 / 20

HEX #A8CD69

RGB 168 205 105

HSL 82.2, 0.5%, 0.61%

LAB 77.88, -28.31, 45.47

 

CMYK 5 / 0 / 49 / 20

HEX #C3CD69

RGB 195 205 105

HSL 66, 0.5%, 0.61%

LAB 79.78, -17.76, 48.2

 

CMYK 0 / 8 / 49 / 20

HEX #CDBC69

RGB 205 188 105

HSL 49.8, 0.5%, 0.61%

LAB 76.05, -5.02, 43.89

 

CMYK 0 / 21 / 49 / 20

HEX #CDA169

RGB 205 161 105

HSL 33.6, 0.5%, 0.61%

LAB 69.1, 9.33, 35.26

 

CMYK 31 / 0 / 49 / 20

HEX #8DCD69

RGB 141 205 105

HSL 98.4, 0.5%, 0.61%

LAB 76.28, -38.14, 43.15

 

CMYK 44 / 0 / 49 / 20

HEX #73CD69

RGB 115 205 105

HSL 114, 0.5%, 0.61%

LAB 75.03, -46.54, 41.33

 

CMYK 49 / 0 / 40 / 20

HEX #69CD7B

RGB 105 205 123

HSL 130.8, 0.5%, 0.61%

LAB 74.89, -46.72, 32.02

 

CMYK 49 / 0 / 27 / 20

HEX #69CD96

RGB 105 205 150

HSL 147, 0.5%, 0.61%

LAB 75.37, -41.84, 18.55

 

CMYK 49 / 0 / 14 / 20

HEX #69CDB0

RGB 105 205 176

HSL 162.6, 0.5%, 0.61%

LAB 75.95, -36.26, 5.46

 

CMYK 31 / 0 / 49 / 20

HEX #8DCD69

RGB 141 205 105

HSL 98.4, 0.5%, 0.61%

LAB 76.28, -38.14, 43.15

 

CMYK 38 / 0 / 60 / 13

HEX #89DD59

RGB 137 221 89

HSL 98.18, 0.66%, 0.61%

LAB 80.6, -48.12, 55.59

 

CMYK 44 / 0 / 69 / 7

HEX #85ED49

RGB 133 237 73

HSL 98.05, 0.82%, 0.61%

LAB 85.01, -57.13, 66.72

 

CMYK 49 / 0 / 77 / 1

HEX #80FD39

RGB 128 253 57

HSL 98.27, 0.98%, 0.61%

LAB 89.46, -65.53, 76.25

 

CMYK 31 / 0 / 49 / 20

HEX #8DCD69

RGB 141 205 105

HSL 98.4, 0.5%, 0.61%

LAB 76.28, -38.14, 43.15

 

CMYK 23 / 0 / 36 / 26

HEX #92BD79

RGB 146 189 121

HSL 97.94, 0.34%, 0.61%

LAB 72.15, -26.77, 29.86

 

CMYK 13 / 0 / 20 / 32

HEX #96AD8A

RGB 150 173 138

HSL 99.43, 0.18%, 0.61%

LAB 68.17, -14.58, 15.38

 

CMYK 1 / 0 / 2 / 38

HEX #9B9D9A

RGB 155 157 154

HSL 100, 0.02%, 0.61%

LAB 64.5, -1.29, 1.31

 

CMYK 6 / 18 / 0 / 33

HEX #9F8CAA

RGB 159 140 170

HSL 278, 0.15%, 0.61%

LAB 60.81, 12.85, -13.17

 

CMYK 5 / 0 / 49 / 20

HEX #C3CD69

RGB 195 205 105

HSL 66, 0.5%, 0.61%

LAB 79.78, -17.76, 48.2

 

CMYK 18 / 0 / 49 / 20

HEX #A8CD69

RGB 168 205 105

HSL 82.2, 0.5%, 0.61%

LAB 77.88, -28.31, 45.47

 

CMYK 31 / 0 / 49 / 20

HEX #8ECD69

RGB 142 205 105

HSL 97.8, 0.5%, 0.61%

LAB 76.33, -37.79, 43.23

 

CMYK 44 / 0 / 49 / 20

HEX #73CD69

RGB 115 205 105

HSL 114, 0.5%, 0.61%

LAB 75.03, -46.54, 41.33

 

CMYK 49 / 0 / 40 / 20

HEX #69CD7A

RGB 105 205 122

HSL 130.2, 0.5%, 0.61%

LAB 74.87, -46.88, 32.52

 

CMYK 43 / 0 / 67 / 33

HEX #62AB39

RGB 98 171 57

HSL 98.42, 0.5%, 0.45%

LAB 63.36, -43, 49.77

 

CMYK 39 / 0 / 62 / 24

HEX #76C24A

RGB 118 194 74

HSL 98, 0.5%, 0.53%

LAB 71.51, -44.5, 51.67

 

CMYK 31 / 0 / 49 / 20

HEX #8DCD69

RGB 141 205 105

HSL 98.4, 0.5%, 0.61%

LAB 76.28, -38.14, 43.15

 

CMYK 23 / 0 / 37 / 16

HEX #A5D788

RGB 165 215 136

HSL 97.97, 0.5%, 0.69%

LAB 80.95, -30.33, 33.87

 

CMYK 16 / 0 / 26 / 12

HEX #BCE1A7

RGB 188 225 167

HSL 98.28, 0.49%, 0.77%

LAB 85.67, -22.49, 24.49

 

CMYK 31 / 0 / 48 / 20

HEX #8ECD6A

RGB 142 205 106

HSL 98.18, 0.5%, 0.61%

LAB 76.35, -37.67, 42.76

 

CMYK 49 / 0 / 8 / 20

HEX #69CDBC

RGB 105 205 188

HSL 169.8, 0.5%, 0.61%

LAB 76.25, -33.43, -0.56

 

CMYK 0 / 49 / 11 / 20

HEX #CD69B6

RGB 205 105 182

HSL 313.8, 0.5%, 0.61%

LAB 58.47, 49.51, -23.1

 

CMYK 31 / 0 / 48 / 20

HEX #8ECD6A

RGB 142 205 106

HSL 98.18, 0.5%, 0.61%

LAB 76.35, -37.67, 42.76

 

CMYK 49 / 31 / 0 / 20

HEX #698ECD

RGB 105 142 205

HSL 217.8, 0.5%, 0.61%

LAB 58.75, 4.52, -36.47

 

CMYK 0 / 49 / 31 / 20

HEX #CD698E

RGB 205 105 142

HSL 337.8, 0.5%, 0.61%

LAB 57.11, 43.63, -1.99

 

CMYK 31 / 0 / 48 / 20

HEX #8ECD6A

RGB 142 205 106

HSL 98.18, 0.5%, 0.61%

LAB 76.35, -37.67, 42.76

 

CMYK 49 / 0 / 8 / 20

HEX #69CDBC

RGB 105 205 188

HSL 169.8, 0.5%, 0.61%

LAB 76.25, -33.43, -0.56

 

CMYK 18 / 49 / 0 / 20

HEX #A869CD

RGB 168 105 205

HSL 277.8, 0.5%, 0.61%

LAB 54.9, 43.01, -42.15

 

CMYK 0 / 49 / 40 / 20

HEX #CD697A

RGB 205 105 122

HSL 349.8, 0.5%, 0.61%

LAB 56.57, 41.22, 8.91

 

CMYK 31 / 0 / 48 / 20

HEX #8ECD6A

RGB 142 205 106

HSL 98.18, 0.5%, 0.61%

LAB 76.35, -37.67, 42.76

 

CMYK 49 / 6 / 0 / 20

HEX #69C0CD

RGB 105 192 205

HSL 187.8, 0.5%, 0.61%

LAB 72.96, -22.73, -14.65

 

CMYK 18 / 49 / 0 / 20

HEX #A869CD

RGB 168 105 205

HSL 277.8, 0.5%, 0.61%

LAB 54.9, 43.01, -42.15

 

CMYK 0 / 42 / 49 / 20

HEX #CD7769

RGB 205 119 105

HSL 8.4, 0.5%, 0.61%

LAB 59.15, 32.13, 22.29

 

Description

Color code: HEX #8ECD6A | qconv.com Color code: HEX #8ECD6A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 205 green and 106 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 205 106 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 48 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 48% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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