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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 113 123 41 it is the complementary color RGB 142 132 214. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 113 123 41. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 113 123 41 shade: RGB 118 123 36, RGB 135 141 55, RGB 152 159 74, RGB 169 177 93 and RGB 186 195 112

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 113 123 41. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 113 123 41 shade: RGB 113 123 41, RGB 96 105 22, RGB 79 87 3, RGB 62 69 0 and RGB 45 51 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 113 123 41 shade: RGB 112 122 40, RGB 122 110 40, RGB 122 88 40, RGB 122 66 40 and RGB 122 44 40

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 113 123 41 shade: RGB 112 122 40, RGB 90 122 40, RGB 68 122 40, RGB 46 122 40 and RGB 40 122 57

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 113 123 41 shade matches the following richer shades: RGB 112 122 40, RGB 122 135 27, RGB 132 148 14 and RGB 142 162 1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 113 123 41 shade: RGB 112 122 40, RGB 102 109 54, RGB 92 95 67, RGB 82 82 80 and RGB 72 69 93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 113 123 41 shade: RGB 122 88 40, RGB 122 110 40, RGB 112 122 40, RGB 91 122 40 and RGB 69 122 40

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 113 123 41 shade: RGB 55 60 20, RGB 84 91 30, RGB 112 122 40, RGB 140 153 51 and RGB 169 184 61

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 113 123 41 shade: RGB 113 123 41, RGB 40 122 66 and RGB 99 40 122

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 113 123 41 shade: RGB 113 123 41, RGB 40 112 122 and RGB 122 40 112

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 113 123 41 shade: RGB 113 123 41, RGB 40 122 66, RGB 50 40 122 and RGB 122 40 96

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 113 123 41 shade: RGB 113 123 41, RGB 40 122 91, RGB 50 40 122 and RGB 122 40 72

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 67 / 52

HEX #717B29

RGB 113 123 41

HSL 67.32, 0.5%, 0.32%

LAB 49.3, -15.57, 41.99

 

Complementary color

CMYK 34 / 38 / 0 / 16

HEX #8E84D6

RGB 142 132 214

HSL 247.32, 0.5%, 0.68%

LAB 59.07, 22.58, -40.83

 

CMYK 4 / 0 / 71 / 52

HEX #767B24

RGB 118 123 36

HSL 63.45, 0.55%, 0.31%

LAB 49.67, -13.63, 44.66

 

CMYK 4 / 0 / 61 / 45

HEX #878D37

RGB 135 141 55

HSL 64.19, 0.44%, 0.38%

LAB 56.56, -14.35, 43.95

 

CMYK 4 / 0 / 53 / 38

HEX #989F4A

RGB 152 159 74

HSL 64.94, 0.36%, 0.46%

LAB 63.31, -14.89, 42.91

 

CMYK 5 / 0 / 47 / 31

HEX #A9B15D

RGB 169 177 93

HSL 65.71, 0.35%, 0.53%

LAB 69.94, -15.3, 41.74

 

CMYK 5 / 0 / 43 / 24

HEX #BAC370

RGB 186 195 112

HSL 66.51, 0.41%, 0.6%

LAB 76.46, -15.62, 40.56

 

CMYK 8 / 0 / 67 / 52

HEX #717B29

RGB 113 123 41

HSL 67.32, 0.5%, 0.32%

LAB 49.3, -15.57, 41.99

 

CMYK 9 / 0 / 79 / 59

HEX #606916

RGB 96 105 22

HSL 66.51, 0.65%, 0.25%

LAB 42.23, -14.78, 42.27

 

CMYK 9 / 0 / 97 / 66

HEX #4F5703

RGB 79 87 3

HSL 65.71, 0.93%, 0.18%

LAB 34.97, -13.69, 41.33

 

CMYK 10 / 0 / 100 / 73

HEX #3E4500

RGB 62 69 0

HSL 66.09, 1%, 0.14%

LAB 27.52, -12.02, 35.97

 

CMYK 12 / 0 / 100 / 80

HEX #2D3300

RGB 45 51 0

HSL 67.06, 1%, 0.1%

LAB 19.74, -10.16, 27.67

 

CMYK 8 / 0 / 67 / 52

HEX #707A28

RGB 112 122 40

HSL 67.32, 0.51%, 0.32%

LAB 48.9, -15.55, 42

 

CMYK 0 / 10 / 67 / 52

HEX #7A6E28

RGB 122 110 40

HSL 51.22, 0.51%, 0.32%

LAB 46.23, -4.29, 39.45

 

CMYK 0 / 28 / 67 / 52

HEX #7A5828

RGB 122 88 40

HSL 35.12, 0.51%, 0.32%

LAB 40.03, 8.61, 32.68

 

CMYK 0 / 46 / 67 / 52

HEX #7A4228

RGB 122 66 40

HSL 19.02, 0.51%, 0.32%

LAB 34.37, 21.71, 26.16

RGB 122 66 40

CMYK 0 / 64 / 67 / 52

HEX #7A2C28

RGB 122 44 40

HSL 2.93, 0.51%, 0.32%

LAB 29.64, 33.74, 20.43

RGB 122 44 40

CMYK 8 / 0 / 67 / 52

HEX #707A28

RGB 112 122 40

HSL 67.32, 0.51%, 0.32%

LAB 48.9, -15.55, 42

 

CMYK 26 / 0 / 67 / 52

HEX #5A7A28

RGB 90 122 40

HSL 83.41, 0.51%, 0.32%

LAB 47.3, -25.1, 39.81

 

CMYK 44 / 0 / 67 / 52

HEX #447A28

RGB 68 122 40

HSL 99.51, 0.51%, 0.32%

LAB 46.04, -33.56, 38.09

 

CMYK 62 / 0 / 67 / 52

HEX #2E7A28

RGB 46 122 40

HSL 115.61, 0.51%, 0.32%

LAB 45.16, -40.27, 36.86

 

CMYK 67 / 0 / 53 / 52

HEX #287A39

RGB 40 122 57

HSL 132.44, 0.51%, 0.32%

LAB 45.17, -39.44, 28.32

 

CMYK 8 / 0 / 67 / 52

HEX #707A28

RGB 112 122 40

HSL 67.32, 0.51%, 0.32%

LAB 48.9, -15.55, 42

 

CMYK 10 / 0 / 80 / 47

HEX #7A871B

RGB 122 135 27

HSL 67.22, 0.67%, 0.32%

LAB 53.54, -18.65, 51.76

 

CMYK 11 / 0 / 91 / 42

HEX #84940E

RGB 132 148 14

HSL 67.16, 0.83%, 0.32%

LAB 58.15, -21.29, 59.25

 

CMYK 12 / 0 / 99 / 36

HEX #8EA201

RGB 142 162 1

HSL 67.45, 0.99%, 0.32%

LAB 63.01, -24.16, 65.28

 

CMYK 8 / 0 / 67 / 52

HEX #707A28

RGB 112 122 40

HSL 67.32, 0.51%, 0.32%

LAB 48.9, -15.55, 42

 

CMYK 6 / 0 / 50 / 57

HEX #666D36

RGB 102 109 54

HSL 67.64, 0.34%, 0.32%

LAB 44.27, -11.69, 29.61

 

CMYK 3 / 0 / 29 / 63

HEX #5C5F43

RGB 92 95 67

HSL 66.43, 0.17%, 0.32%

LAB 39.35, -6.39, 15.68

 

CMYK 0 / 0 / 2 / 68

HEX #525250

RGB 82 82 80

HSL 60, 0.01%, 0.32%

LAB 34.82, -0.42, 1.17

 

CMYK 23 / 26 / 0 / 64

HEX #48455D

RGB 72 69 93

HSL 247.5, 0.15%, 0.32%

LAB 30.46, 7.07, -13.72

 

CMYK 0 / 28 / 67 / 52

HEX #7A5828

RGB 122 88 40

HSL 35.12, 0.51%, 0.32%

LAB 40.03, 8.61, 32.68

 

CMYK 0 / 10 / 67 / 52

HEX #7A6E28

RGB 122 110 40

HSL 51.22, 0.51%, 0.32%

LAB 46.23, -4.29, 39.45

 

CMYK 8 / 0 / 67 / 52

HEX #707A28

RGB 112 122 40

HSL 67.32, 0.51%, 0.32%

LAB 48.9, -15.55, 42

 

CMYK 25 / 0 / 67 / 52

HEX #5B7A28

RGB 91 122 40

HSL 82.68, 0.51%, 0.32%

LAB 47.36, -24.69, 39.9

 

CMYK 43 / 0 / 67 / 52

HEX #457A28

RGB 69 122 40

HSL 98.78, 0.51%, 0.32%

LAB 46.09, -33.21, 38.16

 

CMYK 8 / 0 / 67 / 76

HEX #373C14

RGB 55 60 20

HSL 67.5, 0.5%, 0.16%

LAB 23.98, -8.93, 23.49

 

CMYK 8 / 0 / 67 / 64

HEX #545B1E

RGB 84 91 30

HSL 66.89, 0.5%, 0.24%

LAB 36.86, -12.12, 33.16

 

CMYK 8 / 0 / 67 / 52

HEX #707A28

RGB 112 122 40

HSL 67.32, 0.51%, 0.32%

LAB 48.9, -15.55, 42

 

CMYK 8 / 0 / 67 / 40

HEX #8C9933

RGB 140 153 51

HSL 67.65, 0.5%, 0.4%

LAB 60.42, -18.72, 49.96

 

CMYK 8 / 0 / 67 / 28

HEX #A9B83D

RGB 169 184 61

HSL 67.32, 0.5%, 0.48%

LAB 71.59, -21.41, 58.11

 

CMYK 8 / 0 / 67 / 52

HEX #717B29

RGB 113 123 41

HSL 67.32, 0.5%, 0.32%

LAB 49.3, -15.57, 41.99

 

CMYK 67 / 0 / 46 / 52

HEX #287A42

RGB 40 122 66

HSL 139.02, 0.51%, 0.32%

LAB 45.31, -37.91, 23.58

 

CMYK 19 / 67 / 0 / 52

HEX #63287A

RGB 99 40 122

HSL 283.17, 0.51%, 0.32%

LAB 28.31, 40.35, -35.34

 

CMYK 8 / 0 / 67 / 52

HEX #717B29

RGB 113 123 41

HSL 67.32, 0.5%, 0.32%

LAB 49.3, -15.57, 41.99

 

CMYK 67 / 8 / 0 / 52

HEX #28707A

RGB 40 112 122

HSL 187.32, 0.51%, 0.32%

LAB 43.43, -18.68, -12.12

 

CMYK 0 / 67 / 8 / 52

HEX #7A2870

RGB 122 40 112

HSL 307.32, 0.51%, 0.32%

LAB 31.41, 44.46, -23.87

 

CMYK 8 / 0 / 67 / 52

HEX #717B29

RGB 113 123 41

HSL 67.32, 0.5%, 0.32%

LAB 49.3, -15.57, 41.99

 

CMYK 67 / 0 / 46 / 52

HEX #287A42

RGB 40 122 66

HSL 139.02, 0.51%, 0.32%

LAB 45.31, -37.91, 23.58

 

CMYK 59 / 67 / 0 / 52

HEX #32287A

RGB 50 40 122

HSL 247.32, 0.51%, 0.32%

LAB 22.31, 29.3, -45.35

 

CMYK 0 / 67 / 21 / 52

HEX #7A2860

RGB 122 40 96

HSL 319.02, 0.51%, 0.32%

LAB 30.64, 41.86, -14.8

 

CMYK 8 / 0 / 67 / 52

HEX #717B29

RGB 113 123 41

HSL 67.32, 0.5%, 0.32%

LAB 49.3, -15.57, 41.99

 

CMYK 67 / 0 / 25 / 52

HEX #287A5B

RGB 40 122 91

HSL 157.32, 0.51%, 0.32%

LAB 45.81, -32.56, 9.87

 

CMYK 59 / 67 / 0 / 52

HEX #32287A

RGB 50 40 122

HSL 247.32, 0.51%, 0.32%

LAB 22.31, 29.3, -45.35

 

CMYK 0 / 67 / 41 / 52

HEX #7A2848

RGB 122 40 72

HSL 336.59, 0.51%, 0.32%

LAB 29.72, 38.61, -0.47

 

Description

Color code: RGB 113 123 41 | qconv.com Color code: RGB 113 123 41 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 113 red, 123 green and 41 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
113 123 41 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 67 yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 67% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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