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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D19B09 it is the complementary color #2E64F6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D19B09. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D19B09 shade: #D69B04, #E7AD17, #F8BF2A, #FFD13D and #FFE350

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D19B09. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D19B09 shade: #D19B09, #C08900, #AF7700, #9E6500 and #8D5300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D19B09 shade: #D29C08, #D26508, #D22F08 and #D20808

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D19B09 shade: #D29C08, #D2D208, #9CD208, #65D208 and #2FD208

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D19B09 shade matches the following richer shades: #D29C08

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D19B09 shade: #D29C08, #C0931A, #AF8B2C, #9D833D and #8B7B4F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D19B09 shade: #D22D08, #D26308, #D29908, #D2CF08 and #A0D208

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D19B09 shade: #836105, #AA7E07, #D29C08, #F5B70F and #F6C237

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D19B09 shade: #D19B09, #19D208 and #4808D2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D19B09 shade: #D19B09, #08D299 and #9908D2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D19B09 shade: #D19B09, #19D208, #0841D2 and #C108D2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D19B09 shade: #D19B09, #08D234, #0841D2 and #D208A6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 96 / 18

HEX #D19B09

RGB 209 155 9

HSL 43.8, 0.92%, 0.43%

LAB 67.29, 9.54, 70.14

 

Complementary color

CMYK 81 / 59 / 0 / 4

HEX #2E64F6

RGB 46 100 246

HSL 223.8, 0.92%, 0.57%

LAB 47.43, 35.07, -77.76

 

CMYK 0 / 28 / 98 / 16

HEX #D69B04

RGB 214 155 4

HSL 43.14, 0.96%, 0.43%

LAB 67.83, 11.69, 71.42

 

CMYK 0 / 25 / 90 / 9

HEX #E7AD17

RGB 231 173 23

HSL 43.27, 0.82%, 0.5%

LAB 74.15, 9.74, 74.04

 

CMYK 0 / 23 / 83 / 3

HEX #F8BF2A

RGB 248 191 42

HSL 43.4, 0.94%, 0.57%

LAB 80.4, 8.01, 75.3

 

CMYK 0 / 18 / 76 / 0

HEX #FFD13D

RGB 255 209 61

HSL 45.77, 1%, 0.62%

LAB 85.6, 2.3, 74.32

 

CMYK 0 / 11 / 69 / 0

HEX #FFE350

RGB 255 227 80

HSL 50.4, 1%, 0.66%

LAB 90.22, -5.97, 71.94

 

CMYK 0 / 26 / 96 / 18

HEX #D19B09

RGB 209 155 9

HSL 43.8, 0.92%, 0.43%

LAB 67.29, 9.54, 70.14

 

CMYK 0 / 29 / 100 / 25

HEX #C08900

RGB 192 137 0

HSL 42.81, 1%, 0.38%

LAB 60.87, 11.67, 66.05

 

CMYK 0 / 32 / 100 / 31

HEX #AF7700

RGB 175 119 0

HSL 40.8, 1%, 0.34%

LAB 54.35, 14, 60.71

 

CMYK 0 / 36 / 100 / 38

HEX #9E6500

RGB 158 101 0

HSL 38.35, 1%, 0.31%

LAB 47.72, 16.42, 55.3

 

CMYK 0 / 41 / 100 / 45

HEX #8D5300

RGB 141 83 0

HSL 35.32, 1%, 0.28%

LAB 40.98, 18.96, 49.81

 

CMYK 0 / 26 / 96 / 18

HEX #D29C08

RGB 210 156 8

HSL 43.96, 0.93%, 0.43%

LAB 67.65, 9.44, 70.57

 

CMYK 0 / 52 / 96 / 18

HEX #D26508

RGB 210 101 8

HSL 27.62, 0.93%, 0.43%

LAB 55.1, 38.73, 62.01

 

CMYK 0 / 78 / 96 / 18

HEX #D22F08

RGB 210 47 8

HSL 11.58, 0.93%, 0.43%

LAB 46.65, 61.22, 56.94

 

CMYK 0 / 96 / 96 / 18

HEX #D20808

RGB 210 8 8

HSL 0, 0.93%, 0.43%

LAB 44.08, 68.54, 55.6

 

CMYK 0 / 26 / 96 / 18

HEX #D29C08

RGB 210 156 8

HSL 43.96, 0.93%, 0.43%

LAB 67.65, 9.44, 70.57

 

CMYK 0 / 0 / 96 / 18

HEX #D2D208

RGB 210 210 8

HSL 60, 0.93%, 0.43%

LAB 81.74, -18.54, 80.89

 

CMYK 26 / 0 / 96 / 18

HEX #9CD208

RGB 156 210 8

HSL 76.04, 0.93%, 0.43%

LAB 77.98, -40.66, 76.38

 

CMYK 52 / 0 / 96 / 18

HEX #65D208

RGB 101 210 8

HSL 92.38, 0.93%, 0.43%

LAB 75.38, -59.36, 73.21

 

CMYK 78 / 0 / 96 / 18

HEX #2FD208

RGB 47 210 8

HSL 108.42, 0.93%, 0.43%

LAB 74.01, -70.78, 71.53

 

CMYK 0 / 26 / 96 / 18

HEX #D29C08

RGB 210 156 8

HSL 43.96, 0.93%, 0.43%

LAB 67.65, 9.44, 70.57

 

CMYK 0 / 26 / 96 / 18

HEX #D29C08

RGB 210 156 8

HSL 43.96, 0.93%, 0.43%

LAB 67.65, 9.44, 70.57

 

CMYK 0 / 23 / 86 / 25

HEX #C0931A

RGB 192 147 26

HSL 43.73, 0.76%, 0.43%

LAB 63.47, 6.61, 63.18

 

CMYK 0 / 21 / 75 / 31

HEX #AF8B2C

RGB 175 139 44

HSL 43.51, 0.6%, 0.43%

LAB 59.67, 3.99, 53.12

 

CMYK 0 / 17 / 61 / 38

HEX #9D833D

RGB 157 131 61

HSL 43.75, 0.44%, 0.43%

LAB 55.82, 1.37, 40.8

 

CMYK 0 / 12 / 43 / 45

HEX #8B7B4F

RGB 139 123 79

HSL 44, 0.28%, 0.43%

LAB 52.08, -0.39, 26.28

 

CMYK 0 / 79 / 96 / 18

HEX #D22D08

RGB 210 45 8

HSL 10.99, 0.93%, 0.43%

LAB 46.44, 61.81, 56.82

 

CMYK 0 / 53 / 96 / 18

HEX #D26308

RGB 210 99 8

HSL 27.03, 0.93%, 0.43%

LAB 54.7, 39.73, 61.75

 

CMYK 0 / 27 / 96 / 18

HEX #D29908

RGB 210 153 8

HSL 43.07, 0.93%, 0.43%

LAB 66.9, 11.05, 70.04

 

CMYK 0 / 1 / 96 / 18

HEX #D2CF08

RGB 210 207 8

HSL 59.11, 0.93%, 0.43%

LAB 80.93, -17.06, 80.28

 

CMYK 24 / 0 / 96 / 18

HEX #A0D208

RGB 160 210 8

HSL 74.85, 0.93%, 0.43%

LAB 78.22, -39.11, 76.66

 

CMYK 0 / 26 / 96 / 49

HEX #836105

RGB 131 97 5

HSL 43.81, 0.93%, 0.27%

LAB 43.34, 6.15, 49.47

 

CMYK 0 / 26 / 96 / 33

HEX #AA7E07

RGB 170 126 7

HSL 43.8, 0.92%, 0.35%

LAB 55.57, 7.89, 60.01

 

CMYK 0 / 26 / 96 / 18

HEX #D29C08

RGB 210 156 8

HSL 43.96, 0.93%, 0.43%

LAB 67.65, 9.44, 70.57

 

CMYK 0 / 25 / 94 / 4

HEX #F5B70F

RGB 245 183 15

HSL 43.83, 0.92%, 0.51%

LAB 78.06, 10.41, 78.89

 

CMYK 0 / 21 / 78 / 4

HEX #F6C237

RGB 246 194 55

HSL 43.66, 0.91%, 0.59%

LAB 80.99, 6.01, 71.76

 

CMYK 0 / 26 / 96 / 18

HEX #D19B09

RGB 209 155 9

HSL 43.8, 0.92%, 0.43%

LAB 67.29, 9.54, 70.14

 

CMYK 88 / 0 / 96 / 18

HEX #19D208

RGB 25 210 8

HSL 114.95, 0.93%, 0.43%

LAB 73.75, -73.08, 71.21

 

CMYK 66 / 96 / 0 / 18

HEX #4808D2

RGB 72 8 210

HSL 259.01, 0.93%, 0.43%

LAB 29.92, 68.56, -86.07

 

CMYK 0 / 26 / 96 / 18

HEX #D19B09

RGB 209 155 9

HSL 43.8, 0.92%, 0.43%

LAB 67.29, 9.54, 70.14

 

CMYK 96 / 0 / 27 / 18

HEX #08D299

RGB 8 210 153

HSL 163.07, 0.93%, 0.43%

LAB 75.1, -56.49, 16.31

 

CMYK 27 / 96 / 0 / 18

HEX #9908D2

RGB 153 8 210

HSL 283.07, 0.93%, 0.43%

LAB 40.57, 75.9, -68.15

 

CMYK 0 / 26 / 96 / 18

HEX #D19B09

RGB 209 155 9

HSL 43.8, 0.92%, 0.43%

LAB 67.29, 9.54, 70.14

 

CMYK 88 / 0 / 96 / 18

HEX #19D208

RGB 25 210 8

HSL 114.95, 0.93%, 0.43%

LAB 73.75, -73.08, 71.21

 

CMYK 96 / 69 / 0 / 18

HEX #0841D2

RGB 8 65 210

HSL 223.07, 0.93%, 0.43%

LAB 34.97, 41.95, -77.79

 

CMYK 8 / 96 / 0 / 18

HEX #C108D2

RGB 193 8 210

HSL 294.95, 0.93%, 0.43%

LAB 47.19, 81.56, -57.1

 

CMYK 0 / 26 / 96 / 18

HEX #D19B09

RGB 209 155 9

HSL 43.8, 0.92%, 0.43%

LAB 67.29, 9.54, 70.14

 

CMYK 96 / 0 / 75 / 18

HEX #08D234

RGB 8 210 52

HSL 133.07, 0.93%, 0.43%

LAB 73.8, -72.07, 61.82

 

CMYK 96 / 69 / 0 / 18

HEX #0841D2

RGB 8 65 210

HSL 223.07, 0.93%, 0.43%

LAB 34.97, 41.95, -77.79

 

CMYK 0 / 96 / 21 / 18

HEX #D208A6

RGB 210 8 166

HSL 313.07, 0.93%, 0.43%

LAB 47.79, 78.41, -30.23

 

Description

Color code: HEX #D19B09 | qconv.com Color code: HEX #D19B09 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 155 green and 9 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 155 9 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 96 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 96% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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