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Color name
HEX #DDC72C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DDC72C it is the complementary color #2238D3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DDC72C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DDC72C shade: #E2C727, #F3D93A, #FFEB4D, #FFFD60 and #FFFF73

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DDC72C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DDC72C shade: #DDC72C, #CCB519, #BBA306, #AA9100 and #997F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DDC72C shade: #DCC62C, #DC972C, #DC672C, #DC382C and #DC2C2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DDC72C shade: #DCC62C, #C3DC2C, #93DC2C, #64DC2C and #34DC2C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DDC72C shade matches the following richer shades: #DCC62C and #F0D518

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DDC72C shade: #DCC62C, #C8B740, #B5A954, #A19A67 and #8D8B7B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DDC72C shade: #DC672C, #DC962C, #DCC52C, #C5DC2C and #96DC2C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DDC72C shade: #9D8C19, #C0AC1F, #DCC62C, #E2D04F and #E8D973

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DDC72C shade: #DDC72C, #2CDC38 and #7E2CDC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DDC72C shade: #DDC72C, #2CDCC5 and #C52CDC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DDC72C shade: #DDC72C, #2CDC38, #2C43DC and #DC2CD0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DDC72C shade: #DDC72C, #2CDC6D, #2C43DC and #DC2C9C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 80 / 13

HEX #DDC72C

RGB 221 199 44

HSL 52.54, 0.72%, 0.52%

LAB 79.84, -7.62, 73.25

 

Complementary color

CMYK 84 / 73 / 0 / 17

HEX #2238D3

RGB 34 56 211

HSL 232.54, 0.72%, 0.48%

LAB 33.71, 48.71, -80.43

 

CMYK 0 / 12 / 83 / 11

HEX #E2C727

RGB 226 199 39

HSL 51.34, 0.76%, 0.52%

LAB 80.27, -5.62, 75.14

 

CMYK 0 / 11 / 76 / 5

HEX #F3D93A

RGB 243 217 58

HSL 51.57, 0.89%, 0.59%

LAB 86.5, -6.91, 75.72

 

CMYK 0 / 8 / 70 / 0

HEX #FFEB4D

RGB 255 235 77

HSL 53.26, 1%, 0.65%

LAB 92.23, -10.09, 75.06

 

CMYK 0 / 1 / 62 / 0

HEX #FFFD60

RGB 255 253 96

HSL 59.25, 1%, 0.69%

LAB 96.97, -17.85, 72.7

 

CMYK 0 / 0 / 55 / 0

HEX #FFFF73

RGB 255 255 115

HSL 60, 1%, 0.73%

LAB 97.64, -17.55, 65.58

 

CMYK 0 / 10 / 80 / 13

HEX #DDC72C

RGB 221 199 44

HSL 52.54, 0.72%, 0.52%

LAB 79.84, -7.62, 73.25

 

CMYK 0 / 11 / 88 / 20

HEX #CCB519

RGB 204 181 25

HSL 52.29, 0.78%, 0.45%

LAB 73.52, -6.22, 72

 

CMYK 0 / 13 / 97 / 27

HEX #BBA306

RGB 187 163 6

HSL 52.04, 0.94%, 0.38%

LAB 67.11, -4.59, 69.36

 

CMYK 0 / 15 / 100 / 33

HEX #AA9100

RGB 170 145 0

HSL 51.18, 1%, 0.33%

LAB 60.6, -2.71, 64.76

 

CMYK 0 / 17 / 100 / 40

HEX #997F00

RGB 153 127 0

HSL 49.8, 1%, 0.3%

LAB 53.98, -0.66, 59.28

 

CMYK 0 / 10 / 80 / 14

HEX #DCC62C

RGB 220 198 44

HSL 52.5, 0.72%, 0.52%

LAB 79.49, -7.53, 72.91

 

CMYK 0 / 31 / 80 / 14

HEX #DC972C

RGB 220 151 44

HSL 36.48, 0.72%, 0.52%

LAB 67.67, 17.24, 62.41

 

CMYK 0 / 53 / 80 / 14

HEX #DC672C

RGB 220 103 44

HSL 20.11, 0.72%, 0.52%

LAB 57.17, 42.38, 52.71

 

CMYK 0 / 75 / 80 / 14

HEX #DC382C

RGB 220 56 44

HSL 4.09, 0.72%, 0.52%

LAB 49.77, 62.1, 45.57

 

CMYK 0 / 80 / 80 / 14

HEX #DC2C2C

RGB 220 44 44

HSL 0, 0.72%, 0.52%

LAB 48.51, 65.64, 44.32

 

CMYK 0 / 10 / 80 / 14

HEX #DCC62C

RGB 220 198 44

HSL 52.5, 0.72%, 0.52%

LAB 79.49, -7.53, 72.91

 

CMYK 11 / 0 / 80 / 14

HEX #C3DC2C

RGB 195 220 44

HSL 68.52, 0.72%, 0.52%

LAB 83.43, -28.87, 75.59

 

CMYK 33 / 0 / 80 / 14

HEX #93DC2C

RGB 147 220 44

HSL 84.89, 0.72%, 0.52%

LAB 80.5, -47.35, 71.87

 

CMYK 55 / 0 / 80 / 14

HEX #64DC2C

RGB 100 220 44

HSL 100.91, 0.72%, 0.52%

LAB 78.51, -62.06, 69.31

 

CMYK 76 / 0 / 80 / 14

HEX #34DC2C

RGB 52 220 44

HSL 117.27, 0.72%, 0.52%

LAB 77.34, -71.77, 67.81

 

CMYK 0 / 10 / 80 / 14

HEX #DCC62C

RGB 220 198 44

HSL 52.5, 0.72%, 0.52%

LAB 79.49, -7.53, 72.91

 

CMYK 0 / 11 / 90 / 6

HEX #F0D518

RGB 240 213 24

HSL 52.5, 0.88%, 0.52%

LAB 85.09, -7.06, 82.63

 

CMYK 0 / 10 / 80 / 14

HEX #DCC62C

RGB 220 198 44

HSL 52.5, 0.72%, 0.52%

LAB 79.49, -7.53, 72.91

 

CMYK 0 / 9 / 68 / 22

HEX #C8B740

RGB 200 183 64

HSL 52.5, 0.55%, 0.52%

LAB 73.88, -7.55, 60.06

 

CMYK 0 / 7 / 54 / 29

HEX #B5A954

RGB 181 169 84

HSL 52.58, 0.4%, 0.52%

LAB 68.64, -6.96, 44.86

 

CMYK 0 / 4 / 36 / 37

HEX #A19A67

RGB 161 154 103

HSL 52.76, 0.24%, 0.52%

LAB 63.07, -5.36, 27.72

 

CMYK 0 / 1 / 13 / 45

HEX #8D8B7B

RGB 141 139 123

HSL 53.33, 0.07%, 0.52%

LAB 57.62, -2.19, 8.82

 

CMYK 0 / 53 / 80 / 14

HEX #DC672C

RGB 220 103 44

HSL 20.11, 0.72%, 0.52%

LAB 57.17, 42.38, 52.71

 

CMYK 0 / 32 / 80 / 14

HEX #DC962C

RGB 220 150 44

HSL 36.14, 0.72%, 0.52%

LAB 67.43, 17.78, 62.19

 

CMYK 0 / 10 / 80 / 14

HEX #DCC52C

RGB 220 197 44

HSL 52.16, 0.72%, 0.52%

LAB 79.23, -7.02, 72.68

 

CMYK 10 / 0 / 80 / 14

HEX #C5DC2C

RGB 197 220 44

HSL 67.84, 0.72%, 0.52%

LAB 83.57, -28.05, 75.77

 

CMYK 32 / 0 / 80 / 14

HEX #96DC2C

RGB 150 220 44

HSL 83.86, 0.72%, 0.52%

LAB 80.66, -46.27, 72.07

 

CMYK 0 / 11 / 84 / 38

HEX #9D8C19

RGB 157 140 25

HSL 52.27, 0.73%, 0.36%

LAB 58.03, -5.47, 57.48

 

CMYK 0 / 10 / 84 / 25

HEX #C0AC1F

RGB 192 172 31

HSL 52.55, 0.72%, 0.44%

LAB 70.04, -6.66, 67.33

 

CMYK 0 / 10 / 80 / 14

HEX #DCC62C

RGB 220 198 44

HSL 52.5, 0.72%, 0.52%

LAB 79.49, -7.53, 72.91

 

CMYK 0 / 8 / 65 / 11

HEX #E2D04F

RGB 226 208 79

HSL 52.65, 0.72%, 0.6%

LAB 82.83, -8.5, 63.95

 

CMYK 0 / 6 / 50 / 9

HEX #E8D973

RGB 232 217 115

HSL 52.31, 0.72%, 0.68%

LAB 86.02, -8, 51.61

 

CMYK 0 / 10 / 80 / 13

HEX #DDC72C

RGB 221 199 44

HSL 52.54, 0.72%, 0.52%

LAB 79.84, -7.62, 73.25

 

CMYK 80 / 0 / 75 / 14

HEX #2CDC38

RGB 44 220 56

HSL 124.09, 0.72%, 0.52%

LAB 77.29, -72.01, 64.05

 

CMYK 43 / 80 / 0 / 14

HEX #7E2CDC

RGB 126 44 220

HSL 267.95, 0.72%, 0.52%

LAB 40.25, 66.48, -74.58

 

CMYK 0 / 10 / 80 / 13

HEX #DDC72C

RGB 221 199 44

HSL 52.54, 0.72%, 0.52%

LAB 79.84, -7.62, 73.25

 

CMYK 80 / 0 / 10 / 14

HEX #2CDCC5

RGB 44 220 197

HSL 172.16, 0.72%, 0.52%

LAB 79.47, -47.4, -0.85

 

CMYK 10 / 80 / 0 / 14

HEX #C52CDC

RGB 197 44 220

HSL 292.16, 0.72%, 0.52%

LAB 50.5, 77.94, -57.47

 

CMYK 0 / 10 / 80 / 13

HEX #DDC72C

RGB 221 199 44

HSL 52.54, 0.72%, 0.52%

LAB 79.84, -7.62, 73.25

 

CMYK 80 / 0 / 75 / 14

HEX #2CDC38

RGB 44 220 56

HSL 124.09, 0.72%, 0.52%

LAB 77.29, -72.01, 64.05

 

CMYK 80 / 70 / 0 / 14

HEX #2C43DC

RGB 44 67 220

HSL 232.16, 0.72%, 0.52%

LAB 37.33, 46, -79.63

 

CMYK 0 / 80 / 5 / 14

HEX #DC2CD0

RGB 220 44 208

HSL 304.09, 0.72%, 0.52%

LAB 53.57, 80.37, -45.5

 

CMYK 0 / 10 / 80 / 13

HEX #DDC72C

RGB 221 199 44

HSL 52.54, 0.72%, 0.52%

LAB 79.84, -7.62, 73.25

 

CMYK 80 / 0 / 50 / 14

HEX #2CDC6D

RGB 44 220 109

HSL 142.16, 0.72%, 0.52%

LAB 77.77, -66.07, 42.37

 

CMYK 80 / 70 / 0 / 14

HEX #2C43DC

RGB 44 67 220

HSL 232.16, 0.72%, 0.52%

LAB 37.33, 46, -79.63

 

CMYK 0 / 80 / 29 / 14

HEX #DC2C9C

RGB 220 44 156

HSL 321.82, 0.72%, 0.52%

LAB 51.17, 73.62, -18.91

 

Description

Color code: HEX #DDC72C | qconv.com Color code: HEX #DDC72C | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 199 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 199 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 80 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 80% 13% C M Y K

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