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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C48372 it is the complementary color #3B7C8D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C48372. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C48372 shade: #C9836D, #DA9580, #EBA793, #FCB9A6 and #FFCBB9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C48372. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C48372 shade: #C48372, #B3715F, #A25F4C, #914D39 and #803B26

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C48372 shade: #C48372 and #C47272

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C48372 shade: #C48372, #C49972, #C4AF72, #C2C472 and #ADC472

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C48372 shade matches the following richer shades: #C48372, #D47A62, #E47052 and #F46742

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C48372 shade: #C48372, #B48D82, #A49692, #949FA3 and #83A9B3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C48372 shade: #C4728D, #C47278, #C48372, #C49872 and #C4AE72

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C48372 shade: #A15643, #B86A55, #C48372, #D09D8F and #DCB6AC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C48372 shade: #C48372, #A3C472 and #7283C4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C48372 shade: #C48372, #72C483 and #8372C4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C48372 shade: #C48372, #A3C472, #72B4C4 and #9372C4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C48372 shade: #C48372, #8BC472, #72B4C4 and #AB72C4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 42 / 23

HEX #C48372

RGB 196 131 114

HSL 12.44, 0.41%, 0.61%

LAB 60.94, 23, 19.42

 

Complementary color

CMYK 58 / 12 / 0 / 45

HEX #3B7C8D

RGB 59 124 141

HSL 192.44, 0.41%, 0.39%

LAB 48.6, -15.52, -15.51

 

CMYK 0 / 35 / 46 / 21

HEX #C9836D

RGB 201 131 109

HSL 14.35, 0.46%, 0.61%

LAB 61.44, 24.46, 23.01

 

CMYK 0 / 32 / 41 / 15

HEX #DA9580

RGB 218 149 128

HSL 14, 0.55%, 0.68%

LAB 67.99, 23.46, 21.61

 

CMYK 0 / 29 / 37 / 8

HEX #EBA793

RGB 235 167 147

HSL 13.64, 0.69%, 0.75%

LAB 74.45, 22.57, 20.34

 

CMYK 0 / 27 / 34 / 1

HEX #FCB9A6

RGB 252 185 166

HSL 13.26, 0.93%, 0.82%

LAB 80.82, 21.78, 19.17

 

CMYK 0 / 20 / 27 / 0

HEX #FFCBB9

RGB 255 203 185

HSL 15.43, 1%, 0.86%

LAB 85.74, 15.88, 15.98

 

CMYK 0 / 33 / 42 / 23

HEX #C48372

RGB 196 131 114

HSL 12.44, 0.41%, 0.61%

LAB 60.94, 23, 19.42

 

CMYK 0 / 37 / 47 / 30

HEX #B3715F

RGB 179 113 95

HSL 12.86, 0.36%, 0.54%

LAB 54.26, 24.05, 20.88

 

CMYK 0 / 41 / 53 / 36

HEX #A25F4C

RGB 162 95 76

HSL 13.26, 0.36%, 0.47%

LAB 47.48, 25.24, 22.55

 

CMYK 0 / 47 / 61 / 43

HEX #914D39

RGB 145 77 57

HSL 13.64, 0.44%, 0.4%

LAB 40.61, 26.61, 24.49

 

CMYK 0 / 54 / 70 / 50

HEX #803B26

RGB 128 59 38

HSL 14, 0.54%, 0.33%

LAB 33.68, 28.14, 26.77

 

CMYK 0 / 33 / 42 / 23

HEX #C48372

RGB 196 131 114

HSL 12.44, 0.41%, 0.61%

LAB 60.94, 23, 19.42

 

CMYK 0 / 42 / 42 / 23

HEX #C47272

RGB 196 114 114

HSL 0, 0.41%, 0.61%

LAB 57.06, 32.26, 14.08

 

CMYK 0 / 33 / 42 / 23

HEX #C48372

RGB 196 131 114

HSL 12.44, 0.41%, 0.61%

LAB 60.94, 23, 19.42

 

CMYK 0 / 22 / 42 / 23

HEX #C49972

RGB 196 153 114

HSL 28.54, 0.41%, 0.61%

LAB 66.32, 10.91, 26.63

 

CMYK 0 / 11 / 42 / 23

HEX #C4AF72

RGB 196 175 114

HSL 44.63, 0.41%, 0.61%

LAB 71.97, -0.97, 34.01

 

CMYK 1 / 0 / 42 / 23

HEX #C2C472

RGB 194 196 114

HSL 61.46, 0.41%, 0.61%

LAB 77.38, -12.72, 40.83

 

CMYK 12 / 0 / 42 / 23

HEX #ADC472

RGB 173 196 114

HSL 76.83, 0.41%, 0.61%

LAB 75.81, -21.01, 38.53

 

CMYK 0 / 33 / 42 / 23

HEX #C48372

RGB 196 131 114

HSL 12.44, 0.41%, 0.61%

LAB 60.94, 23, 19.42

 

CMYK 0 / 42 / 54 / 17

HEX #D47A62

RGB 212 122 98

HSL 12.63, 0.57%, 0.61%

LAB 60.6, 32.63, 28.32

 

CMYK 0 / 51 / 64 / 11

HEX #E47052

RGB 228 112 82

HSL 12.33, 0.73%, 0.61%

LAB 60.51, 42.76, 37.51

 

CMYK 0 / 58 / 73 / 4

HEX #F46742

RGB 244 103 66

HSL 12.47, 0.89%, 0.61%

LAB 61.07, 52.06, 47.26

 

CMYK 0 / 33 / 42 / 23

HEX #C48372

RGB 196 131 114

HSL 12.44, 0.41%, 0.61%

LAB 60.94, 23, 19.42

 

CMYK 0 / 22 / 28 / 29

HEX #B48D82

RGB 180 141 130

HSL 13.2, 0.25%, 0.61%

LAB 61.97, 13.13, 11.51

 

CMYK 0 / 9 / 11 / 36

HEX #A49692

RGB 164 150 146

HSL 13.33, 0.09%, 0.61%

LAB 63.16, 4.45, 3.97

 

CMYK 9 / 2 / 0 / 36

HEX #949FA3

RGB 148 159 163

HSL 196, 0.08%, 0.61%

LAB 64.75, -3.08, -3.43

 

CMYK 27 / 6 / 0 / 30

HEX #83A9B3

RGB 131 169 179

HSL 192.5, 0.24%, 0.61%

LAB 66.87, -10.5, -9.36

 

CMYK 0 / 42 / 28 / 23

HEX #C4728D

RGB 196 114 141

HSL 340.24, 0.41%, 0.61%

LAB 57.74, 35.64, -0.62

 

CMYK 0 / 42 / 39 / 23

HEX #C47278

RGB 196 114 120

HSL 355.61, 0.41%, 0.61%

LAB 57.2, 32.95, 10.79

 

CMYK 0 / 33 / 42 / 23

HEX #C48372

RGB 196 131 114

HSL 12.44, 0.41%, 0.61%

LAB 60.94, 23, 19.42

 

CMYK 0 / 22 / 42 / 23

HEX #C49872

RGB 196 152 114

HSL 27.8, 0.41%, 0.61%

LAB 66.06, 11.46, 26.3

 

CMYK 0 / 11 / 42 / 23

HEX #C4AE72

RGB 196 174 114

HSL 43.9, 0.41%, 0.61%

LAB 71.71, -0.44, 33.67

 

CMYK 0 / 47 / 58 / 37

HEX #A15643

RGB 161 86 67

HSL 12.13, 0.41%, 0.45%

LAB 45.13, 29.04, 24.78

 

CMYK 0 / 42 / 54 / 28

HEX #B86A55

RGB 184 106 85

HSL 12.73, 0.41%, 0.53%

LAB 53.12, 28.97, 25.24

 

CMYK 0 / 33 / 42 / 23

HEX #C48372

RGB 196 131 114

HSL 12.44, 0.41%, 0.61%

LAB 60.94, 23, 19.42

 

CMYK 0 / 25 / 31 / 18

HEX #D09D8F

RGB 208 157 143

HSL 12.92, 0.41%, 0.69%

LAB 69.12, 17.03, 14.7

 

CMYK 0 / 17 / 22 / 14

HEX #DCB6AC

RGB 220 182 172

HSL 12.5, 0.41%, 0.77%

LAB 77.07, 12.15, 10.21

 

CMYK 0 / 33 / 42 / 23

HEX #C48372

RGB 196 131 114

HSL 12.44, 0.41%, 0.61%

LAB 60.94, 23, 19.42

 

CMYK 17 / 0 / 42 / 23

HEX #A3C472

RGB 163 196 114

HSL 84.15, 0.41%, 0.61%

LAB 75.13, -24.83, 37.52

 

CMYK 42 / 33 / 0 / 23

HEX #7283C4

RGB 114 131 196

HSL 227.56, 0.41%, 0.61%

LAB 55.88, 10.6, -35.83

 

CMYK 0 / 33 / 42 / 23

HEX #C48372

RGB 196 131 114

HSL 12.44, 0.41%, 0.61%

LAB 60.94, 23, 19.42

 

CMYK 42 / 0 / 33 / 23

HEX #72C483

RGB 114 196 131

HSL 132.44, 0.41%, 0.61%

LAB 72.69, -38.95, 25.01

 

CMYK 33 / 42 / 0 / 23

HEX #8372C4

RGB 131 114 196

HSL 252.44, 0.41%, 0.61%

LAB 52.78, 25.34, -40.61

 

CMYK 0 / 33 / 42 / 23

HEX #C48372

RGB 196 131 114

HSL 12.44, 0.41%, 0.61%

LAB 60.94, 23, 19.42

 

CMYK 17 / 0 / 42 / 23

HEX #A3C472

RGB 163 196 114

HSL 84.15, 0.41%, 0.61%

LAB 75.13, -24.83, 37.52

 

CMYK 42 / 8 / 0 / 23

HEX #72B4C4

RGB 114 180 196

HSL 191.71, 0.41%, 0.61%

LAB 69.62, -16.82, -14.73

 

CMYK 25 / 42 / 0 / 23

HEX #9372C4

RGB 147 114 196

HSL 264.15, 0.41%, 0.61%

LAB 54.26, 29.89, -38.17

 

CMYK 0 / 33 / 42 / 23

HEX #C48372

RGB 196 131 114

HSL 12.44, 0.41%, 0.61%

LAB 60.94, 23, 19.42

 

CMYK 29 / 0 / 42 / 23

HEX #8BC472

RGB 139 196 114

HSL 101.71, 0.41%, 0.61%

LAB 73.66, -33.56, 35.36

 

CMYK 42 / 8 / 0 / 23

HEX #72B4C4

RGB 114 180 196

HSL 191.71, 0.41%, 0.61%

LAB 69.62, -16.82, -14.73

 

CMYK 13 / 42 / 0 / 23

HEX #AB72C4

RGB 171 114 196

HSL 281.71, 0.41%, 0.61%

LAB 56.76, 37, -34.08

 

Description

Color code: HEX #C48372 | qconv.com Color code: HEX #C48372 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 131 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 131 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 42 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 42% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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