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Color name
HEX #0CB47C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0CB47C it is the complementary color #F34B83. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0CB47C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0CB47C shade: #11B477, #22C68A, #33D89D, #44EAB0 and #55FCC3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0CB47C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0CB47C shade: #0CB47C, #00A269, #009056, #007E43 and #006C30

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0CB47C shade: #0BB67D, #0BB64F, #0BB621, #23B60B and #51B60B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0CB47C shade: #0BB67D, #0BB6AB, #0B93B6, #0B65B6 and #0B37B6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0CB47C shade matches the following richer shades: #0BB67D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0CB47C shade: #0BB67D, #1BA678, #2A9672, #3A876D and #4A7768

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0CB47C shade: #0BB622, #0BB64F, #0BB67D, #0BB6AA and #0B94B6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0CB47C shade: #066847, #098F62, #0BB67D, #0EDC98 and #23F0AC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0CB47C shade: #0CB47C, #0B22B6 and #B6390B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0CB47C shade: #0CB47C, #7D0BB6 and #B67D0B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0CB47C shade: #0CB47C, #0B22B6, #B60B44 and #B69F0B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0CB47C shade: #0CB47C, #280BB6, #B60B44 and #99B60B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 93 / 0 / 31 / 29

HEX #0CB47C

RGB 12 180 124

HSL 160, 0.88%, 0.38%

LAB 65.1, -51.63, 18.01

 

Complementary color

CMYK 0 / 69 / 46 / 5

HEX #F34B83

RGB 243 75 131

HSL 340, 0.88%, 0.62%

LAB 57.78, 67.54, 6.15

 

CMYK 91 / 0 / 34 / 29

HEX #11B477

RGB 17 180 119

HSL 157.55, 0.83%, 0.39%

LAB 65.04, -52.49, 20.63

 

CMYK 83 / 0 / 30 / 22

HEX #22C68A

RGB 34 198 138

HSL 158.05, 0.71%, 0.45%

LAB 71.26, -53.88, 18.99

 

CMYK 76 / 0 / 27 / 15

HEX #33D89D

RGB 51 216 157

HSL 158.55, 0.68%, 0.52%

LAB 77.43, -54.86, 17.49

 

CMYK 71 / 0 / 25 / 8

HEX #44EAB0

RGB 68 234 176

HSL 159.04, 0.8%, 0.59%

LAB 83.55, -55.53, 16.13

 

CMYK 66 / 0 / 23 / 1

HEX #55FCC3

RGB 85 252 195

HSL 159.52, 0.97%, 0.66%

LAB 89.62, -55.98, 14.88

 

CMYK 93 / 0 / 31 / 29

HEX #0CB47C

RGB 12 180 124

HSL 160, 0.88%, 0.38%

LAB 65.1, -51.63, 18.01

 

CMYK 100 / 0 / 35 / 36

HEX #00A269

RGB 0 162 105

HSL 158.89, 1%, 0.32%

LAB 58.85, -49.61, 19.82

 

CMYK 100 / 0 / 40 / 44

HEX #009056

RGB 0 144 86

HSL 155.83, 1%, 0.28%

LAB 52.53, -46.99, 21.81

 

CMYK 100 / 0 / 47 / 51

HEX #007E43

RGB 0 126 67

HSL 151.9, 1%, 0.25%

LAB 46.08, -44.21, 23.89

 

CMYK 100 / 0 / 56 / 58

HEX #006C30

RGB 0 108 48

HSL 146.67, 1%, 0.21%

LAB 39.48, -41.19, 26.01

 

CMYK 94 / 0 / 31 / 29

HEX #0BB67D

RGB 11 182 125

HSL 160, 0.89%, 0.38%

LAB 65.75, -52.21, 18.37

 

CMYK 94 / 0 / 57 / 29

HEX #0BB64F

RGB 11 182 79

HSL 143.86, 0.89%, 0.38%

LAB 65.04, -60.69, 41.2

 

CMYK 94 / 0 / 82 / 29

HEX #0BB621

RGB 11 182 33

HSL 127.72, 0.89%, 0.38%

LAB 64.67, -65.24, 58.86

 

CMYK 81 / 0 / 94 / 29

HEX #23B60B

RGB 35 182 11

HSL 111.58, 0.89%, 0.38%

LAB 64.83, -64.07, 63.57

 

CMYK 55 / 0 / 94 / 29

HEX #51B60B

RGB 81 182 11

HSL 95.44, 0.89%, 0.38%

LAB 65.93, -54.84, 64.92

 

CMYK 94 / 0 / 31 / 29

HEX #0BB67D

RGB 11 182 125

HSL 160, 0.89%, 0.38%

LAB 65.75, -52.21, 18.37

 

CMYK 94 / 0 / 6 / 29

HEX #0BB6AB

RGB 11 182 171

HSL 176.14, 0.89%, 0.38%

LAB 66.88, -40.24, -5.3

 

CMYK 94 / 19 / 0 / 29

HEX #0B93B6

RGB 11 147 182

HSL 192.28, 0.89%, 0.38%

LAB 56.4, -19.65, -27.33

 

CMYK 94 / 45 / 0 / 29

HEX #0B65B6

RGB 11 101 182

HSL 208.42, 0.89%, 0.38%

LAB 42.39, 7.47, -49.42

 

CMYK 94 / 70 / 0 / 29

HEX #0B37B6

RGB 11 55 182

HSL 224.56, 0.89%, 0.38%

LAB 29.86, 37.94, -69.82

 

CMYK 94 / 0 / 31 / 29

HEX #0BB67D

RGB 11 182 125

HSL 160, 0.89%, 0.38%

LAB 65.75, -52.21, 18.37

 

CMYK 94 / 0 / 31 / 29

HEX #0BB67D

RGB 11 182 125

HSL 160, 0.89%, 0.38%

LAB 65.75, -52.21, 18.37

 

CMYK 84 / 0 / 28 / 35

HEX #1BA678

RGB 27 166 120

HSL 160.14, 0.72%, 0.38%

LAB 60.66, -46.1, 14.07

 

CMYK 72 / 0 / 24 / 41

HEX #2A9672

RGB 42 150 114

HSL 160, 0.56%, 0.38%

LAB 55.6, -39.05, 10.39

 

CMYK 57 / 0 / 19 / 47

HEX #3A876D

RGB 58 135 109

HSL 159.74, 0.4%, 0.38%

LAB 51.07, -30.38, 6.89

 

CMYK 38 / 0 / 13 / 53

HEX #4A7768

RGB 74 119 104

HSL 160, 0.23%, 0.38%

LAB 46.51, -19.17, 3.37

 

CMYK 94 / 0 / 81 / 29

HEX #0BB622

RGB 11 182 34

HSL 128.07, 0.89%, 0.38%

LAB 64.68, -65.18, 58.59

 

CMYK 94 / 0 / 57 / 29

HEX #0BB64F

RGB 11 182 79

HSL 143.86, 0.89%, 0.38%

LAB 65.04, -60.69, 41.2

 

CMYK 94 / 0 / 31 / 29

HEX #0BB67D

RGB 11 182 125

HSL 160, 0.89%, 0.38%

LAB 65.75, -52.21, 18.37

 

CMYK 94 / 0 / 7 / 29

HEX #0BB6AA

RGB 11 182 170

HSL 175.79, 0.89%, 0.38%

LAB 66.85, -40.54, -4.79

 

CMYK 94 / 19 / 0 / 29

HEX #0B94B6

RGB 11 148 182

HSL 191.93, 0.89%, 0.38%

LAB 56.71, -20.18, -26.85

 

CMYK 94 / 0 / 32 / 59

HEX #066847

RGB 6 104 71

HSL 159.8, 0.89%, 0.22%

LAB 38.54, -34.22, 11.54

 

CMYK 94 / 0 / 31 / 44

HEX #098F62

RGB 9 143 98

HSL 159.85, 0.88%, 0.3%

LAB 52.49, -43.42, 15.05

 

CMYK 94 / 0 / 31 / 29

HEX #0BB67D

RGB 11 182 125

HSL 160, 0.89%, 0.38%

LAB 65.75, -52.21, 18.37

 

CMYK 94 / 0 / 31 / 14

HEX #0EDC98

RGB 14 220 152

HSL 160.19, 0.88%, 0.46%

LAB 78.2, -60.22, 21.12

 

CMYK 85 / 0 / 28 / 6

HEX #23F0AC

RGB 35 240 172

HSL 160.1, 0.87%, 0.54%

LAB 84.82, -62.08, 19.91

 

CMYK 93 / 0 / 31 / 29

HEX #0CB47C

RGB 12 180 124

HSL 160, 0.88%, 0.38%

LAB 65.1, -51.63, 18.01

 

CMYK 94 / 81 / 0 / 29

HEX #0B22B6

RGB 11 34 182

HSL 231.93, 0.89%, 0.38%

LAB 25.54, 50.13, -76.98

 

CMYK 0 / 69 / 94 / 29

HEX #B6390B

RGB 182 57 11

HSL 16.14, 0.89%, 0.38%

LAB 42.61, 48.77, 50.97

 

CMYK 93 / 0 / 31 / 29

HEX #0CB47C

RGB 12 180 124

HSL 160, 0.88%, 0.38%

LAB 65.1, -51.63, 18.01

 

CMYK 31 / 94 / 0 / 29

HEX #7D0BB6

RGB 125 11 182

HSL 280, 0.89%, 0.38%

LAB 33.93, 66.59, -62.77

 

CMYK 0 / 31 / 94 / 29

HEX #B67D0B

RGB 182 125 11

HSL 40, 0.89%, 0.38%

LAB 56.72, 13.96, 60.8

 

CMYK 93 / 0 / 31 / 29

HEX #0CB47C

RGB 12 180 124

HSL 160, 0.88%, 0.38%

LAB 65.1, -51.63, 18.01

 

CMYK 94 / 81 / 0 / 29

HEX #0B22B6

RGB 11 34 182

HSL 231.93, 0.89%, 0.38%

LAB 25.54, 50.13, -76.98

 

CMYK 0 / 94 / 63 / 29

HEX #B60B44

RGB 182 11 68

HSL 340, 0.89%, 0.38%

LAB 38.9, 62.99, 16.75

 

CMYK 0 / 13 / 94 / 29

HEX #B69F0B

RGB 182 159 11

HSL 51.93, 0.89%, 0.38%

LAB 65.57, -4.65, 67.36

 

CMYK 93 / 0 / 31 / 29

HEX #0CB47C

RGB 12 180 124

HSL 160, 0.88%, 0.38%

LAB 65.1, -51.63, 18.01

 

CMYK 78 / 94 / 0 / 29

HEX #280BB6

RGB 40 11 182

HSL 250.18, 0.89%, 0.38%

LAB 23.89, 59.58, -79.69

 

CMYK 0 / 94 / 63 / 29

HEX #B60B44

RGB 182 11 68

HSL 340, 0.89%, 0.38%

LAB 38.9, 62.99, 16.75

 

CMYK 16 / 0 / 94 / 29

HEX #99B60B

RGB 153 182 11

HSL 70.18, 0.89%, 0.38%

LAB 69.65, -29.03, 69.47

 

Description

Color code: HEX #0CB47C | qconv.com Color code: HEX #0CB47C | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 12 red, 180 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
12 180 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 93 cyan, none magenta, 31 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
93% 0% 31% 29% C M Y K

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Provide designers and agencies with accurate color values.

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