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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF7CA9 it is the complementary color #208356. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF7CA9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF7CA9 shade: #E47CA4, #F58EB7, #FFA0CA, #FFB2DD and #FFC4F0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF7CA9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF7CA9 shade: #DF7CA9, #CE6A96, #BD5883, #AC4670 and #9B345D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF7CA9 shade: #DF7BA8, #DF7B8E and #DF7B7B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF7CA9 shade: #DF7BA8, #DF7BC3, #DF7BDE, #C47BDF and #AA7BDF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF7CA9 shade matches the following richer shades: #DF7BA8, #EC6EA7 and #F961A6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF7CA9 shade: #DF7BA8, #D188AA, #C496AB, #B7A3AC and #AAB0AD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF7CA9 shade: #DF7BDF, #DF7BC4, #DF7BAA, #DF7B8F and #DF827B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF7CA9 shade: #CF397D, #D75A93, #DF7BA8, #E79CBE and #EFBED4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF7CA9 shade: #DF7CA9, #DFC47B and #7BD1DF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF7CA9 shade: #DF7CA9, #AADF7B and #7BAADF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF7CA9 shade: #DF7CA9, #DFC47B, #7BDFB0 and #7B96DF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF7CA9 shade: #DF7CA9, #DBDF7B, #7BDFB0 and #7E7BDF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 24 / 13

HEX #DF7CA9

RGB 223 124 169

HSL 332.73, 0.61%, 0.68%

LAB 64.13, 43.71, -6.89

 

Complementary color

CMYK 76 / 0 / 34 / 49

HEX #208356

RGB 32 131 86

HSL 152.73, 0.61%, 0.32%

LAB 48.53, -39.04, 16.5

 

CMYK 0 / 46 / 28 / 11

HEX #E47CA4

RGB 228 124 164

HSL 336.92, 0.66%, 0.69%

LAB 64.64, 44.72, -3.23

 

CMYK 0 / 42 / 25 / 4

HEX #F58EB7

RGB 245 142 183

HSL 336.12, 0.84%, 0.76%

LAB 70.99, 43.89, -4.31

 

CMYK 0 / 37 / 21 / 0

HEX #FFA0CA

RGB 255 160 202

HSL 333.47, 1%, 0.81%

LAB 76.48, 40.71, -6.56

 

CMYK 0 / 30 / 13 / 0

HEX #FFB2DD

RGB 255 178 221

HSL 326.49, 1%, 0.85%

LAB 80.92, 34.24, -10.28

 

CMYK 0 / 23 / 6 / 0

HEX #FFC4F0

RGB 255 196 240

HSL 315.25, 1%, 0.88%

LAB 85.52, 27.93, -13.59

 

CMYK 0 / 44 / 24 / 13

HEX #DF7CA9

RGB 223 124 169

HSL 332.73, 0.61%, 0.68%

LAB 64.13, 43.71, -6.89

 

CMYK 0 / 49 / 27 / 19

HEX #CE6A96

RGB 206 106 150

HSL 333.6, 0.51%, 0.61%

LAB 57.69, 44.53, -5.79

 

CMYK 0 / 53 / 31 / 26

HEX #BD5883

RGB 189 88 131

HSL 334.46, 0.43%, 0.54%

LAB 51.19, 45.31, -4.49

 

CMYK 0 / 59 / 35 / 33

HEX #AC4670

RGB 172 70 112

HSL 335.29, 0.42%, 0.47%

LAB 44.69, 46, -2.9

 

CMYK 0 / 66 / 40 / 39

HEX #9B345D

RGB 155 52 93

HSL 336.12, 0.5%, 0.41%

LAB 38.23, 46.44, -0.9

 

CMYK 0 / 45 / 25 / 13

HEX #DF7BA8

RGB 223 123 168

HSL 333, 0.61%, 0.68%

LAB 63.9, 44.08, -6.67

 

CMYK 0 / 45 / 36 / 13

HEX #DF7B8E

RGB 223 123 142

HSL 348.6, 0.61%, 0.68%

LAB 63.18, 40.73, 7.11

 

CMYK 0 / 45 / 45 / 13

HEX #DF7B7B

RGB 223 123 123

HSL 0, 0.61%, 0.68%

LAB 62.75, 38.64, 17.33

 

CMYK 0 / 45 / 25 / 13

HEX #DF7BA8

RGB 223 123 168

HSL 333, 0.61%, 0.68%

LAB 63.9, 44.08, -6.67

 

CMYK 0 / 45 / 13 / 13

HEX #DF7BC3

RGB 223 123 195

HSL 316.8, 0.61%, 0.68%

LAB 64.8, 48.14, -20.6

 

CMYK 0 / 45 / 0 / 13

HEX #DF7BDE

RGB 223 123 222

HSL 300.6, 0.61%, 0.68%

LAB 65.85, 52.71, -34.1

 

CMYK 12 / 45 / 0 / 13

HEX #C47BDF

RGB 196 123 223

HSL 283.8, 0.61%, 0.68%

LAB 62.7, 45.11, -39.8

 

CMYK 24 / 45 / 0 / 13

HEX #AA7BDF

RGB 170 123 223

HSL 268.2, 0.61%, 0.68%

LAB 59.92, 37.76, -44.36

 

CMYK 0 / 45 / 25 / 13

HEX #DF7BA8

RGB 223 123 168

HSL 333, 0.61%, 0.68%

LAB 63.9, 44.08, -6.67

 

CMYK 0 / 53 / 29 / 7

HEX #EC6EA7

RGB 236 110 167

HSL 332.86, 0.77%, 0.68%

LAB 63.16, 54.6, -7.01

 

CMYK 0 / 61 / 33 / 2

HEX #F961A6

RGB 249 97 166

HSL 332.76, 0.93%, 0.68%

LAB 62.88, 64.23, -6.64

 

CMYK 0 / 45 / 25 / 13

HEX #DF7BA8

RGB 223 123 168

HSL 333, 0.61%, 0.68%

LAB 63.9, 44.08, -6.67

 

CMYK 0 / 35 / 19 / 18

HEX #D188AA

RGB 209 136 170

HSL 332.05, 0.44%, 0.68%

LAB 65.01, 32.7, -6.34

 

CMYK 0 / 23 / 13 / 23

HEX #C496AB

RGB 196 150 171

HSL 332.61, 0.28%, 0.68%

LAB 66.89, 20.57, -4.28

 

CMYK 0 / 11 / 6 / 28

HEX #B7A3AC

RGB 183 163 172

HSL 333, 0.12%, 0.68%

LAB 68.92, 8.86, -1.99

 

CMYK 3 / 0 / 2 / 31

HEX #AAB0AD

RGB 170 176 173

HSL 150, 0.04%, 0.68%

LAB 71.29, -2.67, 0.79

 

CMYK 0 / 45 / 0 / 13

HEX #DF7BDF

RGB 223 123 223

HSL 300, 0.61%, 0.68%

LAB 65.89, 52.88, -34.59

 

CMYK 0 / 45 / 12 / 13

HEX #DF7BC4

RGB 223 123 196

HSL 316.2, 0.61%, 0.68%

LAB 64.83, 48.3, -21.11

 

CMYK 0 / 45 / 24 / 13

HEX #DF7BAA

RGB 223 123 170

HSL 331.8, 0.61%, 0.68%

LAB 63.96, 44.36, -7.71

 

CMYK 0 / 45 / 36 / 13

HEX #DF7B8F

RGB 223 123 143

HSL 348, 0.61%, 0.68%

LAB 63.21, 40.85, 6.58

 

CMYK 0 / 42 / 45 / 13

HEX #DF827B

RGB 223 130 123

HSL 4.2, 0.61%, 0.68%

LAB 64.23, 34.99, 19.37

 

CMYK 0 / 72 / 40 / 19

HEX #CF397D

RGB 207 57 125

HSL 332.8, 0.61%, 0.52%

LAB 49.1, 63.2, -3.66

 

CMYK 0 / 58 / 32 / 16

HEX #D75A93

RGB 215 90 147

HSL 332.64, 0.61%, 0.6%

LAB 55.95, 54.76, -6.46

 

CMYK 0 / 45 / 25 / 13

HEX #DF7BA8

RGB 223 123 168

HSL 333, 0.61%, 0.68%

LAB 63.9, 44.08, -6.67

 

CMYK 0 / 32 / 18 / 9

HEX #E79CBE

RGB 231 156 190

HSL 332.8, 0.61%, 0.76%

LAB 72.55, 32.78, -6.07

 

CMYK 0 / 21 / 11 / 6

HEX #EFBED4

RGB 239 190 212

HSL 333.06, 0.6%, 0.84%

LAB 81.8, 20.97, -4.31

 

CMYK 0 / 44 / 24 / 13

HEX #DF7CA9

RGB 223 124 169

HSL 332.73, 0.61%, 0.68%

LAB 64.13, 43.71, -6.89

 

CMYK 0 / 12 / 45 / 13

HEX #DFC47B

RGB 223 196 123

HSL 43.8, 0.61%, 0.68%

LAB 79.95, -0.12, 40.05

 

CMYK 45 / 6 / 0 / 13

HEX #7BD1DF

RGB 123 209 223

HSL 188.4, 0.61%, 0.68%

LAB 79.12, -22.37, -15.04

 

CMYK 0 / 44 / 24 / 13

HEX #DF7CA9

RGB 223 124 169

HSL 332.73, 0.61%, 0.68%

LAB 64.13, 43.71, -6.89

 

CMYK 24 / 0 / 45 / 13

HEX #AADF7B

RGB 170 223 123

HSL 91.8, 0.61%, 0.68%

LAB 83.31, -33.97, 43.44

 

CMYK 45 / 24 / 0 / 13

HEX #7BAADF

RGB 123 170 223

HSL 211.8, 0.61%, 0.68%

LAB 68.23, -1.77, -31.65

 

CMYK 0 / 44 / 24 / 13

HEX #DF7CA9

RGB 223 124 169

HSL 332.73, 0.61%, 0.68%

LAB 64.13, 43.71, -6.89

 

CMYK 0 / 12 / 45 / 13

HEX #DFC47B

RGB 223 196 123

HSL 43.8, 0.61%, 0.68%

LAB 79.95, -0.12, 40.05

 

CMYK 45 / 0 / 21 / 13

HEX #7BDFB0

RGB 123 223 176

HSL 151.8, 0.61%, 0.68%

LAB 81.9, -39.98, 14.04

 

CMYK 45 / 33 / 0 / 13

HEX #7B96DF

RGB 123 150 223

HSL 223.8, 0.61%, 0.68%

LAB 62.8, 9.59, -40.1

 

CMYK 0 / 44 / 24 / 13

HEX #DF7CA9

RGB 223 124 169

HSL 332.73, 0.61%, 0.68%

LAB 64.13, 43.71, -6.89

 

CMYK 2 / 0 / 45 / 13

HEX #DBDF7B

RGB 219 223 123

HSL 62.4, 0.61%, 0.68%

LAB 86.64, -15.45, 48.29

 

CMYK 45 / 0 / 21 / 13

HEX #7BDFB0

RGB 123 223 176

HSL 151.8, 0.61%, 0.68%

LAB 81.9, -39.98, 14.04

 

CMYK 43 / 45 / 0 / 13

HEX #7E7BDF

RGB 126 123 223

HSL 241.8, 0.61%, 0.68%

LAB 56.02, 26.21, -50.8

 

Description

Color code: HEX #DF7CA9 | qconv.com Color code: HEX #DF7CA9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 124 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 124 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 24 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 24% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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