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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3D8C3B it is the complementary color #C273C4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3D8C3B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3D8C3B shade: #428C36, #539E49, #64B05C, #75C26F and #86D482

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3D8C3B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3D8C3B shade: #3D8C3B, #2C7A28, #1B6815, #0A5602 and #004400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3D8C3B shade: #3C8C3A, #528C3A, #688C3A, #7E8C3A and #8C833A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3D8C3B shade: #3C8C3A, #3A8C4E, #3A8C64, #3A8C7A and #3A878C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3D8C3B shade matches the following richer shades: #3C8C3A, #2D9C2A, #1EAC1A and #0EBC0A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3D8C3B shade: #3C8C3A, #4B7C4A, #5B6C5A, #6A5B6A and #794B7B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3D8C3B shade: #688C3A, #538C3A, #3D8C3A, #3A8C4D and #3A8C63

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3D8C3B shade: #235222, #306F2E, #3C8C3A, #49A946 and #60BB5D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3D8C3B shade: #3D8C3B, #3A7E8C and #8C3A5E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3D8C3B shade: #3D8C3B, #3A3D8C and #8C3A3D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3D8C3B shade: #3D8C3B, #3A7E8C, #893A8C and #8C483A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3D8C3B shade: #3D8C3B, #3A668C, #893A8C and #8C603A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 58 / 45

HEX #3D8C3B

RGB 61 140 59

HSL 118.52, 0.41%, 0.39%

LAB 51.91, -41.24, 35.57

 

Complementary color

CMYK 1 / 41 / 0 / 23

HEX #C273C4

RGB 194 115 196

HSL 298.52, 0.41%, 0.61%

LAB 59.63, 43.45, -29.41

 

CMYK 53 / 0 / 61 / 45

HEX #428C36

RGB 66 140 54

HSL 111.63, 0.44%, 0.38%

LAB 52.04, -40.44, 38.21

 

CMYK 47 / 0 / 54 / 38

HEX #539E49

RGB 83 158 73

HSL 112.94, 0.37%, 0.45%

LAB 58.76, -40.57, 36.97

 

CMYK 43 / 0 / 48 / 31

HEX #64B05C

RGB 100 176 92

HSL 114.29, 0.35%, 0.53%

LAB 65.38, -40.52, 35.68

 

CMYK 40 / 0 / 43 / 24

HEX #75C26F

RGB 117 194 111

HSL 115.66, 0.4%, 0.6%

LAB 71.9, -40.37, 34.4

 

CMYK 37 / 0 / 39 / 17

HEX #86D482

RGB 134 212 130

HSL 117.07, 0.49%, 0.67%

LAB 78.33, -40.17, 33.18

 

CMYK 56 / 0 / 58 / 45

HEX #3D8C3B

RGB 61 140 59

HSL 118.52, 0.41%, 0.39%

LAB 51.91, -41.24, 35.57

 

CMYK 64 / 0 / 67 / 52

HEX #2C7A28

RGB 44 122 40

HSL 117.07, 0.51%, 0.32%

LAB 45.09, -40.78, 36.78

 

CMYK 74 / 0 / 80 / 59

HEX #1B6815

RGB 27 104 21

HSL 115.66, 0.66%, 0.25%

LAB 38.18, -39.69, 37.46

 

CMYK 88 / 0 / 98 / 66

HEX #0A5602

RGB 10 86 2

HSL 114.29, 0.95%, 0.17%

LAB 31.17, -37.55, 37.16

 

CMYK 100 / 0 / 100 / 73

HEX #004400

RGB 0 68 0

HSL 120, 1%, 0.13%

LAB 24.11, -33.32, 31.71

 

CMYK 57 / 0 / 59 / 45

HEX #3C8C3A

RGB 60 140 58

HSL 118.54, 0.41%, 0.39%

LAB 51.86, -41.64, 36

 

CMYK 41 / 0 / 59 / 45

HEX #528C3A

RGB 82 140 58

HSL 102.44, 0.41%, 0.39%

LAB 52.79, -34.86, 37.32

 

CMYK 26 / 0 / 59 / 45

HEX #688C3A

RGB 104 140 58

HSL 86.34, 0.41%, 0.39%

LAB 54.03, -26.65, 39.07

 

CMYK 10 / 0 / 59 / 45

HEX #7E8C3A

RGB 126 140 58

HSL 70.24, 0.41%, 0.39%

LAB 55.58, -17.49, 41.25

 

CMYK 0 / 6 / 59 / 45

HEX #8C833A

RGB 140 131 58

HSL 53.41, 0.41%, 0.39%

LAB 54.15, -6.48, 39.94

 

CMYK 57 / 0 / 59 / 45

HEX #3C8C3A

RGB 60 140 58

HSL 118.54, 0.41%, 0.39%

LAB 51.86, -41.64, 36

 

CMYK 59 / 0 / 44 / 45

HEX #3A8C4E

RGB 58 140 78

HSL 134.63, 0.41%, 0.39%

LAB 52.07, -39.14, 25.79

 

CMYK 59 / 0 / 29 / 45

HEX #3A8C64

RGB 58 140 100

HSL 150.73, 0.41%, 0.39%

LAB 52.48, -34.8, 14.05

 

CMYK 59 / 0 / 13 / 45

HEX #3A8C7A

RGB 58 140 122

HSL 166.83, 0.41%, 0.39%

LAB 53.02, -29.49, 2.16

 

CMYK 59 / 4 / 0 / 45

HEX #3A878C

RGB 58 135 140

HSL 183.66, 0.41%, 0.39%

LAB 51.97, -21.94, -9.83

 

CMYK 57 / 0 / 59 / 45

HEX #3C8C3A

RGB 60 140 58

HSL 118.54, 0.41%, 0.39%

LAB 51.86, -41.64, 36

 

CMYK 71 / 0 / 73 / 39

HEX #2D9C2A

RGB 45 156 42

HSL 118.42, 0.58%, 0.39%

LAB 56.59, -52.72, 48.15

 

CMYK 83 / 0 / 85 / 33

HEX #1EAC1A

RGB 30 172 26

HSL 118.36, 0.74%, 0.39%

LAB 61.53, -61.16, 57.89

 

CMYK 93 / 0 / 95 / 26

HEX #0EBC0A

RGB 14 188 10

HSL 118.65, 0.9%, 0.39%

LAB 66.58, -67.67, 65.06

 

CMYK 57 / 0 / 59 / 45

HEX #3C8C3A

RGB 60 140 58

HSL 118.54, 0.41%, 0.39%

LAB 51.86, -41.64, 36

 

CMYK 40 / 0 / 40 / 51

HEX #4B7C4A

RGB 75 124 74

HSL 118.8, 0.25%, 0.39%

LAB 47.5, -27.53, 22.21

 

CMYK 16 / 0 / 17 / 58

HEX #5B6C5A

RGB 91 108 90

HSL 116.67, 0.09%, 0.39%

LAB 43.78, -10.22, 7.97

 

CMYK 0 / 14 / 0 / 58

HEX #6A5B6A

RGB 106 91 106

HSL 300, 0.08%, 0.39%

LAB 40.55, 9.05, -6.3

 

CMYK 2 / 39 / 0 / 52

HEX #794B7B

RGB 121 75 123

HSL 297.5, 0.24%, 0.39%

LAB 38.77, 27.82, -19.32

 

CMYK 26 / 0 / 59 / 45

HEX #688C3A

RGB 104 140 58

HSL 86.34, 0.41%, 0.39%

LAB 54.03, -26.65, 39.07

 

CMYK 41 / 0 / 59 / 45

HEX #538C3A

RGB 83 140 58

HSL 101.71, 0.41%, 0.39%

LAB 52.84, -34.51, 37.39

 

CMYK 56 / 0 / 59 / 45

HEX #3D8C3A

RGB 61 140 58

HSL 117.8, 0.41%, 0.39%

LAB 51.9, -41.37, 36.05

 

CMYK 59 / 0 / 45 / 45

HEX #3A8C4D

RGB 58 140 77

HSL 133.9, 0.41%, 0.39%

LAB 52.05, -39.32, 26.32

 

CMYK 59 / 0 / 29 / 45

HEX #3A8C63

RGB 58 140 99

HSL 150, 0.41%, 0.39%

LAB 52.46, -35.02, 14.59

 

CMYK 57 / 0 / 59 / 68

HEX #235222

RGB 35 82 34

HSL 118.75, 0.41%, 0.23%

LAB 30.66, -27.21, 23.16

 

CMYK 57 / 0 / 59 / 56

HEX #306F2E

RGB 48 111 46

HSL 118.15, 0.41%, 0.31%

LAB 41.52, -34.48, 29.78

 

CMYK 57 / 0 / 59 / 45

HEX #3C8C3A

RGB 60 140 58

HSL 118.54, 0.41%, 0.39%

LAB 51.86, -41.64, 36

 

CMYK 57 / 0 / 59 / 34

HEX #49A946

RGB 73 169 70

HSL 118.18, 0.41%, 0.47%

LAB 61.86, -48.24, 42

 

CMYK 49 / 0 / 50 / 27

HEX #60BB5D

RGB 96 187 93

HSL 118.09, 0.41%, 0.55%

LAB 68.62, -46.23, 39.15

 

CMYK 56 / 0 / 58 / 45

HEX #3D8C3B

RGB 61 140 59

HSL 118.52, 0.41%, 0.39%

LAB 51.91, -41.24, 35.57

 

CMYK 59 / 10 / 0 / 45

HEX #3A7E8C

RGB 58 126 140

HSL 190.24, 0.41%, 0.39%

LAB 49.15, -17.13, -14.09

 

CMYK 0 / 59 / 33 / 45

HEX #8C3A5E

RGB 140 58 94

HSL 333.66, 0.41%, 0.39%

LAB 36.76, 38.81, -3.98

 

CMYK 56 / 0 / 58 / 45

HEX #3D8C3B

RGB 61 140 59

HSL 118.52, 0.41%, 0.39%

LAB 51.91, -41.24, 35.57

 

CMYK 59 / 56 / 0 / 45

HEX #3A3D8C

RGB 58 61 140

HSL 237.8, 0.41%, 0.39%

LAB 29.74, 23.31, -44.52

 

CMYK 0 / 59 / 56 / 45

HEX #8C3A3D

RGB 140 58 61

HSL 357.8, 0.41%, 0.39%

LAB 35.87, 35.18, 15.73

 

CMYK 56 / 0 / 58 / 45

HEX #3D8C3B

RGB 61 140 59

HSL 118.52, 0.41%, 0.39%

LAB 51.91, -41.24, 35.57

 

CMYK 59 / 10 / 0 / 45

HEX #3A7E8C

RGB 58 126 140

HSL 190.24, 0.41%, 0.39%

LAB 49.15, -17.13, -14.09

 

CMYK 2 / 59 / 0 / 45

HEX #893A8C

RGB 137 58 140

HSL 297.8, 0.41%, 0.39%

LAB 38.27, 45.37, -30.38

 

CMYK 0 / 49 / 59 / 45

HEX #8C483A

RGB 140 72 58

HSL 10.24, 0.41%, 0.39%

LAB 38.75, 27.4, 21.37

 

CMYK 56 / 0 / 58 / 45

HEX #3D8C3B

RGB 61 140 59

HSL 118.52, 0.41%, 0.39%

LAB 51.91, -41.24, 35.57

 

CMYK 59 / 27 / 0 / 45

HEX #3A668C

RGB 58 102 140

HSL 207.8, 0.41%, 0.39%

LAB 41.68, -3.28, -25.56

 

CMYK 2 / 59 / 0 / 45

HEX #893A8C

RGB 137 58 140

HSL 297.8, 0.41%, 0.39%

LAB 38.27, 45.37, -30.38

 

CMYK 0 / 31 / 59 / 45

HEX #8C603A

RGB 140 96 58

HSL 27.8, 0.41%, 0.39%

LAB 44.58, 13.56, 28.68

 

Description

Color code: HEX #3D8C3B | qconv.com Color code: HEX #3D8C3B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 140 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 140 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 58 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 58% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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