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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C25C43 it is the complementary color #3DA3BC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C25C43. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C25C43 shade: #C75C3E, #D86E51, #E98064, #FA9277 and #FFA48A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C25C43. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C25C43 shade: #C25C43, #B14A30, #A0381D, #8F260A and #7E1400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C25C43 shade: #C15B42 and #C14242

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C25C43 shade: #C15B42, #C17D42, #C1A042, #C1C142 and #9EC142

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C25C43 shade matches the following richer shades: #C15B42, #D54F2E, #EA4219 and #FE3605

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C25C43 shade: #C15B42, #AD6756, #99736A, #85807E and #708C93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C25C43 shade: #C1426E, #C1424C, #C15942, #C17B42 and #C19D42

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C25C43 shade: #863D2B, #A54B35, #C15B42, #CB7661 and #D59180

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C25C43 shade: #C25C43, #90C142 and #425DC1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C25C43 shade: #C25C43, #42C159 and #5942C1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C25C43 shade: #C25C43, #90C142, #42AAC1 and #7342C1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C25C43 shade: #C25C43, #6AC142, #42AAC1 and #9942C1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 53 / 65 / 24

HEX #C25C43

RGB 194 92 67

HSL 11.81, 0.51%, 0.51%

LAB 51.3, 38.95, 33.5

 

Complementary color

CMYK 68 / 13 / 0 / 26

HEX #3DA3BC

RGB 61 163 188

HSL 191.81, 0.51%, 0.49%

LAB 62.35, -21.27, -21.49

 

CMYK 0 / 54 / 69 / 22

HEX #C75C3E

RGB 199 92 62

HSL 13.14, 0.55%, 0.51%

LAB 52, 40.58, 37.29

 

CMYK 0 / 49 / 63 / 15

HEX #D86E51

RGB 216 110 81

HSL 12.89, 0.63%, 0.58%

LAB 58.36, 39.14, 35.05

 

CMYK 0 / 45 / 57 / 9

HEX #E98064

RGB 233 128 100

HSL 12.63, 0.75%, 0.65%

LAB 64.71, 37.8, 33.05

 

CMYK 0 / 42 / 52 / 2

HEX #FA9277

RGB 250 146 119

HSL 12.37, 0.93%, 0.72%

LAB 71.02, 36.55, 31.26

 

CMYK 0 / 36 / 46 / 0

HEX #FFA48A

RGB 255 164 138

HSL 13.33, 1%, 0.77%

LAB 75.85, 30.86, 27.49

 

CMYK 0 / 53 / 65 / 24

HEX #C25C43

RGB 194 92 67

HSL 11.81, 0.51%, 0.51%

LAB 51.3, 38.95, 33.5

 

CMYK 0 / 58 / 73 / 31

HEX #B14A30

RGB 177 74 48

HSL 12.09, 0.57%, 0.44%

LAB 44.88, 40.39, 35.95

 

CMYK 0 / 65 / 82 / 37

HEX #A0381D

RGB 160 56 29

HSL 12.37, 0.69%, 0.37%

LAB 38.53, 41.78, 38.6

 

CMYK 0 / 73 / 93 / 44

HEX #8F260A

RGB 143 38 10

HSL 12.63, 0.87%, 0.3%

LAB 32.36, 42.89, 40.82

 

CMYK 0 / 84 / 100 / 51

HEX #7E1400

RGB 126 20 0

HSL 9.52, 1%, 0.25%

LAB 26.55, 43.25, 38.83

 

CMYK 0 / 53 / 66 / 24

HEX #C15B42

RGB 193 91 66

HSL 11.81, 0.51%, 0.51%

LAB 50.94, 39.02, 33.59

 

CMYK 0 / 66 / 66 / 24

HEX #C14242

RGB 193 66 66

HSL 0, 0.51%, 0.51%

LAB 46.48, 50.72, 28.16

 

CMYK 0 / 53 / 66 / 24

HEX #C15B42

RGB 193 91 66

HSL 11.81, 0.51%, 0.51%

LAB 50.94, 39.02, 33.59

 

CMYK 0 / 35 / 66 / 24

HEX #C17D42

RGB 193 125 66

HSL 27.87, 0.51%, 0.51%

LAB 58.41, 20.85, 42.31

 

CMYK 0 / 17 / 66 / 24

HEX #C1A042

RGB 193 160 66

HSL 44.41, 0.51%, 0.51%

LAB 67.18, 1.7, 52

 

CMYK 0 / 0 / 66 / 24

HEX #C1C142

RGB 193 193 66

HSL 60, 0.51%, 0.51%

LAB 75.99, -15.53, 61.23

 

CMYK 18 / 0 / 66 / 24

HEX #9EC142

RGB 158 193 66

HSL 76.54, 0.51%, 0.51%

LAB 73.42, -29.95, 57.76

 

CMYK 0 / 53 / 66 / 24

HEX #C15B42

RGB 193 91 66

HSL 11.81, 0.51%, 0.51%

LAB 50.94, 39.02, 33.59

 

CMYK 0 / 63 / 78 / 16

HEX #D54F2E

RGB 213 79 46

HSL 11.86, 0.67%, 0.51%

LAB 51.76, 51.08, 46.12

 

CMYK 0 / 72 / 89 / 8

HEX #EA4219

RGB 234 66 25

HSL 11.77, 0.83%, 0.51%

LAB 53.45, 62.6, 58.27

 

CMYK 0 / 79 / 98 / 0

HEX #FE3605

RGB 254 54 5

HSL 11.81, 0.99%, 0.51%

LAB 55.81, 71.99, 66.98

 

CMYK 0 / 53 / 66 / 24

HEX #C15B42

RGB 193 91 66

HSL 11.81, 0.51%, 0.51%

LAB 50.94, 39.02, 33.59

 

CMYK 0 / 40 / 50 / 32

HEX #AD6756

RGB 173 103 86

HSL 11.72, 0.35%, 0.51%

LAB 50.99, 26.26, 21.59

 

CMYK 0 / 25 / 31 / 40

HEX #99736A

RGB 153 115 106

HSL 11.49, 0.19%, 0.51%

LAB 51.92, 13.62, 10.78

 

CMYK 0 / 4 / 5 / 48

HEX #85807E

RGB 133 128 126

HSL 17.14, 0.03%, 0.51%

LAB 53.95, 1.5, 1.75

 

CMYK 24 / 5 / 0 / 42

HEX #708C93

RGB 112 140 147

HSL 192, 0.14%, 0.51%

LAB 56.39, -8.21, -7

 

CMYK 0 / 66 / 43 / 24

HEX #C1426E

RGB 193 66 110

HSL 339.21, 0.51%, 0.51%

LAB 47.44, 54.23, 2.76

 

CMYK 0 / 66 / 61 / 24

HEX #C1424C

RGB 193 66 76

HSL 355.28, 0.51%, 0.51%

LAB 46.65, 51.35, 22.38

 

CMYK 0 / 54 / 66 / 24

HEX #C15942

RGB 193 89 66

HSL 10.87, 0.51%, 0.51%

LAB 50.54, 40.02, 33.11

 

CMYK 0 / 36 / 66 / 24

HEX #C17B42

RGB 193 123 66

HSL 26.93, 0.51%, 0.51%

LAB 57.94, 21.95, 41.77

 

CMYK 0 / 19 / 66 / 24

HEX #C19D42

RGB 193 157 66

HSL 42.99, 0.51%, 0.51%

LAB 66.4, 3.32, 51.16

 

CMYK 0 / 54 / 68 / 47

HEX #863D2B

RGB 134 61 43

HSL 11.87, 0.51%, 0.35%

LAB 35.16, 29.86, 25.78

 

CMYK 0 / 55 / 68 / 35

HEX #A54B35

RGB 165 75 53

HSL 11.79, 0.51%, 0.43%

LAB 43.19, 35.53, 30.69

 

CMYK 0 / 53 / 66 / 24

HEX #C15B42

RGB 193 91 66

HSL 11.81, 0.51%, 0.51%

LAB 50.94, 39.02, 33.59

 

CMYK 0 / 42 / 52 / 20

HEX #CB7661

RGB 203 118 97

HSL 11.89, 0.5%, 0.59%

LAB 58.52, 31.13, 25.95

 

CMYK 0 / 32 / 40 / 16

HEX #D59180

RGB 213 145 128

HSL 12, 0.5%, 0.67%

LAB 66.49, 23.66, 19.46

 

CMYK 0 / 53 / 65 / 24

HEX #C25C43

RGB 194 92 67

HSL 11.81, 0.51%, 0.51%

LAB 51.3, 38.95, 33.5

 

CMYK 25 / 0 / 66 / 24

HEX #90C142

RGB 144 193 66

HSL 83.15, 0.51%, 0.51%

LAB 72.54, -35.41, 56.57

 

CMYK 66 / 52 / 0 / 24

HEX #425DC1

RGB 66 93 193

HSL 227.24, 0.51%, 0.51%

LAB 42.52, 22.62, -55.54

 

CMYK 0 / 53 / 65 / 24

HEX #C25C43

RGB 194 92 67

HSL 11.81, 0.51%, 0.51%

LAB 51.3, 38.95, 33.5

 

CMYK 66 / 0 / 54 / 24

HEX #42C159

RGB 66 193 89

HSL 130.87, 0.51%, 0.51%

LAB 69.48, -56.34, 41.94

 

CMYK 54 / 66 / 0 / 24

HEX #5942C1

RGB 89 66 193

HSL 250.87, 0.51%, 0.51%

LAB 37.61, 43.23, -63.43

 

CMYK 0 / 53 / 65 / 24

HEX #C25C43

RGB 194 92 67

HSL 11.81, 0.51%, 0.51%

LAB 51.3, 38.95, 33.5

 

CMYK 25 / 0 / 66 / 24

HEX #90C142

RGB 144 193 66

HSL 83.15, 0.51%, 0.51%

LAB 72.54, -35.41, 56.57

 

CMYK 66 / 12 / 0 / 24

HEX #42AAC1

RGB 66 170 193

HSL 190.87, 0.51%, 0.51%

LAB 64.77, -22.55, -20.58

 

CMYK 40 / 66 / 0 / 24

HEX #7342C1

RGB 115 66 193

HSL 263.15, 0.51%, 0.51%

LAB 40.23, 48.14, -59.05

 

CMYK 0 / 53 / 65 / 24

HEX #C25C43

RGB 194 92 67

HSL 11.81, 0.51%, 0.51%

LAB 51.3, 38.95, 33.5

 

CMYK 45 / 0 / 66 / 24

HEX #6AC142

RGB 106 193 66

HSL 101.1, 0.51%, 0.51%

LAB 70.59, -48.68, 53.91

 

CMYK 66 / 12 / 0 / 24

HEX #42AAC1

RGB 66 170 193

HSL 190.87, 0.51%, 0.51%

LAB 64.77, -22.55, -20.58

 

CMYK 21 / 66 / 0 / 24

HEX #9942C1

RGB 153 66 193

HSL 281.1, 0.51%, 0.51%

LAB 44.97, 56.32, -51.17

 

Description

Color code: HEX #C25C43 | qconv.com Color code: HEX #C25C43 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 92 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 92 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 53 magenta, 65 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 53% 65% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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