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Color name
RGB 49 175 101

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 49 175 101 it is the complementary color RGB 206 80 154. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 49 175 101. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 49 175 101 shade: RGB 54 175 96, RGB 71 193 115, RGB 88 211 134, RGB 105 229 153 and RGB 122 247 172

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 49 175 101. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 49 175 101 shade: RGB 49 175 101, RGB 32 157 82, RGB 15 139 63, RGB 0 121 44 and RGB 0 103 25

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 49 175 101 shade: RGB 49 175 101, RGB 49 175 67, RGB 65 175 49, RGB 99 175 49 and RGB 133 175 49

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 49 175 101 shade: RGB 49 175 101, RGB 49 175 135, RGB 49 175 169, RGB 49 147 175 and RGB 49 113 175

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 49 175 101 shade matches the following richer shades: RGB 49 175 101, RGB 31 193 98 and RGB 13 211 94

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 49 175 101 shade: RGB 49 175 101, RGB 67 156 104, RGB 85 138 107, RGB 103 120 110 and RGB 121 102 113

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 49 175 101 shade: RGB 66 175 49, RGB 49 175 66, RGB 49 175 99, RGB 49 175 133 and RGB 49 175 166

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 49 175 101 shade: RGB 31 110 64, RGB 40 142 82, RGB 49 175 101, RGB 64 201 120 and RGB 96 210 143

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 49 175 101 shade: RGB 49 175 101, RGB 49 99 175 and RGB 175 49 49

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 49 175 101 shade: RGB 49 175 101, RGB 99 49 175 and RGB 175 99 49

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 49 175 101 shade: RGB 49 175 101, RGB 49 99 175, RGB 175 49 124 and RGB 175 124 49

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 49 175 101 shade: RGB 49 175 101, RGB 49 61 175, RGB 175 49 124 and RGB 175 162 49

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 42 / 31

HEX #31AF65

RGB 49 175 101

HSL 144.76, 0.56%, 0.44%

LAB 63.55, -50.82, 28.34

 

Complementary color

CMYK 0 / 61 / 25 / 19

HEX #CE509A

RGB 206 80 154

HSL 324.76, 0.56%, 0.56%

LAB 53.16, 57.37, -14.92

 

CMYK 69 / 0 / 45 / 31

HEX #36AF60

RGB 54 175 96

HSL 140.83, 0.53%, 0.45%

LAB 63.58, -50.86, 31.01

 

CMYK 63 / 0 / 40 / 24

HEX #47C173

RGB 71 193 115

HSL 141.64, 0.5%, 0.52%

LAB 69.98, -51.25, 29.52

 

CMYK 58 / 0 / 36 / 17

HEX #58D386

RGB 88 211 134

HSL 142.44, 0.58%, 0.59%

LAB 76.3, -51.4, 28.12

 

CMYK 54 / 0 / 33 / 10

HEX #69E599

RGB 105 229 153

HSL 143.23, 0.7%, 0.65%

LAB 82.56, -51.41, 26.83

 

CMYK 51 / 0 / 30 / 3

HEX #7AF7AC

RGB 122 247 172

HSL 144, 0.89%, 0.72%

LAB 88.75, -51.32, 25.61

 

CMYK 72 / 0 / 42 / 31

HEX #31AF65

RGB 49 175 101

HSL 144.76, 0.56%, 0.44%

LAB 63.55, -50.82, 28.34

 

CMYK 80 / 0 / 48 / 38

HEX #209D52

RGB 32 157 82

HSL 144, 0.66%, 0.37%

LAB 57.1, -49.95, 29.98

 

CMYK 89 / 0 / 55 / 45

HEX #0F8B3F

RGB 15 139 63

HSL 143.23, 0.81%, 0.3%

LAB 50.6, -48.48, 31.72

 

CMYK 100 / 0 / 64 / 53

HEX #00792C

RGB 0 121 44

HSL 141.82, 1%, 0.24%

LAB 44.03, -46.28, 33.47

 

CMYK 100 / 0 / 76 / 60

HEX #006719

RGB 0 103 25

HSL 134.56, 1%, 0.2%

LAB 37.43, -42.62, 34.96

 

CMYK 72 / 0 / 42 / 31

HEX #31AF65

RGB 49 175 101

HSL 144.76, 0.56%, 0.44%

LAB 63.55, -50.82, 28.34

 

CMYK 72 / 0 / 62 / 31

HEX #31AF43

RGB 49 175 67

HSL 128.57, 0.56%, 0.44%

LAB 63.11, -55.95, 44.67

 

CMYK 63 / 0 / 72 / 31

HEX #41AF31

RGB 65 175 49

HSL 112.38, 0.56%, 0.44%

LAB 63.35, -54.54, 52.58

 

CMYK 43 / 0 / 72 / 31

HEX #63AF31

RGB 99 175 49

HSL 96.19, 0.56%, 0.44%

LAB 64.59, -44.96, 54.25

 

CMYK 24 / 0 / 72 / 31

HEX #85AF31

RGB 133 175 49

HSL 80, 0.56%, 0.44%

LAB 66.42, -32.53, 56.69

 

CMYK 72 / 0 / 42 / 31

HEX #31AF65

RGB 49 175 101

HSL 144.76, 0.56%, 0.44%

LAB 63.55, -50.82, 28.34

 

CMYK 72 / 0 / 23 / 31

HEX #31AF87

RGB 49 175 135

HSL 160.95, 0.56%, 0.44%

LAB 64.21, -43.61, 10.81

 

CMYK 72 / 0 / 3 / 31

HEX #31AFA9

RGB 49 175 169

HSL 177.14, 0.56%, 0.44%

LAB 65.1, -34.62, -6.77

 

CMYK 72 / 16 / 0 / 31

HEX #3193AF

RGB 49 147 175

HSL 193.33, 0.56%, 0.44%

LAB 56.7, -18.77, -22.84

 

CMYK 72 / 35 / 0 / 31

HEX #3171AF

RGB 49 113 175

HSL 209.52, 0.56%, 0.44%

LAB 46.39, 0.74, -38.91

 

CMYK 72 / 0 / 42 / 31

HEX #31AF65

RGB 49 175 101

HSL 144.76, 0.56%, 0.44%

LAB 63.55, -50.82, 28.34

 

CMYK 84 / 0 / 49 / 24

HEX #1FC162

RGB 31 193 98

HSL 144.81, 0.72%, 0.44%

LAB 68.98, -60.03, 36.76

 

CMYK 94 / 0 / 55 / 17

HEX #0DD35E

RGB 13 211 94

HSL 144.55, 0.88%, 0.44%

LAB 74.5, -67.67, 45.43

 

CMYK 72 / 0 / 42 / 31

HEX #31AF65

RGB 49 175 101

HSL 144.76, 0.56%, 0.44%

LAB 63.55, -50.82, 28.34

 

CMYK 57 / 0 / 33 / 39

HEX #439C68

RGB 67 156 104

HSL 144.94, 0.4%, 0.44%

LAB 58.01, -38.94, 19.42

 

CMYK 38 / 0 / 22 / 46

HEX #558A6B

RGB 85 138 107

HSL 144.91, 0.24%, 0.44%

LAB 53.13, -24.89, 11.13

 

CMYK 14 / 0 / 8 / 53

HEX #67786E

RGB 103 120 110

HSL 144.71, 0.08%, 0.44%

LAB 48.81, -8.42, 3.38

 

CMYK 0 / 16 / 7 / 53

HEX #796671

RGB 121 102 113

HSL 325.26, 0.09%, 0.44%

LAB 45.3, 9.62, -3.35

 

CMYK 62 / 0 / 72 / 31

HEX #42AF31

RGB 66 175 49

HSL 111.9, 0.56%, 0.44%

LAB 63.38, -54.31, 52.62

 

CMYK 72 / 0 / 62 / 31

HEX #31AF42

RGB 49 175 66

HSL 128.1, 0.56%, 0.44%

LAB 63.1, -56.06, 45.11

 

CMYK 72 / 0 / 43 / 31

HEX #31AF63

RGB 49 175 99

HSL 143.81, 0.56%, 0.44%

LAB 63.52, -51.18, 29.35

 

CMYK 72 / 0 / 24 / 31

HEX #31AF85

RGB 49 175 133

HSL 160, 0.56%, 0.44%

LAB 64.17, -44.09, 11.85

 

CMYK 72 / 0 / 5 / 31

HEX #31AFA6

RGB 49 175 166

HSL 175.71, 0.56%, 0.44%

LAB 65.01, -35.47, -5.23

 

CMYK 72 / 0 / 42 / 57

HEX #1F6E40

RGB 31 110 64

HSL 145.06, 0.56%, 0.28%

LAB 40.92, -35.09, 18.95

 

CMYK 72 / 0 / 42 / 44

HEX #288E52

RGB 40 142 82

HSL 144.71, 0.56%, 0.36%

LAB 52.29, -43.04, 23.8

 

CMYK 72 / 0 / 42 / 31

HEX #31AF65

RGB 49 175 101

HSL 144.76, 0.56%, 0.44%

LAB 63.55, -50.82, 28.34

 

CMYK 68 / 0 / 40 / 21

HEX #40C978

RGB 64 201 120

HSL 144.53, 0.56%, 0.52%

LAB 72.37, -54.73, 30.04

 

CMYK 54 / 0 / 32 / 18

HEX #60D28F

RGB 96 210 143

HSL 144.74, 0.56%, 0.6%

LAB 76.41, -47.52, 23.63

 

CMYK 72 / 0 / 42 / 31

HEX #31AF65

RGB 49 175 101

HSL 144.76, 0.56%, 0.44%

LAB 63.55, -50.82, 28.34

 

CMYK 72 / 43 / 0 / 31

HEX #3163AF

RGB 49 99 175

HSL 216.19, 0.56%, 0.44%

LAB 42.26, 9.52, -45.47

 

CMYK 0 / 72 / 72 / 31

HEX #AF3131

RGB 175 49 49

HSL 0, 0.56%, 0.44%

LAB 40.46, 50.67, 30.24

 

CMYK 72 / 0 / 42 / 31

HEX #31AF65

RGB 49 175 101

HSL 144.76, 0.56%, 0.44%

LAB 63.55, -50.82, 28.34

 

CMYK 43 / 72 / 0 / 31

HEX #6331AF

RGB 99 49 175

HSL 263.81, 0.56%, 0.44%

LAB 33.87, 49, -58.86

 

CMYK 0 / 43 / 72 / 31

HEX #AF6331

RGB 175 99 49

HSL 23.81, 0.56%, 0.44%

LAB 49.81, 26.54, 40.74

 

CMYK 72 / 0 / 42 / 31

HEX #31AF65

RGB 49 175 101

HSL 144.76, 0.56%, 0.44%

LAB 63.55, -50.82, 28.34

 

CMYK 72 / 43 / 0 / 31

HEX #3163AF

RGB 49 99 175

HSL 216.19, 0.56%, 0.44%

LAB 42.26, 9.52, -45.47

 

CMYK 0 / 72 / 29 / 31

HEX #AF317C

RGB 175 49 124

HSL 324.29, 0.56%, 0.44%

LAB 42.41, 57.16, -13.65

 

CMYK 0 / 29 / 72 / 31

HEX #AF7C31

RGB 175 124 49

HSL 35.71, 0.56%, 0.44%

LAB 55.84, 12.59, 47.12

 

CMYK 72 / 0 / 42 / 31

HEX #31AF65

RGB 49 175 101

HSL 144.76, 0.56%, 0.44%

LAB 63.55, -50.82, 28.34

 

CMYK 72 / 65 / 0 / 31

HEX #313DAF

RGB 49 61 175

HSL 234.29, 0.56%, 0.44%

LAB 32, 34.32, -62.09

 

CMYK 0 / 72 / 29 / 31

HEX #AF317C

RGB 175 49 124

HSL 324.29, 0.56%, 0.44%

LAB 42.41, 57.16, -13.65

 

CMYK 0 / 7 / 72 / 31

HEX #AFA231

RGB 175 162 49

HSL 53.81, 0.56%, 0.44%

LAB 65.89, -8.21, 57.23

 

Description

Color code: RGB 49 175 101 | qconv.com Color code: RGB 49 175 101 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 175 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 175 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 42 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 42% 31% C M Y K

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Provide designers and agencies with accurate color values.

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