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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C37B95 it is the complementary color #3C846A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C37B95. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C37B95 shade: #C87B90, #D98DA3, #EA9FB6, #FBB1C9 and #FFC3DC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C37B95. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C37B95 shade: #C37B95, #B26982, #A1576F, #90455C and #7F3349

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C37B95 shade: #C27993, #C27980 and #C27979

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C37B95 shade: #C27993, #C279A7, #C279BB, #B679C2 and #A279C2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C37B95 shade matches the following richer shades: #C27993, #D2698F, #E2598B and #F14A86

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C37B95 shade: #C27993, #B38898, #A3989C, #93A8A0 and #84B7A5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C37B95 shade: #C279BB, #C279A7, #C27994, #C27980 and #C28579

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C37B95 shade: #A14868, #B65C7D, #C27993, #CF95AA and #DCB2C1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C37B95 shade: #C37B95, #C2B679 and #79B1C2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C37B95 shade: #C37B95, #94C279 and #7994C2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C37B95 shade: #C37B95, #C2B679, #79C2A7 and #7985C2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C37B95 shade: #C37B95, #B9C279, #79C2A7 and #8379C2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 24 / 24

HEX #C37B95

RGB 195 123 149

HSL 338.33, 0.38%, 0.62%

LAB 59.83, 31.56, -2.2

 

Complementary color

CMYK 55 / 0 / 20 / 48

HEX #3C846A

RGB 60 132 106

HSL 158.33, 0.38%, 0.38%

LAB 50.1, -29.19, 7.26

 

CMYK 0 / 39 / 28 / 22

HEX #C87B90

RGB 200 123 144

HSL 343.64, 0.41%, 0.63%

LAB 60.3, 32.67, 1.43

 

CMYK 0 / 35 / 25 / 15

HEX #D98DA3

RGB 217 141 163

HSL 342.63, 0.5%, 0.7%

LAB 66.86, 31.83, 0.43

 

CMYK 0 / 32 / 22 / 8

HEX #EA9FB6

RGB 234 159 182

HSL 341.6, 0.64%, 0.77%

LAB 73.33, 31.05, -0.47

 

CMYK 0 / 29 / 20 / 2

HEX #FBB1C9

RGB 251 177 201

HSL 340.54, 0.9%, 0.84%

LAB 79.71, 30.33, -1.3

 

CMYK 0 / 24 / 14 / 0

HEX #FFC3DC

RGB 255 195 220

HSL 335, 1%, 0.88%

LAB 84.72, 25.16, -4.12

 

CMYK 0 / 37 / 24 / 24

HEX #C37B95

RGB 195 123 149

HSL 338.33, 0.38%, 0.62%

LAB 59.83, 31.56, -2.2

 

CMYK 0 / 41 / 27 / 30

HEX #B26982

RGB 178 105 130

HSL 339.45, 0.32%, 0.55%

LAB 53.15, 32.42, -1.19

 

CMYK 0 / 46 / 31 / 37

HEX #A1576F

RGB 161 87 111

HSL 340.54, 0.3%, 0.49%

LAB 46.37, 33.33, -0.02

 

CMYK 0 / 52 / 36 / 44

HEX #90455C

RGB 144 69 92

HSL 341.6, 0.35%, 0.42%

LAB 39.51, 34.26, 1.39

 

CMYK 0 / 60 / 43 / 50

HEX #7F3349

RGB 127 51 73

HSL 342.63, 0.43%, 0.35%

LAB 32.61, 35.14, 3.18

 

CMYK 0 / 38 / 24 / 24

HEX #C27993

RGB 194 121 147

HSL 338.63, 0.37%, 0.62%

LAB 59.21, 31.99, -1.98

 

CMYK 0 / 38 / 34 / 24

HEX #C27980

RGB 194 121 128

HSL 354.25, 0.37%, 0.62%

LAB 58.7, 29.38, 8.25

 

CMYK 0 / 38 / 38 / 24

HEX #C27979

RGB 194 121 121

HSL 0, 0.37%, 0.62%

LAB 58.53, 28.51, 12.05

 

CMYK 0 / 38 / 24 / 24

HEX #C27993

RGB 194 121 147

HSL 338.63, 0.37%, 0.62%

LAB 59.21, 31.99, -1.98

 

CMYK 0 / 38 / 14 / 24

HEX #C279A7

RGB 194 121 167

HSL 322.19, 0.37%, 0.62%

LAB 59.83, 35.12, -12.56

 

CMYK 0 / 38 / 4 / 24

HEX #C279BB

RGB 194 121 187

HSL 305.75, 0.37%, 0.62%

LAB 60.54, 38.59, -22.89

 

CMYK 6 / 38 / 0 / 24

HEX #B679C2

RGB 182 121 194

HSL 290.14, 0.37%, 0.62%

LAB 59.45, 36.11, -28.67

 

CMYK 16 / 38 / 0 / 24

HEX #A279C2

RGB 162 121 194

HSL 273.7, 0.37%, 0.62%

LAB 57.32, 29.89, -32.14

 

CMYK 0 / 38 / 24 / 24

HEX #C27993

RGB 194 121 147

HSL 338.63, 0.37%, 0.62%

LAB 59.21, 31.99, -1.98

 

CMYK 0 / 50 / 32 / 18

HEX #D2698F

RGB 210 105 143

HSL 338.29, 0.54%, 0.62%

LAB 57.84, 45.47, -1.43

 

CMYK 0 / 61 / 38 / 11

HEX #E2598B

RGB 226 89 139

HSL 338.1, 0.7%, 0.62%

LAB 57.25, 57.71, 0.33

 

CMYK 0 / 69 / 44 / 5

HEX #F14A86

RGB 241 74 134

HSL 338.44, 0.86%, 0.62%

LAB 57.39, 67.6, 3.78

 

CMYK 0 / 38 / 24 / 24

HEX #C27993

RGB 194 121 147

HSL 338.63, 0.37%, 0.62%

LAB 59.21, 31.99, -1.98

 

CMYK 0 / 24 / 15 / 30

HEX #B38898

RGB 179 136 152

HSL 337.67, 0.22%, 0.62%

LAB 61.18, 18.95, -2.14

 

CMYK 0 / 7 / 4 / 36

HEX #A3989C

RGB 163 152 156

HSL 338.18, 0.06%, 0.62%

LAB 63.87, 4.77, -0.65

 

CMYK 13 / 0 / 5 / 34

HEX #93A8A0

RGB 147 168 160

HSL 157.14, 0.11%, 0.62%

LAB 67.09, -8.92, 1.65

 

CMYK 28 / 0 / 10 / 28

HEX #84B7A5

RGB 132 183 165

HSL 158.82, 0.26%, 0.62%

LAB 70.52, -20.65, 3.75

 

CMYK 0 / 38 / 4 / 24

HEX #C279BB

RGB 194 121 187

HSL 305.75, 0.37%, 0.62%

LAB 60.54, 38.59, -22.89

 

CMYK 0 / 38 / 14 / 24

HEX #C279A7

RGB 194 121 167

HSL 322.19, 0.37%, 0.62%

LAB 59.83, 35.12, -12.56

 

CMYK 0 / 38 / 24 / 24

HEX #C27994

RGB 194 121 148

HSL 337.81, 0.37%, 0.62%

LAB 59.23, 32.14, -2.52

 

CMYK 0 / 38 / 34 / 24

HEX #C27980

RGB 194 121 128

HSL 354.25, 0.37%, 0.62%

LAB 58.7, 29.38, 8.25

 

CMYK 0 / 31 / 38 / 24

HEX #C28579

RGB 194 133 121

HSL 9.86, 0.37%, 0.62%

LAB 61.33, 21.92, 15.95

 

CMYK 0 / 55 / 35 / 37

HEX #A14868

RGB 161 72 104

HSL 338.43, 0.38%, 0.46%

LAB 43.08, 40.31, -0.55

 

CMYK 0 / 49 / 31 / 29

HEX #B65C7D

RGB 182 92 125

HSL 338, 0.38%, 0.54%

LAB 50.78, 40.1, -1.63

 

CMYK 0 / 38 / 24 / 24

HEX #C27993

RGB 194 121 147

HSL 338.63, 0.37%, 0.62%

LAB 59.21, 31.99, -1.98

 

CMYK 0 / 28 / 18 / 19

HEX #CF95AA

RGB 207 149 170

HSL 338.28, 0.38%, 0.7%

LAB 67.77, 24.93, -2.3

 

CMYK 0 / 19 / 12 / 14

HEX #DCB2C1

RGB 220 178 193

HSL 338.57, 0.38%, 0.78%

LAB 76.62, 17.58, -1.85

 

CMYK 0 / 37 / 24 / 24

HEX #C37B95

RGB 195 123 149

HSL 338.33, 0.38%, 0.62%

LAB 59.83, 31.56, -2.2

 

CMYK 0 / 6 / 38 / 24

HEX #C2B679

RGB 194 182 121

HSL 50.14, 0.37%, 0.62%

LAB 73.74, -4.7, 32.6

 

CMYK 38 / 9 / 0 / 24

HEX #79B1C2

RGB 121 177 194

HSL 193.97, 0.37%, 0.62%

LAB 69.04, -13.92, -14.46

 

CMYK 0 / 37 / 24 / 24

HEX #C37B95

RGB 195 123 149

HSL 338.33, 0.38%, 0.62%

LAB 59.83, 31.56, -2.2

 

CMYK 24 / 0 / 38 / 24

HEX #94C279

RGB 148 194 121

HSL 97.81, 0.37%, 0.62%

LAB 73.71, -28.47, 31.92

 

CMYK 38 / 24 / 0 / 24

HEX #7994C2

RGB 121 148 194

HSL 217.81, 0.37%, 0.62%

LAB 60.9, 2.05, -26.86

 

CMYK 0 / 37 / 24 / 24

HEX #C37B95

RGB 195 123 149

HSL 338.33, 0.38%, 0.62%

LAB 59.83, 31.56, -2.2

 

CMYK 0 / 6 / 38 / 24

HEX #C2B679

RGB 194 182 121

HSL 50.14, 0.37%, 0.62%

LAB 73.74, -4.7, 32.6

 

CMYK 38 / 0 / 14 / 24

HEX #79C2A7

RGB 121 194 167

HSL 157.81, 0.37%, 0.62%

LAB 73.18, -28.93, 6.42

 

CMYK 38 / 31 / 0 / 24

HEX #7985C2

RGB 121 133 194

HSL 230.14, 0.37%, 0.62%

LAB 56.82, 10.75, -33.2

 

CMYK 0 / 37 / 24 / 24

HEX #C37B95

RGB 195 123 149

HSL 338.33, 0.38%, 0.62%

LAB 59.83, 31.56, -2.2

 

CMYK 5 / 0 / 38 / 24

HEX #B9C279

RGB 185 194 121

HSL 67.4, 0.37%, 0.62%

LAB 76.24, -14.49, 35.69

 

CMYK 38 / 0 / 14 / 24

HEX #79C2A7

RGB 121 194 167

HSL 157.81, 0.37%, 0.62%

LAB 73.18, -28.93, 6.42

 

CMYK 32 / 38 / 0 / 24

HEX #8379C2

RGB 131 121 194

HSL 248.22, 0.37%, 0.62%

LAB 54.44, 20.67, -36.85

 

Description

Color code: HEX #C37B95 | qconv.com Color code: HEX #C37B95 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 123 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 123 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 24 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 24% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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