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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B6C8B7 it is the complementary color #493748. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B6C8B7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B6C8B7 shade: #BBC8B2, #CCDAC5, #DDECD8, #EEFEEB and #FFFFFE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B6C8B7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B6C8B7 shade: #B6C8B7, #A5B6A4, #94A491, #83927E and #72806B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B6C8B7 shade: #B6C8B7, #BAC8B6, #BEC8B6, #C3C8B6 and #C8C7B6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B6C8B7 shade: #B6C8B7, #B6C8BC, #B6C8C0, #B6C8C5 and #B6C5C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B6C8B7 shade matches the following richer shades: #B6C8B7, #ACD2AE, #A1DCA4, #97E79B and #8DF192

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B6C8B7 shade: #B6C8B7, #C0BDC0, #CAB3C9, #D5A9D2 and #DF9EDB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B6C8B7 shade: #BEC8B6, #BAC8B6, #B6C8B7, #B6C8BB and #B6C8C0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B6C8B7 shade: #87A488, #9EB6A0, #B6C8B7, #CDD9CE and #E5EBE5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B6C8B7 shade: #B6C8B7, #B6C3C8 and #C8B6BC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B6C8B7 shade: #B6C8B7, #B7B6C8 and #C8B7B6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B6C8B7 shade: #B6C8B7, #B6C3C8, #C8B6C7 and #C8BAB6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B6C8B7 shade: #B6C8B7, #B6BEC8, #C8B6C7 and #C8C0B6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 9 / 22

HEX #B6C8B7

RGB 182 200 183

HSL 123.33, 0.14%, 0.75%

LAB 78.85, -9.32, 6.41

 

Complementary color

CMYK 0 / 25 / 1 / 71

HEX #493748

RGB 73 55 72

HSL 303.33, 0.14%, 0.25%

LAB 25.61, 11.45, -7.38

 

CMYK 7 / 0 / 11 / 22

HEX #BBC8B2

RGB 187 200 178

HSL 95.45, 0.17%, 0.74%

LAB 79.09, -8.46, 9.49

 

CMYK 6 / 0 / 10 / 15

HEX #CCDAC5

RGB 204 218 197

HSL 100, 0.22%, 0.81%

LAB 85.51, -8.5, 8.72

 

CMYK 6 / 0 / 8 / 7

HEX #DDECD8

RGB 221 236 216

HSL 105, 0.34%, 0.89%

LAB 91.83, -8.54, 7.99

 

CMYK 6 / 0 / 7 / 0

HEX #EEFEEB

RGB 238 254 235

HSL 110.53, 0.9%, 0.96%

LAB 98.06, -8.59, 7.28

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFE

RGB 255 255 254

HSL 60, 1%, 1%

LAB 99.98, -0.17, 0.47

 

CMYK 9 / 0 / 9 / 22

HEX #B6C8B7

RGB 182 200 183

HSL 123.33, 0.14%, 0.75%

LAB 78.85, -9.32, 6.41

 

CMYK 9 / 0 / 10 / 29

HEX #A5B6A4

RGB 165 182 164

HSL 116.67, 0.11%, 0.68%

LAB 72.32, -9.31, 7.16

 

CMYK 10 / 0 / 12 / 36

HEX #94A491

RGB 148 164 145

HSL 110.53, 0.09%, 0.61%

LAB 65.66, -9.32, 7.95

 

CMYK 10 / 0 / 14 / 43

HEX #83927E

RGB 131 146 126

HSL 105, 0.08%, 0.53%

LAB 58.87, -9.33, 8.79

 

CMYK 11 / 0 / 16 / 50

HEX #72806B

RGB 114 128 107

HSL 100, 0.09%, 0.46%

LAB 51.92, -9.35, 9.69

 

CMYK 9 / 0 / 9 / 22

HEX #B6C8B7

RGB 182 200 183

HSL 123.33, 0.14%, 0.75%

LAB 78.85, -9.32, 6.41

 

CMYK 7 / 0 / 9 / 22

HEX #BAC8B6

RGB 186 200 182

HSL 106.67, 0.14%, 0.75%

LAB 79.11, -8.11, 7.36

 

CMYK 5 / 0 / 9 / 22

HEX #BEC8B6

RGB 190 200 182

HSL 93.33, 0.14%, 0.75%

LAB 79.4, -6.71, 7.82

 

CMYK 3 / 0 / 9 / 22

HEX #C3C8B6

RGB 195 200 182

HSL 76.67, 0.14%, 0.75%

LAB 79.78, -4.94, 8.4

 

CMYK 0 / 0 / 9 / 22

HEX #C8C7B6

RGB 200 199 182

HSL 56.67, 0.14%, 0.75%

LAB 79.9, -2.63, 8.63

 

CMYK 9 / 0 / 9 / 22

HEX #B6C8B7

RGB 182 200 183

HSL 123.33, 0.14%, 0.75%

LAB 78.85, -9.32, 6.41

 

CMYK 9 / 0 / 6 / 22

HEX #B6C8BC

RGB 182 200 188

HSL 140, 0.14%, 0.75%

LAB 78.97, -8.39, 3.9

 

CMYK 9 / 0 / 4 / 22

HEX #B6C8C0

RGB 182 200 192

HSL 153.33, 0.14%, 0.75%

LAB 79.08, -7.64, 1.9

 

CMYK 9 / 0 / 1 / 22

HEX #B6C8C5

RGB 182 200 197

HSL 170, 0.14%, 0.75%

LAB 79.21, -6.68, -0.6

 

CMYK 9 / 1 / 0 / 22

HEX #B6C5C8

RGB 182 197 200

HSL 190, 0.14%, 0.75%

LAB 78.49, -4.51, -3.26

 

CMYK 9 / 0 / 9 / 22

HEX #B6C8B7

RGB 182 200 183

HSL 123.33, 0.14%, 0.75%

LAB 78.85, -9.32, 6.41

 

CMYK 18 / 0 / 17 / 18

HEX #ACD2AE

RGB 172 210 174

HSL 123.16, 0.3%, 0.75%

LAB 80.69, -19.44, 13.75

 

CMYK 27 / 0 / 25 / 14

HEX #A1DCA4

RGB 161 220 164

HSL 123.05, 0.46%, 0.75%

LAB 82.62, -29.71, 21.6

 

CMYK 35 / 0 / 33 / 9

HEX #97E79B

RGB 151 231 155

HSL 123, 0.63%, 0.75%

LAB 85.05, -39.44, 29.47

 

CMYK 41 / 0 / 39 / 5

HEX #8DF192

RGB 141 241 146

HSL 123, 0.78%, 0.75%

LAB 87.31, -48.18, 36.92

 

CMYK 9 / 0 / 9 / 22

HEX #B6C8B7

RGB 182 200 183

HSL 123.33, 0.14%, 0.75%

LAB 78.85, -9.32, 6.41

 

CMYK 0 / 2 / 0 / 25

HEX #C0BDC0

RGB 192 189 192

HSL 300, 0.02%, 0.75%

LAB 76.93, 1.6, -1.15

 

CMYK 0 / 11 / 0 / 21

HEX #CAB3C9

RGB 202 179 201

HSL 302.61, 0.18%, 0.75%

LAB 75.46, 12.13, -8.11

 

CMYK 0 / 21 / 1 / 16

HEX #D5A9D2

RGB 213 169 210

HSL 304.09, 0.34%, 0.75%

LAB 74.3, 22.99, -14.65

 

CMYK 0 / 29 / 2 / 13

HEX #DF9EDB

RGB 223 158 219

HSL 303.69, 0.5%, 0.75%

LAB 73.06, 33.9, -21.36

 

CMYK 5 / 0 / 9 / 22

HEX #BEC8B6

RGB 190 200 182

HSL 93.33, 0.14%, 0.75%

LAB 79.4, -6.71, 7.82

 

CMYK 7 / 0 / 9 / 22

HEX #BAC8B6

RGB 186 200 182

HSL 106.67, 0.14%, 0.75%

LAB 79.11, -8.11, 7.36

 

CMYK 9 / 0 / 9 / 22

HEX #B6C8B7

RGB 182 200 183

HSL 123.33, 0.14%, 0.75%

LAB 78.85, -9.32, 6.41

 

CMYK 9 / 0 / 7 / 22

HEX #B6C8BB

RGB 182 200 187

HSL 136.67, 0.14%, 0.75%

LAB 78.95, -8.58, 4.41

 

CMYK 9 / 0 / 4 / 22

HEX #B6C8C0

RGB 182 200 192

HSL 153.33, 0.14%, 0.75%

LAB 79.08, -7.64, 1.9

 

CMYK 18 / 0 / 17 / 36

HEX #87A488

RGB 135 164 136

HSL 122.07, 0.14%, 0.59%

LAB 64.55, -15.64, 11.25

 

CMYK 13 / 0 / 12 / 29

HEX #9EB6A0

RGB 158 182 160

HSL 125, 0.14%, 0.67%

LAB 71.73, -12.51, 8.44

 

CMYK 9 / 0 / 9 / 22

HEX #B6C8B7

RGB 182 200 183

HSL 123.33, 0.14%, 0.75%

LAB 78.85, -9.32, 6.41

 

CMYK 6 / 0 / 5 / 15

HEX #CDD9CE

RGB 205 217 206

HSL 125, 0.14%, 0.83%

LAB 85.53, -6.06, 4.01

 

CMYK 3 / 0 / 3 / 8

HEX #E5EBE5

RGB 229 235 229

HSL 120, 0.13%, 0.91%

LAB 92.46, -3.07, 2.2

 

CMYK 9 / 0 / 9 / 22

HEX #B6C8B7

RGB 182 200 183

HSL 123.33, 0.14%, 0.75%

LAB 78.85, -9.32, 6.41

 

CMYK 9 / 3 / 0 / 22

HEX #B6C3C8

RGB 182 195 200

HSL 196.67, 0.14%, 0.75%

LAB 77.96, -3.45, -4.04

 

CMYK 0 / 9 / 6 / 22

HEX #C8B6BC

RGB 200 182 188

HSL 340, 0.14%, 0.75%

LAB 75.68, 7.45, -0.72

 

CMYK 9 / 0 / 9 / 22

HEX #B6C8B7

RGB 182 200 183

HSL 123.33, 0.14%, 0.75%

LAB 78.85, -9.32, 6.41

 

CMYK 9 / 9 / 0 / 22

HEX #B7B6C8

RGB 183 182 200

HSL 243.33, 0.14%, 0.75%

LAB 74.63, 3.84, -8.96

 

CMYK 0 / 9 / 9 / 22

HEX #C8B7B6

RGB 200 183 182

HSL 3.33, 0.14%, 0.75%

LAB 75.78, 5.87, 2.69

 

CMYK 9 / 0 / 9 / 22

HEX #B6C8B7

RGB 182 200 183

HSL 123.33, 0.14%, 0.75%

LAB 78.85, -9.32, 6.41

 

CMYK 9 / 3 / 0 / 22

HEX #B6C3C8

RGB 182 195 200

HSL 196.67, 0.14%, 0.75%

LAB 77.96, -3.45, -4.04

 

CMYK 0 / 9 / 0 / 22

HEX #C8B6C7

RGB 200 182 199

HSL 303.33, 0.14%, 0.75%

LAB 75.98, 9.44, -6.26

 

CMYK 0 / 7 / 9 / 22

HEX #C8BAB6

RGB 200 186 182

HSL 13.33, 0.14%, 0.75%

LAB 76.54, 4.26, 3.8

 

CMYK 9 / 0 / 9 / 22

HEX #B6C8B7

RGB 182 200 183

HSL 123.33, 0.14%, 0.75%

LAB 78.85, -9.32, 6.41

 

CMYK 9 / 5 / 0 / 22

HEX #B6BEC8

RGB 182 190 200

HSL 213.33, 0.14%, 0.75%

LAB 76.64, -0.8, -5.99

 

CMYK 0 / 9 / 0 / 22

HEX #C8B6C7

RGB 200 182 199

HSL 303.33, 0.14%, 0.75%

LAB 75.98, 9.44, -6.26

 

CMYK 0 / 4 / 9 / 22

HEX #C8C0B6

RGB 200 192 182

HSL 33.33, 0.14%, 0.75%

LAB 78.08, 1.06, 6.02

 

Description

Color code: HEX #B6C8B7 | qconv.com Color code: HEX #B6C8B7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 200 green and 183 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 200 183 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 9 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 9% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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