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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B0E358 it is the complementary color #4F1CA7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B0E358. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B0E358 shade: #B5E353, #C6F566, #D7FF79, #E8FF8C and #F9FF9F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B0E358. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B0E358 shade: #B0E358, #9FD145, #8EBF32, #7DAD1F and #6C9B0C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B0E358 shade: #B0E259, #D5E259, #E2CB59, #E2A659 and #E28059

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B0E358 shade: #B0E259, #8BE259, #66E259, #59E271 and #59E296

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B0E358 shade matches the following richer shades: #B0E259 and #B4F249

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B0E358 shade: #B0E259, #ACD368, #A8C378, #A3B388 and #9FA498

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B0E358 shade: #E2CB59, #D5E259, #B0E259, #8BE259 and #67E259

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B0E358 shade: #8AC721, #9FDC36, #B0E259, #C1E87C and #D1EE9F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B0E358 shade: #B0E358, #59E2A7 and #DE59E2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B0E358 shade: #B0E358, #59B0E2 and #E259B0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B0E358 shade: #B0E358, #59E2A7, #8B59E2 and #E25994

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B0E358 shade: #B0E358, #59E2D0, #8B59E2 and #E2596B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 0 / 61 / 11

HEX #B0E358

RGB 176 227 88

HSL 82.01, 0.71%, 0.62%

LAB 84.42, -37.07, 60.85

 

Complementary color

CMYK 53 / 83 / 0 / 35

HEX #4F1CA7

RGB 79 28 167

HSL 262.01, 0.71%, 0.38%

LAB 27.53, 53.17, -64.55

 

CMYK 20 / 0 / 63 / 11

HEX #B5E353

RGB 181 227 83

HSL 79.17, 0.72%, 0.61%

LAB 84.68, -35.57, 63.28

 

CMYK 19 / 0 / 58 / 4

HEX #C6F566

RGB 198 245 102

HSL 79.72, 0.88%, 0.68%

LAB 90.9, -35.86, 62.5

 

CMYK 16 / 0 / 53 / 0

HEX #D7FF79

RGB 215 255 121

HSL 77.91, 1%, 0.74%

LAB 94.89, -32.45, 59.04

 

CMYK 9 / 0 / 45 / 0

HEX #E8FF8C

RGB 232 255 140

HSL 72, 1%, 0.77%

LAB 96.23, -24.26, 52.2

 

CMYK 2 / 0 / 38 / 0

HEX #F9FF9F

RGB 249 255 159

HSL 63.75, 1%, 0.81%

LAB 97.7, -15.87, 45.2

 

CMYK 22 / 0 / 61 / 11

HEX #B0E358

RGB 176 227 88

HSL 82.01, 0.71%, 0.62%

LAB 84.42, -37.07, 60.85

 

CMYK 24 / 0 / 67 / 18

HEX #9FD145

RGB 159 209 69

HSL 81.43, 0.6%, 0.55%

LAB 78.11, -36.75, 61.49

 

CMYK 26 / 0 / 74 / 25

HEX #8EBF32

RGB 142 191 50

HSL 80.85, 0.59%, 0.47%

LAB 71.72, -36.31, 61.72

 

CMYK 28 / 0 / 82 / 32

HEX #7DAD1F

RGB 125 173 31

HSL 80.28, 0.7%, 0.4%

LAB 65.24, -35.68, 61.18

 

CMYK 30 / 0 / 92 / 39

HEX #6C9B0C

RGB 108 155 12

HSL 79.72, 0.86%, 0.33%

LAB 58.66, -34.81, 59.33

 

CMYK 22 / 0 / 61 / 11

HEX #B0E259

RGB 176 226 89

HSL 81.9, 0.7%, 0.62%

LAB 84.14, -36.54, 60.12

 

CMYK 6 / 0 / 61 / 11

HEX #D5E259

RGB 213 226 89

HSL 65.69, 0.7%, 0.62%

LAB 86.63, -22.12, 63.56

 

CMYK 0 / 10 / 61 / 11

HEX #E2CB59

RGB 226 203 89

HSL 49.93, 0.7%, 0.62%

LAB 81.62, -5.33, 58.38

 

CMYK 0 / 27 / 61 / 11

HEX #E2A659

RGB 226 166 89

HSL 33.72, 0.7%, 0.62%

LAB 72.34, 14.07, 47.86

 

CMYK 0 / 43 / 61 / 11

HEX #E28059

RGB 226 128 89

HSL 17.08, 0.7%, 0.62%

LAB 63.61, 34.28, 37.45

 

CMYK 22 / 0 / 61 / 11

HEX #B0E259

RGB 176 226 89

HSL 81.9, 0.7%, 0.62%

LAB 84.14, -36.54, 60.12

 

CMYK 38 / 0 / 61 / 11

HEX #8BE259

RGB 139 226 89

HSL 98.1, 0.7%, 0.62%

LAB 82.16, -49.54, 57.37

 

CMYK 55 / 0 / 61 / 11

HEX #66E259

RGB 102 226 89

HSL 114.31, 0.7%, 0.62%

LAB 80.7, -60.24, 55.33

 

CMYK 61 / 0 / 50 / 11

HEX #59E271

RGB 89 226 113

HSL 130.51, 0.7%, 0.62%

LAB 80.58, -60.31, 44.12

 

CMYK 61 / 0 / 34 / 11

HEX #59E296

RGB 89 226 150

HSL 146.72, 0.7%, 0.62%

LAB 81.14, -54.2, 26.36

 

CMYK 22 / 0 / 61 / 11

HEX #B0E259

RGB 176 226 89

HSL 81.9, 0.7%, 0.62%

LAB 84.14, -36.54, 60.12

 

CMYK 26 / 0 / 70 / 5

HEX #B4F249

RGB 180 242 73

HSL 82.01, 0.87%, 0.62%

LAB 88.78, -43.26, 71.29

 

CMYK 22 / 0 / 61 / 11

HEX #B0E259

RGB 176 226 89

HSL 81.9, 0.7%, 0.62%

LAB 84.14, -36.54, 60.12

 

CMYK 18 / 0 / 51 / 17

HEX #ACD368

RGB 172 211 104

HSL 81.87, 0.55%, 0.62%

LAB 79.82, -29.75, 48.35

 

CMYK 14 / 0 / 38 / 24

HEX #A8C378

RGB 168 195 120

HSL 81.6, 0.38%, 0.62%

LAB 75.27, -21.69, 34.71

 

CMYK 9 / 0 / 24 / 30

HEX #A3B388

RGB 163 179 136

HSL 82.33, 0.22%, 0.62%

LAB 70.74, -13.21, 20.16

 

CMYK 3 / 0 / 7 / 36

HEX #9FA498

RGB 159 164 152

HSL 85, 0.06%, 0.62%

LAB 66.66, -4.04, 5.6

 

CMYK 0 / 10 / 61 / 11

HEX #E2CB59

RGB 226 203 89

HSL 49.93, 0.7%, 0.62%

LAB 81.62, -5.33, 58.38

 

CMYK 6 / 0 / 61 / 11

HEX #D5E259

RGB 213 226 89

HSL 65.69, 0.7%, 0.62%

LAB 86.63, -22.12, 63.56

 

CMYK 22 / 0 / 61 / 11

HEX #B0E259

RGB 176 226 89

HSL 81.9, 0.7%, 0.62%

LAB 84.14, -36.54, 60.12

 

CMYK 38 / 0 / 61 / 11

HEX #8BE259

RGB 139 226 89

HSL 98.1, 0.7%, 0.62%

LAB 82.16, -49.54, 57.37

 

CMYK 54 / 0 / 61 / 11

HEX #67E259

RGB 103 226 89

HSL 113.87, 0.7%, 0.62%

LAB 80.74, -59.98, 55.38

 

CMYK 31 / 0 / 83 / 22

HEX #8AC721

RGB 138 199 33

HSL 82.05, 0.72%, 0.45%

LAB 73.78, -42.14, 68.5

 

CMYK 28 / 0 / 75 / 14

HEX #9FDC36

RGB 159 220 54

HSL 82.05, 0.7%, 0.54%

LAB 81.19, -42.52, 69.84

 

CMYK 22 / 0 / 61 / 11

HEX #B0E259

RGB 176 226 89

HSL 81.9, 0.7%, 0.62%

LAB 84.14, -36.54, 60.12

 

CMYK 17 / 0 / 47 / 9

HEX #C1E87C

RGB 193 232 124

HSL 81.67, 0.7%, 0.7%

LAB 87.24, -29.66, 48.15

 

CMYK 12 / 0 / 33 / 7

HEX #D1EE9F

RGB 209 238 159

HSL 82.03, 0.7%, 0.78%

LAB 90.42, -22.45, 35.19

 

CMYK 22 / 0 / 61 / 11

HEX #B0E358

RGB 176 227 88

HSL 82.01, 0.71%, 0.62%

LAB 84.42, -37.07, 60.85

 

CMYK 61 / 0 / 26 / 11

HEX #59E2A7

RGB 89 226 167

HSL 154.16, 0.7%, 0.62%

LAB 81.46, -50.8, 17.98

 

CMYK 2 / 61 / 0 / 11

HEX #DE59E2

RGB 222 89 226

HSL 298.25, 0.7%, 0.62%

LAB 60.04, 68.82, -45.44

 

CMYK 22 / 0 / 61 / 11

HEX #B0E358

RGB 176 227 88

HSL 82.01, 0.71%, 0.62%

LAB 84.42, -37.07, 60.85

 

CMYK 61 / 22 / 0 / 11

HEX #59B0E2

RGB 89 176 226

HSL 201.9, 0.7%, 0.62%

LAB 68.51, -11.52, -32.99

 

CMYK 0 / 61 / 22 / 11

HEX #E259B0

RGB 226 89 176

HSL 321.9, 0.7%, 0.62%

LAB 58.46, 62.21, -19.4

 

CMYK 22 / 0 / 61 / 11

HEX #B0E358

RGB 176 227 88

HSL 82.01, 0.71%, 0.62%

LAB 84.42, -37.07, 60.85

 

CMYK 61 / 0 / 26 / 11

HEX #59E2A7

RGB 89 226 167

HSL 154.16, 0.7%, 0.62%

LAB 81.46, -50.8, 17.98

 

CMYK 38 / 61 / 0 / 11

HEX #8B59E2

RGB 139 89 226

HSL 261.9, 0.7%, 0.62%

LAB 49.65, 49.52, -62.64

 

CMYK 0 / 61 / 35 / 11

HEX #E25994

RGB 226 89 148

HSL 334.16, 0.7%, 0.62%

LAB 57.51, 58.71, -4.55

 

CMYK 22 / 0 / 61 / 11

HEX #B0E358

RGB 176 227 88

HSL 82.01, 0.71%, 0.62%

LAB 84.42, -37.07, 60.85

 

CMYK 61 / 0 / 8 / 11

HEX #59E2D0

RGB 89 226 208

HSL 172.12, 0.7%, 0.62%

LAB 82.42, -41.26, -2.28

 

CMYK 38 / 61 / 0 / 11

HEX #8B59E2

RGB 139 89 226

HSL 261.9, 0.7%, 0.62%

LAB 49.65, 49.52, -62.64

 

CMYK 0 / 61 / 53 / 11

HEX #E2596B

RGB 226 89 107

HSL 352.12, 0.7%, 0.62%

LAB 56.46, 54.68, 18.02

 

Description

Color code: HEX #B0E358 | qconv.com Color code: HEX #B0E358 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 227 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 227 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, none magenta, 61 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 0% 61% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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