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Color name
HEX #9BA71F

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9BA71F it is the complementary color #6458E0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9BA71F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9BA71F shade: #A0A71A, #B1B92D, #C2CB40, #D3DD53 and #E4EF66

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9BA71F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9BA71F shade: #9BA71F, #8A950C, #798300, #687100 and #575F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9BA71F shade: #9BA81E, #A88F1E, #A86A1E, #A8451E and #A8201E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9BA71F shade: #9BA81E, #76A81E, #51A81E, #2CA81E and #1EA835

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9BA71F shade matches the following richer shades: #9BA81E and #A9B80E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9BA71F shade: #9BA81E, #8E972E, #81873F, #74774F and #66675F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9BA71F shade: #A86A1E, #A88E1E, #9CA81E, #78A81E and #53A81E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9BA71F shade: #5B6212, #7B8518, #9BA81E, #BCCA25 and #CDDB3D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9BA71F shade: #9BA71F, #1EA845 and #7C1EA8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9BA71F shade: #9BA71F, #1E9CA8 and #A81E9C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9BA71F shade: #9BA71F, #1EA845, #2A1EA8 and #A81E81

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9BA71F shade: #9BA71F, #1EA86E, #2A1EA8 and #A81E58

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 81 / 35

HEX #9BA71F

RGB 155 167 31

HSL 65.29, 0.69%, 0.39%

LAB 65.52, -20.34, 62.22

 

Complementary color

CMYK 55 / 61 / 0 / 12

HEX #6458E0

RGB 100 88 224

HSL 245.29, 0.69%, 0.61%

LAB 45.73, 41.84, -68.02

 

CMYK 4 / 0 / 84 / 35

HEX #A0A71A

RGB 160 167 26

HSL 62.98, 0.73%, 0.38%

LAB 65.89, -18.32, 63.98

 

CMYK 4 / 0 / 76 / 27

HEX #B1B92D

RGB 177 185 45

HSL 63.43, 0.61%, 0.45%

LAB 72.38, -19.36, 64.86

 

CMYK 4 / 0 / 68 / 20

HEX #C2CB40

RGB 194 203 64

HSL 63.88, 0.57%, 0.52%

LAB 78.78, -20.21, 64.85

 

CMYK 5 / 0 / 62 / 13

HEX #D3DD53

RGB 211 221 83

HSL 64.35, 0.67%, 0.6%

LAB 85.09, -20.9, 64.33

 

CMYK 5 / 0 / 57 / 6

HEX #E4EF66

RGB 228 239 102

HSL 64.82, 0.81%, 0.67%

LAB 91.32, -21.48, 63.53

 

CMYK 7 / 0 / 81 / 35

HEX #9BA71F

RGB 155 167 31

HSL 65.29, 0.69%, 0.39%

LAB 65.52, -20.34, 62.22

 

CMYK 7 / 0 / 92 / 42

HEX #8A950C

RGB 138 149 12

HSL 64.82, 0.85%, 0.32%

LAB 58.9, -19.18, 60.4

 

CMYK 8 / 0 / 100 / 49

HEX #798300

RGB 121 131 0

HSL 64.58, 1%, 0.26%

LAB 52.17, -17.76, 56.64

 

CMYK 8 / 0 / 100 / 56

HEX #687100

RGB 104 113 0

HSL 64.78, 1%, 0.22%

LAB 45.29, -16.09, 50.91

 

CMYK 8 / 0 / 100 / 63

HEX #575F00

RGB 87 95 0

HSL 65.05, 1%, 0.19%

LAB 38.22, -14.37, 45.03

 

CMYK 8 / 0 / 82 / 34

HEX #9BA81E

RGB 155 168 30

HSL 65.65, 0.7%, 0.39%

LAB 65.8, -20.87, 62.73

 

CMYK 0 / 15 / 82 / 34

HEX #A88F1E

RGB 168 143 30

HSL 49.13, 0.7%, 0.39%

LAB 59.95, -1.93, 58.08

 

CMYK 0 / 37 / 82 / 34

HEX #A86A1E

RGB 168 106 30

HSL 33.04, 0.7%, 0.39%

LAB 50.37, 18.77, 49.6

 

CMYK 0 / 59 / 82 / 34

HEX #A8451E

RGB 168 69 30

HSL 16.96, 0.7%, 0.39%

LAB 42.27, 38.66, 42.15

 

CMYK 0 / 81 / 82 / 34

HEX #A8201E

RGB 168 32 30

HSL 0.87, 0.7%, 0.39%

LAB 36.84, 53.4, 36.95

 

CMYK 8 / 0 / 82 / 34

HEX #9BA81E

RGB 155 168 30

HSL 65.65, 0.7%, 0.39%

LAB 65.8, -20.87, 62.73

 

CMYK 30 / 0 / 82 / 34

HEX #76A81E

RGB 118 168 30

HSL 81.74, 0.7%, 0.39%

LAB 63.3, -36.19, 59.57

 

CMYK 52 / 0 / 82 / 34

HEX #51A81E

RGB 81 168 30

HSL 97.83, 0.7%, 0.39%

LAB 61.52, -49, 57.3

 

CMYK 74 / 0 / 82 / 34

HEX #2CA81E

RGB 44 168 30

HSL 113.91, 0.7%, 0.39%

LAB 60.46, -57.71, 55.93

 

CMYK 82 / 0 / 68 / 34

HEX #1EA835

RGB 30 168 53

HSL 130, 0.7%, 0.39%

LAB 60.37, -57.91, 47.64

 

CMYK 8 / 0 / 82 / 34

HEX #9BA81E

RGB 155 168 30

HSL 65.65, 0.7%, 0.39%

LAB 65.8, -20.87, 62.73

 

CMYK 8 / 0 / 92 / 28

HEX #A9B80E

RGB 169 184 14

HSL 65.29, 0.86%, 0.39%

LAB 71.38, -23.18, 70.94

 

CMYK 8 / 0 / 82 / 34

HEX #9BA81E

RGB 155 168 30

HSL 65.65, 0.7%, 0.39%

LAB 65.8, -20.87, 62.73

 

CMYK 6 / 0 / 70 / 41

HEX #8E972E

RGB 142 151 46

HSL 65.14, 0.53%, 0.39%

LAB 59.96, -17.14, 51.59

 

CMYK 4 / 0 / 53 / 47

HEX #81873F

RGB 129 135 63

HSL 65, 0.36%, 0.39%

LAB 54.4, -13.09, 37.49

 

CMYK 3 / 0 / 34 / 53

HEX #74774F

RGB 116 119 79

HSL 64.5, 0.2%, 0.39%

LAB 48.85, -8.06, 21.67

 

CMYK 1 / 0 / 8 / 60

HEX #66675F

RGB 102 103 95

HSL 67.5, 0.04%, 0.39%

LAB 43.29, -2, 4.37

 

CMYK 0 / 37 / 82 / 34

HEX #A86A1E

RGB 168 106 30

HSL 33.04, 0.7%, 0.39%

LAB 50.37, 18.77, 49.6

 

CMYK 0 / 15 / 82 / 34

HEX #A88E1E

RGB 168 142 30

HSL 48.7, 0.7%, 0.39%

LAB 59.68, -1.38, 57.85

 

CMYK 7 / 0 / 82 / 34

HEX #9CA81E

RGB 156 168 30

HSL 65.22, 0.7%, 0.39%

LAB 65.88, -20.44, 62.83

 

CMYK 29 / 0 / 82 / 34

HEX #78A81E

RGB 120 168 30

HSL 80.87, 0.7%, 0.39%

LAB 63.42, -35.41, 59.72

 

CMYK 51 / 0 / 82 / 34

HEX #53A81E

RGB 83 168 30

HSL 96.96, 0.7%, 0.39%

LAB 61.6, -48.4, 57.4

 

CMYK 7 / 0 / 82 / 62

HEX #5B6212

RGB 91 98 18

HSL 65.25, 0.69%, 0.23%

LAB 39.59, -13.47, 41.1

 

CMYK 8 / 0 / 82 / 48

HEX #7B8518

RGB 123 133 24

HSL 65.5, 0.69%, 0.31%

LAB 53.01, -17.28, 52.23

 

CMYK 8 / 0 / 82 / 34

HEX #9BA81E

RGB 155 168 30

HSL 65.65, 0.7%, 0.39%

LAB 65.8, -20.87, 62.73

 

CMYK 7 / 0 / 82 / 21

HEX #BCCA25

RGB 188 202 37

HSL 65.09, 0.69%, 0.47%

LAB 77.91, -23.38, 72.38

 

CMYK 6 / 0 / 72 / 14

HEX #CDDB3D

RGB 205 219 61

HSL 65.32, 0.69%, 0.55%

LAB 83.95, -23.61, 71.25

 

CMYK 7 / 0 / 81 / 35

HEX #9BA71F

RGB 155 167 31

HSL 65.29, 0.69%, 0.39%

LAB 65.52, -20.34, 62.22

 

CMYK 82 / 0 / 59 / 34

HEX #1EA845

RGB 30 168 69

HSL 136.96, 0.7%, 0.39%

LAB 60.53, -56.02, 40.67

 

CMYK 26 / 82 / 0 / 34

HEX #7C1EA8

RGB 124 30 168

HSL 280.87, 0.7%, 0.39%

LAB 34.07, 59.37, -54.19

 

CMYK 7 / 0 / 81 / 35

HEX #9BA71F

RGB 155 167 31

HSL 65.29, 0.69%, 0.39%

LAB 65.52, -20.34, 62.22

 

CMYK 82 / 7 / 0 / 34

HEX #1E9CA8

RGB 30 156 168

HSL 185.22, 0.7%, 0.39%

LAB 58.86, -27.83, -15.59

 

CMYK 0 / 82 / 7 / 34

HEX #A81E9C

RGB 168 30 156

HSL 305.22, 0.7%, 0.39%

LAB 40.66, 65.6, -35.98

 

CMYK 7 / 0 / 81 / 35

HEX #9BA71F

RGB 155 167 31

HSL 65.29, 0.69%, 0.39%

LAB 65.52, -20.34, 62.22

 

CMYK 82 / 0 / 59 / 34

HEX #1EA845

RGB 30 168 69

HSL 136.96, 0.7%, 0.39%

LAB 60.53, -56.02, 40.67

 

CMYK 75 / 82 / 0 / 34

HEX #2A1EA8

RGB 42 30 168

HSL 245.22, 0.7%, 0.39%

LAB 24.47, 49.02, -70.31

 

CMYK 0 / 82 / 23 / 34

HEX #A81E81

RGB 168 30 129

HSL 316.96, 0.7%, 0.39%

LAB 39.31, 61.83, -21.6

 

CMYK 7 / 0 / 81 / 35

HEX #9BA71F

RGB 155 167 31

HSL 65.29, 0.69%, 0.39%

LAB 65.52, -20.34, 62.22

 

CMYK 82 / 0 / 35 / 34

HEX #1EA86E

RGB 30 168 110

HSL 154.78, 0.7%, 0.39%

LAB 61.14, -48.85, 20.24

 

CMYK 75 / 82 / 0 / 34

HEX #2A1EA8

RGB 42 30 168

HSL 245.22, 0.7%, 0.39%

LAB 24.47, 49.02, -70.31

 

CMYK 0 / 82 / 48 / 34

HEX #A81E58

RGB 168 30 88

HSL 334.78, 0.7%, 0.39%

LAB 37.77, 57.35, 1.91

 

Description

Color code: HEX #9BA71F | qconv.com Color code: HEX #9BA71F | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 167 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 167 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 81 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 81% 35% C M Y K

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Provide designers and agencies with accurate color values.

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