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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C3BD4B it is the complementary color #3C42B4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C3BD4B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C3BD4B shade: #C8BD46, #D9CF59, #EAE16C, #FBF37F and #FFFF92

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C3BD4B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C3BD4B shade: #C3BD4B, #B2AB38, #A19925, #908712 and #7F7500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C3BD4B shade: #C3BD4B, #C39C4B, #C37C4B, #C35C4B and #C34B4B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C3BD4B shade: #C3BD4B, #A8C34B, #88C34B, #68C34B and #4BC34E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C3BD4B shade matches the following richer shades: #C3BD4B, #D6CE37, #E9DF24 and #FDF111

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C3BD4B shade: #C3BD4B, #AFAB5E, #9C9A72, #888885 and #757798

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C3BD4B shade: #C37D4B, #C39D4B, #C3BD4B, #A9C34B and #89C34B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C3BD4B shade: #8C882E, #ABA639, #C3BD4B, #CDC86A and #D7D389

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C3BD4B shade: #C3BD4B, #4BC35D and #8D4BC3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C3BD4B shade: #C3BD4B, #4BC3BD and #BD4BC3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C3BD4B shade: #C3BD4B, #4BC35D, #4B51C3 and #C34BB1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C3BD4B shade: #C3BD4B, #4BC381, #4B51C3 and #C34B8D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 3 / 62 / 24

HEX #C3BD4B

RGB 195 189 75

HSL 57, 0.5%, 0.53%

LAB 75.14, -12.1, 56.66

 

Complementary color

CMYK 67 / 63 / 0 / 29

HEX #3C42B4

RGB 60 66 180

HSL 237, 0.5%, 0.47%

LAB 34.3, 34.38, -61.27

 

CMYK 0 / 5 / 65 / 22

HEX #C8BD46

RGB 200 189 70

HSL 54.92, 0.54%, 0.53%

LAB 75.52, -10.3, 59.31

 

CMYK 0 / 5 / 59 / 15

HEX #D9CF59

RGB 217 207 89

HSL 55.31, 0.63%, 0.6%

LAB 81.89, -11.1, 58.46

 

CMYK 0 / 4 / 54 / 8

HEX #EAE16C

RGB 234 225 108

HSL 55.71, 0.75%, 0.67%

LAB 88.17, -11.77, 57.44

 

CMYK 0 / 3 / 49 / 2

HEX #FBF37F

RGB 251 243 127

HSL 56.13, 0.94%, 0.74%

LAB 94.37, -12.35, 56.34

 

CMYK 0 / 0 / 43 / 0

HEX #FFFF92

RGB 255 255 146

HSL 60, 1%, 0.79%

LAB 97.98, -14.92, 51.89

 

CMYK 0 / 3 / 62 / 24

HEX #C3BD4B

RGB 195 189 75

HSL 57, 0.5%, 0.53%

LAB 75.14, -12.1, 56.66

 

CMYK 0 / 4 / 69 / 30

HEX #B2AB38

RGB 178 171 56

HSL 56.56, 0.52%, 0.46%

LAB 68.66, -11.25, 57.35

 

CMYK 0 / 5 / 77 / 37

HEX #A19925

RGB 161 153 37

HSL 56.13, 0.63%, 0.39%

LAB 62.08, -10.21, 57.49

 

CMYK 0 / 6 / 88 / 44

HEX #908712

RGB 144 135 18

HSL 55.71, 0.78%, 0.32%

LAB 55.38, -8.93, 56.58

 

CMYK 0 / 8 / 100 / 50

HEX #7F7500

RGB 127 117 0

HSL 55.28, 1%, 0.25%

LAB 48.55, -7.37, 54.23

 

CMYK 0 / 3 / 62 / 24

HEX #C3BD4B

RGB 195 189 75

HSL 57, 0.5%, 0.53%

LAB 75.14, -12.1, 56.66

 

CMYK 0 / 20 / 62 / 24

HEX #C39C4B

RGB 195 156 75

HSL 40.5, 0.5%, 0.53%

LAB 66.43, 5.32, 47.03

 

CMYK 0 / 36 / 62 / 24

HEX #C37C4B

RGB 195 124 75

HSL 24.5, 0.5%, 0.53%

LAB 58.53, 22.85, 37.84

 

CMYK 0 / 53 / 62 / 24

HEX #C35C4B

RGB 195 92 75

HSL 8.5, 0.5%, 0.53%

LAB 51.57, 39.86, 29.32

 

CMYK 0 / 62 / 62 / 24

HEX #C34B4B

RGB 195 75 75

HSL 0, 0.5%, 0.53%

LAB 48.44, 48.03, 25.36

 

CMYK 0 / 3 / 62 / 24

HEX #C3BD4B

RGB 195 189 75

HSL 57, 0.5%, 0.53%

LAB 75.14, -12.1, 56.66

 

CMYK 14 / 0 / 62 / 24

HEX #A8C34B

RGB 168 195 75

HSL 73.5, 0.5%, 0.53%

LAB 74.74, -26.25, 55.62

 

CMYK 30 / 0 / 62 / 24

HEX #88C34B

RGB 136 195 75

HSL 89.5, 0.5%, 0.53%

LAB 72.74, -38.56, 52.86

 

CMYK 47 / 0 / 62 / 24

HEX #68C34B

RGB 104 195 75

HSL 105.5, 0.5%, 0.53%

LAB 71.2, -49.25, 50.72

 

CMYK 62 / 0 / 60 / 24

HEX #4BC34E

RGB 75 195 78

HSL 121.5, 0.5%, 0.53%

LAB 70.23, -56.56, 48.01

 

CMYK 0 / 3 / 62 / 24

HEX #C3BD4B

RGB 195 189 75

HSL 57, 0.5%, 0.53%

LAB 75.14, -12.1, 56.66

 

CMYK 0 / 4 / 74 / 16

HEX #D6CE37

RGB 214 206 55

HSL 56.98, 0.66%, 0.53%

LAB 81.13, -13.73, 70.83

 

CMYK 0 / 4 / 85 / 9

HEX #E9DF24

RGB 233 223 36

HSL 56.95, 0.82%, 0.53%

LAB 87.11, -14.77, 81.76

 

CMYK 0 / 5 / 93 / 1

HEX #FDF111

RGB 253 241 17

HSL 56.95, 0.98%, 0.53%

LAB 93.38, -15.53, 90.32

 

CMYK 0 / 3 / 62 / 24

HEX #C3BD4B

RGB 195 189 75

HSL 57, 0.5%, 0.53%

LAB 75.14, -12.1, 56.66

 

CMYK 0 / 2 / 46 / 31

HEX #AFAB5E

RGB 175 171 94

HSL 57.04, 0.34%, 0.53%

LAB 68.79, -9.61, 39.94

 

CMYK 0 / 1 / 27 / 39

HEX #9C9A72

RGB 156 154 114

HSL 57.14, 0.18%, 0.53%

LAB 62.84, -5.93, 21.32

 

CMYK 0 / 0 / 2 / 47

HEX #888885

RGB 136 136 133

HSL 60, 0.01%, 0.53%

LAB 56.62, -0.58, 1.6

 

CMYK 23 / 22 / 0 / 40

HEX #757798

RGB 117 119 152

HSL 236.57, 0.15%, 0.53%

LAB 50.97, 6.74, -18.04

 

CMYK 0 / 36 / 62 / 24

HEX #C37D4B

RGB 195 125 75

HSL 25, 0.5%, 0.53%

LAB 58.77, 22.3, 38.12

 

CMYK 0 / 19 / 62 / 24

HEX #C39D4B

RGB 195 157 75

HSL 41, 0.5%, 0.53%

LAB 66.69, 4.78, 47.32

 

CMYK 0 / 3 / 62 / 24

HEX #C3BD4B

RGB 195 189 75

HSL 57, 0.5%, 0.53%

LAB 75.14, -12.1, 56.66

 

CMYK 13 / 0 / 62 / 24

HEX #A9C34B

RGB 169 195 75

HSL 73, 0.5%, 0.53%

LAB 74.81, -25.85, 55.72

 

CMYK 30 / 0 / 62 / 24

HEX #89C34B

RGB 137 195 75

HSL 89, 0.5%, 0.53%

LAB 72.8, -38.2, 52.94

 

CMYK 0 / 3 / 67 / 45

HEX #8C882E

RGB 140 136 46

HSL 57.45, 0.51%, 0.36%

LAB 55.46, -10.08, 46.94

 

CMYK 0 / 3 / 67 / 33

HEX #ABA639

RGB 171 166 57

HSL 57.37, 0.5%, 0.45%

LAB 66.69, -11.63, 54.75

 

CMYK 0 / 3 / 62 / 24

HEX #C3BD4B

RGB 195 189 75

HSL 57, 0.5%, 0.53%

LAB 75.14, -12.1, 56.66

 

CMYK 0 / 2 / 48 / 20

HEX #CDC86A

RGB 205 200 106

HSL 56.97, 0.5%, 0.61%

LAB 79.23, -11.11, 47.25

 

CMYK 0 / 2 / 36 / 16

HEX #D7D389

RGB 215 211 137

HSL 56.92, 0.49%, 0.69%

LAB 83.36, -9.52, 37.16

 

CMYK 0 / 3 / 62 / 24

HEX #C3BD4B

RGB 195 189 75

HSL 57, 0.5%, 0.53%

LAB 75.14, -12.1, 56.66

 

CMYK 62 / 0 / 52 / 24

HEX #4BC35D

RGB 75 195 93

HSL 129, 0.5%, 0.53%

LAB 70.4, -54.66, 41.17

 

CMYK 28 / 62 / 0 / 24

HEX #8D4BC3

RGB 141 75 195

HSL 273, 0.5%, 0.53%

LAB 45.13, 49.66, -52.15

 

CMYK 0 / 3 / 62 / 24

HEX #C3BD4B

RGB 195 189 75

HSL 57, 0.5%, 0.53%

LAB 75.14, -12.1, 56.66

 

CMYK 62 / 0 / 3 / 24

HEX #4BC3BD

RGB 75 195 189

HSL 177, 0.5%, 0.53%

LAB 72.36, -34.48, -6.94

 

CMYK 3 / 62 / 0 / 24

HEX #BD4BC3

RGB 189 75 195

HSL 297, 0.5%, 0.53%

LAB 51.6, 61.29, -41.46

 

CMYK 0 / 3 / 62 / 24

HEX #C3BD4B

RGB 195 189 75

HSL 57, 0.5%, 0.53%

LAB 75.14, -12.1, 56.66

 

CMYK 62 / 0 / 52 / 24

HEX #4BC35D

RGB 75 195 93

HSL 129, 0.5%, 0.53%

LAB 70.4, -54.66, 41.17

 

CMYK 62 / 58 / 0 / 24

HEX #4B51C3

RGB 75 81 195

HSL 237, 0.5%, 0.53%

LAB 40.12, 32.43, -60.56

 

CMYK 0 / 62 / 9 / 24

HEX #C34BB1

RGB 195 75 177

HSL 309, 0.5%, 0.53%

LAB 51.62, 59.81, -30.92

 

CMYK 0 / 3 / 62 / 24

HEX #C3BD4B

RGB 195 189 75

HSL 57, 0.5%, 0.53%

LAB 75.14, -12.1, 56.66

 

CMYK 62 / 0 / 34 / 24

HEX #4BC381

RGB 75 195 129

HSL 147, 0.5%, 0.53%

LAB 70.95, -48.63, 23.48

 

CMYK 62 / 58 / 0 / 24

HEX #4B51C3

RGB 75 81 195

HSL 237, 0.5%, 0.53%

LAB 40.12, 32.43, -60.56

 

CMYK 0 / 62 / 28 / 24

HEX #C34B8D

RGB 195 75 141

HSL 327, 0.5%, 0.53%

LAB 50.17, 54.59, -11.9

 

Description

Color code: HEX #C3BD4B | qconv.com Color code: HEX #C3BD4B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 189 green and 75 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 189 75 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 62 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 62% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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