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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 194 116 75 it is the complementary color RGB 61 139 180. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 194 116 75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 194 116 75 shade: RGB 199 116 70, RGB 216 134 89, RGB 233 152 108, RGB 250 170 127 and RGB 255 188 146

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 194 116 75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 194 116 75 shade: RGB 194 116 75, RGB 177 98 56, RGB 160 80 37, RGB 143 62 18 and RGB 126 44 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 194 116 75 shade: RGB 193 116 76, RGB 193 85 76 and RGB 193 76 76

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 194 116 75 shade: RGB 193 116 76, RGB 193 148 76, RGB 193 180 76, RGB 175 193 76 and RGB 144 193 76

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 194 116 75 shade matches the following richer shades: RGB 193 116 76, RGB 213 110 57, RGB 232 104 37 and RGB 252 98 18

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 194 116 75 shade: RGB 193 116 76, RGB 174 122 95, RGB 155 128 115, RGB 135 134 134 and RGB 116 141 153

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 194 116 75 shade: RGB 193 76 99, RGB 193 84 76, RGB 193 115 76, RGB 193 146 76 and RGB 193 178 76

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 194 116 75 shade: RGB 139 79 47, RGB 170 97 58, RGB 193 116 76, RGB 204 140 107 and RGB 214 164 137

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 194 116 75 shade: RGB 194 116 75, RGB 131 193 76 and RGB 76 84 193

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 194 116 75 shade: RGB 194 116 75, RGB 76 193 115 and RGB 115 76 193

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 194 116 75 shade: RGB 194 116 75, RGB 131 193 76, RGB 76 154 193 and RGB 139 76 193

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 194 116 75 shade: RGB 194 116 75, RGB 95 193 76, RGB 76 154 193 and RGB 174 76 193

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 61 / 24

HEX #C2744B

RGB 194 116 75

HSL 20.67, 0.49%, 0.53%

LAB 56.55, 26.81, 35.43

 

Complementary color

CMYK 66 / 23 / 0 / 29

HEX #3D8BB4

RGB 61 139 180

HSL 200.67, 0.49%, 0.47%

LAB 54.82, -10.88, -28.57

 

CMYK 0 / 42 / 65 / 22

HEX #C77446

RGB 199 116 70

HSL 21.4, 0.54%, 0.53%

LAB 57.15, 28.52, 38.98

 

CMYK 0 / 38 / 59 / 15

HEX #D88659

RGB 216 134 89

HSL 21.26, 0.62%, 0.6%

LAB 63.65, 27.11, 37.2

 

CMYK 0 / 35 / 54 / 9

HEX #E9986C

RGB 233 152 108

HSL 21.12, 0.74%, 0.67%

LAB 70.08, 25.86, 35.55

 

CMYK 0 / 32 / 49 / 2

HEX #FAAA7F

RGB 250 170 127

HSL 20.98, 0.92%, 0.74%

LAB 76.44, 24.75, 34.02

 

CMYK 0 / 26 / 43 / 0

HEX #FFBC92

RGB 255 188 146

HSL 23.12, 1%, 0.79%

LAB 81.46, 19.11, 30.71

 

CMYK 0 / 40 / 61 / 24

HEX #C2744B

RGB 194 116 75

HSL 20.67, 0.49%, 0.53%

LAB 56.55, 26.81, 35.43

 

CMYK 0 / 45 / 68 / 31

HEX #B16238

RGB 177 98 56

HSL 20.83, 0.52%, 0.46%

LAB 49.94, 28.31, 37.31

 

CMYK 0 / 50 / 77 / 37

HEX #A05025

RGB 160 80 37

HSL 20.98, 0.62%, 0.39%

LAB 43.28, 30.02, 39.27

 

CMYK 0 / 57 / 87 / 44

HEX #8F3E12

RGB 143 62 18

HSL 21.12, 0.78%, 0.32%

LAB 36.61, 31.9, 40.92

 

CMYK 0 / 65 / 100 / 51

HEX #7E2C00

RGB 126 44 0

HSL 20.95, 1%, 0.25%

LAB 30, 33.79, 41.67

 

CMYK 0 / 40 / 61 / 24

HEX #C1744C

RGB 193 116 76

HSL 20.51, 0.49%, 0.53%

LAB 56.44, 26.47, 34.71

 

CMYK 0 / 56 / 61 / 24

HEX #C1554C

RGB 193 85 76

HSL 4.62, 0.49%, 0.53%

LAB 49.93, 42.67, 26.6

 

CMYK 0 / 61 / 61 / 24

HEX #C14C4C

RGB 193 76 76

HSL 0, 0.49%, 0.53%

LAB 48.3, 46.94, 24.51

 

CMYK 0 / 40 / 61 / 24

HEX #C1744C

RGB 193 116 76

HSL 20.51, 0.49%, 0.53%

LAB 56.44, 26.47, 34.71

 

CMYK 0 / 23 / 61 / 24

HEX #C1944C

RGB 193 148 76

HSL 36.92, 0.49%, 0.53%

LAB 64.19, 8.88, 43.92

 

CMYK 0 / 7 / 61 / 24

HEX #C1B44C

RGB 193 180 76

HSL 53.33, 0.49%, 0.53%

LAB 72.56, -8.24, 53.36

 

CMYK 9 / 0 / 61 / 24

HEX #AFC14C

RGB 175 193 76

HSL 69.23, 0.49%, 0.53%

LAB 74.68, -22.36, 55.28

 

CMYK 25 / 0 / 61 / 24

HEX #90C14C

RGB 144 193 76

HSL 85.13, 0.49%, 0.53%

LAB 72.62, -34.6, 52.42

 

CMYK 0 / 40 / 61 / 24

HEX #C1744C

RGB 193 116 76

HSL 20.51, 0.49%, 0.53%

LAB 56.44, 26.47, 34.71

 

CMYK 0 / 48 / 73 / 16

HEX #D56E39

RGB 213 110 57

HSL 20.38, 0.65%, 0.53%

LAB 57.65, 36.63, 46.74

 

CMYK 0 / 55 / 84 / 9

HEX #E86825

RGB 232 104 37

HSL 20.62, 0.81%, 0.53%

LAB 59.15, 46.23, 58.11

 

CMYK 0 / 61 / 93 / 1

HEX #FC6212

RGB 252 98 18

HSL 20.51, 0.98%, 0.53%

LAB 61.2, 55.85, 67.12

 

CMYK 0 / 40 / 61 / 24

HEX #C1744C

RGB 193 116 76

HSL 20.51, 0.49%, 0.53%

LAB 56.44, 26.47, 34.71

 

CMYK 0 / 30 / 45 / 32

HEX #AE7A5F

RGB 174 122 95

HSL 20.51, 0.33%, 0.53%

LAB 55.83, 16.95, 22.87

 

CMYK 0 / 17 / 26 / 39

HEX #9B8073

RGB 155 128 115

HSL 19.5, 0.17%, 0.53%

LAB 55.73, 8.29, 10.94

 

CMYK 0 / 1 / 1 / 47

HEX #878686

RGB 135 134 134

HSL 0, 0%, 0.53%

LAB 56.01, 0.37, 0.12

 

CMYK 24 / 8 / 0 / 40

HEX #748D99

RGB 116 141 153

HSL 199.46, 0.15%, 0.53%

LAB 57.14, -6.04, -9.31

 

CMYK 0 / 61 / 49 / 24

HEX #C14C63

RGB 193 76 99

HSL 348.21, 0.49%, 0.53%

LAB 48.77, 48.81, 11.33

 

CMYK 0 / 56 / 61 / 24

HEX #C1544C

RGB 193 84 76

HSL 4.1, 0.49%, 0.53%

LAB 49.74, 43.16, 26.36

 

CMYK 0 / 40 / 61 / 24

HEX #C1734C

RGB 193 115 76

HSL 20, 0.49%, 0.53%

LAB 56.21, 27.01, 34.44

 

CMYK 0 / 24 / 61 / 24

HEX #C1924C

RGB 193 146 76

HSL 35.9, 0.49%, 0.53%

LAB 63.69, 9.98, 43.33

 

CMYK 0 / 8 / 61 / 24

HEX #C1B24C

RGB 193 178 76

HSL 52.31, 0.49%, 0.53%

LAB 72.03, -7.2, 52.77

 

CMYK 0 / 43 / 66 / 45

HEX #8B4F2F

RGB 139 79 47

HSL 20.87, 0.49%, 0.36%

LAB 40.06, 22.15, 29.44

 

CMYK 0 / 43 / 66 / 33

HEX #AA613A

RGB 170 97 58

HSL 20.89, 0.49%, 0.45%

LAB 48.76, 26.05, 34.62

 

CMYK 0 / 40 / 61 / 24

HEX #C1744C

RGB 193 116 76

HSL 20.51, 0.49%, 0.53%

LAB 56.44, 26.47, 34.71

 

CMYK 0 / 31 / 48 / 20

HEX #CC8C6B

RGB 204 140 107

HSL 20.41, 0.49%, 0.61%

LAB 63.88, 20.55, 27.42

 

CMYK 0 / 23 / 36 / 16

HEX #D6A489

RGB 214 164 137

HSL 21.04, 0.48%, 0.69%

LAB 71.32, 14.83, 21.13

 

CMYK 0 / 40 / 61 / 24

HEX #C2744B

RGB 194 116 75

HSL 20.67, 0.49%, 0.53%

LAB 56.55, 26.81, 35.43

 

CMYK 32 / 0 / 61 / 24

HEX #83C14C

RGB 131 193 76

HSL 91.79, 0.49%, 0.53%

LAB 71.88, -39.39, 51.39

 

CMYK 61 / 56 / 0 / 24

HEX #4C54C1

RGB 76 84 193

HSL 235.9, 0.49%, 0.53%

LAB 40.78, 30.05, -58.32

 

CMYK 0 / 40 / 61 / 24

HEX #C2744B

RGB 194 116 75

HSL 20.67, 0.49%, 0.53%

LAB 56.55, 26.81, 35.43

 

CMYK 61 / 0 / 40 / 24

HEX #4CC173

RGB 76 193 115

HSL 140, 0.49%, 0.53%

LAB 70.12, -50.21, 29.73

 

CMYK 40 / 61 / 0 / 24

HEX #734CC1

RGB 115 76 193

HSL 260, 0.49%, 0.53%

LAB 42.25, 42.7, -55.78

 

CMYK 0 / 40 / 61 / 24

HEX #C2744B

RGB 194 116 75

HSL 20.67, 0.49%, 0.53%

LAB 56.55, 26.81, 35.43

 

CMYK 32 / 0 / 61 / 24

HEX #83C14C

RGB 131 193 76

HSL 91.79, 0.49%, 0.53%

LAB 71.88, -39.39, 51.39

 

CMYK 61 / 20 / 0 / 24

HEX #4C9AC1

RGB 76 154 193

HSL 200, 0.49%, 0.53%

LAB 60.34, -12.3, -27.36

 

CMYK 28 / 61 / 0 / 24

HEX #8B4CC1

RGB 139 76 193

HSL 272.31, 0.49%, 0.53%

LAB 44.95, 48.2, -51.29

 

CMYK 0 / 40 / 61 / 24

HEX #C2744B

RGB 194 116 75

HSL 20.67, 0.49%, 0.53%

LAB 56.55, 26.81, 35.43

 

CMYK 51 / 0 / 61 / 24

HEX #5FC14C

RGB 95 193 76

HSL 110.26, 0.49%, 0.53%

LAB 70.24, -50.97, 49.1

 

CMYK 61 / 20 / 0 / 24

HEX #4C9AC1

RGB 76 154 193

HSL 200, 0.49%, 0.53%

LAB 60.34, -12.3, -27.36

 

CMYK 10 / 61 / 0 / 24

HEX #AE4CC1

RGB 174 76 193

HSL 290.26, 0.49%, 0.53%

LAB 49.52, 56.76, -43.74

 

Description

Color code: RGB 194 116 75 | qconv.com Color code: RGB 194 116 75 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 116 green and 75 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 116 75 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 61 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 61% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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