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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E140A2 it is the complementary color #1EBF5D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E140A2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E140A2 shade: #E6409D, #F752B0, #FF64C3, #FF76D6 and #FF88E9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E140A2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E140A2 shade: #E140A2, #D02E8F, #BF1C7C, #AE0A69 and #9D0056

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E140A2 shade: #E141A2, #E14177, #E1414C and #E14141

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E140A2 shade: #E141A2, #E141CD, #C941E1, #9E41E1 and #7341E1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E140A2 shade matches the following richer shades: #E141A2 and #F32FA6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E140A2 shade: #E141A2, #CF539E, #BD649B, #AC7697 and #9A8893

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E140A2 shade: #C941E1, #E141CE, #E141A4, #E14179 and #E1414E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E140A2 shade: #B41C78, #D72190, #E141A2, #E664B4 and #EC88C5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E140A2 shade: #E140A2, #E19E41 and #41E1DE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E140A2 shade: #E140A2, #A4E141 and #41A4E1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E140A2 shade: #E140A2, #E19E41, #41E17E and #4184E1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E140A2 shade: #E140A2, #E1CE41, #41E17E and #4153E1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 72 / 28 / 12

HEX #E140A2

RGB 225 64 162

HSL 323.48, 0.73%, 0.57%

LAB 54.33, 69.7, -17.56

 

Complementary color

CMYK 84 / 0 / 51 / 25

HEX #1EBF5D

RGB 30 191 93

HSL 143.48, 0.73%, 0.43%

LAB 68.26, -60.25, 38.35

 

CMYK 0 / 72 / 32 / 10

HEX #E6409D

RGB 230 64 157

HSL 326.39, 0.77%, 0.58%

LAB 54.99, 70.4, -13.53

 

CMYK 0 / 67 / 29 / 3

HEX #F752B0

RGB 247 82 176

HSL 325.82, 0.91%, 0.65%

LAB 60.73, 70.75, -15.64

 

CMYK 0 / 61 / 24 / 0

HEX #FF64C3

RGB 255 100 195

HSL 323.23, 1%, 0.7%

LAB 65.21, 68.24, -19.57

 

CMYK 0 / 54 / 16 / 0

HEX #FF76D6

RGB 255 118 214

HSL 317.96, 1%, 0.73%

LAB 68.8, 63.04, -24.75

 

CMYK 0 / 47 / 9 / 0

HEX #FF88E9

RGB 255 136 233

HSL 311.09, 1%, 0.77%

LAB 72.73, 57.51, -29.22

 

CMYK 0 / 72 / 28 / 12

HEX #E140A2

RGB 225 64 162

HSL 323.48, 0.73%, 0.57%

LAB 54.33, 69.7, -17.56

 

CMYK 0 / 78 / 31 / 18

HEX #D02E8F

RGB 208 46 143

HSL 324.07, 0.64%, 0.5%

LAB 48.69, 68.79, -15.11

 

CMYK 0 / 85 / 35 / 25

HEX #BF1C7C

RGB 191 28 124

HSL 324.66, 0.74%, 0.43%

LAB 43.3, 67.03, -12.01

 

CMYK 0 / 94 / 40 / 32

HEX #AE0A69

RGB 174 10 105

HSL 325.24, 0.89%, 0.36%

LAB 38.26, 64.07, -8.06

 

CMYK 0 / 100 / 45 / 38

HEX #9D0056

RGB 157 0 86

HSL 327.13, 1%, 0.31%

LAB 33.65, 59.67, -3.09

 

CMYK 0 / 71 / 28 / 12

HEX #E141A2

RGB 225 65 162

HSL 323.63, 0.73%, 0.57%

LAB 54.45, 69.37, -17.38

 

CMYK 0 / 71 / 47 / 12

HEX #E14177

RGB 225 65 119

HSL 339.75, 0.73%, 0.57%

LAB 53.08, 64.91, 6.14

 

CMYK 0 / 71 / 66 / 12

HEX #E1414C

RGB 225 65 76

HSL 355.88, 0.73%, 0.57%

LAB 52.19, 61.89, 30.59

 

CMYK 0 / 71 / 71 / 12

HEX #E14141

RGB 225 65 65

HSL 0, 0.73%, 0.57%

LAB 52.03, 61.35, 36.76

 

CMYK 0 / 71 / 28 / 12

HEX #E141A2

RGB 225 65 162

HSL 323.63, 0.73%, 0.57%

LAB 54.45, 69.37, -17.38

 

CMYK 0 / 71 / 9 / 12

HEX #E141CD

RGB 225 65 205

HSL 307.5, 0.73%, 0.57%

LAB 56.28, 75.11, -39.44

 

CMYK 11 / 71 / 0 / 12

HEX #C941E1

RGB 201 65 225

HSL 291, 0.73%, 0.57%

LAB 53.64, 73.18, -55.24

 

CMYK 30 / 71 / 0 / 12

HEX #9E41E1

RGB 158 65 225

HSL 274.88, 0.73%, 0.57%

LAB 47.61, 64.68, -65.27

 

CMYK 49 / 71 / 0 / 12

HEX #7341E1

RGB 115 65 225

HSL 258.75, 0.73%, 0.57%

LAB 42.55, 57.15, -73.71

 

CMYK 0 / 71 / 28 / 12

HEX #E141A2

RGB 225 65 162

HSL 323.63, 0.73%, 0.57%

LAB 54.45, 69.37, -17.38

 

CMYK 0 / 81 / 32 / 5

HEX #F32FA6

RGB 243 47 166

HSL 323.57, 0.89%, 0.57%

LAB 55.93, 79.26, -17.18

 

CMYK 0 / 71 / 28 / 12

HEX #E141A2

RGB 225 65 162

HSL 323.63, 0.73%, 0.57%

LAB 54.45, 69.37, -17.38

 

CMYK 0 / 60 / 24 / 19

HEX #CF539E

RGB 207 83 158

HSL 323.71, 0.56%, 0.57%

LAB 53.94, 56.9, -16.07

 

CMYK 0 / 47 / 18 / 26

HEX #BD649B

RGB 189 100 155

HSL 322.92, 0.4%, 0.57%

LAB 54.34, 42.66, -13.95

 

CMYK 0 / 31 / 12 / 33

HEX #AC7697

RGB 172 118 151

HSL 323.33, 0.25%, 0.57%

LAB 56.05, 26.35, -9.26

 

CMYK 0 / 12 / 5 / 40

HEX #9A8893

RGB 154 136 147

HSL 323.33, 0.08%, 0.57%

LAB 58.59, 8.79, -3.38

 

CMYK 11 / 71 / 0 / 12

HEX #C941E1

RGB 201 65 225

HSL 291, 0.73%, 0.57%

LAB 53.64, 73.18, -55.24

 

CMYK 0 / 71 / 8 / 12

HEX #E141CE

RGB 225 65 206

HSL 307.13, 0.73%, 0.57%

LAB 56.33, 75.26, -39.94

 

CMYK 0 / 71 / 27 / 12

HEX #E141A4

RGB 225 65 164

HSL 322.88, 0.73%, 0.57%

LAB 54.52, 69.61, -18.44

 

CMYK 0 / 71 / 46 / 12

HEX #E14179

RGB 225 65 121

HSL 339, 0.73%, 0.57%

LAB 53.13, 65.09, 5.02

 

CMYK 0 / 71 / 65 / 12

HEX #E1414E

RGB 225 65 78

HSL 355.13, 0.73%, 0.57%

LAB 52.22, 61.99, 29.46

 

CMYK 0 / 84 / 33 / 29

HEX #B41C78

RGB 180 28 120

HSL 323.68, 0.73%, 0.41%

LAB 41.04, 64.02, -13.16

 

CMYK 0 / 85 / 33 / 16

HEX #D72190

RGB 215 33 144

HSL 323.41, 0.73%, 0.49%

LAB 48.94, 73.62, -15.21

 

CMYK 0 / 71 / 28 / 12

HEX #E141A2

RGB 225 65 162

HSL 323.63, 0.73%, 0.57%

LAB 54.45, 69.37, -17.38

 

CMYK 0 / 57 / 22 / 10

HEX #E664B4

RGB 230 100 180

HSL 323.08, 0.72%, 0.65%

LAB 60.99, 59.09, -17.8

 

CMYK 0 / 42 / 17 / 7

HEX #EC88C5

RGB 236 136 197

HSL 323.4, 0.72%, 0.73%

LAB 69.09, 45.99, -15.06

 

CMYK 0 / 72 / 28 / 12

HEX #E140A2

RGB 225 64 162

HSL 323.48, 0.73%, 0.57%

LAB 54.33, 69.7, -17.56

 

CMYK 0 / 30 / 71 / 12

HEX #E19E41

RGB 225 158 65

HSL 34.88, 0.73%, 0.57%

LAB 70.07, 16.5, 56.52

 

CMYK 71 / 0 / 1 / 12

HEX #41E1DE

RGB 65 225 222

HSL 178.88, 0.73%, 0.57%

LAB 81.97, -40.58, -10.42

 

CMYK 0 / 72 / 28 / 12

HEX #E140A2

RGB 225 64 162

HSL 323.48, 0.73%, 0.57%

LAB 54.33, 69.7, -17.56

 

CMYK 27 / 0 / 71 / 12

HEX #A4E141

RGB 164 225 65

HSL 82.88, 0.73%, 0.57%

LAB 82.98, -42.24, 68.02

 

CMYK 71 / 27 / 0 / 12

HEX #41A4E1

RGB 65 164 225

HSL 202.88, 0.73%, 0.57%

LAB 64.25, -9.12, -39.12

 

CMYK 0 / 72 / 28 / 12

HEX #E140A2

RGB 225 64 162

HSL 323.48, 0.73%, 0.57%

LAB 54.33, 69.7, -17.56

 

CMYK 0 / 30 / 71 / 12

HEX #E19E41

RGB 225 158 65

HSL 34.88, 0.73%, 0.57%

LAB 70.07, 16.5, 56.52

 

CMYK 71 / 0 / 44 / 12

HEX #41E17E

RGB 65 225 126

HSL 142.88, 0.73%, 0.57%

LAB 79.89, -62.34, 36.78

 

CMYK 71 / 41 / 0 / 12

HEX #4184E1

RGB 65 132 225

HSL 214.88, 0.73%, 0.57%

LAB 55.14, 9.5, -53.52

 

CMYK 0 / 72 / 28 / 12

HEX #E140A2

RGB 225 64 162

HSL 323.48, 0.73%, 0.57%

LAB 54.33, 69.7, -17.56

 

CMYK 0 / 8 / 71 / 12

HEX #E1CE41

RGB 225 206 65

HSL 52.88, 0.73%, 0.57%

LAB 82.13, -8.65, 68.64

 

CMYK 71 / 0 / 44 / 12

HEX #41E17E

RGB 65 225 126

HSL 142.88, 0.73%, 0.57%

LAB 79.89, -62.34, 36.78

 

CMYK 71 / 63 / 0 / 12

HEX #4153E1

RGB 65 83 225

HSL 233.25, 0.73%, 0.57%

LAB 42.38, 40.02, -74.15

 

Description

Color code: HEX #E140A2 | qconv.com Color code: HEX #E140A2 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 64 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 64 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 72 magenta, 28 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 72% 28% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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