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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EED534 it is the complementary color #112ACB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EED534. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EED534 shade: #F3D52F, #FFE742, #FFF955, #FFFF68 and #FFFF7B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EED534. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EED534 shade: #EED534, #DDC321, #CCB10E, #BB9F00 and #AA8D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EED534 shade: #EED534, #EEA334, #EE7034, #EE3E34 and #EE3434

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EED534 shade: #EED534, #D5EE34, #A3EE34, #70EE34 and #3EEE34

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EED534 shade matches the following richer shades: #EED534

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EED534 shade: #EED534, #DCC845, #CBBB57, #B9AE69 and #A7A17B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EED534 shade: #EE6F34, #EEA034, #EED234, #D8EE34 and #A7EE34

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EED534 shade: #C0A80F, #E6CA12, #EED534, #F1DD5A and #F4E580

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EED534 shade: #EED534, #34EE3D and #8834EE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EED534 shade: #EED534, #34EED2 and #D234EE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EED534 shade: #EED534, #34EE3D, #3450EE and #EE34E5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EED534 shade: #EED534, #34EE75, #3450EE and #EE34AD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 78 / 7

HEX #EED534

RGB 238 213 52

HSL 51.94, 0.85%, 0.57%

LAB 85, -7.22, 76.05

 

Complementary color

CMYK 92 / 79 / 0 / 20

HEX #112ACB

RGB 17 42 203

HSL 231.94, 0.85%, 0.43%

LAB 29.63, 53.02, -82.56

 

CMYK 0 / 12 / 81 / 5

HEX #F3D52F

RGB 243 213 47

HSL 50.82, 0.89%, 0.57%

LAB 85.43, -5.26, 78.03

 

CMYK 0 / 9 / 74 / 0

HEX #FFE742

RGB 255 231 66

HSL 52.38, 1%, 0.63%

LAB 91.15, -8.59, 77.82

 

CMYK 0 / 2 / 67 / 0

HEX #FFF955

RGB 255 249 85

HSL 57.88, 1%, 0.67%

LAB 95.86, -16.53, 75.76

 

CMYK 0 / 0 / 59 / 0

HEX #FFFF68

RGB 255 255 104

HSL 60, 1%, 0.7%

LAB 97.54, -18.31, 70.1

 

CMYK 0 / 0 / 52 / 0

HEX #FFFF7B

RGB 255 255 123

HSL 60, 1%, 0.74%

LAB 97.72, -16.94, 62.16

 

CMYK 0 / 11 / 78 / 7

HEX #EED534

RGB 238 213 52

HSL 51.94, 0.85%, 0.57%

LAB 85, -7.22, 76.05

 

CMYK 0 / 12 / 85 / 13

HEX #DDC321

RGB 221 195 33

HSL 51.7, 0.74%, 0.5%

LAB 78.76, -5.88, 75.15

 

CMYK 0 / 13 / 93 / 20

HEX #CCB10E

RGB 204 177 14

HSL 51.47, 0.87%, 0.43%

LAB 72.44, -4.32, 73.04

 

CMYK 0 / 15 / 100 / 27

HEX #BB9F00

RGB 187 159 0

HSL 51.02, 1%, 0.37%

LAB 66.03, -2.54, 69.37

 

CMYK 0 / 17 / 100 / 33

HEX #AA8D00

RGB 170 141 0

HSL 49.76, 1%, 0.33%

LAB 59.52, -0.52, 64

 

CMYK 0 / 11 / 78 / 7

HEX #EED534

RGB 238 213 52

HSL 51.94, 0.85%, 0.57%

LAB 85, -7.22, 76.05

 

CMYK 0 / 32 / 78 / 7

HEX #EEA334

RGB 238 163 52

HSL 35.81, 0.85%, 0.57%

LAB 72.64, 18.78, 64.81

 

CMYK 0 / 53 / 78 / 7

HEX #EE7034

RGB 238 112 52

HSL 19.35, 0.85%, 0.57%

LAB 61.67, 45.08, 54.38

 

CMYK 0 / 74 / 78 / 7

HEX #EE3E34

RGB 238 62 52

HSL 3.23, 0.85%, 0.57%

LAB 53.89, 65.81, 46.62

 

CMYK 0 / 78 / 78 / 7

HEX #EE3434

RGB 238 52 52

HSL 0, 0.85%, 0.57%

LAB 52.82, 68.8, 45.52

 

CMYK 0 / 11 / 78 / 7

HEX #EED534

RGB 238 213 52

HSL 51.94, 0.85%, 0.57%

LAB 85, -7.22, 76.05

 

CMYK 11 / 0 / 78 / 7

HEX #D5EE34

RGB 213 238 52

HSL 68.06, 0.85%, 0.57%

LAB 89.65, -29.73, 79.46

 

CMYK 32 / 0 / 78 / 7

HEX #A3EE34

RGB 163 238 52

HSL 84.19, 0.85%, 0.57%

LAB 86.59, -48.81, 75.55

 

CMYK 53 / 0 / 78 / 7

HEX #70EE34

RGB 112 238 52

HSL 100.65, 0.85%, 0.57%

LAB 84.4, -64.82, 72.72

 

CMYK 74 / 0 / 78 / 7

HEX #3EEE34

RGB 62 238 52

HSL 116.77, 0.85%, 0.57%

LAB 83.14, -75.25, 71.08

 

CMYK 0 / 11 / 78 / 7

HEX #EED534

RGB 238 213 52

HSL 51.94, 0.85%, 0.57%

LAB 85, -7.22, 76.05

 

CMYK 0 / 11 / 78 / 7

HEX #EED534

RGB 238 213 52

HSL 51.94, 0.85%, 0.57%

LAB 85, -7.22, 76.05

 

CMYK 0 / 9 / 69 / 14

HEX #DCC845

RGB 220 200 69

HSL 52.05, 0.68%, 0.57%

LAB 80.15, -7.51, 65.02

 

CMYK 0 / 8 / 57 / 20

HEX #CBBB57

RGB 203 187 87

HSL 51.72, 0.53%, 0.57%

LAB 75.4, -6.85, 51.76

 

CMYK 0 / 6 / 43 / 27

HEX #B9AE69

RGB 185 174 105

HSL 51.75, 0.36%, 0.57%

LAB 70.6, -5.92, 36.75

 

CMYK 0 / 4 / 26 / 35

HEX #A7A17B

RGB 167 161 123

HSL 51.82, 0.2%, 0.57%

LAB 65.85, -4.06, 20.62

 

CMYK 0 / 53 / 78 / 7

HEX #EE6F34

RGB 238 111 52

HSL 19.03, 0.85%, 0.57%

LAB 61.48, 45.57, 54.19

 

CMYK 0 / 33 / 78 / 7

HEX #EEA034

RGB 238 160 52

HSL 34.84, 0.85%, 0.57%

LAB 71.94, 20.37, 64.16

 

CMYK 0 / 12 / 78 / 7

HEX #EED234

RGB 238 210 52

HSL 50.97, 0.85%, 0.57%

LAB 84.23, -5.7, 75.37

 

CMYK 9 / 0 / 78 / 7

HEX #D8EE34

RGB 216 238 52

HSL 67.1, 0.85%, 0.57%

LAB 89.86, -28.53, 79.72

 

CMYK 30 / 0 / 78 / 7

HEX #A7EE34

RGB 167 238 52

HSL 82.9, 0.85%, 0.57%

LAB 86.81, -47.38, 75.83

 

CMYK 0 / 13 / 92 / 25

HEX #C0A80F

RGB 192 168 15

HSL 51.86, 0.86%, 0.41%

LAB 68.93, -4.89, 69.74

 

CMYK 0 / 12 / 92 / 10

HEX #E6CA12

RGB 230 202 18

HSL 52.08, 0.85%, 0.49%

LAB 81.35, -5.85, 80.27

 

CMYK 0 / 11 / 78 / 7

HEX #EED534

RGB 238 213 52

HSL 51.94, 0.85%, 0.57%

LAB 85, -7.22, 76.05

 

CMYK 0 / 8 / 63 / 5

HEX #F1DD5A

RGB 241 221 90

HSL 52.05, 0.84%, 0.65%

LAB 87.56, -8.18, 64.79

 

CMYK 0 / 6 / 48 / 4

HEX #F4E580

RGB 244 229 128

HSL 52.24, 0.84%, 0.73%

LAB 90.24, -8.09, 50.76

 

CMYK 0 / 11 / 78 / 7

HEX #EED534

RGB 238 213 52

HSL 51.94, 0.85%, 0.57%

LAB 85, -7.22, 76.05

 

CMYK 78 / 0 / 74 / 7

HEX #34EE3D

RGB 52 238 61

HSL 122.9, 0.85%, 0.57%

LAB 83.03, -76.02, 68.15

 

CMYK 43 / 78 / 0 / 7

HEX #8834EE

RGB 136 52 238

HSL 267.1, 0.85%, 0.57%

LAB 44.04, 69.15, -78.56

 

CMYK 0 / 11 / 78 / 7

HEX #EED534

RGB 238 213 52

HSL 51.94, 0.85%, 0.57%

LAB 85, -7.22, 76.05

 

CMYK 78 / 0 / 12 / 7

HEX #34EED2

RGB 52 238 210

HSL 170.97, 0.85%, 0.57%

LAB 85.27, -50.81, 0.75

 

CMYK 12 / 78 / 0 / 7

HEX #D234EE

RGB 210 52 238

HSL 290.97, 0.85%, 0.57%

LAB 54.38, 81.2, -61.3

 

CMYK 0 / 11 / 78 / 7

HEX #EED534

RGB 238 213 52

HSL 51.94, 0.85%, 0.57%

LAB 85, -7.22, 76.05

 

CMYK 78 / 0 / 74 / 7

HEX #34EE3D

RGB 52 238 61

HSL 122.9, 0.85%, 0.57%

LAB 83.03, -76.02, 68.15

 

CMYK 78 / 66 / 0 / 7

HEX #3450EE

RGB 52 80 238

HSL 230.97, 0.85%, 0.57%

LAB 42.22, 45.06, -81.8

 

CMYK 0 / 78 / 4 / 7

HEX #EE34E5

RGB 238 52 229

HSL 302.9, 0.85%, 0.57%

LAB 58.31, 85.01, -49.7

 

CMYK 0 / 11 / 78 / 7

HEX #EED534

RGB 238 213 52

HSL 51.94, 0.85%, 0.57%

LAB 85, -7.22, 76.05

 

CMYK 78 / 0 / 51 / 7

HEX #34EE75

RGB 52 238 117

HSL 140.97, 0.85%, 0.57%

LAB 83.53, -69.93, 45.69

 

CMYK 78 / 66 / 0 / 7

HEX #3450EE

RGB 52 80 238

HSL 230.97, 0.85%, 0.57%

LAB 42.22, 45.06, -81.8

 

CMYK 0 / 78 / 27 / 7

HEX #EE34AD

RGB 238 52 173

HSL 320.97, 0.85%, 0.57%

LAB 55.74, 77.67, -21.65

 

Description

Color code: HEX #EED534 | qconv.com Color code: HEX #EED534 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 213 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 213 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 78 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 78% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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