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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #19992C it is the complementary color #E666D3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #19992C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #19992C shade: #1E9927, #2FAB3A, #40BD4D, #51CF60 and #62E173

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #19992C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #19992C shade: #19992C, #088719, #007506, #006300 and #005100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #19992C shade: #18992C, #289918, #4B9918, #6D9918 and #909918

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #19992C shade: #18992C, #18994E, #189971, #189994 and #187C99

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #19992C shade matches the following richer shades: #18992C and #0AA721

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #19992C shade: #18992C, #278B36, #357C40, #446E4A and #525F54

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #19992C shade: #4C9918, #2A9918, #18992A, #18994C and #18996E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #19992C shade: #0D5217, #137621, #18992C, #1EBC36 and #28DC43

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #19992C shade: #19992C, #186E99 and #99183B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #19992C shade: #19992C, #2A1899 and #992A18

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #19992C shade: #19992C, #186E99, #991888 and #994318

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #19992C shade: #19992C, #184899, #991888 and #996A18

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 0 / 71 / 40

HEX #19992C

RGB 25 153 44

HSL 128.91, 0.72%, 0.35%

LAB 55.25, -54.56, 45.86

 

Complementary color

CMYK 0 / 56 / 8 / 10

HEX #E666D3

RGB 230 102 211

HSL 308.91, 0.72%, 0.65%

LAB 62.53, 62.81, -33.03

 

CMYK 80 / 0 / 75 / 40

HEX #1E9927

RGB 30 153 39

HSL 124.39, 0.67%, 0.36%

LAB 55.28, -54.4, 47.86

 

CMYK 73 / 0 / 66 / 33

HEX #2FAB3A

RGB 47 171 58

HSL 125.32, 0.57%, 0.43%

LAB 61.68, -55.93, 47.04

 

CMYK 66 / 0 / 59 / 26

HEX #40BD4D

RGB 64 189 77

HSL 126.24, 0.49%, 0.5%

LAB 68.04, -56.86, 45.86

 

CMYK 61 / 0 / 54 / 19

HEX #51CF60

RGB 81 207 96

HSL 127.14, 0.57%, 0.56%

LAB 74.33, -57.39, 44.54

 

CMYK 56 / 0 / 49 / 12

HEX #62E173

RGB 98 225 115

HSL 128.03, 0.68%, 0.63%

LAB 80.56, -57.65, 43.2

 

CMYK 84 / 0 / 71 / 40

HEX #19992C

RGB 25 153 44

HSL 128.91, 0.72%, 0.35%

LAB 55.25, -54.56, 45.86

 

CMYK 94 / 0 / 81 / 47

HEX #088719

RGB 8 135 25

HSL 128.03, 0.89%, 0.28%

LAB 48.82, -52.02, 46.31

 

CMYK 100 / 0 / 95 / 54

HEX #007506

RGB 0 117 6

HSL 123.08, 1%, 0.23%

LAB 42.36, -48.21, 45.39

 

CMYK 100 / 0 / 100 / 61

HEX #006300

RGB 0 99 0

HSL 120, 1%, 0.19%

LAB 35.84, -43.07, 41.57

 

CMYK 100 / 0 / 100 / 68

HEX #005100

RGB 0 81 0

HSL 120, 1%, 0.16%

LAB 29.12, -37.49, 36.18

 

CMYK 84 / 0 / 71 / 40

HEX #18992C

RGB 24 153 44

HSL 129.3, 0.73%, 0.35%

LAB 55.24, -54.67, 45.84

 

CMYK 74 / 0 / 84 / 40

HEX #289918

RGB 40 153 24

HSL 112.56, 0.73%, 0.35%

LAB 55.38, -53.87, 52.88

 

CMYK 51 / 0 / 84 / 40

HEX #4B9918

RGB 75 153 24

HSL 96.28, 0.73%, 0.35%

LAB 56.43, -45.3, 54.22

 

CMYK 29 / 0 / 84 / 40

HEX #6D9918

RGB 109 153 24

HSL 80.47, 0.73%, 0.35%

LAB 58.13, -33.13, 56.38

 

CMYK 6 / 0 / 84 / 40

HEX #909918

RGB 144 153 24

HSL 64.19, 0.73%, 0.35%

LAB 60.58, -18.27, 59.46

 

CMYK 84 / 0 / 71 / 40

HEX #18992C

RGB 24 153 44

HSL 129.3, 0.73%, 0.35%

LAB 55.24, -54.67, 45.84

 

CMYK 84 / 0 / 49 / 40

HEX #18994E

RGB 24 153 78

HSL 145.12, 0.73%, 0.35%

LAB 55.61, -50.11, 30.16

 

CMYK 84 / 0 / 26 / 40

HEX #189971

RGB 24 153 113

HSL 161.4, 0.73%, 0.35%

LAB 56.26, -42.77, 11.83

 

CMYK 84 / 0 / 3 / 40

HEX #189994

RGB 24 153 148

HSL 177.67, 0.73%, 0.35%

LAB 57.19, -33.12, -6.74

 

CMYK 84 / 19 / 0 / 40

HEX #187C99

RGB 24 124 153

HSL 193.49, 0.73%, 0.35%

LAB 48.15, -16.69, -23.34

 

CMYK 84 / 0 / 71 / 40

HEX #18992C

RGB 24 153 44

HSL 129.3, 0.73%, 0.35%

LAB 55.24, -54.67, 45.84

 

CMYK 94 / 0 / 80 / 35

HEX #0AA721

RGB 10 167 33

HSL 128.79, 0.89%, 0.35%

LAB 59.72, -60.95, 54.2

 

CMYK 84 / 0 / 71 / 40

HEX #18992C

RGB 24 153 44

HSL 129.3, 0.73%, 0.35%

LAB 55.24, -54.67, 45.84

 

CMYK 72 / 0 / 61 / 45

HEX #278B36

RGB 39 139 54

HSL 129, 0.56%, 0.35%

LAB 50.88, -46.57, 36.65

 

CMYK 57 / 0 / 48 / 51

HEX #357C40

RGB 53 124 64

HSL 129.3, 0.4%, 0.35%

LAB 46.37, -35.97, 26.12

 

CMYK 38 / 0 / 33 / 57

HEX #446E4A

RGB 68 110 74

HSL 128.57, 0.24%, 0.35%

LAB 42.57, -22.94, 15.58

 

CMYK 14 / 0 / 12 / 63

HEX #525F54

RGB 82 95 84

HSL 129.23, 0.07%, 0.35%

LAB 38.93, -7.43, 4.61

 

CMYK 50 / 0 / 84 / 40

HEX #4C9918

RGB 76 153 24

HSL 95.81, 0.73%, 0.35%

LAB 56.47, -44.99, 54.28

 

CMYK 73 / 0 / 84 / 40

HEX #2A9918

RGB 42 153 24

HSL 111.63, 0.73%, 0.35%

LAB 55.42, -53.51, 52.93

 

CMYK 84 / 0 / 73 / 40

HEX #18992A

RGB 24 153 42

HSL 128.37, 0.73%, 0.35%

LAB 55.22, -54.86, 46.62

 

CMYK 84 / 0 / 50 / 40

HEX #18994C

RGB 24 153 76

HSL 144.19, 0.73%, 0.35%

LAB 55.58, -50.45, 31.17

 

CMYK 84 / 0 / 28 / 40

HEX #18996E

RGB 24 153 110

HSL 160, 0.73%, 0.35%

LAB 56.19, -43.49, 13.42

 

CMYK 84 / 0 / 72 / 68

HEX #0D5217

RGB 13 82 23

HSL 128.7, 0.73%, 0.19%

LAB 29.87, -33.97, 27.87

 

CMYK 84 / 0 / 72 / 54

HEX #137621

RGB 19 118 33

HSL 128.48, 0.72%, 0.27%

LAB 43.07, -44.82, 37.55

 

CMYK 84 / 0 / 71 / 40

HEX #18992C

RGB 24 153 44

HSL 129.3, 0.73%, 0.35%

LAB 55.24, -54.67, 45.84

 

CMYK 84 / 0 / 71 / 26

HEX #1EBC36

RGB 30 188 54

HSL 129.11, 0.72%, 0.43%

LAB 66.91, -64.06, 54.16

 

CMYK 82 / 0 / 70 / 14

HEX #28DC43

RGB 40 220 67

HSL 129, 0.72%, 0.51%

LAB 77.31, -71.56, 60.15

 

CMYK 84 / 0 / 71 / 40

HEX #19992C

RGB 25 153 44

HSL 128.91, 0.72%, 0.35%

LAB 55.25, -54.56, 45.86

 

CMYK 84 / 28 / 0 / 40

HEX #186E99

RGB 24 110 153

HSL 200, 0.73%, 0.35%

LAB 43.72, -8.68, -30.22

 

CMYK 0 / 84 / 61 / 40

HEX #99183B

RGB 153 24 59

HSL 343.72, 0.73%, 0.35%

LAB 33.44, 52.54, 14.19

 

CMYK 84 / 0 / 71 / 40

HEX #19992C

RGB 25 153 44

HSL 128.91, 0.72%, 0.35%

LAB 55.25, -54.56, 45.86

 

CMYK 73 / 84 / 0 / 40

HEX #2A1899

RGB 42 24 153

HSL 248.37, 0.73%, 0.35%

LAB 21.75, 47.2, -65.68

 

CMYK 0 / 73 / 84 / 40

HEX #992A18

RGB 153 42 24

HSL 8.37, 0.73%, 0.35%

LAB 34.99, 45.08, 37.36

 

CMYK 84 / 0 / 71 / 40

HEX #19992C

RGB 25 153 44

HSL 128.91, 0.72%, 0.35%

LAB 55.25, -54.56, 45.86

 

CMYK 84 / 28 / 0 / 40

HEX #186E99

RGB 24 110 153

HSL 200, 0.73%, 0.35%

LAB 43.72, -8.68, -30.22

 

CMYK 0 / 84 / 11 / 40

HEX #991888

RGB 153 24 136

HSL 307.91, 0.73%, 0.35%

LAB 36.37, 60.9, -30.73

 

CMYK 0 / 56 / 84 / 40

HEX #994318

RGB 153 67 24

HSL 20, 0.73%, 0.35%

LAB 39.33, 33.55, 41.32

 

CMYK 84 / 0 / 71 / 40

HEX #19992C

RGB 25 153 44

HSL 128.91, 0.72%, 0.35%

LAB 55.25, -54.56, 45.86

 

CMYK 84 / 53 / 0 / 40

HEX #184899

RGB 24 72 153

HSL 217.67, 0.73%, 0.35%

LAB 32.1, 15.78, -48.74

 

CMYK 0 / 84 / 11 / 40

HEX #991888

RGB 153 24 136

HSL 307.91, 0.73%, 0.35%

LAB 36.37, 60.9, -30.73

 

CMYK 0 / 31 / 84 / 40

HEX #996A18

RGB 153 106 24

HSL 38.14, 0.73%, 0.35%

LAB 48.44, 11.76, 49.38

 

Description

Color code: HEX #19992C | qconv.com Color code: HEX #19992C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 25 red, 153 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
25 153 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, none magenta, 71 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 0% 71% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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