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Color name
RGB 150 119 18

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 150 119 18 it is the complementary color RGB 105 136 237. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 150 119 18. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 150 119 18 shade: RGB 155 119 13, RGB 172 137 32, RGB 189 155 51, RGB 206 173 70 and RGB 223 191 89

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 150 119 18. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 150 119 18 shade: RGB 150 119 18, RGB 133 101 0, RGB 116 83 0, RGB 99 65 0 and RGB 82 47 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 150 119 18 shade: RGB 150 119 17, RGB 150 83 17, RGB 150 47 17 and RGB 150 17 17

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 150 119 18 shade: RGB 150 119 17, RGB 145 150 17, RGB 110 150 17, RGB 74 150 17 and RGB 38 150 17

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 150 119 18 shade matches the following richer shades: RGB 150 119 17 and RGB 164 126 4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 150 119 18 shade: RGB 150 119 17, RGB 137 112 31, RGB 123 104 44, RGB 109 97 58 and RGB 96 90 72

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 150 119 18 shade: RGB 150 46 17, RGB 150 81 17, RGB 150 117 17, RGB 148 150 17 and RGB 112 150 17

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 150 119 18 shade: RGB 76 60 9, RGB 113 90 13, RGB 150 119 17, RGB 187 148 22 and RGB 224 177 26

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 150 119 18 shade: RGB 150 119 18, RGB 24 150 17 and RGB 64 17 150

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 150 119 18 shade: RGB 150 119 18, RGB 17 150 117 and RGB 117 17 150

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 150 119 18 shade: RGB 150 119 18, RGB 24 150 17, RGB 17 50 150 and RGB 143 17 150

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 150 119 18 shade: RGB 150 119 18, RGB 17 150 50, RGB 17 50 150 and RGB 150 17 117

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 88 / 41

HEX #967712

RGB 150 119 18

HSL 45.91, 0.79%, 0.33%

LAB 51.52, 2.76, 53.67

 

Complementary color

CMYK 56 / 43 / 0 / 7

HEX #6988ED

RGB 105 136 237

HSL 225.91, 0.79%, 0.67%

LAB 58.72, 18.05, -54.39

 

CMYK 0 / 23 / 92 / 39

HEX #9B770D

RGB 155 119 13

HSL 44.79, 0.85%, 0.33%

LAB 52.05, 4.99, 55.52

 

CMYK 0 / 20 / 81 / 33

HEX #AC8920

RGB 172 137 32

HSL 45, 0.69%, 0.4%

LAB 58.76, 3.26, 56.56

 

CMYK 0 / 18 / 73 / 26

HEX #BD9B33

RGB 189 155 51

HSL 45.22, 0.58%, 0.47%

LAB 65.36, 1.82, 56.38

 

CMYK 0 / 16 / 66 / 19

HEX #CEAD46

RGB 206 173 70

HSL 45.44, 0.58%, 0.54%

LAB 71.86, 0.62, 55.61

 

CMYK 0 / 14 / 60 / 13

HEX #DFBF59

RGB 223 191 89

HSL 45.67, 0.68%, 0.61%

LAB 78.27, -0.39, 54.57

 

CMYK 0 / 21 / 88 / 41

HEX #967712

RGB 150 119 18

HSL 45.91, 0.79%, 0.33%

LAB 51.52, 2.76, 53.67

 

CMYK 0 / 24 / 100 / 48

HEX #856500

RGB 133 101 0

HSL 45.56, 1%, 0.26%

LAB 44.65, 4.67, 51.77

 

CMYK 0 / 28 / 100 / 55

HEX #745300

RGB 116 83 0

HSL 42.93, 1%, 0.23%

LAB 37.66, 7.05, 46.02

 

CMYK 0 / 34 / 100 / 61

HEX #634100

RGB 99 65 0

HSL 39.39, 1%, 0.19%

LAB 30.48, 9.6, 40.1

 

CMYK 0 / 43 / 100 / 68

HEX #522F00

RGB 82 47 0

HSL 34.39, 1%, 0.16%

LAB 23.09, 12.34, 32.64

 

CMYK 0 / 21 / 89 / 41

HEX #967711

RGB 150 119 17

HSL 46.02, 0.8%, 0.33%

LAB 51.52, 2.74, 53.92

 

CMYK 0 / 45 / 89 / 41

HEX #965311

RGB 150 83 17

HSL 29.77, 0.8%, 0.33%

LAB 42.32, 23.36, 46.48

 

CMYK 0 / 69 / 89 / 41

HEX #962F11

RGB 150 47 17

HSL 13.53, 0.8%, 0.33%

LAB 35.12, 41.79, 40.62

 

CMYK 0 / 89 / 89 / 41

HEX #961111

RGB 150 17 17

HSL 0, 0.8%, 0.33%

LAB 31.64, 51.49, 37.77

 

CMYK 0 / 21 / 89 / 41

HEX #967711

RGB 150 119 17

HSL 46.02, 0.8%, 0.33%

LAB 51.52, 2.74, 53.92

 

CMYK 3 / 0 / 89 / 41

HEX #919611

RGB 145 150 17

HSL 62.26, 0.8%, 0.33%

LAB 59.77, -16.46, 60.41

 

CMYK 27 / 0 / 89 / 41

HEX #6E9611

RGB 110 150 17

HSL 78.05, 0.8%, 0.33%

LAB 57.24, -31.57, 57.28

 

CMYK 51 / 0 / 89 / 41

HEX #4A9611

RGB 74 150 17

HSL 94.29, 0.8%, 0.33%

LAB 55.39, -44.72, 54.97

 

CMYK 75 / 0 / 89 / 41

HEX #269611

RGB 38 150 17

HSL 110.53, 0.8%, 0.33%

LAB 54.31, -53.57, 53.61

 

CMYK 0 / 21 / 89 / 41

HEX #967711

RGB 150 119 17

HSL 46.02, 0.8%, 0.33%

LAB 51.52, 2.74, 53.92

 

CMYK 0 / 23 / 98 / 36

HEX #A47E04

RGB 164 126 4

HSL 45.75, 0.95%, 0.33%

LAB 54.89, 5.08, 59.75

 

CMYK 0 / 21 / 89 / 41

HEX #967711

RGB 150 119 17

HSL 46.02, 0.8%, 0.33%

LAB 51.52, 2.74, 53.92

 

CMYK 0 / 18 / 77 / 46

HEX #89701F

RGB 137 112 31

HSL 45.85, 0.63%, 0.33%

LAB 48.27, 1.11, 45.93

 

CMYK 0 / 15 / 64 / 52

HEX #7B682C

RGB 123 104 44

HSL 45.57, 0.47%, 0.33%

LAB 44.65, -0.08, 35.8

 

CMYK 0 / 11 / 47 / 57

HEX #6D613A

RGB 109 97 58

HSL 45.88, 0.31%, 0.33%

LAB 41.38, -1.16, 23.94

 

CMYK 0 / 6 / 25 / 62

HEX #605A48

RGB 96 90 72

HSL 45, 0.14%, 0.33%

LAB 38.32, -0.87, 11.29

 

CMYK 0 / 69 / 89 / 41

HEX #962E11

RGB 150 46 17

HSL 13.08, 0.8%, 0.33%

LAB 34.96, 42.22, 40.49

 

CMYK 0 / 46 / 89 / 41

HEX #965111

RGB 150 81 17

HSL 28.87, 0.8%, 0.33%

LAB 41.86, 24.49, 46.1

 

CMYK 0 / 22 / 89 / 41

HEX #967511

RGB 150 117 17

HSL 45.11, 0.8%, 0.33%

LAB 50.98, 3.87, 53.49

 

CMYK 1 / 0 / 89 / 41

HEX #949611

RGB 148 150 17

HSL 60.9, 0.8%, 0.33%

LAB 60.02, -15.12, 60.72

 

CMYK 25 / 0 / 89 / 41

HEX #709611

RGB 112 150 17

HSL 77.14, 0.8%, 0.33%

LAB 57.36, -30.75, 57.44

 

CMYK 0 / 21 / 88 / 70

HEX #4C3C09

RGB 76 60 9

HSL 45.67, 0.79%, 0.17%

LAB 26.12, 1.25, 31.62

 

CMYK 0 / 20 / 88 / 56

HEX #715A0D

RGB 113 90 13

HSL 46.2, 0.79%, 0.25%

LAB 39.33, 1.72, 43.34

 

CMYK 0 / 21 / 89 / 41

HEX #967711

RGB 150 119 17

HSL 46.02, 0.8%, 0.33%

LAB 51.52, 2.74, 53.92

 

CMYK 0 / 21 / 88 / 27

HEX #BB9416

RGB 187 148 22

HSL 45.82, 0.79%, 0.41%

LAB 63.18, 3.73, 63.71

 

CMYK 0 / 21 / 88 / 12

HEX #E0B11A

RGB 224 177 26

HSL 45.76, 0.79%, 0.49%

LAB 74.42, 4.65, 73.33

 

CMYK 0 / 21 / 88 / 41

HEX #967712

RGB 150 119 18

HSL 45.91, 0.79%, 0.33%

LAB 51.52, 2.76, 53.67

 

CMYK 84 / 0 / 89 / 41

HEX #189611

RGB 24 150 17

HSL 116.84, 0.8%, 0.33%

LAB 54.08, -55.59, 53.32

 

CMYK 57 / 89 / 0 / 41

HEX #401196

RGB 64 17 150

HSL 261.2, 0.8%, 0.33%

LAB 22.63, 50.96, -62.31

 

CMYK 0 / 21 / 88 / 41

HEX #967712

RGB 150 119 18

HSL 45.91, 0.79%, 0.33%

LAB 51.52, 2.76, 53.67

 

CMYK 89 / 0 / 22 / 41

HEX #119675

RGB 17 150 117

HSL 165.11, 0.8%, 0.33%

LAB 55.29, -41.07, 8.19

 

CMYK 22 / 89 / 0 / 41

HEX #751196

RGB 117 17 150

HSL 285.11, 0.8%, 0.33%

LAB 30.36, 58.05, -49.33

 

CMYK 0 / 21 / 88 / 41

HEX #967712

RGB 150 119 18

HSL 45.91, 0.79%, 0.33%

LAB 51.52, 2.76, 53.67

 

CMYK 84 / 0 / 89 / 41

HEX #189611

RGB 24 150 17

HSL 116.84, 0.8%, 0.33%

LAB 54.08, -55.59, 53.32

 

CMYK 89 / 67 / 0 / 41

HEX #113296

RGB 17 50 150

HSL 225.11, 0.8%, 0.33%

LAB 25.57, 29.16, -57.57

 

CMYK 5 / 89 / 0 / 41

HEX #8F1196

RGB 143 17 150

HSL 296.84, 0.8%, 0.33%

LAB 34.89, 62.55, -41.8

 

CMYK 0 / 21 / 88 / 41

HEX #967712

RGB 150 119 18

HSL 45.91, 0.79%, 0.33%

LAB 51.52, 2.76, 53.67

 

CMYK 89 / 0 / 67 / 41

HEX #119632

RGB 17 150 50

HSL 134.89, 0.8%, 0.33%

LAB 54.2, -53.76, 42.16

 

CMYK 89 / 67 / 0 / 41

HEX #113296

RGB 17 50 150

HSL 225.11, 0.8%, 0.33%

LAB 25.57, 29.16, -57.57

 

CMYK 0 / 89 / 22 / 41

HEX #961175

RGB 150 17 117

HSL 314.89, 0.8%, 0.33%

LAB 34.33, 59.06, -22.09

 

Description

Color code: RGB 150 119 18 | qconv.com Color code: RGB 150 119 18 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 119 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 119 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 88 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 88% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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