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Color name
HEX #E19B8E

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E19B8E it is the complementary color #1E6471. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E19B8E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E19B8E shade: #E69B89, #F7AD9C, #FFBFAF, #FFD1C2 and #FFE3D5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E19B8E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E19B8E shade: #E19B8E, #D0897B, #BF7768, #AE6555 and #9D5342

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E19B8E shade: #E19B8E and #E18E8E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E19B8E shade: #E19B8E, #E1B18E, #E1C78E, #E1DE8E and #CDE18E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E19B8E shade matches the following richer shades: #E19B8E, #EC9382 and #F88B77

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E19B8E shade: #E19B8E, #D5A399, #C9ABA5, #BEB2B0 and #B2BABC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E19B8E shade: #E18EAD, #E18E97, #E19A8E, #E1B08E and #E1C68E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E19B8E shade: #CF614C, #D87E6D, #E19B8E, #E9B8AE and #F2D4CF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E19B8E shade: #E19B8E, #C4E18E and #8EA2E1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E19B8E shade: #E19B8E, #8EE19A and #9A8EE1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E19B8E shade: #E19B8E, #C4E18E, #8ED4E1 and #AB8EE1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E19B8E shade: #E19B8E, #ABE18E, #8ED4E1 and #C48EE1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 37 / 12

HEX #E19B8E

RGB 225 155 142

HSL 9.4, 0.58%, 0.72%

LAB 70.46, 24.55, 17.39

 

Complementary color

CMYK 73 / 12 / 0 / 56

HEX #1E6471

RGB 30 100 113

HSL 189.4, 0.58%, 0.28%

LAB 38.87, -16.71, -13.6

 

CMYK 0 / 33 / 40 / 10

HEX #E69B89

RGB 230 155 137

HSL 11.61, 0.65%, 0.72%

LAB 70.92, 25.91, 20.87

 

CMYK 0 / 30 / 37 / 3

HEX #F7AD9C

RGB 247 173 156

HSL 11.21, 0.85%, 0.79%

LAB 77.32, 25.02, 19.62

 

CMYK 0 / 25 / 31 / 0

HEX #FFBFAF

RGB 255 191 175

HSL 12, 1%, 0.84%

LAB 82.71, 20.86, 17.04

 

CMYK 0 / 18 / 24 / 0

HEX #FFD1C2

RGB 255 209 194

HSL 14.75, 1%, 0.88%

LAB 87.37, 13.97, 13.52

 

CMYK 0 / 11 / 16 / 0

HEX #FFE3D5

RGB 255 227 213

HSL 20, 1%, 0.92%

LAB 92.13, 7.41, 10.33

 

CMYK 0 / 31 / 37 / 12

HEX #E19B8E

RGB 225 155 142

HSL 9.4, 0.58%, 0.72%

LAB 70.46, 24.55, 17.39

 

CMYK 0 / 34 / 41 / 18

HEX #D0897B

RGB 208 137 123

HSL 9.88, 0.47%, 0.65%

LAB 63.94, 25.48, 18.68

 

CMYK 0 / 38 / 46 / 25

HEX #BF7768

RGB 191 119 104

HSL 10.34, 0.4%, 0.58%

LAB 57.34, 26.51, 20.11

 

CMYK 0 / 42 / 51 / 32

HEX #AE6555

RGB 174 101 85

HSL 10.79, 0.35%, 0.51%

LAB 50.64, 27.67, 21.75

 

CMYK 0 / 47 / 58 / 38

HEX #9D5342

RGB 157 83 66

HSL 11.21, 0.41%, 0.44%

LAB 43.87, 28.97, 23.64

 

CMYK 0 / 31 / 37 / 12

HEX #E19B8E

RGB 225 155 142

HSL 9.4, 0.58%, 0.72%

LAB 70.46, 24.55, 17.39

 

CMYK 0 / 37 / 37 / 12

HEX #E18E8E

RGB 225 142 142

HSL 0, 0.58%, 0.72%

LAB 67.51, 31.5, 13.28

 

CMYK 0 / 31 / 37 / 12

HEX #E19B8E

RGB 225 155 142

HSL 9.4, 0.58%, 0.72%

LAB 70.46, 24.55, 17.39

 

CMYK 0 / 21 / 37 / 12

HEX #E1B18E

RGB 225 177 142

HSL 25.3, 0.58%, 0.72%

LAB 75.7, 12.77, 24.58

 

CMYK 0 / 12 / 37 / 12

HEX #E1C78E

RGB 225 199 142

HSL 41.2, 0.58%, 0.72%

LAB 81.19, 1.15, 31.91

 

CMYK 0 / 1 / 37 / 12

HEX #E1DE8E

RGB 225 222 142

HSL 57.83, 0.58%, 0.72%

LAB 87.1, -10.62, 39.62

 

CMYK 9 / 0 / 37 / 12

HEX #CDE18E

RGB 205 225 142

HSL 74.46, 0.58%, 0.72%

LAB 86.4, -19.75, 38.42

 

CMYK 0 / 31 / 37 / 12

HEX #E19B8E

RGB 225 155 142

HSL 9.4, 0.58%, 0.72%

LAB 70.46, 24.55, 17.39

 

CMYK 0 / 38 / 45 / 7

HEX #EC9382

RGB 236 147 130

HSL 9.62, 0.74%, 0.72%

LAB 69.69, 31.71, 23.17

 

CMYK 0 / 44 / 52 / 3

HEX #F88B77

RGB 248 139 119

HSL 9.3, 0.9%, 0.72%

LAB 69.29, 39.38, 28.95

 

CMYK 0 / 31 / 37 / 12

HEX #E19B8E

RGB 225 155 142

HSL 9.4, 0.58%, 0.72%

LAB 70.46, 24.55, 17.39

 

CMYK 0 / 23 / 28 / 16

HEX #D5A399

RGB 213 163 153

HSL 10, 0.42%, 0.72%

LAB 71.31, 17.04, 12.33

 

CMYK 0 / 15 / 18 / 21

HEX #C9ABA5

RGB 201 171 165

HSL 10, 0.25%, 0.72%

LAB 72.4, 9.93, 7.12

 

CMYK 0 / 6 / 7 / 25

HEX #BEB2B0

RGB 190 178 176

HSL 8.57, 0.1%, 0.72%

LAB 73.5, 3.92, 2.55

 

CMYK 5 / 1 / 0 / 26

HEX #B2BABC

RGB 178 186 188

HSL 192, 0.07%, 0.72%

LAB 74.96, -2.38, -1.98

 

CMYK 0 / 37 / 23 / 12

HEX #E18EAD

RGB 225 142 173

HSL 337.59, 0.58%, 0.72%

LAB 68.29, 35.58, -2.97

 

CMYK 0 / 37 / 33 / 12

HEX #E18E97

RGB 225 142 151

HSL 353.49, 0.58%, 0.72%

LAB 67.72, 32.6, 8.53

 

CMYK 0 / 32 / 37 / 12

HEX #E19A8E

RGB 225 154 142

HSL 8.67, 0.58%, 0.72%

LAB 70.23, 25.09, 17.07

 

CMYK 0 / 22 / 37 / 12

HEX #E1B08E

RGB 225 176 142

HSL 24.58, 0.58%, 0.72%

LAB 75.46, 13.3, 24.25

 

CMYK 0 / 12 / 37 / 12

HEX #E1C68E

RGB 225 198 142

HSL 40.48, 0.58%, 0.72%

LAB 80.93, 1.67, 31.58

 

CMYK 0 / 53 / 63 / 19

HEX #CF614C

RGB 207 97 76

HSL 9.62, 0.58%, 0.55%

LAB 54.38, 41.95, 32.65

 

CMYK 0 / 42 / 50 / 15

HEX #D87E6D

RGB 216 126 109

HSL 9.53, 0.58%, 0.64%

LAB 62.19, 33.06, 24.34

 

CMYK 0 / 31 / 37 / 12

HEX #E19B8E

RGB 225 155 142

HSL 9.4, 0.58%, 0.72%

LAB 70.46, 24.55, 17.39

 

CMYK 0 / 21 / 25 / 9

HEX #E9B8AE

RGB 233 184 174

HSL 10.17, 0.57%, 0.8%

LAB 78.85, 16.22, 11.82

 

CMYK 0 / 12 / 14 / 5

HEX #F2D4CF

RGB 242 212 207

HSL 8.57, 0.57%, 0.88%

LAB 87.23, 9.63, 6.3

 

CMYK 0 / 31 / 37 / 12

HEX #E19B8E

RGB 225 155 142

HSL 9.4, 0.58%, 0.72%

LAB 70.46, 24.55, 17.39

 

CMYK 13 / 0 / 37 / 12

HEX #C4E18E

RGB 196 225 142

HSL 80.96, 0.58%, 0.72%

LAB 85.78, -23.11, 37.5

 

CMYK 37 / 28 / 0 / 12

HEX #8EA2E1

RGB 142 162 225

HSL 225.54, 0.58%, 0.72%

LAB 67.3, 8.22, -34.1

 

CMYK 0 / 31 / 37 / 12

HEX #E19B8E

RGB 225 155 142

HSL 9.4, 0.58%, 0.72%

LAB 70.46, 24.55, 17.39

 

CMYK 37 / 0 / 32 / 12

HEX #8EE19A

RGB 142 225 154

HSL 128.67, 0.58%, 0.72%

LAB 82.88, -39.67, 26.99

 

CMYK 32 / 37 / 0 / 12

HEX #9A8EE1

RGB 154 142 225

HSL 248.67, 0.58%, 0.72%

LAB 63.05, 22.98, -40.65

 

CMYK 0 / 31 / 37 / 12

HEX #E19B8E

RGB 225 155 142

HSL 9.4, 0.58%, 0.72%

LAB 70.46, 24.55, 17.39

 

CMYK 13 / 0 / 37 / 12

HEX #C4E18E

RGB 196 225 142

HSL 80.96, 0.58%, 0.72%

LAB 85.78, -23.11, 37.5

 

CMYK 37 / 6 / 0 / 12

HEX #8ED4E1

RGB 142 212 225

HSL 189.4, 0.58%, 0.72%

LAB 80.89, -18.66, -13.37

 

CMYK 24 / 37 / 0 / 12

HEX #AB8EE1

RGB 171 142 225

HSL 260.96, 0.58%, 0.72%

LAB 64.52, 27.83, -38.26

 

CMYK 0 / 31 / 37 / 12

HEX #E19B8E

RGB 225 155 142

HSL 9.4, 0.58%, 0.72%

LAB 70.46, 24.55, 17.39

 

CMYK 24 / 0 / 37 / 12

HEX #ABE18E

RGB 171 225 142

HSL 99.04, 0.58%, 0.72%

LAB 84.21, -32.09, 35.15

 

CMYK 37 / 6 / 0 / 12

HEX #8ED4E1

RGB 142 212 225

HSL 189.4, 0.58%, 0.72%

LAB 80.89, -18.66, -13.37

 

CMYK 13 / 37 / 0 / 12

HEX #C48EE1

RGB 196 142 225

HSL 279.04, 0.58%, 0.72%

LAB 66.91, 35.26, -34.34

 

Description

Color code: HEX #E19B8E | qconv.com Color code: HEX #E19B8E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 155 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 155 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 37 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 37% 12% C M Y K

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Provide designers and agencies with accurate color values.

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