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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3A5387 it is the complementary color #C5AC78. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3A5387. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3A5387 shade: #3F5382, #506595, #6177A8, #7289BB and #839BCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3A5387. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3A5387 shade: #3A5387, #294174, #182F61, #071D4E and #000B3B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3A5387 shade: #3A5387, #3A3E87, #4A3A87, #5F3A87 and #743A87

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3A5387 shade: #3A5387, #3A3E87 and #3A3A87

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3A5387 shade matches the following richer shades: #3A5387, #2A4D97, #1A48A7 and #0B42B6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3A5387 shade: #3A5387, #495877, #595E68, #696358 and #786948

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3A5387 shade: #3A7D87, #3A6887, #3A5387, #3A3F87 and #493A87

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3A5387 shade: #212F4D, #2D416A, #3A5387, #4665A4 and #5B79B8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3A5387 shade: #3A5387, #7D3A87 and #72873A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3A5387 shade: #3A5387, #873A53 and #53873A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3A5387 shade: #3A5387, #7D3A87, #876D3A and #44873A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3A5387 shade: #3A5387, #873A7A, #876D3A and #3A8747

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 39 / 0 / 47

HEX #3A5387

RGB 58 83 135

HSL 220.52, 0.4%, 0.38%

LAB 35.67, 6.97, -31.97

 

Complementary color

CMYK 0 / 13 / 39 / 23

HEX #C5AC78

RGB 197 172 120

HSL 40.52, 0.4%, 0.62%

LAB 71.37, 1.7, 30.09

 

CMYK 52 / 36 / 0 / 49

HEX #3F5382

RGB 63 83 130

HSL 222.09, 0.35%, 0.38%

LAB 35.7, 6.48, -28.83

 

CMYK 46 / 32 / 0 / 42

HEX #506595

RGB 80 101 149

HSL 221.74, 0.3%, 0.45%

LAB 43.04, 5.67, -28.75

 

CMYK 42 / 29 / 0 / 34

HEX #6177A8

RGB 97 119 168

HSL 221.41, 0.29%, 0.52%

LAB 50.17, 5.04, -28.73

 

CMYK 39 / 27 / 0 / 27

HEX #7289BB

RGB 114 137 187

HSL 221.1, 0.35%, 0.59%

LAB 57.13, 4.52, -28.77

 

CMYK 36 / 25 / 0 / 19

HEX #839BCE

RGB 131 155 206

HSL 220.8, 0.43%, 0.66%

LAB 63.94, 4.08, -28.84

 

CMYK 57 / 39 / 0 / 47

HEX #3A5387

RGB 58 83 135

HSL 220.52, 0.4%, 0.38%

LAB 35.67, 6.97, -31.97

 

CMYK 65 / 44 / 0 / 55

HEX #294174

RGB 41 65 116

HSL 220.8, 0.48%, 0.31%

LAB 28.15, 8.31, -32.15

 

CMYK 75 / 52 / 0 / 62

HEX #182F61

RGB 24 47 97

HSL 221.1, 0.6%, 0.24%

LAB 20.4, 10.24, -32.37

 

CMYK 91 / 63 / 0 / 69

HEX #071D4E

RGB 7 29 78

HSL 221.41, 0.84%, 0.17%

LAB 12.44, 13.16, -32.55

 

CMYK 100 / 81 / 0 / 77

HEX #000B3B

RGB 0 11 59

HSL 228.81, 1%, 0.12%

LAB 5.01, 15.56, -31.33

 

CMYK 57 / 39 / 0 / 47

HEX #3A5387

RGB 58 83 135

HSL 220.52, 0.4%, 0.38%

LAB 35.67, 6.97, -31.97

 

CMYK 57 / 54 / 0 / 47

HEX #3A3E87

RGB 58 62 135

HSL 236.88, 0.4%, 0.38%

LAB 29.65, 20.9, -41.58

 

CMYK 45 / 57 / 0 / 47

HEX #4A3A87

RGB 74 58 135

HSL 252.47, 0.4%, 0.38%

LAB 29.99, 27.2, -40.96

 

CMYK 30 / 57 / 0 / 47

HEX #5F3A87

RGB 95 58 135

HSL 268.83, 0.4%, 0.38%

LAB 32.28, 32.63, -37.16

 

CMYK 14 / 57 / 0 / 47

HEX #743A87

RGB 116 58 135

HSL 285.19, 0.4%, 0.38%

LAB 34.98, 38.46, -32.7

 

CMYK 57 / 39 / 0 / 47

HEX #3A5387

RGB 58 83 135

HSL 220.52, 0.4%, 0.38%

LAB 35.67, 6.97, -31.97

 

CMYK 57 / 54 / 0 / 47

HEX #3A3E87

RGB 58 62 135

HSL 236.88, 0.4%, 0.38%

LAB 29.65, 20.9, -41.58

 

CMYK 57 / 57 / 0 / 47

HEX #3A3A87

RGB 58 58 135

HSL 240, 0.4%, 0.38%

LAB 28.58, 23.56, -43.31

 

CMYK 57 / 39 / 0 / 47

HEX #3A5387

RGB 58 83 135

HSL 220.52, 0.4%, 0.38%

LAB 35.67, 6.97, -31.97

 

CMYK 72 / 49 / 0 / 41

HEX #2A4D97

RGB 42 77 151

HSL 220.73, 0.56%, 0.38%

LAB 34.05, 13.78, -44.34

 

CMYK 84 / 57 / 0 / 35

HEX #1A48A7

RGB 26 72 167

HSL 220.43, 0.73%, 0.38%

LAB 33.23, 21.6, -55.34

 

CMYK 94 / 64 / 0 / 29

HEX #0B42B6

RGB 11 66 182

HSL 220.7, 0.89%, 0.38%

LAB 32.58, 30.74, -65.35

 

CMYK 57 / 39 / 0 / 47

HEX #3A5387

RGB 58 83 135

HSL 220.52, 0.4%, 0.38%

LAB 35.67, 6.97, -31.97

 

CMYK 39 / 26 / 0 / 53

HEX #495877

RGB 73 88 119

HSL 220.43, 0.24%, 0.38%

LAB 37.35, 2.63, -19.44

 

CMYK 14 / 10 / 0 / 59

HEX #595E68

RGB 89 94 104

HSL 220, 0.08%, 0.38%

LAB 39.8, 0.33, -6.36

 

CMYK 0 / 6 / 16 / 59

HEX #696358

RGB 105 99 88

HSL 38.82, 0.09%, 0.38%

LAB 42.2, 0.3, 7.1

 

CMYK 0 / 13 / 40 / 53

HEX #786948

RGB 120 105 72

HSL 41.25, 0.25%, 0.38%

LAB 45.03, 0.78, 20.75

 

CMYK 57 / 7 / 0 / 47

HEX #3A7D87

RGB 58 125 135

HSL 187.79, 0.4%, 0.38%

LAB 48.66, -18.12, -11.89

 

CMYK 57 / 23 / 0 / 47

HEX #3A6887

RGB 58 104 135

HSL 204.16, 0.4%, 0.38%

LAB 42.08, -6.16, -21.94

 

CMYK 57 / 39 / 0 / 47

HEX #3A5387

RGB 58 83 135

HSL 220.52, 0.4%, 0.38%

LAB 35.67, 6.97, -31.97

 

CMYK 57 / 53 / 0 / 47

HEX #3A3F87

RGB 58 63 135

HSL 236.1, 0.4%, 0.38%

LAB 29.92, 20.23, -41.14

 

CMYK 46 / 57 / 0 / 47

HEX #493A87

RGB 73 58 135

HSL 251.69, 0.4%, 0.38%

LAB 29.89, 26.96, -41.12

 

CMYK 57 / 39 / 0 / 70

HEX #212F4D

RGB 33 47 77

HSL 220.91, 0.4%, 0.22%

LAB 19.61, 4.24, -20.31

 

CMYK 58 / 39 / 0 / 58

HEX #2D416A

RGB 45 65 106

HSL 220.33, 0.4%, 0.3%

LAB 27.79, 5.51, -26.35

 

CMYK 57 / 39 / 0 / 47

HEX #3A5387

RGB 58 83 135

HSL 220.52, 0.4%, 0.38%

LAB 35.67, 6.97, -31.97

 

CMYK 57 / 38 / 0 / 36

HEX #4665A4

RGB 70 101 164

HSL 220.21, 0.4%, 0.46%

LAB 43.2, 8.15, -37.45

 

CMYK 51 / 34 / 0 / 28

HEX #5B79B8

RGB 91 121 184

HSL 220.65, 0.4%, 0.54%

LAB 51.11, 7.17, -36.56

 

CMYK 57 / 39 / 0 / 47

HEX #3A5387

RGB 58 83 135

HSL 220.52, 0.4%, 0.38%

LAB 35.67, 6.97, -31.97

 

CMYK 7 / 57 / 0 / 47

HEX #7D3A87

RGB 125 58 135

HSL 292.21, 0.4%, 0.38%

LAB 36.24, 41.01, -30.62

 

CMYK 16 / 0 / 57 / 47

HEX #72873A

RGB 114 135 58

HSL 76.36, 0.4%, 0.38%

LAB 53.18, -20.01, 38.27

 

CMYK 57 / 39 / 0 / 47

HEX #3A5387

RGB 58 83 135

HSL 220.52, 0.4%, 0.38%

LAB 35.67, 6.97, -31.97

 

CMYK 0 / 57 / 39 / 47

HEX #873A53

RGB 135 58 83

HSL 340.52, 0.4%, 0.38%

LAB 35.6, 35.64, 1.22

 

CMYK 39 / 0 / 57 / 47

HEX #53873A

RGB 83 135 58

HSL 100.52, 0.4%, 0.38%

LAB 51.24, -32.23, 35.51

 

CMYK 57 / 39 / 0 / 47

HEX #3A5387

RGB 58 83 135

HSL 220.52, 0.4%, 0.38%

LAB 35.67, 6.97, -31.97

 

CMYK 7 / 57 / 0 / 47

HEX #7D3A87

RGB 125 58 135

HSL 292.21, 0.4%, 0.38%

LAB 36.24, 41.01, -30.62

 

CMYK 0 / 19 / 57 / 47

HEX #876D3A

RGB 135 109 58

HSL 39.74, 0.4%, 0.38%

LAB 47.49, 3.71, 32.05

 

CMYK 50 / 0 / 57 / 47

HEX #44873A

RGB 68 135 58

HSL 112.21, 0.4%, 0.38%

LAB 50.53, -37.24, 34.5

 

CMYK 57 / 39 / 0 / 47

HEX #3A5387

RGB 58 83 135

HSL 220.52, 0.4%, 0.38%

LAB 35.67, 6.97, -31.97

 

CMYK 0 / 57 / 10 / 47

HEX #873A7A

RGB 135 58 122

HSL 310.13, 0.4%, 0.38%

LAB 37.08, 41.51, -21.16

 

CMYK 0 / 19 / 57 / 47

HEX #876D3A

RGB 135 109 58

HSL 39.74, 0.4%, 0.38%

LAB 47.49, 3.71, 32.05

 

CMYK 57 / 0 / 47 / 47

HEX #3A8747

RGB 58 135 71

HSL 130.13, 0.4%, 0.38%

LAB 50.31, -38.2, 27.35

 

Description

Color code: HEX #3A5387 | qconv.com Color code: HEX #3A5387 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 83 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 83 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, 39 magenta, none yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 39% 0% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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