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Color name
HEX #D6922C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D6922C it is the complementary color #296DD3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D6922C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D6922C shade: #DB9227, #ECA43A, #FDB64D, #FFC860 and #FFDA73

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D6922C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D6922C shade: #D6922C, #C58019, #B46E06, #A35C00 and #924A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D6922C shade: #D5922E, #D5652E, #D5382E and #D52E2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D6922C shade: #D5922E, #D5BF2E, #BED52E, #91D52E and #64D52E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D6922C shade matches the following richer shades: #D5922E, #E9961A and #FE9A05

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D6922C shade: #D5922E, #C18E42, #AD8A56, #99866A and #84827F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D6922C shade: #D5392E, #D5662E, #D5922E, #D5BF2E and #BFD52E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D6922C shade: #94641D, #B67C24, #D5922E, #DCA450 and #E3B673

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D6922C shade: #D6922C, #4FD52E and #4F2ED5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D6922C shade: #D6922C, #2ED592 and #922ED5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D6922C shade: #D6922C, #4FD52E, #2E71D5 and #B42ED5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D6922C shade: #D6922C, #2ED53F, #2E71D5 and #D52EC5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 79 / 16

HEX #D6922C

RGB 214 146 44

HSL 36, 0.67%, 0.51%

LAB 65.78, 17.35, 60.43

 

Complementary color

CMYK 81 / 48 / 0 / 17

HEX #296DD3

RGB 41 109 211

HSL 216, 0.67%, 0.49%

LAB 47.12, 15.81, -58.51

 

CMYK 0 / 33 / 82 / 14

HEX #DB9227

RGB 219 146 39

HSL 35.67, 0.71%, 0.51%

LAB 66.34, 19.34, 62.92

 

CMYK 0 / 31 / 75 / 7

HEX #ECA43A

RGB 236 164 58

HSL 35.73, 0.82%, 0.58%

LAB 72.69, 17.64, 62.48

 

CMYK 0 / 28 / 70 / 1

HEX #FDB64D

RGB 253 182 77

HSL 35.8, 0.98%, 0.65%

LAB 78.97, 16.15, 61.55

 

CMYK 0 / 22 / 62 / 0

HEX #FFC860

RGB 255 200 96

HSL 39.25, 1%, 0.69%

LAB 83.66, 8.69, 58.26

 

CMYK 0 / 15 / 55 / 0

HEX #FFDA73

RGB 255 218 115

HSL 44.14, 1%, 0.73%

LAB 88.28, 0.79, 54.79

 

CMYK 0 / 32 / 79 / 16

HEX #D6922C

RGB 214 146 44

HSL 36, 0.67%, 0.51%

LAB 65.78, 17.35, 60.43

 

CMYK 0 / 35 / 87 / 23

HEX #C58019

RGB 197 128 25

HSL 35.93, 0.77%, 0.44%

LAB 59.32, 19.21, 60.34

 

CMYK 0 / 39 / 97 / 29

HEX #B46E06

RGB 180 110 6

HSL 35.86, 0.94%, 0.36%

LAB 52.81, 21.34, 58.82

 

CMYK 0 / 44 / 100 / 36

HEX #A35C00

RGB 163 92 0

HSL 33.87, 1%, 0.32%

LAB 46.23, 23.76, 54.68

 

CMYK 0 / 49 / 100 / 43

HEX #924A00

RGB 146 74 0

HSL 30.41, 1%, 0.29%

LAB 39.59, 26.32, 49.32

 

CMYK 0 / 31 / 78 / 16

HEX #D5922E

RGB 213 146 46

HSL 35.93, 0.67%, 0.51%

LAB 65.67, 17, 59.54

 

CMYK 0 / 53 / 78 / 16

HEX #D5652E

RGB 213 101 46

HSL 19.76, 0.67%, 0.51%

LAB 55.74, 40.74, 50.06

 

CMYK 0 / 74 / 78 / 16

HEX #D5382E

RGB 213 56 46

HSL 3.59, 0.67%, 0.51%

LAB 48.48, 60.04, 42.78

 

CMYK 0 / 78 / 78 / 16

HEX #D52E2E

RGB 213 46 46

HSL 0, 0.67%, 0.51%

LAB 47.36, 63.15, 41.63

 

CMYK 0 / 31 / 78 / 16

HEX #D5922E

RGB 213 146 46

HSL 35.93, 0.67%, 0.51%

LAB 65.67, 17, 59.54

 

CMYK 0 / 10 / 78 / 16

HEX #D5BF2E

RGB 213 191 46

HSL 52.1, 0.67%, 0.51%

LAB 77.04, -6.89, 69.91

 

CMYK 11 / 0 / 78 / 16

HEX #BED52E

RGB 190 213 46

HSL 68.26, 0.67%, 0.51%

LAB 81.14, -27.53, 72.89

 

CMYK 32 / 0 / 78 / 16

HEX #91D52E

RGB 145 213 46

HSL 84.43, 0.67%, 0.51%

LAB 78.35, -45.03, 69.31

 

CMYK 53 / 0 / 78 / 16

HEX #64D52E

RGB 100 213 46

HSL 100.6, 0.67%, 0.51%

LAB 76.37, -59.46, 66.76

 

CMYK 0 / 31 / 78 / 16

HEX #D5922E

RGB 213 146 46

HSL 35.93, 0.67%, 0.51%

LAB 65.67, 17, 59.54

 

CMYK 0 / 36 / 89 / 9

HEX #E9961A

RGB 233 150 26

HSL 35.94, 0.82%, 0.51%

LAB 68.9, 22.86, 69.48

 

CMYK 0 / 39 / 98 / 0

HEX #FE9A05

RGB 254 154 5

HSL 35.9, 0.99%, 0.51%

LAB 72.36, 29.28, 76.62

 

CMYK 0 / 31 / 78 / 16

HEX #D5922E

RGB 213 146 46

HSL 35.93, 0.67%, 0.51%

LAB 65.67, 17, 59.54

 

CMYK 0 / 26 / 66 / 24

HEX #C18E42

RGB 193 142 66

HSL 35.91, 0.51%, 0.51%

LAB 62.57, 11.5, 46.98

 

CMYK 0 / 20 / 50 / 32

HEX #AD8A56

RGB 173 138 86

HSL 35.86, 0.35%, 0.51%

LAB 59.65, 6.64, 32.75

 

CMYK 0 / 12 / 31 / 40

HEX #99866A

RGB 153 134 106

HSL 35.74, 0.19%, 0.51%

LAB 56.94, 2.78, 17.74

 

CMYK 0 / 2 / 4 / 48

HEX #84827F

RGB 132 130 127

HSL 36, 0.02%, 0.51%

LAB 54.45, 0.17, 1.88

 

CMYK 0 / 73 / 78 / 16

HEX #D5392E

RGB 213 57 46

HSL 3.95, 0.67%, 0.51%

LAB 48.6, 59.7, 42.91

 

CMYK 0 / 52 / 78 / 16

HEX #D5662E

RGB 213 102 46

HSL 20.12, 0.67%, 0.51%

LAB 55.93, 40.24, 50.25

 

CMYK 0 / 31 / 78 / 16

HEX #D5922E

RGB 213 146 46

HSL 35.93, 0.67%, 0.51%

LAB 65.67, 17, 59.54

 

CMYK 0 / 10 / 78 / 16

HEX #D5BF2E

RGB 213 191 46

HSL 52.1, 0.67%, 0.51%

LAB 77.04, -6.89, 69.91

 

CMYK 10 / 0 / 78 / 16

HEX #BFD52E

RGB 191 213 46

HSL 67.9, 0.67%, 0.51%

LAB 81.22, -27.12, 72.98

 

CMYK 0 / 32 / 80 / 42

HEX #94641D

RGB 148 100 29

HSL 35.8, 0.67%, 0.35%

LAB 46.31, 13.09, 45.34

 

CMYK 0 / 32 / 80 / 29

HEX #B67C24

RGB 182 124 36

HSL 36.16, 0.67%, 0.43%

LAB 56.57, 15.13, 53.59

 

CMYK 0 / 31 / 78 / 16

HEX #D5922E

RGB 213 146 46

HSL 35.93, 0.67%, 0.51%

LAB 65.67, 17, 59.54

 

CMYK 0 / 25 / 64 / 14

HEX #DCA450

RGB 220 164 80

HSL 36, 0.67%, 0.59%

LAB 71.11, 12.02, 50.63

 

CMYK 0 / 20 / 49 / 11

HEX #E3B673

RGB 227 182 115

HSL 35.89, 0.67%, 0.67%

LAB 76.69, 8.08, 40.1

 

CMYK 0 / 32 / 79 / 16

HEX #D6922C

RGB 214 146 44

HSL 36, 0.67%, 0.51%

LAB 65.78, 17.35, 60.43

 

CMYK 63 / 0 / 78 / 16

HEX #4FD52E

RGB 79 213 46

HSL 108.14, 0.67%, 0.51%

LAB 75.73, -64.64, 65.92

 

CMYK 63 / 78 / 0 / 16

HEX #4F2ED5

RGB 79 46 213

HSL 251.86, 0.67%, 0.51%

LAB 34.84, 58.14, -79.63

 

CMYK 0 / 32 / 79 / 16

HEX #D6922C

RGB 214 146 44

HSL 36, 0.67%, 0.51%

LAB 65.78, 17.35, 60.43

 

CMYK 78 / 0 / 31 / 16

HEX #2ED592

RGB 46 213 146

HSL 155.93, 0.67%, 0.51%

LAB 76.22, -56.65, 21.6

 

CMYK 31 / 78 / 0 / 16

HEX #922ED5

RGB 146 46 213

HSL 275.93, 0.67%, 0.51%

LAB 42.57, 67.24, -66.67

 

CMYK 0 / 32 / 79 / 16

HEX #D6922C

RGB 214 146 44

HSL 36, 0.67%, 0.51%

LAB 65.78, 17.35, 60.43

 

CMYK 63 / 0 / 78 / 16

HEX #4FD52E

RGB 79 213 46

HSL 108.14, 0.67%, 0.51%

LAB 75.73, -64.64, 65.92

 

CMYK 78 / 47 / 0 / 16

HEX #2E71D5

RGB 46 113 213

HSL 215.93, 0.67%, 0.51%

LAB 48.51, 14.53, -57.42

 

CMYK 15 / 78 / 0 / 16

HEX #B42ED5

RGB 180 46 213

HSL 288.14, 0.67%, 0.51%

LAB 47.57, 73.12, -58.32

 

CMYK 0 / 32 / 79 / 16

HEX #D6922C

RGB 214 146 44

HSL 36, 0.67%, 0.51%

LAB 65.78, 17.35, 60.43

 

CMYK 78 / 0 / 70 / 16

HEX #2ED53F

RGB 46 213 63

HSL 126.11, 0.67%, 0.51%

LAB 75.16, -69.1, 59.43

 

CMYK 78 / 47 / 0 / 16

HEX #2E71D5

RGB 46 113 213

HSL 215.93, 0.67%, 0.51%

LAB 48.51, 14.53, -57.42

 

CMYK 0 / 78 / 8 / 16

HEX #D52EC5

RGB 213 46 197

HSL 305.75, 0.67%, 0.51%

LAB 51.99, 76.9, -41.76

 

Description

Color code: HEX #D6922C | qconv.com Color code: HEX #D6922C | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 146 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 146 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 79 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 79% 16% C M Y K

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Provide designers and agencies with accurate color values.

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