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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C3883B it is the complementary color #3C77C4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C3883B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C3883B shade: #C88836, #D99A49, #EAAC5C, #FBBE6F and #FFD082

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C3883B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C3883B shade: #C3883B, #B27628, #A16415, #905202 and #7F4000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C3883B shade: #C4883A, #C4633A, #C43E3A and #C43A3A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C3883B shade: #C4883A, #C4AD3A, #B5C43A, #90C43A and #6BC43A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C3883B shade matches the following richer shades: #C4883A, #D88B26 and #ED8E11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C3883B shade: #C4883A, #AF854F, #9B8363, #868078 and #717D8D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C3883B shade: #C43C3A, #C4613A, #C4863A, #C4AB3A and #B8C43A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C3883B shade: #845C27, #A47231, #C4883A, #CD9B5A and #D7AE7A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C3883B shade: #C3883B, #5DC43A and #4F3AC4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C3883B shade: #C3883B, #3AC486 and #863AC4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C3883B shade: #C3883B, #5DC43A, #3A78C4 and #A13AC4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C3883B shade: #C3883B, #3AC441, #3A78C4 and #C43ABD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 70 / 24

HEX #C3883B

RGB 195 136 59

HSL 33.97, 0.54%, 0.5%

LAB 61.24, 15.25, 48.91

 

Complementary color

CMYK 69 / 39 / 0 / 23

HEX #3C77C4

RGB 60 119 196

HSL 213.97, 0.54%, 0.5%

LAB 49.67, 6.33, -45.83

 

CMYK 0 / 32 / 73 / 22

HEX #C88836

RGB 200 136 54

HSL 33.7, 0.57%, 0.5%

LAB 61.79, 17.16, 51.93

 

CMYK 0 / 29 / 66 / 15

HEX #D99A49

RGB 217 154 73

HSL 33.75, 0.65%, 0.57%

LAB 68.27, 15.69, 50.7

 

CMYK 0 / 26 / 61 / 8

HEX #EAAC5C

RGB 234 172 92

HSL 33.8, 0.77%, 0.64%

LAB 74.68, 14.42, 49.33

 

CMYK 0 / 24 / 56 / 2

HEX #FBBE6F

RGB 251 190 111

HSL 33.86, 0.95%, 0.71%

LAB 81.01, 13.31, 47.95

 

CMYK 0 / 18 / 49 / 0

HEX #FFD082

RGB 255 208 130

HSL 37.44, 1%, 0.75%

LAB 86, 7.16, 44.76

 

CMYK 0 / 30 / 70 / 24

HEX #C3883B

RGB 195 136 59

HSL 33.97, 0.54%, 0.5%

LAB 61.24, 15.25, 48.91

 

CMYK 0 / 34 / 78 / 30

HEX #B27628

RGB 178 118 40

HSL 33.91, 0.63%, 0.43%

LAB 54.63, 16.85, 49.99

 

CMYK 0 / 38 / 87 / 37

HEX #A16415

RGB 161 100 21

HSL 33.86, 0.77%, 0.36%

LAB 47.94, 18.75, 50.38

 

CMYK 0 / 43 / 99 / 44

HEX #905202

RGB 144 82 2

HSL 33.8, 0.97%, 0.29%

LAB 41.17, 20.94, 49.56

 

CMYK 0 / 50 / 100 / 50

HEX #7F4000

RGB 127 64 0

HSL 30.24, 1%, 0.25%

LAB 34.35, 23.53, 44.64

 

CMYK 0 / 31 / 70 / 23

HEX #C4883A

RGB 196 136 58

HSL 33.91, 0.54%, 0.5%

LAB 61.35, 15.63, 49.52

 

CMYK 0 / 49 / 70 / 23

HEX #C4633A

RGB 196 99 58

HSL 17.83, 0.54%, 0.5%

LAB 52.91, 35.62, 40.35

 

CMYK 0 / 68 / 70 / 23

HEX #C43E3A

RGB 196 62 58

HSL 1.74, 0.54%, 0.5%

LAB 46.29, 52.92, 32.76

 

CMYK 0 / 70 / 70 / 23

HEX #C43A3A

RGB 196 58 58

HSL 0, 0.54%, 0.5%

LAB 45.73, 54.48, 32.09

 

CMYK 0 / 31 / 70 / 23

HEX #C4883A

RGB 196 136 58

HSL 33.91, 0.54%, 0.5%

LAB 61.35, 15.63, 49.52

 

CMYK 0 / 12 / 70 / 23

HEX #C4AD3A

RGB 196 173 58

HSL 50, 0.54%, 0.5%

LAB 70.82, -4.37, 59.25

 

CMYK 8 / 0 / 70 / 23

HEX #B5C43A

RGB 181 196 58

HSL 66.52, 0.54%, 0.5%

LAB 75.83, -22.5, 63.8

 

CMYK 27 / 0 / 70 / 23

HEX #90C43A

RGB 144 196 58

HSL 82.61, 0.54%, 0.5%

LAB 73.36, -37.32, 60.53

 

CMYK 45 / 0 / 70 / 23

HEX #6BC43A

RGB 107 196 58

HSL 98.7, 0.54%, 0.5%

LAB 71.49, -50.21, 58.03

 

CMYK 0 / 31 / 70 / 23

HEX #C4883A

RGB 196 136 58

HSL 33.91, 0.54%, 0.5%

LAB 61.35, 15.63, 49.52

 

CMYK 0 / 36 / 82 / 15

HEX #D88B26

RGB 216 139 38

HSL 34.04, 0.7%, 0.5%

LAB 64.33, 21.79, 61.36

 

CMYK 0 / 40 / 93 / 7

HEX #ED8E11

RGB 237 142 17

HSL 34.09, 0.87%, 0.5%

LAB 67.57, 28.62, 70.64

 

CMYK 0 / 31 / 70 / 23

HEX #C4883A

RGB 196 136 58

HSL 33.91, 0.54%, 0.5%

LAB 61.35, 15.63, 49.52

 

CMYK 0 / 24 / 55 / 31

HEX #AF854F

RGB 175 133 79

HSL 33.75, 0.38%, 0.5%

LAB 58.47, 9.64, 35.09

 

CMYK 0 / 15 / 36 / 39

HEX #9B8363

RGB 155 131 99

HSL 34.29, 0.22%, 0.5%

LAB 56.19, 4.37, 20.72

 

CMYK 0 / 4 / 10 / 47

HEX #868078

RGB 134 128 120

HSL 34.29, 0.06%, 0.5%

LAB 53.88, 0.78, 5.14

 

CMYK 20 / 11 / 0 / 45

HEX #717D8D

RGB 113 125 141

HSL 214.29, 0.11%, 0.5%

LAB 51.95, -0.79, -10.15

 

CMYK 0 / 69 / 70 / 23

HEX #C43C3A

RGB 196 60 58

HSL 0.87, 0.54%, 0.5%

LAB 46.01, 53.71, 32.42

 

CMYK 0 / 51 / 70 / 23

HEX #C4613A

RGB 196 97 58

HSL 16.96, 0.54%, 0.5%

LAB 52.5, 36.66, 39.89

 

CMYK 0 / 32 / 70 / 23

HEX #C4863A

RGB 196 134 58

HSL 33.04, 0.54%, 0.5%

LAB 60.86, 16.73, 49

 

CMYK 0 / 13 / 70 / 23

HEX #C4AB3A

RGB 196 171 58

HSL 49.13, 0.54%, 0.5%

LAB 70.29, -3.31, 58.72

 

CMYK 6 / 0 / 70 / 23

HEX #B8C43A

RGB 184 196 58

HSL 65.22, 0.54%, 0.5%

LAB 76.05, -21.25, 64.1

 

CMYK 0 / 30 / 70 / 48

HEX #845C27

RGB 132 92 39

HSL 34.19, 0.54%, 0.34%

LAB 42.32, 10.85, 36.06

 

CMYK 0 / 30 / 70 / 36

HEX #A47231

RGB 164 114 49

HSL 33.91, 0.54%, 0.42%

LAB 52.01, 13.32, 42.69

 

CMYK 0 / 31 / 70 / 23

HEX #C4883A

RGB 196 136 58

HSL 33.91, 0.54%, 0.5%

LAB 61.35, 15.63, 49.52

 

CMYK 0 / 24 / 56 / 20

HEX #CD9B5A

RGB 205 155 90

HSL 33.91, 0.53%, 0.58%

LAB 67.4, 11.26, 40.95

 

CMYK 0 / 19 / 43 / 16

HEX #D7AE7A

RGB 215 174 122

HSL 33.55, 0.54%, 0.66%

LAB 73.63, 8.15, 32.3

 

CMYK 0 / 30 / 70 / 24

HEX #C3883B

RGB 195 136 59

HSL 33.97, 0.54%, 0.5%

LAB 61.24, 15.25, 48.91

 

CMYK 53 / 0 / 70 / 23

HEX #5DC43A

RGB 93 196 58

HSL 104.78, 0.54%, 0.5%

LAB 70.95, -54.34, 57.29

 

CMYK 60 / 70 / 0 / 23

HEX #4F3AC4

RGB 79 58 196

HSL 249.13, 0.54%, 0.5%

LAB 35.35, 47.07, -68.92

 

CMYK 0 / 30 / 70 / 24

HEX #C3883B

RGB 195 136 59

HSL 33.97, 0.54%, 0.5%

LAB 61.24, 15.25, 48.91

 

CMYK 70 / 0 / 32 / 23

HEX #3AC486

RGB 58 196 134

HSL 153.04, 0.54%, 0.5%

LAB 70.94, -51.05, 20.74

 

CMYK 32 / 70 / 0 / 23

HEX #863AC4

RGB 134 58 196

HSL 273.04, 0.54%, 0.5%

LAB 41.34, 56.58, -58.89

 

CMYK 0 / 30 / 70 / 24

HEX #C3883B

RGB 195 136 59

HSL 33.97, 0.54%, 0.5%

LAB 61.24, 15.25, 48.91

 

CMYK 53 / 0 / 70 / 23

HEX #5DC43A

RGB 93 196 58

HSL 104.78, 0.54%, 0.5%

LAB 70.95, -54.34, 57.29

 

CMYK 70 / 39 / 0 / 23

HEX #3A78C4

RGB 58 120 196

HSL 213.04, 0.54%, 0.5%

LAB 49.88, 5.41, -45.49

 

CMYK 18 / 70 / 0 / 23

HEX #A13AC4

RGB 161 58 196

HSL 284.78, 0.54%, 0.5%

LAB 45.07, 62.09, -52.69

 

CMYK 0 / 30 / 70 / 24

HEX #C3883B

RGB 195 136 59

HSL 33.97, 0.54%, 0.5%

LAB 61.24, 15.25, 48.91

 

CMYK 70 / 0 / 67 / 23

HEX #3AC441

RGB 58 196 65

HSL 123.04, 0.54%, 0.5%

LAB 70.01, -61.7, 53.24

 

CMYK 70 / 39 / 0 / 23

HEX #3A78C4

RGB 58 120 196

HSL 213.04, 0.54%, 0.5%

LAB 49.88, 5.41, -45.49

 

CMYK 0 / 70 / 4 / 23

HEX #C43ABD

RGB 196 58 189

HSL 303.04, 0.54%, 0.5%

LAB 50.02, 68.49, -40.41

 

Description

Color code: HEX #C3883B | qconv.com Color code: HEX #C3883B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 136 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 136 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 70 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 70% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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