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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B999D1 it is the complementary color #46662E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B999D1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B999D1 shade: #BE99CC, #CFABDF, #E0BDF2, #F1CFFF and #FFE1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B999D1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B999D1 shade: #B999D1, #A887BE, #9775AB, #866398 and #755185

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B999D1 shade: #B998D1, #C898D1, #D198CA, #D198BB and #D198AC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B999D1 shade: #B998D1, #A998D1, #9A98D1 and #9898D1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B999D1 shade matches the following richer shades: #B998D1, #BA8CDD, #BC81E9 and #BE75F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B999D1 shade: #B998D1, #B7A4C5, #B5B0B9, #B3BCAD and #B2C8A1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B999D1 shade: #9A98D1, #A998D1, #B898D1, #C798D1 and #D198CB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B999D1 shade: #9260B7, #A57CC4, #B998D1, #CCB5DD and #E0D1EA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B999D1 shade: #B999D1, #D198A6 and #98D1A2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B999D1 shade: #B999D1, #D1B898 and #98D1B8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B999D1 shade: #B999D1, #D198A6, #B1D198 and #98D1C4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B999D1 shade: #B999D1, #D19C98, #B1D198 and #98CDD1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 27 / 0 / 18

HEX #B999D1

RGB 185 153 209

HSL 274.29, 0.38%, 0.71%

LAB 67.8, 22.36, -24.21

 

Complementary color

CMYK 31 / 0 / 55 / 60

HEX #46662E

RGB 70 102 46

HSL 94.29, 0.38%, 0.29%

LAB 39.58, -22.58, 27.73

 

CMYK 7 / 25 / 0 / 20

HEX #BE99CC

RGB 190 153 204

HSL 283.53, 0.33%, 0.7%

LAB 68.09, 22.95, -20.96

 

CMYK 7 / 23 / 0 / 13

HEX #CFABDF

RGB 207 171 223

HSL 281.54, 0.45%, 0.77%

LAB 74.65, 22.41, -21.28

 

CMYK 7 / 22 / 0 / 5

HEX #E0BDF2

RGB 224 189 242

HSL 279.62, 0.67%, 0.85%

LAB 81.1, 21.9, -21.59

 

CMYK 5 / 19 / 0 / 0

HEX #F1CFFF

RGB 241 207 255

HSL 282.5, 1%, 0.91%

LAB 87.26, 20.27, -19.04

 

CMYK 0 / 12 / 0 / 0

HEX #FFE1FF

RGB 255 225 255

HSL 300, 1%, 0.94%

LAB 92.72, 15.38, -10.74

 

CMYK 11 / 27 / 0 / 18

HEX #B999D1

RGB 185 153 209

HSL 274.29, 0.38%, 0.71%

LAB 67.8, 22.36, -24.21

 

CMYK 12 / 29 / 0 / 25

HEX #A887BE

RGB 168 135 190

HSL 276, 0.3%, 0.64%

LAB 61.11, 22.95, -23.97

 

CMYK 12 / 32 / 0 / 33

HEX #9775AB

RGB 151 117 171

HSL 277.78, 0.24%, 0.56%

LAB 54.28, 23.59, -23.74

 

CMYK 12 / 35 / 0 / 40

HEX #866398

RGB 134 99 152

HSL 279.62, 0.21%, 0.49%

LAB 47.31, 24.3, -23.52

 

CMYK 12 / 39 / 0 / 48

HEX #755185

RGB 117 81 133

HSL 281.54, 0.24%, 0.42%

LAB 40.18, 25.08, -23.31

 

CMYK 11 / 27 / 0 / 18

HEX #B998D1

RGB 185 152 209

HSL 274.74, 0.38%, 0.71%

LAB 67.56, 22.92, -24.58

 

CMYK 4 / 27 / 0 / 18

HEX #C898D1

RGB 200 152 209

HSL 290.53, 0.38%, 0.71%

LAB 69, 27.78, -22.25

 

CMYK 0 / 27 / 3 / 18

HEX #D198CA

RGB 209 152 202

HSL 307.37, 0.38%, 0.71%

LAB 69.67, 29.43, -17.28

 

CMYK 0 / 27 / 11 / 18

HEX #D198BB

RGB 209 152 187

HSL 323.16, 0.38%, 0.71%

LAB 69.18, 26.79, -9.67

 

CMYK 0 / 27 / 18 / 18

HEX #D198AC

RGB 209 152 172

HSL 338.95, 0.38%, 0.71%

LAB 68.74, 24.33, -1.96

 

CMYK 11 / 27 / 0 / 18

HEX #B998D1

RGB 185 152 209

HSL 274.74, 0.38%, 0.71%

LAB 67.56, 22.92, -24.58

 

CMYK 19 / 27 / 0 / 18

HEX #A998D1

RGB 169 152 209

HSL 257.89, 0.38%, 0.71%

LAB 66.13, 17.84, -26.89

 

CMYK 26 / 27 / 0 / 18

HEX #9A98D1

RGB 154 152 209

HSL 242.11, 0.38%, 0.71%

LAB 64.91, 13.24, -28.88

 

CMYK 27 / 27 / 0 / 18

HEX #9898D1

RGB 152 152 209

HSL 240, 0.38%, 0.71%

LAB 64.75, 12.64, -29.13

 

CMYK 11 / 27 / 0 / 18

HEX #B998D1

RGB 185 152 209

HSL 274.74, 0.38%, 0.71%

LAB 67.56, 22.92, -24.58

 

CMYK 16 / 37 / 0 / 13

HEX #BA8CDD

RGB 186 140 221

HSL 274.07, 0.54%, 0.71%

LAB 65.29, 32.49, -34.73

 

CMYK 19 / 45 / 0 / 9

HEX #BC81E9

RGB 188 129 233

HSL 274.04, 0.7%, 0.71%

LAB 63.57, 41.75, -44.06

 

CMYK 22 / 52 / 0 / 4

HEX #BE75F5

RGB 190 117 245

HSL 274.22, 0.86%, 0.71%

LAB 61.88, 51.33, -53.35

 

CMYK 11 / 27 / 0 / 18

HEX #B998D1

RGB 185 152 209

HSL 274.74, 0.38%, 0.71%

LAB 67.56, 22.92, -24.58

 

CMYK 7 / 17 / 0 / 23

HEX #B7A4C5

RGB 183 164 197

HSL 274.55, 0.22%, 0.71%

LAB 69.93, 13.1, -14.35

 

CMYK 2 / 5 / 0 / 27

HEX #B5B0B9

RGB 181 176 185

HSL 273.33, 0.06%, 0.71%

LAB 72.48, 3.46, -3.96

 

CMYK 5 / 0 / 8 / 26

HEX #B3BCAD

RGB 179 188 173

HSL 96, 0.1%, 0.71%

LAB 75.18, -5.89, 6.51

 

CMYK 11 / 0 / 20 / 22

HEX #B2C8A1

RGB 178 200 161

HSL 93.85, 0.26%, 0.71%

LAB 78.08, -14.53, 17.06

 

CMYK 26 / 27 / 0 / 18

HEX #9A98D1

RGB 154 152 209

HSL 242.11, 0.38%, 0.71%

LAB 64.91, 13.24, -28.88

 

CMYK 19 / 27 / 0 / 18

HEX #A998D1

RGB 169 152 209

HSL 257.89, 0.38%, 0.71%

LAB 66.13, 17.84, -26.89

 

CMYK 12 / 27 / 0 / 18

HEX #B898D1

RGB 184 152 209

HSL 273.68, 0.38%, 0.71%

LAB 67.46, 22.6, -24.73

 

CMYK 5 / 27 / 0 / 18

HEX #C798D1

RGB 199 152 209

HSL 289.47, 0.38%, 0.71%

LAB 68.9, 27.45, -22.41

 

CMYK 0 / 27 / 3 / 18

HEX #D198CB

RGB 209 152 203

HSL 306.32, 0.38%, 0.71%

LAB 69.7, 29.61, -17.78

 

CMYK 20 / 48 / 0 / 28

HEX #9260B7

RGB 146 96 183

HSL 274.48, 0.38%, 0.55%

LAB 49.37, 36.81, -38.4

 

CMYK 16 / 37 / 0 / 23

HEX #A57CC4

RGB 165 124 196

HSL 274.17, 0.38%, 0.63%

LAB 58.41, 29.56, -31.55

 

CMYK 11 / 27 / 0 / 18

HEX #B998D1

RGB 185 152 209

HSL 274.74, 0.38%, 0.71%

LAB 67.56, 22.92, -24.58

 

CMYK 8 / 18 / 0 / 13

HEX #CCB5DD

RGB 204 181 221

HSL 274.5, 0.37%, 0.79%

LAB 76.74, 15.58, -17.04

 

CMYK 4 / 11 / 0 / 8

HEX #E0D1EA

RGB 224 209 234

HSL 276, 0.37%, 0.87%

LAB 85.7, 9.69, -10.42

 

CMYK 11 / 27 / 0 / 18

HEX #B999D1

RGB 185 153 209

HSL 274.29, 0.38%, 0.71%

LAB 67.8, 22.36, -24.21

 

CMYK 0 / 27 / 21 / 18

HEX #D198A6

RGB 209 152 166

HSL 345.26, 0.38%, 0.71%

LAB 68.58, 23.4, 1.15

 

CMYK 27 / 0 / 22 / 18

HEX #98D1A2

RGB 152 209 162

HSL 130.53, 0.38%, 0.71%

LAB 78.97, -27.72, 17.53

 

CMYK 11 / 27 / 0 / 18

HEX #B999D1

RGB 185 153 209

HSL 274.29, 0.38%, 0.71%

LAB 67.8, 22.36, -24.21

 

CMYK 0 / 12 / 27 / 18

HEX #D1B898

RGB 209 184 152

HSL 33.68, 0.38%, 0.71%

LAB 76.13, 4.07, 19.55

 

CMYK 27 / 0 / 12 / 18

HEX #98D1B8

RGB 152 209 184

HSL 153.68, 0.38%, 0.71%

LAB 79.46, -23.52, 6.51

 

CMYK 11 / 27 / 0 / 18

HEX #B999D1

RGB 185 153 209

HSL 274.29, 0.38%, 0.71%

LAB 67.8, 22.36, -24.21

 

CMYK 0 / 27 / 21 / 18

HEX #D198A6

RGB 209 152 166

HSL 345.26, 0.38%, 0.71%

LAB 68.58, 23.4, 1.15

 

CMYK 15 / 0 / 27 / 18

HEX #B1D198

RGB 177 209 152

HSL 93.68, 0.38%, 0.71%

LAB 80.3, -20.83, 24.86

 

CMYK 27 / 0 / 6 / 18

HEX #98D1C4

RGB 152 209 196

HSL 166.32, 0.38%, 0.71%

LAB 79.76, -21.02, 0.53

 

CMYK 11 / 27 / 0 / 18

HEX #B999D1

RGB 185 153 209

HSL 274.29, 0.38%, 0.71%

LAB 67.8, 22.36, -24.21

 

CMYK 0 / 25 / 27 / 18

HEX #D19C98

RGB 209 156 152

HSL 4.21, 0.38%, 0.71%

LAB 69.18, 19.18, 9.81

 

CMYK 15 / 0 / 27 / 18

HEX #B1D198

RGB 177 209 152

HSL 93.68, 0.38%, 0.71%

LAB 80.3, -20.83, 24.86

 

CMYK 27 / 2 / 0 / 18

HEX #98CDD1

RGB 152 205 209

HSL 184.21, 0.38%, 0.71%

LAB 79.01, -16.13, -7.55

 

Description

Color code: HEX #B999D1 | qconv.com Color code: HEX #B999D1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 153 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 153 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 27 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 27% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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