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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C3ECF4 it is the complementary color #3C130B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C3ECF4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C3ECF4 shade: #C8ECEF, #D9FEFF, #EAFFFF and #FBFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C3ECF4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C3ECF4 shade: #C3ECF4, #B2DAE1, #A1C8CE, #90B6BB and #7FA4A8

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C3ECF4 shade: #C2EBF3, #C2DEF3, #C2D1F3, #C2C4F3 and #CEC2F3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C3ECF4 shade: #C2EBF3, #C2DEF3, #C2D1F3, #C2C4F3 and #C2C2F3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C3ECF4 shade matches the following richer shades: #C2EBF3 and #BCEFF9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C3ECF4 shade: #C2EBF3, #C8E7EE, #CEE4E8, #D3E0E2 and #D9DCDC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C3ECF4 shade: #C2F3E1, #C2F3EE, #C2ECF3, #C2DFF3 and #C2D2F3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C3ECF4 shade: #7CD5E7, #9FE0ED, #C2EBF3 and #E5F6FA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C3ECF4 shade: #C3ECF4, #D3C2F3 and #F3E7C2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C3ECF4 shade: #C3ECF4, #F3C2EC and #ECF3C2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C3ECF4 shade: #C3ECF4, #D3C2F3, #F3CAC2 and #E2F3C2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C3ECF4 shade: #C3ECF4, #E2C2F3, #F3CAC2 and #D3F3C2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 3 / 0 / 4

HEX #C3ECF4

RGB 195 236 244

HSL 189.8, 0.69%, 0.86%

LAB 90.84, -11.5, -8.27

 

Complementary color

CMYK 0 / 68 / 82 / 76

HEX #3C130B

RGB 60 19 11

HSL 9.8, 0.69%, 0.14%

LAB 12.29, 19.61, 14.28

 

CMYK 16 / 1 / 0 / 6

HEX #C8ECEF

RGB 200 236 239

HSL 184.62, 0.55%, 0.86%

LAB 91.01, -11.02, -5.37

 

CMYK 15 / 0 / 0 / 0

HEX #D9FEFF

RGB 217 254 255

HSL 181.58, 1%, 0.93%

LAB 97.17, -11.6, -4.46

 

CMYK 8 / 0 / 0 / 0

HEX #EAFFFF

RGB 234 255 255

HSL 180, 1%, 0.96%

LAB 98.52, -6.79, -2.34

 

CMYK 2 / 0 / 0 / 0

HEX #FBFFFF

RGB 251 255 255

HSL 180, 1%, 0.99%

LAB 99.71, -1.31, -0.47

 

CMYK 20 / 3 / 0 / 4

HEX #C3ECF4

RGB 195 236 244

HSL 189.8, 0.69%, 0.86%

LAB 90.84, -11.5, -8.27

 

CMYK 21 / 3 / 0 / 12

HEX #B2DAE1

RGB 178 218 225

HSL 188.94, 0.44%, 0.79%

LAB 84.51, -11.52, -7.77

 

CMYK 22 / 3 / 0 / 19

HEX #A1C8CE

RGB 161 200 206

HSL 188, 0.31%, 0.72%

LAB 78.08, -11.54, -7.26

 

CMYK 23 / 3 / 0 / 27

HEX #90B6BB

RGB 144 182 187

HSL 186.98, 0.24%, 0.65%

LAB 71.54, -11.58, -6.74

 

CMYK 24 / 2 / 0 / 34

HEX #7FA4A8

RGB 127 164 168

HSL 185.85, 0.19%, 0.58%

LAB 64.88, -11.62, -6.21

 

CMYK 20 / 3 / 0 / 5

HEX #C2EBF3

RGB 194 235 243

HSL 189.8, 0.67%, 0.86%

LAB 90.49, -11.5, -8.27

 

CMYK 20 / 9 / 0 / 5

HEX #C2DEF3

RGB 194 222 243

HSL 205.71, 0.67%, 0.86%

LAB 87.09, -4.85, -13.33

 

CMYK 20 / 14 / 0 / 5

HEX #C2D1F3

RGB 194 209 243

HSL 221.63, 0.67%, 0.86%

LAB 83.73, 1.97, -18.38

 

CMYK 20 / 19 / 0 / 5

HEX #C2C4F3

RGB 194 196 243

HSL 237.55, 0.67%, 0.86%

LAB 80.42, 8.92, -23.4

 

CMYK 15 / 20 / 0 / 5

HEX #CEC2F3

RGB 206 194 243

HSL 254.69, 0.67%, 0.86%

LAB 80.84, 13.71, -22.67

 

CMYK 20 / 3 / 0 / 5

HEX #C2EBF3

RGB 194 235 243

HSL 189.8, 0.67%, 0.86%

LAB 90.49, -11.5, -8.27

 

CMYK 20 / 9 / 0 / 5

HEX #C2DEF3

RGB 194 222 243

HSL 205.71, 0.67%, 0.86%

LAB 87.09, -4.85, -13.33

 

CMYK 20 / 14 / 0 / 5

HEX #C2D1F3

RGB 194 209 243

HSL 221.63, 0.67%, 0.86%

LAB 83.73, 1.97, -18.38

 

CMYK 20 / 19 / 0 / 5

HEX #C2C4F3

RGB 194 196 243

HSL 237.55, 0.67%, 0.86%

LAB 80.42, 8.92, -23.4

 

CMYK 20 / 20 / 0 / 5

HEX #C2C2F3

RGB 194 194 243

HSL 240, 0.67%, 0.86%

LAB 79.91, 10, -24.17

 

CMYK 20 / 3 / 0 / 5

HEX #C2EBF3

RGB 194 235 243

HSL 189.8, 0.67%, 0.86%

LAB 90.49, -11.5, -8.27

 

CMYK 24 / 4 / 0 / 2

HEX #BCEFF9

RGB 188 239 249

HSL 189.84, 0.84%, 0.86%

LAB 91.35, -14, -10.15

 

CMYK 20 / 3 / 0 / 5

HEX #C2EBF3

RGB 194 235 243

HSL 189.8, 0.67%, 0.86%

LAB 90.49, -11.5, -8.27

 

CMYK 16 / 3 / 0 / 7

HEX #C8E7EE

RGB 200 231 238

HSL 191.05, 0.53%, 0.86%

LAB 89.68, -8.68, -6.81

 

CMYK 11 / 2 / 0 / 9

HEX #CEE4E8

RGB 206 228 232

HSL 189.23, 0.36%, 0.86%

LAB 89.13, -6.47, -4.43

 

CMYK 7 / 1 / 0 / 11

HEX #D3E0E2

RGB 211 224 226

HSL 188, 0.21%, 0.86%

LAB 88.28, -3.95, -2.48

 

CMYK 1 / 0 / 0 / 14

HEX #D9DCDC

RGB 217 220 220

HSL 180, 0.04%, 0.86%

LAB 87.54, -1.01, -0.36

 

CMYK 20 / 0 / 7 / 5

HEX #C2F3E1

RGB 194 243 225

HSL 157.96, 0.67%, 0.86%

LAB 92.13, -19.15, 3.53

 

CMYK 20 / 0 / 2 / 5

HEX #C2F3EE

RGB 194 243 238

HSL 173.88, 0.67%, 0.86%

LAB 92.46, -16.55, -2.75

 

CMYK 20 / 3 / 0 / 5

HEX #C2ECF3

RGB 194 236 243

HSL 188.57, 0.67%, 0.86%

LAB 90.75, -12.01, -7.88

 

CMYK 20 / 8 / 0 / 5

HEX #C2DFF3

RGB 194 223 243

HSL 204.49, 0.67%, 0.86%

LAB 87.35, -5.37, -12.94

 

CMYK 20 / 14 / 0 / 5

HEX #C2D2F3

RGB 194 210 243

HSL 220.41, 0.67%, 0.86%

LAB 83.98, 1.44, -17.99

 

CMYK 46 / 8 / 0 / 9

HEX #7CD5E7

RGB 124 213 231

HSL 190.09, 0.69%, 0.7%

LAB 80.54, -22.05, -17.18

 

CMYK 33 / 5 / 0 / 7

HEX #9FE0ED

RGB 159 224 237

HSL 190, 0.68%, 0.78%

LAB 85.4, -17.31, -12.9

 

CMYK 20 / 3 / 0 / 5

HEX #C2EBF3

RGB 194 235 243

HSL 189.8, 0.67%, 0.86%

LAB 90.49, -11.5, -8.27

 

CMYK 8 / 2 / 0 / 2

HEX #E5F6FA

RGB 229 246 250

HSL 191.43, 0.68%, 0.94%

LAB 95.78, -4.8, -3.84

 

CMYK 20 / 3 / 0 / 4

HEX #C3ECF4

RGB 195 236 244

HSL 189.8, 0.69%, 0.86%

LAB 90.84, -11.5, -8.27

 

CMYK 13 / 20 / 0 / 5

HEX #D3C2F3

RGB 211 194 243

HSL 260.82, 0.67%, 0.86%

LAB 81.24, 15.28, -22.02

 

CMYK 0 / 5 / 20 / 5

HEX #F3E7C2

RGB 243 231 194

HSL 45.31, 0.67%, 0.86%

LAB 91.73, -1.75, 19.5

 

CMYK 20 / 3 / 0 / 4

HEX #C3ECF4

RGB 195 236 244

HSL 189.8, 0.69%, 0.86%

LAB 90.84, -11.5, -8.27

 

CMYK 0 / 20 / 3 / 5

HEX #F3C2EC

RGB 243 194 236

HSL 308.57, 0.67%, 0.86%

LAB 83.81, 24.31, -14.14

 

CMYK 3 / 0 / 20 / 5

HEX #ECF3C2

RGB 236 243 194

HSL 68.57, 0.67%, 0.86%

LAB 94.24, -10.31, 22.9

 

CMYK 20 / 3 / 0 / 4

HEX #C3ECF4

RGB 195 236 244

HSL 189.8, 0.69%, 0.86%

LAB 90.84, -11.5, -8.27

 

CMYK 13 / 20 / 0 / 5

HEX #D3C2F3

RGB 211 194 243

HSL 260.82, 0.67%, 0.86%

LAB 81.24, 15.28, -22.02

 

CMYK 0 / 17 / 20 / 5

HEX #F3CAC2

RGB 243 202 194

HSL 9.8, 0.67%, 0.86%

LAB 84.58, 13.25, 9.41

 

CMYK 7 / 0 / 20 / 5

HEX #E2F3C2

RGB 226 243 194

HSL 80.82, 0.67%, 0.86%

LAB 93.52, -13.87, 21.8

 

CMYK 20 / 3 / 0 / 4

HEX #C3ECF4

RGB 195 236 244

HSL 189.8, 0.69%, 0.86%

LAB 90.84, -11.5, -8.27

 

CMYK 7 / 20 / 0 / 5

HEX #E2C2F3

RGB 226 194 243

HSL 279.18, 0.67%, 0.86%

LAB 82.5, 20.06, -19.99

 

CMYK 0 / 17 / 20 / 5

HEX #F3CAC2

RGB 243 202 194

HSL 9.8, 0.67%, 0.86%

LAB 84.58, 13.25, 9.41

 

CMYK 13 / 0 / 20 / 5

HEX #D3F3C2

RGB 211 243 194

HSL 99.18, 0.67%, 0.86%

LAB 92.51, -19.08, 20.23

 

Description

Color code: HEX #C3ECF4 | qconv.com Color code: HEX #C3ECF4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 236 green and 244 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 236 244 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 3 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 3% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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