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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C091CE it is the complementary color #3F6E31. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C091CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C091CE shade: #C591C9, #D6A3DC, #E7B5EF, #F8C7FF and #FFD9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C091CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C091CE shade: #C091CE, #AF7FBB, #9E6DA8, #8D5B95 and #7C4982

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C091CE shade: #C091CD, #CD91CB, #CD91BB, #CD91AB and #CD919A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C091CE shade: #C091CD, #B091CD, #9F91CD and #9191CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C091CE shade matches the following richer shades: #C091CD, #C785DA, #CE78E7 and #D46BF4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C091CE shade: #C091CD, #B99EC1, #B2ABB4, #ABB8A7 and #A4C59A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C091CE shade: #9F91CD, #AF91CD, #BF91CD, #CD91CB and #CD91BB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C091CE shade: #9F58B4, #AF75C1, #C091CD, #D0AEDA and #E0CAE7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C091CE shade: #C091CE, #CD9193 and #91CDA7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C091CE shade: #C091CE, #CDBF91 and #91CDBF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C091CE shade: #C091CE, #CD9193, #9FCD91 and #91CDCB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C091CE shade: #C091CE, #CDA191, #9FCD91 and #91BDCD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 30 / 0 / 19

HEX #C091CE

RGB 192 145 206

HSL 286.23, 0.38%, 0.69%

LAB 66.45, 28.45, -24.55

 

Complementary color

CMYK 43 / 0 / 55 / 57

HEX #3F6E31

RGB 63 110 49

HSL 106.23, 0.38%, 0.31%

LAB 41.89, -28.78, 28.8

 

CMYK 2 / 28 / 0 / 21

HEX #C591C9

RGB 197 145 201

HSL 295.71, 0.34%, 0.68%

LAB 66.78, 29.09, -21.22

 

CMYK 3 / 26 / 0 / 14

HEX #D6A3DC

RGB 214 163 220

HSL 293.68, 0.45%, 0.75%

LAB 73.32, 28.46, -21.59

 

CMYK 3 / 24 / 0 / 6

HEX #E7B5EF

RGB 231 181 239

HSL 291.72, 0.64%, 0.82%

LAB 79.77, 27.86, -21.95

 

CMYK 3 / 22 / 0 / 0

HEX #F8C7FF

RGB 248 199 255

HSL 292.5, 1%, 0.89%

LAB 86.02, 26.75, -20.86

 

CMYK 0 / 15 / 0 / 0

HEX #FFD9FF

RGB 255 217 255

HSL 300, 1%, 0.93%

LAB 90.83, 19.56, -13.56

 

CMYK 7 / 30 / 0 / 19

HEX #C091CE

RGB 192 145 206

HSL 286.23, 0.38%, 0.69%

LAB 66.45, 28.45, -24.55

 

CMYK 6 / 32 / 0 / 27

HEX #AF7FBB

RGB 175 127 187

HSL 288, 0.31%, 0.62%

LAB 59.78, 29.12, -24.25

 

CMYK 6 / 35 / 0 / 34

HEX #9E6DA8

RGB 158 109 168

HSL 289.83, 0.25%, 0.54%

LAB 52.99, 29.85, -23.94

 

CMYK 5 / 39 / 0 / 42

HEX #8D5B95

RGB 141 91 149

HSL 291.72, 0.24%, 0.47%

LAB 46.06, 30.63, -23.61

 

CMYK 5 / 44 / 0 / 49

HEX #7C4982

RGB 124 73 130

HSL 293.68, 0.28%, 0.4%

LAB 39.01, 31.44, -23.23

 

CMYK 6 / 29 / 0 / 20

HEX #C091CD

RGB 192 145 205

HSL 287, 0.38%, 0.69%

LAB 66.42, 28.24, -24.05

 

CMYK 0 / 29 / 1 / 20

HEX #CD91CB

RGB 205 145 203

HSL 302, 0.38%, 0.69%

LAB 67.68, 32.1, -20.88

 

CMYK 0 / 29 / 9 / 20

HEX #CD91BB

RGB 205 145 187

HSL 318, 0.38%, 0.69%

LAB 67.14, 29.22, -12.77

 

CMYK 0 / 29 / 17 / 20

HEX #CD91AB

RGB 205 145 171

HSL 334, 0.38%, 0.69%

LAB 66.65, 26.55, -4.53

 

CMYK 0 / 29 / 25 / 20

HEX #CD919A

RGB 205 145 154

HSL 351, 0.38%, 0.69%

LAB 66.18, 23.96, 4.34

 

CMYK 6 / 29 / 0 / 20

HEX #C091CD

RGB 192 145 205

HSL 287, 0.38%, 0.69%

LAB 66.42, 28.24, -24.05

 

CMYK 14 / 29 / 0 / 20

HEX #B091CD

RGB 176 145 205

HSL 271, 0.38%, 0.69%

LAB 64.87, 23.11, -26.55

 

CMYK 22 / 29 / 0 / 20

HEX #9F91CD

RGB 159 145 205

HSL 254, 0.38%, 0.69%

LAB 63.37, 17.79, -28.99

 

CMYK 29 / 29 / 0 / 20

HEX #9191CD

RGB 145 145 205

HSL 240, 0.38%, 0.69%

LAB 62.24, 13.57, -30.84

 

CMYK 6 / 29 / 0 / 20

HEX #C091CD

RGB 192 145 205

HSL 287, 0.38%, 0.69%

LAB 66.42, 28.24, -24.05

 

CMYK 9 / 39 / 0 / 15

HEX #C785DA

RGB 199 133 218

HSL 286.59, 0.53%, 0.69%

LAB 64.95, 39.62, -33.49

 

CMYK 11 / 48 / 0 / 9

HEX #CE78E7

RGB 206 120 231

HSL 286.49, 0.7%, 0.69%

LAB 63.61, 51.1, -42.75

 

CMYK 13 / 56 / 0 / 4

HEX #D46BF4

RGB 212 107 244

HSL 285.99, 0.86%, 0.69%

LAB 62.54, 61.65, -51.59

 

CMYK 6 / 29 / 0 / 20

HEX #C091CD

RGB 192 145 205

HSL 287, 0.38%, 0.69%

LAB 66.42, 28.24, -24.05

 

CMYK 4 / 18 / 0 / 24

HEX #B99EC1

RGB 185 158 193

HSL 286.29, 0.22%, 0.69%

LAB 68.47, 16.3, -14.31

 

CMYK 1 / 5 / 0 / 29

HEX #B2ABB4

RGB 178 171 180

HSL 286.67, 0.06%, 0.69%

LAB 70.79, 4.18, -3.72

 

CMYK 7 / 0 / 9 / 28

HEX #ABB8A7

RGB 171 184 167

HSL 105.88, 0.11%, 0.69%

LAB 73.37, -7.7, 7.09

 

CMYK 17 / 0 / 22 / 23

HEX #A4C59A

RGB 164 197 154

HSL 106.05, 0.27%, 0.69%

LAB 76.17, -19.14, 17.99

 

CMYK 22 / 29 / 0 / 20

HEX #9F91CD

RGB 159 145 205

HSL 254, 0.38%, 0.69%

LAB 63.37, 17.79, -28.99

 

CMYK 15 / 29 / 0 / 20

HEX #AF91CD

RGB 175 145 205

HSL 270, 0.38%, 0.69%

LAB 64.78, 22.79, -26.7

 

CMYK 7 / 29 / 0 / 20

HEX #BF91CD

RGB 191 145 205

HSL 286, 0.38%, 0.69%

LAB 66.32, 27.92, -24.21

 

CMYK 0 / 29 / 1 / 20

HEX #CD91CB

RGB 205 145 203

HSL 302, 0.38%, 0.69%

LAB 67.68, 32.1, -20.88

 

CMYK 0 / 29 / 9 / 20

HEX #CD91BB

RGB 205 145 187

HSL 318, 0.38%, 0.69%

LAB 67.14, 29.22, -12.77

 

CMYK 12 / 51 / 0 / 29

HEX #9F58B4

RGB 159 88 180

HSL 286.3, 0.38%, 0.53%

LAB 49.06, 44.24, -37.03

 

CMYK 9 / 39 / 0 / 24

HEX #AF75C1

RGB 175 117 193

HSL 285.79, 0.38%, 0.61%

LAB 57.74, 35.93, -30.82

 

CMYK 6 / 29 / 0 / 20

HEX #C091CD

RGB 192 145 205

HSL 287, 0.38%, 0.69%

LAB 66.42, 28.24, -24.05

 

CMYK 5 / 20 / 0 / 15

HEX #D0AEDA

RGB 208 174 218

HSL 286.36, 0.37%, 0.77%

LAB 75.29, 20.11, -17.57

 

CMYK 3 / 13 / 0 / 9

HEX #E0CAE7

RGB 224 202 231

HSL 285.52, 0.38%, 0.85%

LAB 83.89, 12.83, -11.52

 

CMYK 7 / 30 / 0 / 19

HEX #C091CE

RGB 192 145 206

HSL 286.23, 0.38%, 0.69%

LAB 66.45, 28.45, -24.55

 

CMYK 0 / 29 / 28 / 20

HEX #CD9193

RGB 205 145 147

HSL 358, 0.38%, 0.69%

LAB 66.01, 22.97, 8.03

 

CMYK 29 / 0 / 19 / 20

HEX #91CDA7

RGB 145 205 167

HSL 142, 0.38%, 0.69%

LAB 77.56, -27.09, 12.83

 

CMYK 7 / 30 / 0 / 19

HEX #C091CE

RGB 192 145 206

HSL 286.23, 0.38%, 0.69%

LAB 66.45, 28.45, -24.55

 

CMYK 0 / 7 / 29 / 20

HEX #CDBF91

RGB 205 191 145

HSL 46, 0.38%, 0.69%

LAB 77.45, -2.11, 25.04

 

CMYK 29 / 0 / 7 / 20

HEX #91CDBF

RGB 145 205 191

HSL 166, 0.38%, 0.69%

LAB 78.14, -22.18, 0.79

 

CMYK 7 / 30 / 0 / 19

HEX #C091CE

RGB 192 145 206

HSL 286.23, 0.38%, 0.69%

LAB 66.45, 28.45, -24.55

 

CMYK 0 / 29 / 28 / 20

HEX #CD9193

RGB 205 145 147

HSL 358, 0.38%, 0.69%

LAB 66.01, 22.97, 8.03

 

CMYK 22 / 0 / 29 / 20

HEX #9FCD91

RGB 159 205 145

HSL 106, 0.38%, 0.69%

LAB 77.92, -26.3, 25.11

 

CMYK 29 / 0 / 1 / 20

HEX #91CDCB

RGB 145 205 203

HSL 178, 0.38%, 0.69%

LAB 78.46, -19.52, -5.19

 

CMYK 7 / 30 / 0 / 19

HEX #C091CE

RGB 192 145 206

HSL 286.23, 0.38%, 0.69%

LAB 66.45, 28.45, -24.55

 

CMYK 0 / 21 / 29 / 20

HEX #CDA191

RGB 205 161 145

HSL 16, 0.38%, 0.69%

LAB 69.83, 13.96, 14.55

 

CMYK 22 / 0 / 29 / 20

HEX #9FCD91

RGB 159 205 145

HSL 106, 0.38%, 0.69%

LAB 77.92, -26.3, 25.11

 

CMYK 29 / 8 / 0 / 20

HEX #91BDCD

RGB 145 189 205

HSL 196, 0.38%, 0.69%

LAB 74.08, -10.79, -12.79

 

Description

Color code: HEX #C091CE | qconv.com Color code: HEX #C091CE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 145 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 145 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 30 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 30% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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