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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C3B464 it is the complementary color #3C4B9B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C3B464. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C3B464 shade: #C8B45F, #D9C672, #EAD885, #FBEA98 and #FFFCAB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C3B464. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C3B464 shade: #C3B464, #B2A251, #A1903E, #907E2B and #7F6C18

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C3B464 shade: #C3B464, #C39A64, #C38164, #C36764 and #C36464

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C3B464 shade: #C3B464, #B8C364, #9FC364, #85C364 and #6CC364

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C3B464 shade matches the following richer shades: #C3B464, #D4C053, #E5CB42 and #F7D730

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C3B464 shade: #C3B464, #B1A876, #A09C87, #8F9098 and #7D84AA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C3B464 shade: #C38164, #C39A64, #C3B364, #B9C364 and #A0C364

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C3B464 shade: #998A3B, #B7A547, #C3B464, #CEC282 and #DAD0A0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C3B464 shade: #C3B464, #64C367 and #8D64C3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C3B464 shade: #C3B464, #64C3B3 and #B364C3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C3B464 shade: #C3B464, #64C367, #6474C3 and #C364BF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C3B464 shade: #C3B464, #64C384, #6474C3 and #C364A3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 49 / 24

HEX #C3B464

RGB 195 180 100

HSL 50.53, 0.44%, 0.58%

LAB 73, -5.44, 42.46

 

Complementary color

CMYK 61 / 52 / 0 / 39

HEX #3C4B9B

RGB 60 75 155

HSL 230.53, 0.44%, 0.42%

LAB 34.72, 19.73, -45.64

 

CMYK 0 / 10 / 53 / 22

HEX #C8B45F

RGB 200 180 95

HSL 48.57, 0.49%, 0.58%

LAB 73.38, -3.81, 45.51

 

CMYK 0 / 9 / 47 / 15

HEX #D9C672

RGB 217 198 114

HSL 48.93, 0.58%, 0.65%

LAB 79.82, -4.46, 44.28

 

CMYK 0 / 8 / 43 / 8

HEX #EAD885

RGB 234 216 133

HSL 49.31, 0.71%, 0.72%

LAB 86.16, -5.02, 43.06

 

CMYK 0 / 7 / 39 / 2

HEX #FBEA98

RGB 251 234 152

HSL 49.7, 0.93%, 0.79%

LAB 92.41, -5.5, 41.89

 

CMYK 0 / 1 / 33 / 0

HEX #FFFCAB

RGB 255 252 171

HSL 57.86, 1%, 0.84%

LAB 97.56, -10.8, 39.22

 

CMYK 0 / 8 / 49 / 24

HEX #C3B464

RGB 195 180 100

HSL 50.53, 0.44%, 0.58%

LAB 73, -5.44, 42.46

 

CMYK 0 / 9 / 54 / 30

HEX #B2A251

RGB 178 162 81

HSL 50.1, 0.39%, 0.51%

LAB 66.44, -4.77, 43.69

 

CMYK 0 / 11 / 61 / 37

HEX #A1903E

RGB 161 144 62

HSL 49.7, 0.44%, 0.44%

LAB 59.77, -3.95, 44.86

 

CMYK 0 / 13 / 70 / 44

HEX #907E2B

RGB 144 126 43

HSL 49.31, 0.54%, 0.37%

LAB 52.98, -2.93, 45.8

 

CMYK 0 / 15 / 81 / 50

HEX #7F6C18

RGB 127 108 24

HSL 48.93, 0.68%, 0.3%

LAB 46.05, -1.64, 46.14

 

CMYK 0 / 8 / 49 / 24

HEX #C3B464

RGB 195 180 100

HSL 50.53, 0.44%, 0.58%

LAB 73, -5.44, 42.46

 

CMYK 0 / 21 / 49 / 24

HEX #C39A64

RGB 195 154 100

HSL 34.11, 0.44%, 0.58%

LAB 66.24, 8.49, 34.06

 

CMYK 0 / 34 / 49 / 24

HEX #C38164

RGB 195 129 100

HSL 18.32, 0.44%, 0.58%

LAB 60.09, 22.23, 26.13

 

CMYK 0 / 47 / 49 / 24

HEX #C36764

RGB 195 103 100

HSL 1.89, 0.44%, 0.58%

LAB 54.26, 36.27, 18.35

 

CMYK 0 / 49 / 49 / 24

HEX #C36464

RGB 195 100 100

HSL 0, 0.44%, 0.58%

LAB 53.64, 37.84, 17.5

 

CMYK 0 / 8 / 49 / 24

HEX #C3B464

RGB 195 180 100

HSL 50.53, 0.44%, 0.58%

LAB 73, -5.44, 42.46

 

CMYK 6 / 0 / 49 / 24

HEX #B8C364

RGB 184 195 100

HSL 66.95, 0.44%, 0.58%

LAB 76.16, -17.65, 46.07

 

CMYK 18 / 0 / 49 / 24

HEX #9FC364

RGB 159 195 100

HSL 82.74, 0.44%, 0.58%

LAB 74.39, -27.49, 43.53

 

CMYK 32 / 0 / 49 / 24

HEX #85C364

RGB 133 195 100

HSL 99.16, 0.44%, 0.58%

LAB 72.85, -37, 41.29

 

CMYK 45 / 0 / 49 / 24

HEX #6CC364

RGB 108 195 100

HSL 114.95, 0.44%, 0.58%

LAB 71.65, -45.11, 39.54

 

CMYK 0 / 8 / 49 / 24

HEX #C3B464

RGB 195 180 100

HSL 50.53, 0.44%, 0.58%

LAB 73, -5.44, 42.46

 

CMYK 0 / 9 / 61 / 17

HEX #D4C053

RGB 212 192 83

HSL 50.7, 0.6%, 0.58%

LAB 77.47, -5.94, 56.11

 

CMYK 0 / 11 / 71 / 10

HEX #E5CB42

RGB 229 203 66

HSL 50.43, 0.76%, 0.58%

LAB 81.71, -5.38, 67.98

 

CMYK 0 / 13 / 81 / 3

HEX #F7D730

RGB 247 215 48

HSL 50.35, 0.93%, 0.58%

LAB 86.3, -4.56, 78.65

 

CMYK 0 / 8 / 49 / 24

HEX #C3B464

RGB 195 180 100

HSL 50.53, 0.44%, 0.58%

LAB 73, -5.44, 42.46

 

CMYK 0 / 5 / 33 / 31

HEX #B1A876

RGB 177 168 118

HSL 50.85, 0.27%, 0.58%

LAB 68.5, -4.49, 27.04

 

CMYK 0 / 2 / 16 / 37

HEX #A09C87

RGB 160 156 135

HSL 50.4, 0.12%, 0.58%

LAB 64.16, -2.24, 11.53

 

CMYK 6 / 5 / 0 / 40

HEX #8F9098

RGB 143 144 152

HSL 233.33, 0.04%, 0.58%

LAB 59.94, 1.24, -4.36

 

CMYK 26 / 22 / 0 / 33

HEX #7D84AA

RGB 125 132 170

HSL 230.67, 0.21%, 0.58%

LAB 55.85, 6.17, -20.96

 

CMYK 0 / 34 / 49 / 24

HEX #C38164

RGB 195 129 100

HSL 18.32, 0.44%, 0.58%

LAB 60.09, 22.23, 26.13

 

CMYK 0 / 21 / 49 / 24

HEX #C39A64

RGB 195 154 100

HSL 34.11, 0.44%, 0.58%

LAB 66.24, 8.49, 34.06

 

CMYK 0 / 8 / 49 / 24

HEX #C3B364

RGB 195 179 100

HSL 49.89, 0.44%, 0.58%

LAB 72.74, -4.92, 42.14

 

CMYK 5 / 0 / 49 / 24

HEX #B9C364

RGB 185 195 100

HSL 66.32, 0.44%, 0.58%

LAB 76.23, -17.25, 46.18

 

CMYK 18 / 0 / 49 / 24

HEX #A0C364

RGB 160 195 100

HSL 82.11, 0.44%, 0.58%

LAB 74.46, -27.11, 43.63

 

CMYK 0 / 10 / 61 / 40

HEX #998A3B

RGB 153 138 59

HSL 50.43, 0.44%, 0.42%

LAB 57.33, -4.44, 43.37

 

CMYK 0 / 10 / 61 / 28

HEX #B7A547

RGB 183 165 71

HSL 50.36, 0.44%, 0.5%

LAB 67.6, -4.99, 49.91

 

CMYK 0 / 8 / 49 / 24

HEX #C3B464

RGB 195 180 100

HSL 50.53, 0.44%, 0.58%

LAB 73, -5.44, 42.46

 

CMYK 0 / 6 / 37 / 19

HEX #CEC282

RGB 206 194 130

HSL 50.53, 0.44%, 0.66%

LAB 78.06, -5.14, 33.73

 

CMYK 0 / 5 / 27 / 15

HEX #DAD0A0

RGB 218 208 160

HSL 49.66, 0.44%, 0.74%

LAB 83.21, -3.97, 25.13

 

CMYK 0 / 8 / 49 / 24

HEX #C3B464

RGB 195 180 100

HSL 50.53, 0.44%, 0.58%

LAB 73, -5.44, 42.46

 

CMYK 49 / 0 / 47 / 24

HEX #64C367

RGB 100 195 103

HSL 121.89, 0.44%, 0.58%

LAB 71.36, -47, 37.62

 

CMYK 28 / 49 / 0 / 24

HEX #8D64C3

RGB 141 100 195

HSL 265.89, 0.44%, 0.58%

LAB 50.35, 36.01, -43.81

 

CMYK 0 / 8 / 49 / 24

HEX #C3B464

RGB 195 180 100

HSL 50.53, 0.44%, 0.58%

LAB 73, -5.44, 42.46

 

CMYK 49 / 0 / 8 / 24

HEX #64C3B3

RGB 100 195 179

HSL 169.89, 0.44%, 0.58%

LAB 72.89, -32.05, -0.63

 

CMYK 8 / 49 / 0 / 24

HEX #B364C3

RGB 179 100 195

HSL 289.89, 0.44%, 0.58%

LAB 54.7, 46.68, -36.67

 

CMYK 0 / 8 / 49 / 24

HEX #C3B464

RGB 195 180 100

HSL 50.53, 0.44%, 0.58%

LAB 73, -5.44, 42.46

 

CMYK 49 / 0 / 47 / 24

HEX #64C367

RGB 100 195 103

HSL 121.89, 0.44%, 0.58%

LAB 71.36, -47, 37.62

 

CMYK 49 / 41 / 0 / 24

HEX #6474C3

RGB 100 116 195

HSL 229.89, 0.44%, 0.58%

LAB 50.85, 15.8, -43.24

 

CMYK 0 / 49 / 2 / 24

HEX #C364BF

RGB 195 100 191

HSL 302.53, 0.44%, 0.58%

LAB 56.56, 50.55, -31.31

 

CMYK 0 / 8 / 49 / 24

HEX #C3B464

RGB 195 180 100

HSL 50.53, 0.44%, 0.58%

LAB 73, -5.44, 42.46

 

CMYK 49 / 0 / 32 / 24

HEX #64C384

RGB 100 195 132

HSL 140.21, 0.44%, 0.58%

LAB 71.83, -42.22, 23.22

 

CMYK 49 / 41 / 0 / 24

HEX #6474C3

RGB 100 116 195

HSL 229.89, 0.44%, 0.58%

LAB 50.85, 15.8, -43.24

 

CMYK 0 / 49 / 16 / 24

HEX #C364A3

RGB 195 100 163

HSL 320.21, 0.44%, 0.58%

LAB 55.44, 45.86, -16.87

 

Description

Color code: HEX #C3B464 | qconv.com Color code: HEX #C3B464 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 180 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 180 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 49 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 49% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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