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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0A6CC1 it is the complementary color #F5933E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0A6CC1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0A6CC1 shade: #0F6CBC, #207ECF, #3190E2, #42A2F5 and #53B4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0A6CC1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0A6CC1 shade: #0A6CC1, #005AAE, #00489B, #003688 and #002475

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0A6CC1 shade: #0A6CC1, #0A3BC1, #0A0AC1, #3C0AC1 and #6D0AC1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0A6CC1 shade: #0A6CC1, #0A3BC1 and #0A0AC1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0A6CC1 shade matches the following richer shades: #0A6CC1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0A6CC1 shade: #0A6CC1, #1A6BB1, #2B6AA0, #3B6990 and #4C677F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0A6CC1 shade: #0AC1B2, #0AA0C1, #0A6FC1, #0A3EC1 and #0A0DC1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0A6CC1 shade: #064073, #08569A, #0A6CC1, #0C82E8 and #2A96F3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0A6CC1 shade: #0A6CC1, #810AC1 and #B8C10A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0A6CC1 shade: #0A6CC1, #C10A6F and #6FC10A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0A6CC1 shade: #0A6CC1, #810AC1, #C15C0A and #4AC10A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0A6CC1 shade: #0A6CC1, #B80AC1, #C15C0A and #13C10A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 95 / 44 / 0 / 24

HEX #0A6CC1

RGB 10 108 193

HSL 207.87, 0.9%, 0.4%

LAB 45.14, 7.36, -51.4

 

Complementary color

CMYK 0 / 40 / 75 / 4

HEX #F5933E

RGB 245 147 62

HSL 27.87, 0.9%, 0.6%

LAB 69.91, 30.49, 58.44

 

CMYK 92 / 43 / 0 / 26

HEX #0F6CBC

RGB 15 108 188

HSL 207.75, 0.85%, 0.4%

LAB 44.88, 5.58, -48.91

 

CMYK 85 / 39 / 0 / 19

HEX #207ECF

RGB 32 126 207

HSL 207.77, 0.73%, 0.47%

LAB 51.53, 2.88, -49.17

 

CMYK 78 / 36 / 0 / 11

HEX #3190E2

RGB 49 144 226

HSL 207.8, 0.75%, 0.54%

LAB 58.12, 0.72, -49.36

 

CMYK 73 / 34 / 0 / 4

HEX #42A2F5

RGB 66 162 245

HSL 207.82, 0.9%, 0.61%

LAB 64.64, -1.02, -49.5

 

CMYK 67 / 29 / 0 / 0

HEX #53B4FF

RGB 83 180 255

HSL 206.16, 1%, 0.66%

LAB 70.66, -5.41, -45.41

 

CMYK 95 / 44 / 0 / 24

HEX #0A6CC1

RGB 10 108 193

HSL 207.87, 0.9%, 0.4%

LAB 45.14, 7.36, -51.4

 

CMYK 100 / 48 / 0 / 32

HEX #005AAE

RGB 0 90 174

HSL 208.97, 1%, 0.34%

LAB 38.5, 10.93, -50.99

 

CMYK 100 / 54 / 0 / 39

HEX #00489B

RGB 0 72 155

HSL 212.13, 1%, 0.3%

LAB 31.81, 15.16, -50.44

 

CMYK 100 / 60 / 0 / 47

HEX #003688

RGB 0 54 136

HSL 216.18, 1%, 0.27%

LAB 25, 19.7, -49.85

 

CMYK 100 / 69 / 0 / 54

HEX #002475

RGB 0 36 117

HSL 221.54, 1%, 0.23%

LAB 18.13, 24.5, -49.11

 

CMYK 95 / 44 / 0 / 24

HEX #0A6CC1

RGB 10 108 193

HSL 207.87, 0.9%, 0.4%

LAB 45.14, 7.36, -51.4

 

CMYK 95 / 69 / 0 / 24

HEX #0A3BC1

RGB 10 59 193

HSL 223.93, 0.9%, 0.4%

LAB 31.9, 39.48, -72.95

 

CMYK 95 / 95 / 0 / 24

HEX #0A0AC1

RGB 10 10 193

HSL 240, 0.9%, 0.4%

LAB 24.1, 62.07, -85.9

 

CMYK 69 / 95 / 0 / 24

HEX #3C0AC1

RGB 60 10 193

HSL 256.39, 0.9%, 0.4%

LAB 26.81, 63.45, -81.31

 

CMYK 44 / 95 / 0 / 24

HEX #6D0AC1

RGB 109 10 193

HSL 272.46, 0.9%, 0.4%

LAB 32.52, 67.17, -71.68

 

CMYK 95 / 44 / 0 / 24

HEX #0A6CC1

RGB 10 108 193

HSL 207.87, 0.9%, 0.4%

LAB 45.14, 7.36, -51.4

 

CMYK 95 / 69 / 0 / 24

HEX #0A3BC1

RGB 10 59 193

HSL 223.93, 0.9%, 0.4%

LAB 31.9, 39.48, -72.95

 

CMYK 95 / 95 / 0 / 24

HEX #0A0AC1

RGB 10 10 193

HSL 240, 0.9%, 0.4%

LAB 24.1, 62.07, -85.9

 

CMYK 95 / 44 / 0 / 24

HEX #0A6CC1

RGB 10 108 193

HSL 207.87, 0.9%, 0.4%

LAB 45.14, 7.36, -51.4

 

CMYK 95 / 44 / 0 / 24

HEX #0A6CC1

RGB 10 108 193

HSL 207.87, 0.9%, 0.4%

LAB 45.14, 7.36, -51.4

 

CMYK 85 / 40 / 0 / 31

HEX #1A6BB1

RGB 26 107 177

HSL 207.81, 0.74%, 0.4%

LAB 44.1, 2.58, -43.75

 

CMYK 73 / 34 / 0 / 37

HEX #2B6AA0

RGB 43 106 160

HSL 207.69, 0.58%, 0.4%

LAB 43.3, -1.37, -34.99

 

CMYK 59 / 27 / 0 / 44

HEX #3B6990

RGB 59 105 144

HSL 207.53, 0.42%, 0.4%

LAB 42.83, -3.53, -26.16

 

CMYK 40 / 19 / 0 / 50

HEX #4C677F

RGB 76 103 127

HSL 208.24, 0.25%, 0.4%

LAB 42.41, -3.33, -16.52

 

CMYK 95 / 0 / 8 / 24

HEX #0AC1B2

RGB 10 193 178

HSL 175.08, 0.9%, 0.4%

LAB 70.47, -43.09, -3.85

 

CMYK 95 / 17 / 0 / 24

HEX #0AA0C1

RGB 10 160 193

HSL 190.82, 0.9%, 0.4%

LAB 60.83, -22.69, -26.7

 

CMYK 95 / 42 / 0 / 24

HEX #0A6FC1

RGB 10 111 193

HSL 206.89, 0.9%, 0.4%

LAB 46.02, 5.46, -49.99

 

CMYK 95 / 68 / 0 / 24

HEX #0A3EC1

RGB 10 62 193

HSL 222.95, 0.9%, 0.4%

LAB 32.61, 37.57, -71.78

 

CMYK 95 / 93 / 0 / 24

HEX #0A0DC1

RGB 10 13 193

HSL 239.02, 0.9%, 0.4%

LAB 24.33, 61.37, -85.52

 

CMYK 95 / 44 / 0 / 55

HEX #064073

RGB 6 64 115

HSL 208.07, 0.9%, 0.24%

LAB 26.57, 3.88, -34.1

 

CMYK 95 / 44 / 0 / 40

HEX #08569A

RGB 8 86 154

HSL 207.95, 0.9%, 0.32%

LAB 36.06, 5.67, -42.97

 

CMYK 95 / 44 / 0 / 24

HEX #0A6CC1

RGB 10 108 193

HSL 207.87, 0.9%, 0.4%

LAB 45.14, 7.36, -51.4

 

CMYK 95 / 44 / 0 / 9

HEX #0C82E8

RGB 12 130 232

HSL 207.82, 0.9%, 0.48%

LAB 53.89, 8.97, -59.5

 

CMYK 83 / 38 / 0 / 5

HEX #2A96F3

RGB 42 150 243

HSL 207.76, 0.89%, 0.56%

LAB 60.58, 2.75, -54.87

 

CMYK 95 / 44 / 0 / 24

HEX #0A6CC1

RGB 10 108 193

HSL 207.87, 0.9%, 0.4%

LAB 45.14, 7.36, -51.4

 

CMYK 33 / 95 / 0 / 24

HEX #810AC1

RGB 129 10 193

HSL 279.02, 0.9%, 0.4%

LAB 35.47, 69.41, -66.73

 

CMYK 5 / 0 / 95 / 24

HEX #B8C10A

RGB 184 193 10

HSL 62.95, 0.9%, 0.4%

LAB 75.05, -21.24, 74.74

 

CMYK 95 / 44 / 0 / 24

HEX #0A6CC1

RGB 10 108 193

HSL 207.87, 0.9%, 0.4%

LAB 45.14, 7.36, -51.4

 

CMYK 0 / 95 / 42 / 24

HEX #C10A6F

RGB 193 10 111

HSL 326.89, 0.9%, 0.4%

LAB 42.31, 68.89, -5.39

 

CMYK 42 / 0 / 95 / 24

HEX #6FC10A

RGB 111 193 10

HSL 86.89, 0.9%, 0.4%

LAB 70.55, -49.84, 69.29

 

CMYK 95 / 44 / 0 / 24

HEX #0A6CC1

RGB 10 108 193

HSL 207.87, 0.9%, 0.4%

LAB 45.14, 7.36, -51.4

 

CMYK 33 / 95 / 0 / 24

HEX #810AC1

RGB 129 10 193

HSL 279.02, 0.9%, 0.4%

LAB 35.47, 69.41, -66.73

 

CMYK 0 / 52 / 95 / 24

HEX #C15C0A

RGB 193 92 10

HSL 26.89, 0.9%, 0.4%

LAB 50.7, 36.54, 57.46

 

CMYK 62 / 0 / 95 / 24

HEX #4AC10A

RGB 74 193 10

HSL 99.02, 0.9%, 0.4%

LAB 69.2, -60.47, 67.63

 

CMYK 95 / 44 / 0 / 24

HEX #0A6CC1

RGB 10 108 193

HSL 207.87, 0.9%, 0.4%

LAB 45.14, 7.36, -51.4

 

CMYK 5 / 95 / 0 / 24

HEX #B80AC1

RGB 184 10 193

HSL 297.05, 0.9%, 0.4%

LAB 44.6, 77.33, -51.5

 

CMYK 0 / 52 / 95 / 24

HEX #C15C0A

RGB 193 92 10

HSL 26.89, 0.9%, 0.4%

LAB 50.7, 36.54, 57.46

 

CMYK 90 / 0 / 95 / 24

HEX #13C10A

RGB 19 193 10

HSL 117.05, 0.9%, 0.4%

LAB 68.24, -68.75, 66.45

 

Description

Color code: HEX #0A6CC1 | qconv.com Color code: HEX #0A6CC1 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 10 red, 108 green and 193 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
10 108 193 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 95 cyan, 44 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
95% 44% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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