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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EEE139 it is the complementary color #111EC6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EEE139. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EEE139 shade: #F3E134, #FFF347, #FFFF5A, #FFFF6D and #FFFF80

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EEE139. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EEE139 shade: #EEE139, #DDCF26, #CCBD13, #BBAB00 and #AA9900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EEE139 shade: #EDE039, #EDB039, #ED7F39, #ED4F39 and #ED3939

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EEE139 shade: #EDE039, #CAED39, #99ED39, #69ED39 and #39ED3B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EEE139 shade matches the following richer shades: #EDE039

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EEE139 shade: #EDE039, #DCD24B, #CBC35C, #B9B46D and #A8A57F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EEE139 shade: #ED7E39, #EDAE39, #EDDE39, #CCED39 and #9CED39

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EEE139 shade: #C4B711, #EADA14, #EDE039, #F1E65F and #F4EC85

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EEE139 shade: #EEE139, #39ED4E and #9639ED

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EEE139 shade: #EEE139, #39EDDE and #DE39ED

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EEE139 shade: #EEE139, #39ED4E, #3948ED and #ED39D8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EEE139 shade: #EEE139, #39ED84, #3948ED and #ED39A2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 76 / 7

HEX #EEE139

RGB 238 225 57

HSL 55.69, 0.84%, 0.58%

LAB 88.12, -13.04, 77.36

 

Complementary color

CMYK 91 / 85 / 0 / 22

HEX #111EC6

RGB 17 30 198

HSL 235.69, 0.84%, 0.42%

LAB 27.09, 57.11, -83.87

 

CMYK 0 / 7 / 79 / 5

HEX #F3E134

RGB 243 225 52

HSL 54.35, 0.89%, 0.58%

LAB 88.52, -11.12, 79.34

 

CMYK 0 / 5 / 72 / 0

HEX #FFF347

RGB 255 243 71

HSL 56.09, 1%, 0.64%

LAB 94.23, -14.28, 79.08

 

CMYK 0 / 0 / 65 / 0

HEX #FFFF5A

RGB 255 255 90

HSL 60, 1%, 0.68%

LAB 97.44, -19.15, 75.5

 

CMYK 0 / 0 / 57 / 0

HEX #FFFF6D

RGB 255 255 109

HSL 60, 1%, 0.71%

LAB 97.59, -17.98, 68.07

 

CMYK 0 / 0 / 50 / 0

HEX #FFFF80

RGB 255 255 128

HSL 60, 1%, 0.75%

LAB 97.77, -16.54, 59.98

 

CMYK 0 / 5 / 76 / 7

HEX #EEE139

RGB 238 225 57

HSL 55.69, 0.84%, 0.58%

LAB 88.12, -13.04, 77.36

 

CMYK 0 / 6 / 83 / 13

HEX #DDCF26

RGB 221 207 38

HSL 55.41, 0.73%, 0.51%

LAB 81.91, -11.84, 76.59

 

CMYK 0 / 7 / 91 / 20

HEX #CCBD13

RGB 204 189 19

HSL 55.14, 0.83%, 0.44%

LAB 75.62, -10.45, 74.73

 

CMYK 0 / 9 / 100 / 27

HEX #BBAB00

RGB 187 171 0

HSL 54.87, 1%, 0.37%

LAB 69.25, -8.88, 71.67

 

CMYK 0 / 10 / 100 / 33

HEX #AA9900

RGB 170 153 0

HSL 54, 1%, 0.33%

LAB 62.78, -7.02, 66.31

 

CMYK 0 / 5 / 76 / 7

HEX #EDE039

RGB 237 224 57

HSL 55.67, 0.83%, 0.58%

LAB 87.78, -12.96, 77.01

 

CMYK 0 / 26 / 76 / 7

HEX #EDB039

RGB 237 176 57

HSL 39.67, 0.83%, 0.58%

LAB 75.67, 11.68, 65.76

 

CMYK 0 / 46 / 76 / 7

HEX #ED7F39

RGB 237 127 57

HSL 23.33, 0.83%, 0.58%

LAB 64.55, 37.4, 54.92

 

CMYK 0 / 67 / 76 / 7

HEX #ED4F39

RGB 237 79 57

HSL 7.33, 0.83%, 0.58%

LAB 55.98, 59.57, 46.12

 

CMYK 0 / 76 / 76 / 7

HEX #ED3939

RGB 237 57 57

HSL 0, 0.83%, 0.58%

LAB 53.2, 67.24, 43.15

 

CMYK 0 / 5 / 76 / 7

HEX #EDE039

RGB 237 224 57

HSL 55.67, 0.83%, 0.58%

LAB 87.78, -12.96, 77.01

 

CMYK 15 / 0 / 76 / 7

HEX #CAED39

RGB 202 237 57

HSL 71.67, 0.83%, 0.58%

LAB 88.65, -33.45, 76.85

 

CMYK 35 / 0 / 76 / 7

HEX #99ED39

RGB 153 237 57

HSL 88, 0.83%, 0.58%

LAB 85.82, -51.64, 73.2

 

CMYK 56 / 0 / 76 / 7

HEX #69ED39

RGB 105 237 57

HSL 104, 0.83%, 0.58%

LAB 83.9, -66.01, 70.68

 

CMYK 76 / 0 / 75 / 7

HEX #39ED3B

RGB 57 237 59

HSL 120.67, 0.83%, 0.58%

LAB 82.78, -75.22, 68.58

 

CMYK 0 / 5 / 76 / 7

HEX #EDE039

RGB 237 224 57

HSL 55.67, 0.83%, 0.58%

LAB 87.78, -12.96, 77.01

 

CMYK 0 / 5 / 76 / 7

HEX #EDE039

RGB 237 224 57

HSL 55.67, 0.83%, 0.58%

LAB 87.78, -12.96, 77.01

 

CMYK 0 / 5 / 66 / 14

HEX #DCD24B

RGB 220 210 75

HSL 55.86, 0.67%, 0.58%

LAB 82.82, -12.25, 65.38

 

CMYK 0 / 4 / 55 / 20

HEX #CBC35C

RGB 203 195 92

HSL 55.68, 0.52%, 0.58%

LAB 77.58, -10.58, 51.92

 

CMYK 0 / 3 / 41 / 27

HEX #B9B46D

RGB 185 180 109

HSL 56.05, 0.35%, 0.58%

LAB 72.27, -8.64, 36.8

 

CMYK 0 / 2 / 24 / 34

HEX #A8A57F

RGB 168 165 127

HSL 55.61, 0.19%, 0.58%

LAB 67.1, -5.24, 20.14

 

CMYK 0 / 47 / 76 / 7

HEX #ED7E39

RGB 237 126 57

HSL 23, 0.83%, 0.58%

LAB 64.34, 37.91, 54.71

 

CMYK 0 / 27 / 76 / 7

HEX #EDAE39

RGB 237 174 57

HSL 39, 0.83%, 0.58%

LAB 75.18, 12.73, 65.3

 

CMYK 0 / 6 / 76 / 7

HEX #EDDE39

RGB 237 222 57

HSL 55, 0.83%, 0.58%

LAB 87.26, -11.97, 76.54

 

CMYK 14 / 0 / 76 / 7

HEX #CCED39

RGB 204 237 57

HSL 71, 0.83%, 0.58%

LAB 88.78, -32.66, 77.02

 

CMYK 34 / 0 / 76 / 7

HEX #9CED39

RGB 156 237 57

HSL 87, 0.83%, 0.58%

LAB 85.97, -50.61, 73.39

 

CMYK 0 / 7 / 91 / 23

HEX #C4B711

RGB 196 183 17

HSL 55.64, 0.84%, 0.42%

LAB 73.31, -10.9, 72.95

 

CMYK 0 / 7 / 91 / 8

HEX #EADA14

RGB 234 218 20

HSL 55.51, 0.84%, 0.5%

LAB 85.85, -12.17, 83.57

 

CMYK 0 / 5 / 76 / 7

HEX #EDE039

RGB 237 224 57

HSL 55.67, 0.83%, 0.58%

LAB 87.78, -12.96, 77.01

 

CMYK 0 / 5 / 61 / 5

HEX #F1E65F

RGB 241 230 95

HSL 55.48, 0.84%, 0.66%

LAB 89.92, -12.35, 65.24

 

CMYK 0 / 3 / 45 / 4

HEX #F4EC85

RGB 244 236 133

HSL 55.68, 0.83%, 0.74%

LAB 92.09, -11.11, 50.63

 

CMYK 0 / 5 / 76 / 7

HEX #EEE139

RGB 238 225 57

HSL 55.69, 0.84%, 0.58%

LAB 88.12, -13.04, 77.36

 

CMYK 76 / 0 / 67 / 7

HEX #39ED4E

RGB 57 237 78

HSL 127, 0.83%, 0.58%

LAB 82.91, -73.68, 61.97

 

CMYK 37 / 76 / 0 / 7

HEX #9639ED

RGB 150 57 237

HSL 271, 0.83%, 0.58%

LAB 46.34, 69.14, -74.15

 

CMYK 0 / 5 / 76 / 7

HEX #EEE139

RGB 238 225 57

HSL 55.69, 0.84%, 0.58%

LAB 88.12, -13.04, 77.36

 

CMYK 76 / 0 / 6 / 7

HEX #39EDDE

RGB 57 237 222

HSL 175, 0.83%, 0.58%

LAB 85.36, -46.74, -5.42

 

CMYK 6 / 76 / 0 / 7

HEX #DE39ED

RGB 222 57 237

HSL 295, 0.83%, 0.58%

LAB 56.65, 81.87, -56.99

 

CMYK 0 / 5 / 76 / 7

HEX #EEE139

RGB 238 225 57

HSL 55.69, 0.84%, 0.58%

LAB 88.12, -13.04, 77.36

 

CMYK 76 / 0 / 67 / 7

HEX #39ED4E

RGB 57 237 78

HSL 127, 0.83%, 0.58%

LAB 82.91, -73.68, 61.97

 

CMYK 76 / 70 / 0 / 7

HEX #3948ED

RGB 57 72 237

HSL 235, 0.83%, 0.58%

LAB 40.6, 49.85, -83.88

 

CMYK 0 / 76 / 9 / 7

HEX #ED39D8

RGB 237 57 216

HSL 307, 0.83%, 0.58%

LAB 57.93, 81.66, -42.98

 

CMYK 0 / 5 / 76 / 7

HEX #EEE139

RGB 238 225 57

HSL 55.69, 0.84%, 0.58%

LAB 88.12, -13.04, 77.36

 

CMYK 76 / 0 / 44 / 7

HEX #39ED84

RGB 57 237 132

HSL 145, 0.83%, 0.58%

LAB 83.5, -66.65, 38.43

 

CMYK 76 / 70 / 0 / 7

HEX #3948ED

RGB 57 72 237

HSL 235, 0.83%, 0.58%

LAB 40.6, 49.85, -83.88

 

CMYK 0 / 76 / 32 / 7

HEX #ED39A2

RGB 237 57 162

HSL 325, 0.83%, 0.58%

LAB 55.62, 74.85, -15.4

 

Description

Color code: HEX #EEE139 | qconv.com Color code: HEX #EEE139 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 225 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 225 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 76 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 76% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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