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Color name
RGB 162 125 72

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 162 125 72 it is the complementary color RGB 93 130 183. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 162 125 72. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 162 125 72 shade: RGB 167 125 67, RGB 184 143 86, RGB 201 161 105, RGB 218 179 124 and RGB 235 197 143

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 162 125 72. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 162 125 72 shade: RGB 162 125 72, RGB 145 107 53, RGB 128 89 34, RGB 111 71 15 and RGB 94 53 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 162 125 72 shade: RGB 161 125 72, RGB 161 101 72, RGB 161 77 72 and RGB 161 72 72

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 162 125 72 shade: RGB 161 125 72, RGB 161 149 72, RGB 150 161 72, RGB 126 161 72 and RGB 102 161 72

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 162 125 72 shade matches the following richer shades: RGB 161 125 72, RGB 180 128 53, RGB 199 131 34 and RGB 218 135 15

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 162 125 72 shade: RGB 161 125 72, RGB 142 121 91, RGB 123 118 110, RGB 104 115 129 and RGB 85 111 148

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 162 125 72 shade: RGB 161 77 72, RGB 161 100 72, RGB 161 124 72, RGB 161 148 72 and RGB 151 161 72

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 162 125 72 shade: RGB 104 81 47, RGB 133 103 59, RGB 161 125 72, RGB 182 145 93 and RGB 195 165 121

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 162 125 72 shade: RGB 162 125 72, RGB 92 161 72 and RGB 89 72 161

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 162 125 72 shade: RGB 162 125 72, RGB 72 161 124 and RGB 124 72 161

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 162 125 72 shade: RGB 162 125 72, RGB 92 161 72, RGB 72 109 161 and RGB 142 72 161

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 162 125 72 shade: RGB 162 125 72, RGB 72 161 80, RGB 72 109 161 and RGB 161 72 154

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 56 / 36

HEX #A27D48

RGB 162 125 72

HSL 35.33, 0.38%, 0.46%

LAB 54.88, 7.86, 34.13

 

Complementary color

CMYK 49 / 29 / 0 / 28

HEX #5D82B7

RGB 93 130 183

HSL 215.33, 0.38%, 0.54%

LAB 53.72, 1.97, -31.88

 

CMYK 0 / 25 / 60 / 35

HEX #A77D43

RGB 167 125 67

HSL 34.8, 0.43%, 0.46%

LAB 55.37, 9.65, 37.49

 

CMYK 0 / 22 / 53 / 28

HEX #B88F56

RGB 184 143 86

HSL 34.9, 0.41%, 0.53%

LAB 62.09, 8.58, 36.04

 

CMYK 0 / 20 / 48 / 21

HEX #C9A169

RGB 201 161 105

HSL 35, 0.47%, 0.6%

LAB 68.7, 7.68, 34.66

 

CMYK 0 / 18 / 43 / 15

HEX #DAB37C

RGB 218 179 124

HSL 35.11, 0.56%, 0.67%

LAB 75.2, 6.91, 33.35

 

CMYK 0 / 16 / 39 / 8

HEX #EBC58F

RGB 235 197 143

HSL 35.22, 0.7%, 0.74%

LAB 81.61, 6.24, 32.12

 

CMYK 0 / 23 / 56 / 36

HEX #A27D48

RGB 162 125 72

HSL 35.33, 0.38%, 0.46%

LAB 54.88, 7.86, 34.13

 

CMYK 0 / 26 / 63 / 43

HEX #916B35

RGB 145 107 53

HSL 35.22, 0.46%, 0.39%

LAB 48, 9.02, 35.6

 

CMYK 0 / 30 / 73 / 50

HEX #805922

RGB 128 89 34

HSL 35.11, 0.58%, 0.32%

LAB 40.98, 10.46, 36.98

 

CMYK 0 / 36 / 86 / 56

HEX #6F470F

RGB 111 71 15

HSL 35, 0.76%, 0.25%

LAB 33.82, 12.28, 37.82

 

CMYK 0 / 44 / 100 / 63

HEX #5E3500

RGB 94 53 0

HSL 33.83, 1%, 0.18%

LAB 26.52, 14.57, 36.57

 

CMYK 0 / 22 / 55 / 37

HEX #A17D48

RGB 161 125 72

HSL 35.73, 0.38%, 0.46%

LAB 54.77, 7.42, 33.97

 

CMYK 0 / 37 / 55 / 37

HEX #A16548

RGB 161 101 72

HSL 19.55, 0.38%, 0.46%

LAB 48.7, 21.07, 26.42

 

CMYK 0 / 52 / 55 / 37

HEX #A14D48

RGB 161 77 72

HSL 3.37, 0.38%, 0.46%

LAB 43.29, 34.32, 19.4

 

CMYK 0 / 55 / 55 / 37

HEX #A14848

RGB 161 72 72

HSL 0, 0.38%, 0.46%

LAB 42.28, 36.92, 18.06

 

CMYK 0 / 22 / 55 / 37

HEX #A17D48

RGB 161 125 72

HSL 35.73, 0.38%, 0.46%

LAB 54.77, 7.42, 33.97

 

CMYK 0 / 7 / 55 / 37

HEX #A19548

RGB 161 149 72

HSL 51.91, 0.38%, 0.46%

LAB 61.26, -5.88, 41.69

 

CMYK 7 / 0 / 55 / 37

HEX #96A148

RGB 150 161 72

HSL 67.42, 0.38%, 0.46%

LAB 63.71, -16.95, 44.29

 

CMYK 22 / 0 / 55 / 37

HEX #7EA148

RGB 126 161 72

HSL 83.6, 0.38%, 0.46%

LAB 61.99, -26.78, 41.86

 

CMYK 37 / 0 / 55 / 37

HEX #66A148

RGB 102 161 72

HSL 99.78, 0.38%, 0.46%

LAB 60.59, -35.76, 39.86

 

CMYK 0 / 22 / 55 / 37

HEX #A17D48

RGB 161 125 72

HSL 35.73, 0.38%, 0.46%

LAB 54.77, 7.42, 33.97

 

CMYK 0 / 29 / 71 / 29

HEX #B48035

RGB 180 128 53

HSL 35.43, 0.55%, 0.46%

LAB 57.46, 12.78, 47.16

 

CMYK 0 / 34 / 83 / 22

HEX #C78322

RGB 199 131 34

HSL 35.27, 0.71%, 0.46%

LAB 60.33, 18.68, 58.45

 

CMYK 0 / 38 / 93 / 15

HEX #DA870F

RGB 218 135 15

HSL 35.47, 0.87%, 0.46%

LAB 63.56, 24.31, 67.04

 

CMYK 0 / 22 / 55 / 37

HEX #A17D48

RGB 161 125 72

HSL 35.73, 0.38%, 0.46%

LAB 54.77, 7.42, 33.97

 

CMYK 0 / 15 / 36 / 44

HEX #8E795B

RGB 142 121 91

HSL 35.29, 0.22%, 0.46%

LAB 52.04, 3.52, 19.48

 

CMYK 0 / 4 / 11 / 52

HEX #7B766E

RGB 123 118 110

HSL 36.92, 0.06%, 0.46%

LAB 49.85, 0.4, 5.08

 

CMYK 19 / 11 / 0 / 49

HEX #687381

RGB 104 115 129

HSL 213.6, 0.11%, 0.46%

LAB 47.99, -0.9, -9.08

 

CMYK 43 / 25 / 0 / 42

HEX #556F94

RGB 85 111 148

HSL 215.24, 0.27%, 0.46%

LAB 46.23, 0.62, -23.17

 

CMYK 0 / 52 / 55 / 37

HEX #A14D48

RGB 161 77 72

HSL 3.37, 0.38%, 0.46%

LAB 43.29, 34.32, 19.4

 

CMYK 0 / 38 / 55 / 37

HEX #A16448

RGB 161 100 72

HSL 18.88, 0.38%, 0.46%

LAB 48.46, 21.64, 26.11

 

CMYK 0 / 23 / 55 / 37

HEX #A17C48

RGB 161 124 72

HSL 35.06, 0.38%, 0.46%

LAB 54.51, 7.99, 33.65

 

CMYK 0 / 8 / 55 / 37

HEX #A19448

RGB 161 148 72

HSL 51.24, 0.38%, 0.46%

LAB 60.98, -5.34, 41.37

 

CMYK 6 / 0 / 55 / 37

HEX #97A148

RGB 151 161 72

HSL 66.74, 0.38%, 0.46%

LAB 63.78, -16.53, 44.4

 

CMYK 0 / 22 / 55 / 59

HEX #68512F

RGB 104 81 47

HSL 35.79, 0.38%, 0.3%

LAB 36.05, 4.93, 23.53

 

CMYK 0 / 23 / 56 / 48

HEX #85673B

RGB 133 103 59

HSL 35.68, 0.39%, 0.38%

LAB 45.64, 6.38, 29.22

 

CMYK 0 / 22 / 55 / 37

HEX #A17D48

RGB 161 125 72

HSL 35.73, 0.38%, 0.46%

LAB 54.77, 7.42, 33.97

 

CMYK 0 / 20 / 49 / 29

HEX #B6915D

RGB 182 145 93

HSL 35.06, 0.38%, 0.54%

LAB 62.5, 7.28, 32.78

 

CMYK 0 / 15 / 38 / 24

HEX #C3A579

RGB 195 165 121

HSL 35.68, 0.38%, 0.62%

LAB 69.39, 4.78, 26.9

 

CMYK 0 / 23 / 56 / 36

HEX #A27D48

RGB 162 125 72

HSL 35.33, 0.38%, 0.46%

LAB 54.88, 7.86, 34.13

 

CMYK 43 / 0 / 55 / 37

HEX #5CA148

RGB 92 161 72

HSL 106.52, 0.38%, 0.46%

LAB 60.1, -39.14, 39.16

 

CMYK 45 / 55 / 0 / 37

HEX #5948A1

RGB 89 72 161

HSL 251.46, 0.38%, 0.46%

LAB 36.62, 29.96, -46.08

 

CMYK 0 / 23 / 56 / 36

HEX #A27D48

RGB 162 125 72

HSL 35.33, 0.38%, 0.46%

LAB 54.88, 7.86, 34.13

 

CMYK 55 / 0 / 23 / 37

HEX #48A17C

RGB 72 161 124

HSL 155.06, 0.38%, 0.46%

LAB 60.18, -35.72, 11.32

 

CMYK 23 / 55 / 0 / 37

HEX #7C48A1

RGB 124 72 161

HSL 275.06, 0.38%, 0.46%

LAB 40.4, 38.96, -39.81

 

CMYK 0 / 23 / 56 / 36

HEX #A27D48

RGB 162 125 72

HSL 35.33, 0.38%, 0.46%

LAB 54.88, 7.86, 34.13

 

CMYK 43 / 0 / 55 / 37

HEX #5CA148

RGB 92 161 72

HSL 106.52, 0.38%, 0.46%

LAB 60.1, -39.14, 39.16

 

CMYK 55 / 32 / 0 / 37

HEX #486DA1

RGB 72 109 161

HSL 215.06, 0.38%, 0.46%

LAB 45.48, 2.62, -32.07

 

CMYK 12 / 55 / 0 / 37

HEX #8E48A1

RGB 142 72 161

HSL 287.19, 0.38%, 0.46%

LAB 42.7, 43.91, -36.02

 

CMYK 0 / 23 / 56 / 36

HEX #A27D48

RGB 162 125 72

HSL 35.33, 0.38%, 0.46%

LAB 54.88, 7.86, 34.13

 

CMYK 55 / 0 / 50 / 37

HEX #48A150

RGB 72 161 80

HSL 125.39, 0.38%, 0.46%

LAB 59.39, -43.97, 34.09

 

CMYK 55 / 32 / 0 / 37

HEX #486DA1

RGB 72 109 161

HSL 215.06, 0.38%, 0.46%

LAB 45.48, 2.62, -32.07

 

CMYK 0 / 55 / 4 / 37

HEX #A1489A

RGB 161 72 154

HSL 304.72, 0.38%, 0.46%

LAB 45, 47.94, -28.03

 

Description

Color code: RGB 162 125 72 | qconv.com Color code: RGB 162 125 72 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 162 red, 125 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
162 125 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 56 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 56% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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