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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AD2E83 it is the complementary color #52D17C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AD2E83. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AD2E83 shade: #B22E7E, #C34091, #D452A4, #E564B7 and #F676CA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AD2E83. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AD2E83 shade: #AD2E83, #9C1C70, #8B0A5D, #7A004A and #690037

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AD2E83 shade: #AD2E83, #AD2E60, #AD2E3E and #AD2E2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AD2E83 shade: #AD2E83, #AD2EA5, #922EAD, #702EAD and #4E2EAD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AD2E83 shade matches the following richer shades: #AD2E83, #BE1C89 and #D00A8F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AD2E83 shade: #AD2E83, #9B3F7D, #895177, #786371 and #66756B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AD2E83 shade: #912EAD, #AD2EA6, #AD2E84, #AD2E63 and #AD2E41

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AD2E83 shade: #6C1C51, #8C256A, #AD2E83, #CA399A and #D35AAB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AD2E83 shade: #AD2E83, #AD6F2E and #2EADA2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AD2E83 shade: #AD2E83, #84AD2E and #2E84AD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AD2E83 shade: #AD2E83, #AD6F2E, #2EAD56 and #2E6BAD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AD2E83 shade: #AD2E83, #AD952E, #2EAD56 and #2E45AD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 73 / 24 / 32

HEX #AD2E83

RGB 173 46 131

HSL 319.84, 0.58%, 0.43%

LAB 41.96, 58.57, -18.66

 

Complementary color

CMYK 61 / 0 / 41 / 18

HEX #52D17C

RGB 82 209 124

HSL 139.84, 0.58%, 0.57%

LAB 75.36, -53.66, 31.99

 

CMYK 0 / 74 / 29 / 30

HEX #B22E7E

RGB 178 46 126

HSL 323.64, 0.59%, 0.44%

LAB 42.65, 59.24, -14.46

 

CMYK 0 / 67 / 26 / 24

HEX #C34091

RGB 195 64 145

HSL 322.9, 0.52%, 0.51%

LAB 48.65, 59.67, -16.58

 

CMYK 0 / 61 / 23 / 17

HEX #D452A4

RGB 212 82 164

HSL 322.15, 0.6%, 0.58%

LAB 54.77, 59.59, -18.24

 

CMYK 0 / 56 / 20 / 10

HEX #E564B7

RGB 229 100 183

HSL 321.4, 0.71%, 0.65%

LAB 60.95, 59.22, -19.59

 

CMYK 0 / 52 / 18 / 4

HEX #F676CA

RGB 246 118 202

HSL 320.63, 0.88%, 0.71%

LAB 67.14, 58.67, -20.7

 

CMYK 0 / 73 / 24 / 32

HEX #AD2E83

RGB 173 46 131

HSL 319.84, 0.58%, 0.43%

LAB 41.96, 58.57, -18.66

 

CMYK 0 / 82 / 28 / 39

HEX #9C1C70

RGB 156 28 112

HSL 320.63, 0.7%, 0.36%

LAB 36.12, 57.35, -16.08

 

CMYK 0 / 93 / 33 / 45

HEX #8B0A5D

RGB 139 10 93

HSL 321.4, 0.87%, 0.29%

LAB 30.63, 54.83, -12.58

 

CMYK 0 / 100 / 39 / 52

HEX #7A004A

RGB 122 0 74

HSL 323.61, 1%, 0.24%

LAB 25.66, 50.52, -7.85

 

CMYK 0 / 100 / 48 / 59

HEX #690037

RGB 105 0 55

HSL 328.57, 1%, 0.21%

LAB 21.13, 44.59, -1.93

 

CMYK 0 / 73 / 24 / 32

HEX #AD2E83

RGB 173 46 131

HSL 319.84, 0.58%, 0.43%

LAB 41.96, 58.57, -18.66

 

CMYK 0 / 73 / 45 / 32

HEX #AD2E60

RGB 173 46 96

HSL 336.38, 0.58%, 0.43%

LAB 40.71, 54.55, 1.22

 

CMYK 0 / 73 / 64 / 32

HEX #AD2E3E

RGB 173 46 62

HSL 352.44, 0.58%, 0.43%

LAB 39.89, 51.85, 21.5

 

CMYK 0 / 73 / 73 / 32

HEX #AD2E2E

RGB 173 46 46

HSL 0, 0.58%, 0.43%

LAB 39.64, 51, 30.98

 

CMYK 0 / 73 / 24 / 32

HEX #AD2E83

RGB 173 46 131

HSL 319.84, 0.58%, 0.43%

LAB 41.96, 58.57, -18.66

 

CMYK 0 / 73 / 5 / 32

HEX #AD2EA5

RGB 173 46 165

HSL 303.78, 0.58%, 0.43%

LAB 43.59, 63.52, -36.7

 

CMYK 16 / 73 / 0 / 32

HEX #922EAD

RGB 146 46 173

HSL 287.24, 0.58%, 0.43%

LAB 39.72, 59.07, -47.89

 

CMYK 35 / 73 / 0 / 32

HEX #702EAD

RGB 112 46 173

HSL 271.18, 0.58%, 0.43%

LAB 34.83, 52.29, -56.02

 

CMYK 55 / 73 / 0 / 32

HEX #4E2EAD

RGB 78 46 173

HSL 255.12, 0.58%, 0.43%

LAB 30.86, 46.48, -62.68

 

CMYK 0 / 73 / 24 / 32

HEX #AD2E83

RGB 173 46 131

HSL 319.84, 0.58%, 0.43%

LAB 41.96, 58.57, -18.66

 

CMYK 0 / 85 / 28 / 25

HEX #BE1C89

RGB 190 28 137

HSL 319.63, 0.74%, 0.43%

LAB 43.63, 68.24, -19.51

 

CMYK 0 / 95 / 31 / 18

HEX #D00A8F

RGB 208 10 143

HSL 319.7, 0.91%, 0.43%

LAB 46.46, 75.25, -18.52

 

CMYK 0 / 73 / 24 / 32

HEX #AD2E83

RGB 173 46 131

HSL 319.84, 0.58%, 0.43%

LAB 41.96, 58.57, -18.66

 

CMYK 0 / 59 / 19 / 39

HEX #9B3F7D

RGB 155 63 125

HSL 319.57, 0.42%, 0.43%

LAB 41.22, 45.69, -16.37

 

CMYK 0 / 41 / 13 / 46

HEX #895177

RGB 137 81 119

HSL 319.29, 0.26%, 0.43%

LAB 42.05, 29.19, -11.66

 

CMYK 0 / 18 / 6 / 53

HEX #786371

RGB 120 99 113

HSL 320, 0.1%, 0.43%

LAB 44.39, 11.03, -4.72

 

CMYK 13 / 0 / 9 / 54

HEX #66756B

RGB 102 117 107

HSL 140, 0.07%, 0.43%

LAB 47.76, -7.71, 3.63

 

CMYK 16 / 73 / 0 / 32

HEX #912EAD

RGB 145 46 173

HSL 286.77, 0.58%, 0.43%

LAB 39.57, 58.86, -48.14

 

CMYK 0 / 73 / 4 / 32

HEX #AD2EA6

RGB 173 46 166

HSL 303.31, 0.58%, 0.43%

LAB 43.64, 63.68, -37.21

 

CMYK 0 / 73 / 24 / 32

HEX #AD2E84

RGB 173 46 132

HSL 319.37, 0.58%, 0.43%

LAB 42.01, 58.7, -19.21

 

CMYK 0 / 73 / 43 / 32

HEX #AD2E63

RGB 173 46 99

HSL 334.96, 0.58%, 0.43%

LAB 40.8, 54.85, -0.53

 

CMYK 0 / 73 / 62 / 32

HEX #AD2E41

RGB 173 46 65

HSL 351.02, 0.58%, 0.43%

LAB 39.95, 52.04, 19.7

 

CMYK 0 / 74 / 25 / 58

HEX #6C1C51

RGB 108 28 81

HSL 320.25, 0.59%, 0.27%

LAB 25.6, 40.58, -12.9

 

CMYK 0 / 74 / 24 / 45

HEX #8C256A

RGB 140 37 106

HSL 319.81, 0.58%, 0.35%

LAB 33.86, 49.65, -16

 

CMYK 0 / 73 / 24 / 32

HEX #AD2E83

RGB 173 46 131

HSL 319.84, 0.58%, 0.43%

LAB 41.96, 58.57, -18.66

 

CMYK 0 / 72 / 24 / 21

HEX #CA399A

RGB 202 57 154

HSL 319.86, 0.58%, 0.51%

LAB 49.27, 65.23, -20.91

 

CMYK 0 / 57 / 19 / 17

HEX #D35AAB

RGB 211 90 171

HSL 319.83, 0.58%, 0.59%

LAB 56.19, 56.76, -20.18

 

CMYK 0 / 73 / 24 / 32

HEX #AD2E83

RGB 173 46 131

HSL 319.84, 0.58%, 0.43%

LAB 41.96, 58.57, -18.66

 

CMYK 0 / 36 / 73 / 32

HEX #AD6F2E

RGB 173 111 46

HSL 30.71, 0.58%, 0.43%

LAB 52.34, 18.84, 44.82

 

CMYK 73 / 0 / 6 / 32

HEX #2EADA2

RGB 46 173 162

HSL 174.8, 0.58%, 0.43%

LAB 64.22, -36.06, -4.18

 

CMYK 0 / 73 / 24 / 32

HEX #AD2E83

RGB 173 46 131

HSL 319.84, 0.58%, 0.43%

LAB 41.96, 58.57, -18.66

 

CMYK 24 / 0 / 73 / 32

HEX #84AD2E

RGB 132 173 46

HSL 79.37, 0.58%, 0.43%

LAB 65.74, -32.18, 57.08

 

CMYK 73 / 24 / 0 / 32

HEX #2E84AD

RGB 46 132 173

HSL 199.37, 0.58%, 0.43%

LAB 51.95, -11.62, -29.03

 

CMYK 0 / 73 / 24 / 32

HEX #AD2E83

RGB 173 46 131

HSL 319.84, 0.58%, 0.43%

LAB 41.96, 58.57, -18.66

 

CMYK 0 / 36 / 73 / 32

HEX #AD6F2E

RGB 173 111 46

HSL 30.71, 0.58%, 0.43%

LAB 52.34, 18.84, 44.82

 

CMYK 73 / 0 / 50 / 32

HEX #2EAD56

RGB 46 173 86

HSL 138.9, 0.58%, 0.43%

LAB 62.63, -53.11, 34.91

 

CMYK 73 / 38 / 0 / 32

HEX #2E6BAD

RGB 46 107 173

HSL 211.18, 0.58%, 0.43%

LAB 44.4, 3.28, -40.91

 

CMYK 0 / 73 / 24 / 32

HEX #AD2E83

RGB 173 46 131

HSL 319.84, 0.58%, 0.43%

LAB 41.96, 58.57, -18.66

 

CMYK 0 / 14 / 73 / 32

HEX #AD952E

RGB 173 149 46

HSL 48.66, 0.58%, 0.43%

LAB 62.15, -2.29, 54.67

 

CMYK 73 / 0 / 50 / 32

HEX #2EAD56

RGB 46 173 86

HSL 138.9, 0.58%, 0.43%

LAB 62.63, -53.11, 34.91

 

CMYK 73 / 60 / 0 / 32

HEX #2E45AD

RGB 46 69 173

HSL 229.13, 0.58%, 0.43%

LAB 33.68, 28.03, -58.16

 

Description

Color code: HEX #AD2E83 | qconv.com Color code: HEX #AD2E83 | qconv.com - big



The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 46 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 46 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 73 magenta, 24 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 73% 24% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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