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Color name
RGB 94 214 40

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 94 214 40 it is the complementary color RGB 161 41 215. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 94 214 40. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 94 214 40 shade: RGB 99 214 35, RGB 116 232 54, RGB 133 250 73, RGB 150 255 92 and RGB 167 255 111

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 94 214 40. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 94 214 40 shade: RGB 94 214 40, RGB 77 196 21, RGB 60 178 2, RGB 43 160 0 and RGB 26 142 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 94 214 40 shade: RGB 94 215 39, RGB 141 215 39, RGB 189 215 39, RGB 215 194 39 and RGB 215 147 39

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 94 214 40 shade: RGB 94 215 39, RGB 46 215 39, RGB 39 215 79, RGB 39 215 127 and RGB 39 215 174

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 94 214 40 shade matches the following richer shades: RGB 94 215 39 and RGB 86 236 18

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 94 214 40 shade: RGB 94 215 39, RGB 101 194 60, RGB 109 174 80, RGB 117 153 101 and RGB 125 132 122

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 94 214 40 shade: RGB 189 215 39, RGB 142 215 39, RGB 95 215 39, RGB 48 215 39 and RGB 39 215 77

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 94 214 40 shade: RGB 63 145 26, RGB 78 180 33, RGB 94 215 39, RGB 120 221 74 and RGB 146 228 109

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 94 214 40 shade: RGB 94 214 40, RGB 39 215 194 and RGB 215 39 165

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 94 214 40 shade: RGB 94 214 40, RGB 39 95 215 and RGB 215 39 95

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 94 214 40 shade: RGB 94 214 40, RGB 39 215 194, RGB 159 39 215 and RGB 215 39 60

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 94 214 40 shade: RGB 94 214 40, RGB 39 183 215, RGB 159 39 215 and RGB 215 71 39

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 81 / 16

HEX #5ED628

RGB 94 214 40

HSL 101.38, 0.69%, 0.5%

LAB 76.45, -61.72, 68.42

 

Complementary color

CMYK 25 / 81 / 0 / 16

HEX #A129D7

RGB 161 41 215

HSL 281.38, 0.69%, 0.5%

LAB 44.33, 71.67, -64.85

 

CMYK 54 / 0 / 84 / 16

HEX #63D623

RGB 99 214 35

HSL 98.55, 0.72%, 0.49%

LAB 76.6, -60.62, 69.86

 

CMYK 50 / 0 / 77 / 9

HEX #74E836

RGB 116 232 54

HSL 99.1, 0.79%, 0.56%

LAB 82.75, -61.47, 70.62

 

CMYK 47 / 0 / 71 / 2

HEX #85FA49

RGB 133 250 73

HSL 99.66, 0.95%, 0.63%

LAB 88.85, -62.05, 70.64

 

CMYK 41 / 0 / 64 / 0

HEX #96FF5C

RGB 150 255 92

HSL 98.65, 1%, 0.68%

LAB 91.13, -57.43, 66.15

 

CMYK 35 / 0 / 56 / 0

HEX #A7FF6F

RGB 167 255 111

HSL 96.67, 1%, 0.72%

LAB 92.08, -50.3, 59.5

 

CMYK 56 / 0 / 81 / 16

HEX #5ED628

RGB 94 214 40

HSL 101.38, 0.69%, 0.5%

LAB 76.45, -61.72, 68.42

 

CMYK 61 / 0 / 89 / 23

HEX #4DC415

RGB 77 196 21

HSL 100.8, 0.81%, 0.43%

LAB 70.25, -60.5, 66.96

 

CMYK 66 / 0 / 99 / 30

HEX #3CB202

RGB 60 178 2

HSL 100.23, 0.98%, 0.35%

LAB 64, -58.81, 64.22

 

CMYK 73 / 0 / 100 / 37

HEX #2BA000

RGB 43 160 0

HSL 103.88, 1%, 0.31%

LAB 57.71, -56.4, 59.31

 

CMYK 82 / 0 / 100 / 44

HEX #1A8E00

RGB 26 142 0

HSL 109.01, 1%, 0.28%

LAB 51.34, -53.45, 54.1

 

CMYK 56 / 0 / 82 / 16

HEX #5ED727

RGB 94 215 39

HSL 101.25, 0.69%, 0.5%

LAB 76.76, -62.11, 68.96

 

CMYK 34 / 0 / 82 / 16

HEX #8DD727

RGB 141 215 39

HSL 85.23, 0.69%, 0.5%

LAB 78.7, -47.6, 71.44

 

CMYK 12 / 0 / 82 / 16

HEX #BDD727

RGB 189 215 39

HSL 68.86, 0.69%, 0.5%

LAB 81.6, -29.12, 75.1

 

CMYK 0 / 10 / 82 / 16

HEX #D7C227

RGB 215 194 39

HSL 52.84, 0.69%, 0.5%

LAB 77.98, -7.79, 72.8

 

CMYK 0 / 32 / 82 / 16

HEX #D79327

RGB 215 147 39

HSL 36.82, 0.69%, 0.5%

LAB 66.11, 17.08, 62.53

 

CMYK 56 / 0 / 82 / 16

HEX #5ED727

RGB 94 215 39

HSL 101.25, 0.69%, 0.5%

LAB 76.76, -62.11, 68.96

 

CMYK 79 / 0 / 82 / 16

HEX #2ED727

RGB 46 215 39

HSL 117.61, 0.69%, 0.5%

LAB 75.66, -71.35, 67.55

 

CMYK 82 / 0 / 63 / 16

HEX #27D74F

RGB 39 215 79

HSL 133.64, 0.69%, 0.5%

LAB 75.82, -68.94, 53.72

 

CMYK 82 / 0 / 41 / 16

HEX #27D77F

RGB 39 215 127

HSL 150, 0.69%, 0.5%

LAB 76.41, -61.86, 31.68

 

CMYK 82 / 0 / 19 / 16

HEX #27D7AE

RGB 39 215 174

HSL 166.02, 0.69%, 0.5%

LAB 77.33, -51.67, 8.31

 

CMYK 56 / 0 / 82 / 16

HEX #5ED727

RGB 94 215 39

HSL 101.25, 0.69%, 0.5%

LAB 76.76, -62.11, 68.96

 

CMYK 64 / 0 / 92 / 7

HEX #56EC12

RGB 86 236 18

HSL 101.28, 0.86%, 0.5%

LAB 82.92, -71.65, 78.11

 

CMYK 56 / 0 / 82 / 16

HEX #5ED727

RGB 94 215 39

HSL 101.25, 0.69%, 0.5%

LAB 76.76, -62.11, 68.96

 

CMYK 48 / 0 / 69 / 24

HEX #65C23C

RGB 101 194 60

HSL 101.64, 0.53%, 0.5%

LAB 70.65, -51.11, 56.31

 

CMYK 37 / 0 / 54 / 32

HEX #6DAE50

RGB 109 174 80

HSL 101.49, 0.37%, 0.5%

LAB 65.04, -38.24, 41.34

 

CMYK 24 / 0 / 34 / 40

HEX #759965

RGB 117 153 101

HSL 101.54, 0.2%, 0.5%

LAB 59.44, -22.53, 23.42

 

CMYK 5 / 0 / 8 / 48

HEX #7D847A

RGB 125 132 122

HSL 102, 0.04%, 0.5%

LAB 54.31, -4.57, 4.5

 

CMYK 12 / 0 / 82 / 16

HEX #BDD727

RGB 189 215 39

HSL 68.86, 0.69%, 0.5%

LAB 81.6, -29.12, 75.1

 

CMYK 34 / 0 / 82 / 16

HEX #8ED727

RGB 142 215 39

HSL 84.89, 0.69%, 0.5%

LAB 78.75, -47.24, 71.5

 

CMYK 56 / 0 / 82 / 16

HEX #5FD727

RGB 95 215 39

HSL 100.91, 0.69%, 0.5%

LAB 76.79, -61.85, 69

 

CMYK 78 / 0 / 82 / 16

HEX #30D727

RGB 48 215 39

HSL 116.93, 0.69%, 0.5%

LAB 75.68, -71.09, 67.58

 

CMYK 82 / 0 / 64 / 16

HEX #27D74D

RGB 39 215 77

HSL 132.95, 0.69%, 0.5%

LAB 75.8, -69.16, 54.55

 

CMYK 57 / 0 / 82 / 43

HEX #3F911A

RGB 63 145 26

HSL 101.34, 0.7%, 0.34%

LAB 53.37, -45.66, 50.69

 

CMYK 57 / 0 / 82 / 29

HEX #4EB421

RGB 78 180 33

HSL 101.63, 0.69%, 0.42%

LAB 65.26, -54.16, 59.85

 

CMYK 56 / 0 / 82 / 16

HEX #5ED727

RGB 94 215 39

HSL 101.25, 0.69%, 0.5%

LAB 76.76, -62.11, 68.96

 

CMYK 46 / 0 / 67 / 13

HEX #78DD4A

RGB 120 221 74

HSL 101.22, 0.68%, 0.58%

LAB 79.73, -54.79, 60.64

 

CMYK 36 / 0 / 52 / 11

HEX #92E46D

RGB 146 228 109

HSL 101.34, 0.69%, 0.66%

LAB 83.29, -46.04, 49.8

 

CMYK 56 / 0 / 81 / 16

HEX #5ED628

RGB 94 214 40

HSL 101.38, 0.69%, 0.5%

LAB 76.45, -61.72, 68.42

 

CMYK 82 / 0 / 10 / 16

HEX #27D7C2

RGB 39 215 194

HSL 172.84, 0.69%, 0.5%

LAB 77.83, -46.49, -1.66

 

CMYK 0 / 82 / 23 / 16

HEX #D727A5

RGB 215 39 165

HSL 317.05, 0.69%, 0.5%

LAB 50.23, 74.73, -25.77

 

CMYK 56 / 0 / 81 / 16

HEX #5ED628

RGB 94 214 40

HSL 101.38, 0.69%, 0.5%

LAB 76.45, -61.72, 68.42

 

CMYK 82 / 56 / 0 / 16

HEX #275FD7

RGB 39 95 215

HSL 220.91, 0.69%, 0.5%

LAB 43.54, 26.15, -66.6

 

CMYK 0 / 82 / 56 / 16

HEX #D7275F

RGB 215 39 95

HSL 340.91, 0.69%, 0.5%

LAB 47.91, 68.01, 13.17

 

CMYK 56 / 0 / 81 / 16

HEX #5ED628

RGB 94 214 40

HSL 101.38, 0.69%, 0.5%

LAB 76.45, -61.72, 68.42

 

CMYK 82 / 0 / 10 / 16

HEX #27D7C2

RGB 39 215 194

HSL 172.84, 0.69%, 0.5%

LAB 77.83, -46.49, -1.66

 

CMYK 26 / 82 / 0 / 16

HEX #9F27D7

RGB 159 39 215

HSL 280.91, 0.69%, 0.5%

LAB 43.84, 71.92, -65.66

 

CMYK 0 / 82 / 72 / 16

HEX #D7273C

RGB 215 39 60

HSL 352.84, 0.69%, 0.5%

LAB 47.27, 66.08, 33.62

 

CMYK 56 / 0 / 81 / 16

HEX #5ED628

RGB 94 214 40

HSL 101.38, 0.69%, 0.5%

LAB 76.45, -61.72, 68.42

 

CMYK 82 / 15 / 0 / 16

HEX #27B7D7

RGB 39 183 215

HSL 190.91, 0.69%, 0.5%

LAB 68.9, -25.38, -26.46

 

CMYK 26 / 82 / 0 / 16

HEX #9F27D7

RGB 159 39 215

HSL 280.91, 0.69%, 0.5%

LAB 43.84, 71.92, -65.66

 

CMYK 0 / 67 / 82 / 16

HEX #D74727

RGB 215 71 39

HSL 10.91, 0.69%, 0.5%

LAB 50.8, 54.9, 48.74

 

Description

Color code: RGB 94 214 40 | qconv.com Color code: RGB 94 214 40 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 214 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 214 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 81 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 81% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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