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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E7C283 it is the complementary color #183D7C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E7C283. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E7C283 shade: #ECC27E, #FDD491, #FFE6A4, #FFF8B7 and #FFFFCA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E7C283. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E7C283 shade: #E7C283, #D6B070, #C59E5D, #B48C4A and #A37A37

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E7C283 shade: #E7C282, #E7A782, #E78B82 and #E78282

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E7C283 shade: #E7C282, #E7DD82, #D6E782, #BBE782 and #A0E782

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E7C283 shade matches the following richer shades: #E7C282 and #F3C576

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E7C283 shade: #E7C282, #DBBF8E, #CFBB9A, #C3B8A6 and #B7B5B2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E7C283 shade: #E78B82, #E7A582, #E7C082, #E7DB82 and #D8E782

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E7C283 shade: #DAA03D, #E0B160, #E7C282, #EDD3A5 and #F4E4C8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E7C283 shade: #E7C283, #95E782 and #9882E7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E7C283 shade: #E7C283, #82E7C0 and #C082E7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E7C283 shade: #E7C283, #95E782, #82A9E7 and #D482E7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E7C283 shade: #E7C283, #82E78E, #82A9E7 and #E782DB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 43 / 9

HEX #E7C283

RGB 231 194 131

HSL 37.8, 0.68%, 0.71%

LAB 80.3, 4.94, 36.55

 

Complementary color

CMYK 81 / 51 / 0 / 51

HEX #183D7C

RGB 24 61 124

HSL 217.8, 0.68%, 0.29%

LAB 26.7, 11.48, -39.56

 

CMYK 0 / 18 / 47 / 7

HEX #ECC27E

RGB 236 194 126

HSL 37.09, 0.74%, 0.71%

LAB 80.7, 6.45, 39.72

 

CMYK 0 / 16 / 43 / 1

HEX #FDD491

RGB 253 212 145

HSL 37.22, 0.96%, 0.78%

LAB 87, 5.74, 38.46

 

CMYK 0 / 10 / 36 / 0

HEX #FFE6A4

RGB 255 230 164

HSL 43.52, 1%, 0.82%

LAB 91.92, -0.62, 35.3

 

CMYK 0 / 3 / 28 / 0

HEX #FFF8B7

RGB 255 248 183

HSL 54.17, 1%, 0.86%

LAB 96.74, -7.37, 32.14

 

CMYK 0 / 0 / 21 / 0

HEX #FFFFCA

RGB 255 255 202

HSL 60, 1%, 0.9%

LAB 98.85, -8.33, 25.41

 

CMYK 0 / 16 / 43 / 9

HEX #E7C283

RGB 231 194 131

HSL 37.8, 0.68%, 0.71%

LAB 80.3, 4.94, 36.55

 

CMYK 0 / 18 / 48 / 16

HEX #D6B070

RGB 214 176 112

HSL 37.65, 0.55%, 0.64%

LAB 73.88, 5.67, 37.83

 

CMYK 0 / 20 / 53 / 23

HEX #C59E5D

RGB 197 158 93

HSL 37.5, 0.47%, 0.57%

LAB 67.36, 6.51, 39.17

 

CMYK 0 / 22 / 59 / 29

HEX #B48C4A

RGB 180 140 74

HSL 37.36, 0.42%, 0.5%

LAB 60.74, 7.51, 40.55

 

CMYK 0 / 25 / 66 / 36

HEX #A37A37

RGB 163 122 55

HSL 37.22, 0.5%, 0.43%

LAB 54.01, 8.7, 41.91

 

CMYK 0 / 16 / 44 / 9

HEX #E7C282

RGB 231 194 130

HSL 38.02, 0.68%, 0.71%

LAB 80.28, 4.84, 37.04

 

CMYK 0 / 28 / 44 / 9

HEX #E7A782

RGB 231 167 130

HSL 21.98, 0.68%, 0.71%

LAB 73.7, 19.14, 28.44

 

CMYK 0 / 40 / 44 / 9

HEX #E78B82

RGB 231 139 130

HSL 5.35, 0.68%, 0.71%

LAB 67.33, 34.01, 19.85

 

CMYK 0 / 44 / 44 / 9

HEX #E78282

RGB 231 130 130

HSL 0, 0.68%, 0.71%

LAB 65.41, 38.7, 17.21

 

CMYK 0 / 16 / 44 / 9

HEX #E7C282

RGB 231 194 130

HSL 38.02, 0.68%, 0.71%

LAB 80.28, 4.84, 37.04

 

CMYK 0 / 4 / 44 / 9

HEX #E7DD82

RGB 231 221 130

HSL 54.06, 0.68%, 0.71%

LAB 87.15, -9.03, 45.74

 

CMYK 7 / 0 / 44 / 9

HEX #D6E782

RGB 214 231 130

HSL 70.1, 0.68%, 0.71%

LAB 88.48, -20.61, 47.1

 

CMYK 19 / 0 / 44 / 9

HEX #BBE782

RGB 187 231 130

HSL 86.14, 0.68%, 0.71%

LAB 86.67, -30.73, 44.45

 

CMYK 31 / 0 / 44 / 9

HEX #A0E782

RGB 160 231 130

HSL 102.18, 0.68%, 0.71%

LAB 85.12, -40.18, 42.17

 

CMYK 0 / 16 / 44 / 9

HEX #E7C282

RGB 231 194 130

HSL 38.02, 0.68%, 0.71%

LAB 80.28, 4.84, 37.04

 

CMYK 0 / 19 / 51 / 5

HEX #F3C576

RGB 243 197 118

HSL 37.92, 0.84%, 0.71%

LAB 82, 6.98, 45.51

 

CMYK 0 / 16 / 44 / 9

HEX #E7C282

RGB 231 194 130

HSL 38.02, 0.68%, 0.71%

LAB 80.28, 4.84, 37.04

 

CMYK 0 / 13 / 35 / 14

HEX #DBBF8E

RGB 219 191 142

HSL 38.18, 0.52%, 0.71%

LAB 78.62, 2.98, 28.41

 

CMYK 0 / 10 / 26 / 19

HEX #CFBB9A

RGB 207 187 154

HSL 37.36, 0.36%, 0.71%

LAB 76.76, 1.99, 19.32

 

CMYK 0 / 6 / 15 / 24

HEX #C3B8A6

RGB 195 184 166

HSL 37.24, 0.19%, 0.71%

LAB 75.22, 0.85, 10.54

 

CMYK 0 / 1 / 3 / 28

HEX #B7B5B2

RGB 183 181 178

HSL 36, 0.03%, 0.71%

LAB 73.76, 0.16, 1.77

 

CMYK 0 / 40 / 44 / 9

HEX #E78B82

RGB 231 139 130

HSL 5.35, 0.68%, 0.71%

LAB 67.33, 34.01, 19.85

 

CMYK 0 / 29 / 44 / 9

HEX #E7A582

RGB 231 165 130

HSL 20.79, 0.68%, 0.71%

LAB 73.23, 20.21, 27.81

 

CMYK 0 / 17 / 44 / 9

HEX #E7C082

RGB 231 192 130

HSL 36.83, 0.68%, 0.71%

LAB 79.78, 5.89, 36.4

 

CMYK 0 / 5 / 44 / 9

HEX #E7DB82

RGB 231 219 130

HSL 52.87, 0.68%, 0.71%

LAB 86.63, -8.02, 45.1

 

CMYK 6 / 0 / 44 / 9

HEX #D8E782

RGB 216 231 130

HSL 68.91, 0.68%, 0.71%

LAB 88.62, -19.84, 47.31

 

CMYK 0 / 27 / 72 / 15

HEX #DAA03D

RGB 218 160 61

HSL 37.83, 0.68%, 0.55%

LAB 69.74, 12.24, 57.66

 

CMYK 0 / 21 / 57 / 12

HEX #E0B160

RGB 224 177 96

HSL 37.97, 0.67%, 0.63%

LAB 74.91, 7.9, 47.39

 

CMYK 0 / 16 / 44 / 9

HEX #E7C282

RGB 231 194 130

HSL 38.02, 0.68%, 0.71%

LAB 80.28, 4.84, 37.04

 

CMYK 0 / 11 / 30 / 7

HEX #EDD3A5

RGB 237 211 165

HSL 38.33, 0.67%, 0.79%

LAB 85.66, 2.35, 26.12

 

CMYK 0 / 7 / 18 / 4

HEX #F4E4C8

RGB 244 228 200

HSL 38.18, 0.67%, 0.87%

LAB 91.18, 1.01, 15.63

 

CMYK 0 / 16 / 43 / 9

HEX #E7C283

RGB 231 194 131

HSL 37.8, 0.68%, 0.71%

LAB 80.3, 4.94, 36.55

 

CMYK 35 / 0 / 44 / 9

HEX #95E782

RGB 149 231 130

HSL 108.71, 0.68%, 0.71%

LAB 84.56, -43.76, 41.36

 

CMYK 34 / 44 / 0 / 9

HEX #9882E7

RGB 152 130 231

HSL 253.07, 0.68%, 0.71%

LAB 60.26, 30.89, -48.4

 

CMYK 0 / 16 / 43 / 9

HEX #E7C283

RGB 231 194 131

HSL 37.8, 0.68%, 0.71%

LAB 80.3, 4.94, 36.55

 

CMYK 44 / 0 / 17 / 9

HEX #82E7C0

RGB 130 231 192

HSL 156.83, 0.68%, 0.71%

LAB 84.84, -38.46, 9.85

 

CMYK 17 / 44 / 0 / 9

HEX #C082E7

RGB 192 130 231

HSL 276.83, 0.68%, 0.71%

LAB 64.11, 41.9, -42.07

 

CMYK 0 / 16 / 43 / 9

HEX #E7C283

RGB 231 194 131

HSL 37.8, 0.68%, 0.71%

LAB 80.3, 4.94, 36.55

 

CMYK 35 / 0 / 44 / 9

HEX #95E782

RGB 149 231 130

HSL 108.71, 0.68%, 0.71%

LAB 84.56, -43.76, 41.36

 

CMYK 44 / 27 / 0 / 9

HEX #82A9E7

RGB 130 169 231

HSL 216.83, 0.68%, 0.71%

LAB 68.67, 2.79, -35.32

 

CMYK 8 / 44 / 0 / 9

HEX #D482E7

RGB 212 130 231

HSL 288.71, 0.68%, 0.71%

LAB 66.31, 47.63, -38.46

 

CMYK 0 / 16 / 43 / 9

HEX #E7C283

RGB 231 194 131

HSL 37.8, 0.68%, 0.71%

LAB 80.3, 4.94, 36.55

 

CMYK 44 / 0 / 39 / 9

HEX #82E78E

RGB 130 231 142

HSL 127.13, 0.68%, 0.71%

LAB 83.89, -47.72, 34.35

 

CMYK 44 / 27 / 0 / 9

HEX #82A9E7

RGB 130 169 231

HSL 216.83, 0.68%, 0.71%

LAB 68.67, 2.79, -35.32

 

CMYK 0 / 44 / 5 / 9

HEX #E782DB

RGB 231 130 219

HSL 307.13, 0.68%, 0.71%

LAB 68.07, 51.03, -28.92

 

Description

Color code: HEX #E7C283 | qconv.com Color code: HEX #E7C283 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 231 red, 194 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
231 194 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 43 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 43% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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