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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CDE18E it is the complementary color #321E71. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CDE18E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CDE18E shade: #D2E189, #E3F39C, #F4FFAF, #FFFFC2 and #FFFFD5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CDE18E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CDE18E shade: #CDE18E, #BCCF7B, #ABBD68, #9AAB55 and #899942

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CDE18E shade: #CDE18E, #E1DE8E, #E1C88E, #E1B18E and #E19B8E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CDE18E shade: #CDE18E, #B6E18E, #A0E18E, #8EE192 and #8EE1A8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CDE18E shade matches the following richer shades: #CDE18E, #D3EC82 and #D9F877

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CDE18E shade: #CDE18E, #C7D599, #C1C9A5, #BBBEB0 and #B5B2BC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CDE18E shade: #E1C88E, #E1DE8E, #CDE18E, #B7E18E and #A1E18E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CDE18E shade: #B0CF4C, #BED86D, #CDE18E, #DBE9AE and #E9F2CF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CDE18E shade: #CDE18E, #8EE1B2 and #D38EE1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CDE18E shade: #CDE18E, #8ECDE1 and #E18ECD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CDE18E shade: #CDE18E, #8EE1B2, #A18EE1 and #E18EBD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CDE18E shade: #CDE18E, #8EE1CA, #A18EE1 and #E18EA4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 37 / 12

HEX #CDE18E

RGB 205 225 142

HSL 74.46, 0.58%, 0.72%

LAB 86.4, -19.75, 38.42

 

Complementary color

CMYK 56 / 73 / 0 / 56

HEX #321E71

RGB 50 30 113

HSL 254.46, 0.58%, 0.28%

LAB 19.22, 32.49, -44.62

 

CMYK 7 / 0 / 39 / 12

HEX #D2E189

RGB 210 225 137

HSL 70.23, 0.59%, 0.71%

LAB 86.68, -18.45, 41.35

 

CMYK 7 / 0 / 36 / 5

HEX #E3F39C

RGB 227 243 156

HSL 71.03, 0.78%, 0.78%

LAB 92.94, -18.62, 40.23

 

CMYK 4 / 0 / 31 / 0

HEX #F4FFAF

RGB 244 255 175

HSL 68.25, 1%, 0.84%

LAB 97.57, -15.86, 37.1

 

CMYK 0 / 0 / 24 / 0

HEX #FFFFC2

RGB 255 255 194

HSL 60, 1%, 0.88%

LAB 98.7, -9.41, 29.25

 

CMYK 0 / 0 / 16 / 0

HEX #FFFFD5

RGB 255 255 213

HSL 60, 1%, 0.92%

LAB 99.06, -6.76, 20.12

 

CMYK 9 / 0 / 37 / 12

HEX #CDE18E

RGB 205 225 142

HSL 74.46, 0.58%, 0.72%

LAB 86.4, -19.75, 38.42

 

CMYK 9 / 0 / 41 / 19

HEX #BCCF7B

RGB 188 207 123

HSL 73.57, 0.47%, 0.65%

LAB 80.04, -19.61, 39.57

 

CMYK 10 / 0 / 45 / 26

HEX #ABBD68

RGB 171 189 104

HSL 72.71, 0.39%, 0.57%

LAB 73.58, -19.43, 40.74

 

CMYK 10 / 0 / 50 / 33

HEX #9AAB55

RGB 154 171 85

HSL 71.86, 0.34%, 0.5%

LAB 67.01, -19.18, 41.91

 

CMYK 10 / 0 / 57 / 40

HEX #899942

RGB 137 153 66

HSL 71.03, 0.4%, 0.43%

LAB 60.33, -18.84, 43.03

 

CMYK 9 / 0 / 37 / 12

HEX #CDE18E

RGB 205 225 142

HSL 74.46, 0.58%, 0.72%

LAB 86.4, -19.75, 38.42

 

CMYK 0 / 1 / 37 / 12

HEX #E1DE8E

RGB 225 222 142

HSL 57.83, 0.58%, 0.72%

LAB 87.1, -10.62, 39.62

 

CMYK 0 / 11 / 37 / 12

HEX #E1C88E

RGB 225 200 142

HSL 41.93, 0.58%, 0.72%

LAB 81.44, 0.63, 32.25

 

CMYK 0 / 21 / 37 / 12

HEX #E1B18E

RGB 225 177 142

HSL 25.3, 0.58%, 0.72%

LAB 75.7, 12.77, 24.58

 

CMYK 0 / 31 / 37 / 12

HEX #E19B8E

RGB 225 155 142

HSL 9.4, 0.58%, 0.72%

LAB 70.46, 24.55, 17.39

 

CMYK 9 / 0 / 37 / 12

HEX #CDE18E

RGB 205 225 142

HSL 74.46, 0.58%, 0.72%

LAB 86.4, -19.75, 38.42

 

CMYK 19 / 0 / 37 / 12

HEX #B6E18E

RGB 182 225 142

HSL 91.08, 0.58%, 0.72%

LAB 84.87, -28.21, 36.14

 

CMYK 29 / 0 / 37 / 12

HEX #A0E18E

RGB 160 225 142

HSL 106.99, 0.58%, 0.72%

LAB 83.59, -35.83, 34.23

 

CMYK 37 / 0 / 35 / 12

HEX #8EE192

RGB 142 225 146

HSL 122.89, 0.58%, 0.72%

LAB 82.74, -40.97, 30.91

 

CMYK 37 / 0 / 25 / 12

HEX #8EE1A8

RGB 142 225 168

HSL 138.8, 0.58%, 0.72%

LAB 83.14, -37.2, 20.09

 

CMYK 9 / 0 / 37 / 12

HEX #CDE18E

RGB 205 225 142

HSL 74.46, 0.58%, 0.72%

LAB 86.4, -19.75, 38.42

 

CMYK 11 / 0 / 45 / 7

HEX #D3EC82

RGB 211 236 130

HSL 74.15, 0.74%, 0.72%

LAB 89.6, -24.16, 48.45

 

CMYK 13 / 0 / 52 / 3

HEX #D9F877

RGB 217 248 119

HSL 74.42, 0.9%, 0.72%

LAB 93.11, -28.63, 57.89

 

CMYK 9 / 0 / 37 / 12

HEX #CDE18E

RGB 205 225 142

HSL 74.46, 0.58%, 0.72%

LAB 86.4, -19.75, 38.42

 

CMYK 7 / 0 / 28 / 16

HEX #C7D599

RGB 199 213 153

HSL 74, 0.42%, 0.72%

LAB 82.93, -14.63, 28.16

 

CMYK 4 / 0 / 18 / 21

HEX #C1C9A5

RGB 193 201 165

HSL 73.33, 0.25%, 0.72%

LAB 79.52, -8.97, 17.09

 

CMYK 2 / 0 / 7 / 25

HEX #BBBEB0

RGB 187 190 176

HSL 72.86, 0.1%, 0.72%

LAB 76.39, -3.57, 6.7

 

CMYK 4 / 5 / 0 / 26

HEX #B5B2BC

RGB 181 178 188

HSL 258, 0.07%, 0.72%

LAB 73.09, 2.96, -4.71

 

CMYK 0 / 11 / 37 / 12

HEX #E1C88E

RGB 225 200 142

HSL 41.93, 0.58%, 0.72%

LAB 81.44, 0.63, 32.25

 

CMYK 0 / 1 / 37 / 12

HEX #E1DE8E

RGB 225 222 142

HSL 57.83, 0.58%, 0.72%

LAB 87.1, -10.62, 39.62

 

CMYK 9 / 0 / 37 / 12

HEX #CDE18E

RGB 205 225 142

HSL 74.46, 0.58%, 0.72%

LAB 86.4, -19.75, 38.42

 

CMYK 19 / 0 / 37 / 12

HEX #B7E18E

RGB 183 225 142

HSL 90.36, 0.58%, 0.72%

LAB 84.93, -27.85, 36.24

 

CMYK 28 / 0 / 37 / 12

HEX #A1E18E

RGB 161 225 142

HSL 106.27, 0.58%, 0.72%

LAB 83.64, -35.5, 34.31

 

CMYK 15 / 0 / 63 / 19

HEX #B0CF4C

RGB 176 207 76

HSL 74.2, 0.58%, 0.55%

LAB 78.68, -28.72, 59.62

 

CMYK 12 / 0 / 50 / 15

HEX #BED86D

RGB 190 216 109

HSL 74.58, 0.58%, 0.64%

LAB 82.47, -24.73, 49.44

 

CMYK 9 / 0 / 37 / 12

HEX #CDE18E

RGB 205 225 142

HSL 74.46, 0.58%, 0.72%

LAB 86.4, -19.75, 38.42

 

CMYK 6 / 0 / 25 / 9

HEX #DBE9AE

RGB 219 233 174

HSL 74.24, 0.57%, 0.8%

LAB 90.04, -14.33, 27.19

 

CMYK 4 / 0 / 14 / 5

HEX #E9F2CF

RGB 233 242 207

HSL 75.43, 0.57%, 0.88%

LAB 94.03, -8.91, 15.89

 

CMYK 9 / 0 / 37 / 12

HEX #CDE18E

RGB 205 225 142

HSL 74.46, 0.58%, 0.72%

LAB 86.4, -19.75, 38.42

 

CMYK 37 / 0 / 21 / 12

HEX #8EE1B2

RGB 142 225 178

HSL 146.02, 0.58%, 0.72%

LAB 83.35, -35.32, 15.14

 

CMYK 6 / 37 / 0 / 12

HEX #D38EE1

RGB 211 142 225

HSL 289.88, 0.58%, 0.72%

LAB 68.48, 39.82, -31.79

 

CMYK 9 / 0 / 37 / 12

HEX #CDE18E

RGB 205 225 142

HSL 74.46, 0.58%, 0.72%

LAB 86.4, -19.75, 38.42

 

CMYK 37 / 9 / 0 / 12

HEX #8ECDE1

RGB 142 205 225

HSL 194.46, 0.58%, 0.72%

LAB 78.95, -15.09, -16.28

 

CMYK 0 / 37 / 9 / 12

HEX #E18ECD

RGB 225 142 205

HSL 314.46, 0.58%, 0.72%

LAB 69.3, 40.6, -19.33

 

CMYK 9 / 0 / 37 / 12

HEX #CDE18E

RGB 205 225 142

HSL 74.46, 0.58%, 0.72%

LAB 86.4, -19.75, 38.42

 

CMYK 37 / 0 / 21 / 12

HEX #8EE1B2

RGB 142 225 178

HSL 146.02, 0.58%, 0.72%

LAB 83.35, -35.32, 15.14

 

CMYK 28 / 37 / 0 / 12

HEX #A18EE1

RGB 161 142 225

HSL 253.73, 0.58%, 0.72%

LAB 63.64, 24.95, -39.7

 

CMYK 0 / 37 / 16 / 12

HEX #E18EBD

RGB 225 142 189

HSL 326.02, 0.58%, 0.72%

LAB 68.77, 37.99, -11.22

 

CMYK 9 / 0 / 37 / 12

HEX #CDE18E

RGB 205 225 142

HSL 74.46, 0.58%, 0.72%

LAB 86.4, -19.75, 38.42

 

CMYK 37 / 0 / 10 / 12

HEX #8EE1CA

RGB 142 225 202

HSL 163.37, 0.58%, 0.72%

LAB 83.9, -30.37, 3.28

 

CMYK 28 / 37 / 0 / 12

HEX #A18EE1

RGB 161 142 225

HSL 253.73, 0.58%, 0.72%

LAB 63.64, 24.95, -39.7

 

CMYK 0 / 37 / 27 / 12

HEX #E18EA4

RGB 225 142 164

HSL 344.1, 0.58%, 0.72%

LAB 68.05, 34.31, 1.71

 

Description

Color code: HEX #CDE18E | qconv.com Color code: HEX #CDE18E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 225 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 225 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 37 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 37% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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