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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #963711 it is the complementary color #69C8EE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #963711. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #963711 shade: #9B370C, #AC491F, #BD5B32, #CE6D45 and #DF7F58

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #963711. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #963711 shade: #963711, #852500, #741300, #630100 and #520000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #963711 shade: #973710, #971210 and #971010

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #963711 shade: #973710, #975B10, #977F10, #8A9710 and #669710

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #963711 shade matches the following richer shades: #973710 and #A53103

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #963711 shade: #973710, #893D1E, #7C422C, #6E4839 and #614E47

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #963711 shade: #971032, #971310, #973610, #975A10 and #977E10

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #963711 shade: #4D1C08, #72290C, #973710, #BC4414 and #E15219

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #963711 shade: #963711, #569710 and #102097

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #963711 shade: #963711, #109736 and #361097

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #963711 shade: #963711, #569710, #107197 and #511097

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #963711 shade: #963711, #2E9710, #107197 and #7A1097

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 89 / 41

HEX #963711

RGB 150 55 17

HSL 17.14, 0.8%, 0.33%

LAB 36.47, 38.16, 41.72

 

Complementary color

CMYK 56 / 16 / 0 / 7

HEX #69C8EE

RGB 105 200 238

HSL 197.14, 0.8%, 0.67%

LAB 76.37, -17.56, -27.34

 

CMYK 0 / 65 / 92 / 39

HEX #9B370C

RGB 155 55 12

HSL 18.04, 0.86%, 0.33%

LAB 37.35, 39.95, 44.71

 

CMYK 0 / 58 / 82 / 33

HEX #AC491F

RGB 172 73 31

HSL 17.87, 0.69%, 0.4%

LAB 43.7, 38.27, 43.26

 

CMYK 0 / 52 / 74 / 26

HEX #BD5B32

RGB 189 91 50

HSL 17.7, 0.58%, 0.47%

LAB 50.13, 36.59, 41.18

 

CMYK 0 / 47 / 67 / 19

HEX #CE6D45

RGB 206 109 69

HSL 17.52, 0.58%, 0.54%

LAB 56.57, 35, 39.08

 

CMYK 0 / 43 / 61 / 13

HEX #DF7F58

RGB 223 127 88

HSL 17.33, 0.68%, 0.61%

LAB 62.99, 33.55, 37.13

 

CMYK 0 / 63 / 89 / 41

HEX #963711

RGB 150 55 17

HSL 17.14, 0.8%, 0.33%

LAB 36.47, 38.16, 41.72

 

CMYK 0 / 72 / 100 / 48

HEX #852500

RGB 133 37 0

HSL 16.69, 1%, 0.26%

LAB 30.18, 39.59, 42.41

 

CMYK 0 / 84 / 100 / 55

HEX #741300

RGB 116 19 0

HSL 9.83, 1%, 0.23%

LAB 24.25, 40.33, 35.89

 

CMYK 0 / 99 / 100 / 61

HEX #630100

RGB 99 1 0

HSL 0.61, 1%, 0.19%

LAB 18.69, 39.76, 28.73

 

CMYK 0 / 100 / 100 / 68

HEX #520000

RGB 82 0 0

HSL 0, 1%, 0.16%

LAB 14.37, 35.14, 22.44

 

CMYK 0 / 64 / 89 / 41

HEX #973710

RGB 151 55 16

HSL 17.33, 0.81%, 0.33%

LAB 36.65, 38.52, 42.35

 

CMYK 0 / 88 / 89 / 41

HEX #971210

RGB 151 18 16

HSL 0.89, 0.81%, 0.33%

LAB 31.92, 51.54, 38.59

 

CMYK 0 / 89 / 89 / 41

HEX #971010

RGB 151 16 16

HSL 0, 0.81%, 0.33%

LAB 31.78, 51.95, 38.48

 

CMYK 0 / 64 / 89 / 41

HEX #973710

RGB 151 55 16

HSL 17.33, 0.81%, 0.33%

LAB 36.65, 38.52, 42.35

 

CMYK 0 / 40 / 89 / 41

HEX #975B10

RGB 151 91 16

HSL 33.33, 0.81%, 0.33%

LAB 44.37, 19.24, 48.51

 

CMYK 0 / 16 / 89 / 41

HEX #977F10

RGB 151 127 16

HSL 49.33, 0.81%, 0.33%

LAB 53.81, -1.32, 56.05

 

CMYK 9 / 0 / 89 / 41

HEX #8A9710

RGB 138 151 16

HSL 65.78, 0.81%, 0.33%

LAB 59.5, -20.12, 60.16

 

CMYK 32 / 0 / 89 / 41

HEX #669710

RGB 102 151 16

HSL 81.78, 0.81%, 0.33%

LAB 57.07, -35.25, 57.16

 

CMYK 0 / 64 / 89 / 41

HEX #973710

RGB 151 55 16

HSL 17.33, 0.81%, 0.33%

LAB 36.65, 38.52, 42.35

 

CMYK 0 / 70 / 98 / 35

HEX #A53103

RGB 165 49 3

HSL 17.04, 0.96%, 0.33%

LAB 38.2, 46.03, 49.21

 

CMYK 0 / 64 / 89 / 41

HEX #973710

RGB 151 55 16

HSL 17.33, 0.81%, 0.33%

LAB 36.65, 38.52, 42.35

 

CMYK 0 / 55 / 78 / 46

HEX #893D1E

RGB 137 61 30

HSL 17.38, 0.64%, 0.33%

LAB 35.5, 30.38, 33.72

 

CMYK 0 / 47 / 65 / 51

HEX #7C422C

RGB 124 66 44

HSL 16.5, 0.48%, 0.33%

LAB 34.73, 22.88, 24.28

 

CMYK 0 / 35 / 48 / 57

HEX #6E4839

RGB 110 72 57

HSL 16.98, 0.32%, 0.33%

LAB 34.49, 14.31, 15.61

 

CMYK 0 / 20 / 27 / 62

HEX #614E47

RGB 97 78 71

HSL 16.15, 0.15%, 0.33%

LAB 34.89, 6.76, 7.14

 

CMYK 0 / 89 / 67 / 41

HEX #971032

RGB 151 16 50

HSL 344.89, 0.81%, 0.33%

LAB 32.21, 53.21, 18.4

 

CMYK 0 / 87 / 89 / 41

HEX #971310

RGB 151 19 16

HSL 1.33, 0.81%, 0.33%

LAB 31.99, 51.33, 38.65

 

CMYK 0 / 64 / 89 / 41

HEX #973610

RGB 151 54 16

HSL 16.89, 0.81%, 0.33%

LAB 36.47, 38.99, 42.21

 

CMYK 0 / 40 / 89 / 41

HEX #975A10

RGB 151 90 16

HSL 32.89, 0.81%, 0.33%

LAB 44.13, 19.81, 48.32

 

CMYK 0 / 17 / 89 / 41

HEX #977E10

RGB 151 126 16

HSL 48.89, 0.81%, 0.33%

LAB 53.53, -0.76, 55.83

 

CMYK 0 / 64 / 90 / 70

HEX #4D1C08

RGB 77 28 8

HSL 17.39, 0.81%, 0.17%

LAB 17.58, 21.92, 22.98

 

CMYK 0 / 64 / 89 / 55

HEX #72290C

RGB 114 41 12

HSL 17.06, 0.81%, 0.25%

LAB 27.27, 30.77, 33.59

 

CMYK 0 / 64 / 89 / 41

HEX #973710

RGB 151 55 16

HSL 17.33, 0.81%, 0.33%

LAB 36.65, 38.52, 42.35

 

CMYK 0 / 64 / 89 / 26

HEX #BC4414

RGB 188 68 20

HSL 17.14, 0.81%, 0.41%

LAB 45.46, 46.34, 50.49

 

CMYK 0 / 64 / 89 / 12

HEX #E15219

RGB 225 82 25

HSL 17.1, 0.8%, 0.49%

LAB 54.15, 53.43, 58.07

 

CMYK 0 / 63 / 89 / 41

HEX #963711

RGB 150 55 17

HSL 17.14, 0.8%, 0.33%

LAB 36.47, 38.16, 41.72

 

CMYK 43 / 0 / 89 / 41

HEX #569710

RGB 86 151 16

HSL 88.89, 0.81%, 0.33%

LAB 56.24, -41.18, 56.12

 

CMYK 89 / 79 / 0 / 41

HEX #102097

RGB 16 32 151

HSL 232.89, 0.81%, 0.33%

LAB 21.5, 40.9, -64.91

 

CMYK 0 / 63 / 89 / 41

HEX #963711

RGB 150 55 17

HSL 17.14, 0.8%, 0.33%

LAB 36.47, 38.16, 41.72

 

CMYK 89 / 0 / 64 / 41

HEX #109736

RGB 16 151 54

HSL 136.89, 0.81%, 0.33%

LAB 54.56, -53.7, 40.77

 

CMYK 64 / 89 / 0 / 41

HEX #361097

RGB 54 16 151

HSL 256.89, 0.81%, 0.33%

LAB 21.54, 50.65, -64.76

 

CMYK 0 / 63 / 89 / 41

HEX #963711

RGB 150 55 17

HSL 17.14, 0.8%, 0.33%

LAB 36.47, 38.16, 41.72

 

CMYK 43 / 0 / 89 / 41

HEX #569710

RGB 86 151 16

HSL 88.89, 0.81%, 0.33%

LAB 56.24, -41.18, 56.12

 

CMYK 89 / 25 / 0 / 41

HEX #107197

RGB 16 113 151

HSL 196.89, 0.81%, 0.33%

LAB 44.45, -11.82, -27.9

 

CMYK 46 / 89 / 0 / 41

HEX #511097

RGB 81 16 151

HSL 268.89, 0.81%, 0.33%

LAB 24.81, 53.37, -59.25

 

CMYK 0 / 63 / 89 / 41

HEX #963711

RGB 150 55 17

HSL 17.14, 0.8%, 0.33%

LAB 36.47, 38.16, 41.72

 

CMYK 70 / 0 / 89 / 41

HEX #2E9710

RGB 46 151 16

HSL 106.67, 0.81%, 0.33%

LAB 54.82, -52.42, 54.34

 

CMYK 89 / 25 / 0 / 41

HEX #107197

RGB 16 113 151

HSL 196.89, 0.81%, 0.33%

LAB 44.45, -11.82, -27.9

 

CMYK 19 / 89 / 0 / 41

HEX #7A1097

RGB 122 16 151

HSL 287.11, 0.81%, 0.33%

LAB 31.21, 59.27, -48.53

 

Description

Color code: HEX #963711 | qconv.com Color code: HEX #963711 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 55 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 55 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 89 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 89% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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