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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #90E358 it is the complementary color #6F1CA7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #90E358. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #90E358 shade: #95E353, #A6F566, #B7FF79, #C8FF8C and #D9FF9F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #90E358. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #90E358 shade: #90E358, #7FD145, #6EBF32, #5DAD1F and #4C9B0C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #90E358 shade: #90E259, #B5E259, #DAE259, #E2C559 and #E2A059

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #90E358 shade: #90E259, #6BE259, #59E26C, #59E291 and #59E2B6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #90E358 shade matches the following richer shades: #90E259 and #8DF249

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #90E358 shade: #90E259, #93D368, #96C378, #99B388 and #9CA498

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #90E358 shade: #DCE259, #B7E259, #92E259, #6DE259 and #59E269

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #90E358 shade: #64C721, #79DC36, #90E259, #A8E87C and #BFEE9F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #90E358 shade: #90E358, #59E2C5 and #E259C9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #90E358 shade: #90E358, #5992E2 and #E25992

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #90E358 shade: #90E358, #59E2C5, #A959E2 and #E25977

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #90E358 shade: #90E358, #59D7E2, #A959E2 and #E26459

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 0 / 61 / 11

HEX #90E358

RGB 144 227 88

HSL 95.83, 0.71%, 0.62%

LAB 82.69, -48.4, 58.44

 

Complementary color

CMYK 34 / 83 / 0 / 35

HEX #6F1CA7

RGB 111 28 167

HSL 275.83, 0.71%, 0.38%

LAB 31.81, 57.65, -57.36

 

CMYK 34 / 0 / 63 / 11

HEX #95E353

RGB 149 227 83

HSL 92.5, 0.72%, 0.61%

LAB 82.89, -47.15, 60.82

 

CMYK 32 / 0 / 58 / 4

HEX #A6F566

RGB 166 245 102

HSL 93.15, 0.88%, 0.68%

LAB 89.1, -47.3, 59.97

 

CMYK 28 / 0 / 53 / 0

HEX #B7FF79

RGB 183 255 121

HSL 92.24, 1%, 0.74%

LAB 93, -43.94, 56.35

 

CMYK 22 / 0 / 45 / 0

HEX #C8FF8C

RGB 200 255 140

HSL 88.7, 1%, 0.77%

LAB 94.18, -35.96, 49.2

 

CMYK 15 / 0 / 38 / 0

HEX #D9FF9F

RGB 217 255 159

HSL 83.75, 1%, 0.81%

LAB 95.49, -27.65, 41.92

 

CMYK 37 / 0 / 61 / 11

HEX #90E358

RGB 144 227 88

HSL 95.83, 0.71%, 0.62%

LAB 82.69, -48.4, 58.44

 

CMYK 39 / 0 / 67 / 18

HEX #7FD145

RGB 127 209 69

HSL 95.14, 0.6%, 0.55%

LAB 76.4, -48.19, 59.18

 

CMYK 42 / 0 / 74 / 25

HEX #6EBF32

RGB 110 191 50

HSL 94.47, 0.59%, 0.47%

LAB 70.04, -47.81, 59.51

 

CMYK 46 / 0 / 82 / 32

HEX #5DAD1F

RGB 93 173 31

HSL 93.8, 0.7%, 0.4%

LAB 63.6, -47.18, 59.1

 

CMYK 51 / 0 / 92 / 39

HEX #4C9B0C

RGB 76 155 12

HSL 93.15, 0.86%, 0.33%

LAB 57.08, -46.2, 57.39

 

CMYK 36 / 0 / 61 / 11

HEX #90E259

RGB 144 226 89

HSL 95.91, 0.7%, 0.62%

LAB 82.4, -47.89, 57.7

 

CMYK 20 / 0 / 61 / 11

HEX #B5E259

RGB 181 226 89

HSL 79.71, 0.7%, 0.62%

LAB 84.45, -34.66, 60.55

 

CMYK 4 / 0 / 61 / 11

HEX #DAE259

RGB 218 226 89

HSL 63.5, 0.7%, 0.62%

LAB 87.01, -20.11, 64.07

 

CMYK 0 / 13 / 61 / 11

HEX #E2C559

RGB 226 197 89

HSL 47.3, 0.7%, 0.62%

LAB 80.08, -2.25, 56.67

 

CMYK 0 / 29 / 61 / 11

HEX #E2A059

RGB 226 160 89

HSL 31.09, 0.7%, 0.62%

LAB 70.89, 17.28, 46.17

 

CMYK 36 / 0 / 61 / 11

HEX #90E259

RGB 144 226 89

HSL 95.91, 0.7%, 0.62%

LAB 82.4, -47.89, 57.7

 

CMYK 53 / 0 / 61 / 11

HEX #6BE259

RGB 107 226 89

HSL 112.12, 0.7%, 0.62%

LAB 80.87, -58.95, 55.56

 

CMYK 61 / 0 / 52 / 11

HEX #59E26C

RGB 89 226 108

HSL 128.32, 0.7%, 0.62%

LAB 80.52, -61, 46.42

 

CMYK 61 / 0 / 36 / 11

HEX #59E291

RGB 89 226 145

HSL 144.53, 0.7%, 0.62%

LAB 81.05, -55.13, 28.81

 

CMYK 61 / 0 / 19 / 11

HEX #59E2B6

RGB 89 226 182

HSL 160.73, 0.7%, 0.62%

LAB 81.78, -47.53, 10.55

 

CMYK 36 / 0 / 61 / 11

HEX #90E259

RGB 144 226 89

HSL 95.91, 0.7%, 0.62%

LAB 82.4, -47.89, 57.7

 

CMYK 42 / 0 / 70 / 5

HEX #8DF249

RGB 141 242 73

HSL 95.86, 0.87%, 0.62%

LAB 86.82, -56.6, 68.69

 

CMYK 36 / 0 / 61 / 11

HEX #90E259

RGB 144 226 89

HSL 95.91, 0.7%, 0.62%

LAB 82.4, -47.89, 57.7

 

CMYK 30 / 0 / 51 / 17

HEX #93D368

RGB 147 211 104

HSL 95.89, 0.55%, 0.62%

LAB 78.34, -38.86, 46.22

 

CMYK 23 / 0 / 38 / 24

HEX #96C378

RGB 150 195 120

HSL 96, 0.38%, 0.62%

LAB 74.11, -28.37, 32.98

 

CMYK 15 / 0 / 24 / 30

HEX #99B388

RGB 153 179 136

HSL 96.28, 0.22%, 0.62%

LAB 70.03, -16.92, 19.07

 

CMYK 5 / 0 / 7 / 36

HEX #9CA498

RGB 156 164 152

HSL 100, 0.06%, 0.62%

LAB 66.43, -5.13, 5.24

 

CMYK 3 / 0 / 61 / 11

HEX #DCE259

RGB 220 226 89

HSL 62.63, 0.7%, 0.62%

LAB 87.16, -19.3, 64.28

 

CMYK 19 / 0 / 61 / 11

HEX #B7E259

RGB 183 226 89

HSL 78.83, 0.7%, 0.62%

LAB 84.58, -33.9, 60.72

 

CMYK 35 / 0 / 61 / 11

HEX #92E259

RGB 146 226 89

HSL 95.04, 0.7%, 0.62%

LAB 82.5, -47.23, 57.84

 

CMYK 52 / 0 / 61 / 11

HEX #6DE259

RGB 109 226 89

HSL 111.24, 0.7%, 0.62%

LAB 80.94, -58.43, 55.66

 

CMYK 61 / 0 / 54 / 11

HEX #59E269

RGB 89 226 105

HSL 127.01, 0.7%, 0.62%

LAB 80.48, -61.39, 47.78

 

CMYK 50 / 0 / 83 / 22

HEX #64C721

RGB 100 199 33

HSL 95.78, 0.72%, 0.45%

LAB 72, -54.95, 66.26

 

CMYK 45 / 0 / 75 / 14

HEX #79DC36

RGB 121 220 54

HSL 95.78, 0.7%, 0.54%

LAB 79.34, -55.5, 67.42

 

CMYK 36 / 0 / 61 / 11

HEX #90E259

RGB 144 226 89

HSL 95.91, 0.7%, 0.62%

LAB 82.4, -47.89, 57.7

 

CMYK 28 / 0 / 47 / 9

HEX #A8E87C

RGB 168 232 124

HSL 95.56, 0.7%, 0.7%

LAB 85.75, -38.65, 45.97

 

CMYK 20 / 0 / 33 / 7

HEX #BFEE9F

RGB 191 238 159

HSL 95.7, 0.7%, 0.78%

LAB 89.27, -28.86, 33.46

 

CMYK 37 / 0 / 61 / 11

HEX #90E358

RGB 144 227 88

HSL 95.83, 0.71%, 0.62%

LAB 82.69, -48.4, 58.44

 

CMYK 61 / 0 / 13 / 11

HEX #59E2C5

RGB 89 226 197

HSL 167.3, 0.7%, 0.62%

LAB 82.14, -44, 3.14

 

CMYK 0 / 61 / 11 / 11

HEX #E259C9

RGB 226 89 201

HSL 310.95, 0.7%, 0.62%

LAB 59.46, 65.81, -32.18

 

CMYK 37 / 0 / 61 / 11

HEX #90E358

RGB 144 227 88

HSL 95.83, 0.71%, 0.62%

LAB 82.69, -48.4, 58.44

 

CMYK 61 / 35 / 0 / 11

HEX #5992E2

RGB 89 146 226

HSL 215.04, 0.7%, 0.62%

LAB 60.04, 5.41, -46.23

 

CMYK 0 / 61 / 35 / 11

HEX #E25992

RGB 226 89 146

HSL 335.04, 0.7%, 0.62%

LAB 57.45, 58.48, -3.47

 

CMYK 37 / 0 / 61 / 11

HEX #90E358

RGB 144 227 88

HSL 95.83, 0.71%, 0.62%

LAB 82.69, -48.4, 58.44

 

CMYK 61 / 0 / 13 / 11

HEX #59E2C5

RGB 89 226 197

HSL 167.3, 0.7%, 0.62%

LAB 82.14, -44, 3.14

 

CMYK 25 / 61 / 0 / 11

HEX #A959E2

RGB 169 89 226

HSL 275.04, 0.7%, 0.62%

LAB 53.03, 56.23, -57.02

 

CMYK 0 / 61 / 47 / 11

HEX #E25977

RGB 226 89 119

HSL 346.86, 0.7%, 0.62%

LAB 56.73, 55.72, 11.34

 

CMYK 37 / 0 / 61 / 11

HEX #90E358

RGB 144 227 88

HSL 95.83, 0.71%, 0.62%

LAB 82.69, -48.4, 58.44

 

CMYK 61 / 5 / 0 / 11

HEX #59D7E2

RGB 89 215 226

HSL 184.82, 0.7%, 0.62%

LAB 79.74, -31.37, -15.84

 

CMYK 25 / 61 / 0 / 11

HEX #A959E2

RGB 169 89 226

HSL 275.04, 0.7%, 0.62%

LAB 53.03, 56.23, -57.02

 

CMYK 0 / 56 / 61 / 11

HEX #E26459

RGB 226 100 89

HSL 4.82, 0.7%, 0.62%

LAB 58.04, 48.31, 30.5

 

Description

Color code: HEX #90E358 | qconv.com Color code: HEX #90E358 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 144 red, 227 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
144 227 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, none magenta, 61 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 0% 61% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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