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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 11 172 16 it is the complementary color RGB 244 83 239. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 11 172 16. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 11 172 16 shade: RGB 16 172 11, RGB 33 190 30, RGB 50 208 49, RGB 67 226 68 and RGB 84 244 87

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 11 172 16. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 11 172 16 shade: RGB 11 172 16, RGB 0 154 0, RGB 0 136 0, RGB 0 118 0 and RGB 0 100 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 11 172 16 shade: RGB 11 172 16, RGB 49 172 11, RGB 93 172 11, RGB 136 172 11 and RGB 172 164 11

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 11 172 16 shade: RGB 11 172 16, RGB 11 172 59, RGB 11 172 103, RGB 11 172 146 and RGB 11 154 172

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 11 172 16 shade matches the following richer shades: RGB 11 172 16

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 11 172 16 shade: RGB 11 172 16, RGB 25 157 29, RGB 40 142 43, RGB 55 128 57 and RGB 70 113 71

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 11 172 16 shade: RGB 94 172 11, RGB 51 172 11, RGB 11 172 13, RGB 11 172 56 and RGB 11 172 99

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 11 172 16 shade: RGB 6 95 8, RGB 8 133 12, RGB 11 172 16, RGB 13 211 19 and RGB 25 240 32

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 11 172 16 shade: RGB 11 172 16, RGB 11 137 172 and RGB 172 11 72

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 11 172 16 shade: RGB 11 172 16, RGB 13 11 172 and RGB 172 13 11

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 11 172 16 shade: RGB 11 172 16, RGB 11 137 172, RGB 172 11 169 and RGB 172 46 11

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 11 172 16 shade: RGB 11 172 16, RGB 11 89 172, RGB 172 11 169 and RGB 172 94 11

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 0 / 91 / 33

HEX #0BAC10

RGB 11 172 16

HSL 121.86, 0.88%, 0.36%

LAB 61.32, -63.17, 59.75

 

Complementary color

CMYK 0 / 66 / 2 / 4

HEX #F453EF

RGB 244 83 239

HSL 301.86, 0.88%, 0.64%

LAB 63.05, 78.37, -47.72

 

CMYK 91 / 0 / 94 / 33

HEX #10AC0B

RGB 16 172 11

HSL 118.14, 0.88%, 0.36%

LAB 61.34, -63.01, 60.57

 

CMYK 83 / 0 / 84 / 25

HEX #21BE1E

RGB 33 190 30

HSL 118.88, 0.73%, 0.43%

LAB 67.46, -65.98, 62.27

 

CMYK 76 / 0 / 76 / 18

HEX #32D031

RGB 50 208 49

HSL 119.62, 0.63%, 0.5%

LAB 73.55, -68.12, 62.69

 

CMYK 70 / 0 / 70 / 11

HEX #43E244

RGB 67 226 68

HSL 120.38, 0.73%, 0.57%

LAB 79.62, -69.62, 62.33

 

CMYK 66 / 0 / 64 / 4

HEX #54F457

RGB 84 244 87

HSL 121.13, 0.88%, 0.64%

LAB 85.64, -70.65, 61.53

 

CMYK 94 / 0 / 91 / 33

HEX #0BAC10

RGB 11 172 16

HSL 121.86, 0.88%, 0.36%

LAB 61.32, -63.17, 59.75

 

CMYK 100 / 0 / 100 / 40

HEX #009A00

RGB 0 154 0

HSL 120, 1%, 0.3%

LAB 55.19, -59.14, 57.08

 

CMYK 100 / 0 / 100 / 47

HEX #008800

RGB 0 136 0

HSL 120, 1%, 0.27%

LAB 49.02, -54.02, 52.13

 

CMYK 100 / 0 / 100 / 54

HEX #007600

RGB 0 118 0

HSL 120, 1%, 0.23%

LAB 42.7, -48.77, 47.07

 

CMYK 100 / 0 / 100 / 61

HEX #006400

RGB 0 100 0

HSL 120, 1%, 0.2%

LAB 36.2, -43.37, 41.86

 

CMYK 94 / 0 / 91 / 33

HEX #0BAC10

RGB 11 172 16

HSL 121.86, 0.88%, 0.36%

LAB 61.32, -63.17, 59.75

 

CMYK 72 / 0 / 94 / 33

HEX #31AC0B

RGB 49 172 11

HSL 105.84, 0.88%, 0.36%

LAB 61.81, -58.86, 61.16

 

CMYK 46 / 0 / 94 / 33

HEX #5DAC0B

RGB 93 172 11

HSL 89.44, 0.88%, 0.36%

LAB 63.22, -47.46, 62.9

 

CMYK 21 / 0 / 94 / 33

HEX #88AC0B

RGB 136 172 11

HSL 73.42, 0.88%, 0.36%

LAB 65.56, -31.35, 65.76

 

CMYK 0 / 5 / 94 / 33

HEX #ACA40B

RGB 172 164 11

HSL 57.02, 0.88%, 0.36%

LAB 66.02, -11.77, 67.3

 

CMYK 94 / 0 / 91 / 33

HEX #0BAC10

RGB 11 172 16

HSL 121.86, 0.88%, 0.36%

LAB 61.32, -63.17, 59.75

 

CMYK 94 / 0 / 66 / 33

HEX #0BAC3B

RGB 11 172 59

HSL 137.89, 0.88%, 0.36%

LAB 61.56, -60.09, 46.34

 

CMYK 94 / 0 / 40 / 33

HEX #0BAC67

RGB 11 172 103

HSL 154.29, 0.88%, 0.36%

LAB 62.13, -53.2, 25.32

 

CMYK 94 / 0 / 15 / 33

HEX #0BAC92

RGB 11 172 146

HSL 170.31, 0.88%, 0.36%

LAB 63.05, -42.96, 2.99

 

CMYK 94 / 10 / 0 / 33

HEX #0B9AAC

RGB 11 154 172

HSL 186.71, 0.88%, 0.36%

LAB 58.19, -26.71, -18.9

 

CMYK 94 / 0 / 91 / 33

HEX #0BAC10

RGB 11 172 16

HSL 121.86, 0.88%, 0.36%

LAB 61.32, -63.17, 59.75

 

CMYK 94 / 0 / 91 / 33

HEX #0BAC10

RGB 11 172 16

HSL 121.86, 0.88%, 0.36%

LAB 61.32, -63.17, 59.75

 

CMYK 84 / 0 / 82 / 38

HEX #199D1D

RGB 25 157 29

HSL 121.82, 0.73%, 0.36%

LAB 56.5, -57, 52.4

 

CMYK 72 / 0 / 70 / 44

HEX #288E2B

RGB 40 142 43

HSL 121.76, 0.56%, 0.36%

LAB 51.81, -48.72, 42.7

 

CMYK 57 / 0 / 55 / 50

HEX #378039

RGB 55 128 57

HSL 121.64, 0.4%, 0.36%

LAB 47.68, -38.19, 31.49

 

CMYK 38 / 0 / 37 / 56

HEX #467147

RGB 70 113 71

HSL 121.4, 0.23%, 0.36%

LAB 43.61, -24.33, 18.74

 

CMYK 45 / 0 / 94 / 33

HEX #5EAC0B

RGB 94 172 11

HSL 89.07, 0.88%, 0.36%

LAB 63.27, -47.13, 62.95

 

CMYK 70 / 0 / 94 / 33

HEX #33AC0B

RGB 51 172 11

HSL 105.09, 0.88%, 0.36%

LAB 61.85, -58.48, 61.21

 

CMYK 94 / 0 / 92 / 33

HEX #0BAC0D

RGB 11 172 13

HSL 120.75, 0.88%, 0.36%

LAB 61.31, -63.26, 60.24

 

CMYK 94 / 0 / 67 / 33

HEX #0BAC38

RGB 11 172 56

HSL 136.77, 0.88%, 0.36%

LAB 61.53, -60.42, 47.59

 

CMYK 94 / 0 / 42 / 33

HEX #0BAC63

RGB 11 172 99

HSL 152.8, 0.88%, 0.36%

LAB 62.06, -53.98, 27.36

 

CMYK 94 / 0 / 92 / 63

HEX #065F08

RGB 6 95 8

HSL 121.35, 0.88%, 0.2%

LAB 34.48, -40.66, 38.06

 

CMYK 94 / 0 / 91 / 48

HEX #08850C

RGB 8 133 12

HSL 121.92, 0.89%, 0.28%

LAB 48.07, -52.11, 49.08

 

CMYK 94 / 0 / 91 / 33

HEX #0BAC10

RGB 11 172 16

HSL 121.86, 0.88%, 0.36%

LAB 61.32, -63.17, 59.75

 

CMYK 94 / 0 / 91 / 17

HEX #0DD313

RGB 13 211 19

HSL 121.82, 0.88%, 0.44%

LAB 74.01, -73.81, 70.08

 

CMYK 90 / 0 / 87 / 6

HEX #19F020

RGB 25 240 32

HSL 121.95, 0.88%, 0.52%

LAB 83.25, -80.6, 75.82

 

CMYK 94 / 0 / 91 / 33

HEX #0BAC10

RGB 11 172 16

HSL 121.86, 0.88%, 0.36%

LAB 61.32, -63.17, 59.75

 

CMYK 94 / 20 / 0 / 33

HEX #0B89AC

RGB 11 137 172

HSL 193.04, 0.88%, 0.36%

LAB 52.88, -17.82, -27.05

 

CMYK 0 / 94 / 58 / 33

HEX #AC0B48

RGB 172 11 72

HSL 337.27, 0.88%, 0.36%

LAB 36.89, 60.76, 11.08

 

CMYK 94 / 0 / 91 / 33

HEX #0BAC10

RGB 11 172 16

HSL 121.86, 0.88%, 0.36%

LAB 61.32, -63.17, 59.75

 

CMYK 92 / 94 / 0 / 33

HEX #0D0BAC

RGB 13 11 172

HSL 240.75, 0.88%, 0.36%

LAB 21.22, 56.22, -78.18

 

CMYK 0 / 92 / 94 / 33

HEX #AC0D0B

RGB 172 13 11

HSL 0.75, 0.88%, 0.36%

LAB 36.14, 58.16, 45.87

 

CMYK 94 / 0 / 91 / 33

HEX #0BAC10

RGB 11 172 16

HSL 121.86, 0.88%, 0.36%

LAB 61.32, -63.17, 59.75

 

CMYK 94 / 20 / 0 / 33

HEX #0B89AC

RGB 11 137 172

HSL 193.04, 0.88%, 0.36%

LAB 52.88, -17.82, -27.05

 

CMYK 0 / 94 / 2 / 33

HEX #AC0BA9

RGB 172 11 169

HSL 301.12, 0.88%, 0.36%

LAB 41.02, 71.56, -43.18

 

CMYK 0 / 73 / 94 / 33

HEX #AC2E0B

RGB 172 46 11

HSL 13.04, 0.88%, 0.36%

LAB 39.15, 49.67, 47.8

 

CMYK 94 / 0 / 91 / 33

HEX #0BAC10

RGB 11 172 16

HSL 121.86, 0.88%, 0.36%

LAB 61.32, -63.17, 59.75

 

CMYK 94 / 48 / 0 / 33

HEX #0B59AC

RGB 11 89 172

HSL 210.93, 0.88%, 0.36%

LAB 38.19, 11.24, -50.3

 

CMYK 0 / 94 / 2 / 33

HEX #AC0BA9

RGB 172 11 169

HSL 301.12, 0.88%, 0.36%

LAB 41.02, 71.56, -43.18

 

CMYK 0 / 45 / 94 / 33

HEX #AC5E0B

RGB 172 94 11

HSL 30.93, 0.88%, 0.36%

LAB 48.01, 26.74, 53.91

 

Description

Color code: RGB 11 172 16 | qconv.com Color code: RGB 11 172 16 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 11 red, 172 green and 16 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
11 172 16 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, none magenta, 91 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 0% 91% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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