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Color name
RGB 197 36 194

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 197 36 194 it is the complementary color RGB 58 219 61. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 197 36 194. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 197 36 194 shade: RGB 202 36 189, RGB 219 54 208, RGB 236 72 227, RGB 253 90 246 and RGB 255 108 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 197 36 194. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 197 36 194 shade: RGB 197 36 194, RGB 180 18 175, RGB 163 0 156, RGB 146 0 137 and RGB 129 0 118

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 197 36 194 shade: RGB 198 36 195, RGB 198 36 151, RGB 198 36 107, RGB 198 36 64 and RGB 198 36 36

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 197 36 194 shade: RGB 198 36 195, RGB 157 36 198, RGB 113 36 198, RGB 70 36 198 and RGB 36 36 198

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 197 36 194 shade matches the following richer shades: RGB 198 36 195 and RGB 217 17 213

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 197 36 194 shade: RGB 198 36 195, RGB 179 55 176, RGB 160 74 158, RGB 141 93 140 and RGB 122 112 122

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 197 36 194 shade: RGB 114 36 198, RGB 157 36 198, RGB 198 36 195, RGB 198 36 152 and RGB 198 36 109

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 197 36 194 shade: RGB 128 23 126, RGB 163 29 160, RGB 198 36 195, RGB 218 57 215 and RGB 225 92 222

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 197 36 194 shade: RGB 197 36 194, RGB 198 71 36 and RGB 36 198 136

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 197 36 194 shade: RGB 197 36 194, RGB 195 198 36 and RGB 36 195 198

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 197 36 194 shade: RGB 197 36 194, RGB 198 71 36, RGB 36 198 39 and RGB 36 163 198

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 197 36 194 shade: RGB 197 36 194, RGB 198 119 36, RGB 36 198 39 and RGB 36 114 198

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 82 / 2 / 23

HEX #C524C2

RGB 197 36 194

HSL 301.12, 0.69%, 0.46%

LAB 48.29, 75.69, -46.04

 

Complementary color

CMYK 74 / 0 / 72 / 14

HEX #3ADB3D

RGB 58 219 61

HSL 121.12, 0.69%, 0.54%

LAB 77.22, -69.44, 62.34

 

CMYK 0 / 82 / 6 / 21

HEX #CA24BD

RGB 202 36 189

HSL 304.7, 0.7%, 0.47%

LAB 48.87, 75.91, -42.16

 

CMYK 0 / 75 / 5 / 14

HEX #DB36D0

RGB 219 54 208

HSL 304, 0.7%, 0.54%

LAB 54.29, 77.6, -44.36

 

CMYK 0 / 69 / 4 / 7

HEX #EC48E3

RGB 236 72 227

HSL 303.29, 0.81%, 0.6%

LAB 59.9, 78.54, -46.08

 

CMYK 0 / 64 / 3 / 1

HEX #FD5AF6

RGB 253 90 246

HSL 302.58, 0.98%, 0.67%

LAB 65.63, 78.96, -47.45

 

CMYK 0 / 58 / 0 / 0

HEX #FF6CFF

RGB 255 108 255

HSL 300, 1%, 0.71%

LAB 68.9, 73.78, -47.23

 

CMYK 0 / 82 / 2 / 23

HEX #C524C2

RGB 197 36 194

HSL 301.12, 0.69%, 0.46%

LAB 48.29, 75.69, -46.04

 

CMYK 0 / 90 / 3 / 29

HEX #B412AF

RGB 180 18 175

HSL 301.85, 0.82%, 0.39%

LAB 43.11, 72.99, -43.33

 

CMYK 0 / 100 / 4 / 36

HEX #A3009C

RGB 163 0 156

HSL 302.58, 1%, 0.32%

LAB 38.18, 69.26, -39.99

 

CMYK 0 / 100 / 6 / 43

HEX #920089

RGB 146 0 137

HSL 303.7, 1%, 0.29%

LAB 33.81, 63.49, -35.49

 

CMYK 0 / 100 / 9 / 49

HEX #810076

RGB 129 0 118

HSL 305.12, 1%, 0.25%

LAB 29.35, 57.59, -30.85

 

CMYK 0 / 82 / 2 / 22

HEX #C624C3

RGB 198 36 195

HSL 301.11, 0.69%, 0.46%

LAB 48.52, 76.03, -46.25

 

CMYK 0 / 82 / 24 / 22

HEX #C62497

RGB 198 36 151

HSL 317.41, 0.69%, 0.46%

LAB 46.31, 69.96, -23.73

 

CMYK 0 / 82 / 46 / 22

HEX #C6246B

RGB 198 36 107

HSL 333.7, 0.69%, 0.46%

LAB 44.7, 65.3, 0.74

 

CMYK 0 / 82 / 68 / 22

HEX #C62440

RGB 198 36 64

HSL 349.63, 0.69%, 0.46%

LAB 43.71, 62.33, 26.11

 

CMYK 0 / 82 / 82 / 22

HEX #C62424

RGB 198 36 36

HSL 0, 0.69%, 0.46%

LAB 43.35, 61.24, 42.08

 

CMYK 0 / 82 / 2 / 22

HEX #C624C3

RGB 198 36 195

HSL 301.11, 0.69%, 0.46%

LAB 48.52, 76.03, -46.25

 

CMYK 21 / 82 / 0 / 22

HEX #9D24C6

RGB 157 36 198

HSL 284.81, 0.69%, 0.46%

LAB 42.01, 69.15, -58.81

 

CMYK 43 / 82 / 0 / 22

HEX #7124C6

RGB 113 36 198

HSL 268.52, 0.69%, 0.46%

LAB 35.69, 62.36, -69.38

 

CMYK 65 / 82 / 0 / 22

HEX #4624C6

RGB 70 36 198

HSL 252.59, 0.69%, 0.46%

LAB 30.98, 57.42, -77.32

 

CMYK 82 / 82 / 0 / 22

HEX #2424C6

RGB 36 36 198

HSL 240, 0.69%, 0.46%

LAB 28.68, 55.08, -81.2

 

CMYK 0 / 82 / 2 / 22

HEX #C624C3

RGB 198 36 195

HSL 301.11, 0.69%, 0.46%

LAB 48.52, 76.03, -46.25

 

CMYK 0 / 92 / 2 / 15

HEX #D911D5

RGB 217 17 213

HSL 301.2, 0.85%, 0.46%

LAB 51.79, 85.07, -51.22

 

CMYK 0 / 82 / 2 / 22

HEX #C624C3

RGB 198 36 195

HSL 301.11, 0.69%, 0.46%

LAB 48.52, 76.03, -46.25

 

CMYK 0 / 69 / 2 / 30

HEX #B337B0

RGB 179 55 176

HSL 301.45, 0.53%, 0.46%

LAB 46.25, 63.57, -38.95

 

CMYK 0 / 54 / 1 / 37

HEX #A04A9E

RGB 160 74 158

HSL 301.4, 0.37%, 0.46%

LAB 45.41, 47.39, -29.79

 

CMYK 0 / 34 / 1 / 45

HEX #8D5D8C

RGB 141 93 140

HSL 301.25, 0.21%, 0.46%

LAB 46.16, 27.64, -18.09

 

CMYK 0 / 8 / 0 / 52

HEX #7A707A

RGB 122 112 122

HSL 300, 0.04%, 0.46%

LAB 48.42, 5.85, -4.12

 

CMYK 42 / 82 / 0 / 22

HEX #7224C6

RGB 114 36 198

HSL 268.89, 0.69%, 0.46%

LAB 35.82, 62.49, -69.17

 

CMYK 21 / 82 / 0 / 22

HEX #9D24C6

RGB 157 36 198

HSL 284.81, 0.69%, 0.46%

LAB 42.01, 69.15, -58.81

 

CMYK 0 / 82 / 2 / 22

HEX #C624C3

RGB 198 36 195

HSL 301.11, 0.69%, 0.46%

LAB 48.52, 76.03, -46.25

 

CMYK 0 / 82 / 23 / 22

HEX #C62498

RGB 198 36 152

HSL 317.04, 0.69%, 0.46%

LAB 46.36, 70.08, -24.26

 

CMYK 0 / 82 / 45 / 22

HEX #C6246D

RGB 198 36 109

HSL 332.96, 0.69%, 0.46%

LAB 44.76, 65.48, -0.42

 

CMYK 0 / 82 / 2 / 50

HEX #80177E

RGB 128 23 126

HSL 301.14, 0.7%, 0.3%

LAB 31.13, 54.28, -33.08

 

CMYK 0 / 82 / 2 / 36

HEX #A31DA0

RGB 163 29 160

HSL 301.34, 0.7%, 0.38%

LAB 39.92, 65.44, -39.62

 

CMYK 0 / 82 / 2 / 22

HEX #C624C3

RGB 198 36 195

HSL 301.11, 0.69%, 0.46%

LAB 48.52, 76.03, -46.25

 

CMYK 0 / 74 / 1 / 15

HEX #DA39D7

RGB 218 57 215

HSL 301.12, 0.69%, 0.54%

LAB 54.8, 77.59, -47.56

 

CMYK 0 / 59 / 1 / 12

HEX #E15CDE

RGB 225 92 222

HSL 301.35, 0.69%, 0.62%

LAB 60.72, 67.64, -42.09

 

CMYK 0 / 82 / 2 / 23

HEX #C524C2

RGB 197 36 194

HSL 301.12, 0.69%, 0.46%

LAB 48.29, 75.69, -46.04

 

CMYK 0 / 64 / 82 / 22

HEX #C64724

RGB 198 71 36

HSL 12.96, 0.69%, 0.46%

LAB 47.8, 48.98, 46.31

 

CMYK 82 / 0 / 31 / 22

HEX #24C688

RGB 36 198 136

HSL 157.04, 0.69%, 0.46%

LAB 71.24, -54.13, 20.03

 

CMYK 0 / 82 / 2 / 23

HEX #C524C2

RGB 197 36 194

HSL 301.12, 0.69%, 0.46%

LAB 48.29, 75.69, -46.04

 

CMYK 2 / 0 / 82 / 22

HEX #C3C624

RGB 195 198 36

HSL 61.11, 0.69%, 0.46%

LAB 77.35, -18.48, 72.36

 

CMYK 82 / 2 / 0 / 22

HEX #24C3C6

RGB 36 195 198

HSL 181.11, 0.69%, 0.46%

LAB 71.88, -36.73, -12.64

 

CMYK 0 / 82 / 2 / 23

HEX #C524C2

RGB 197 36 194

HSL 301.12, 0.69%, 0.46%

LAB 48.29, 75.69, -46.04

 

CMYK 0 / 64 / 82 / 22

HEX #C64724

RGB 198 71 36

HSL 12.96, 0.69%, 0.46%

LAB 47.8, 48.98, 46.31

 

CMYK 82 / 0 / 80 / 22

HEX #24C627

RGB 36 198 39

HSL 121.11, 0.69%, 0.46%

LAB 70.11, -67.53, 62.35

 

CMYK 82 / 18 / 0 / 22

HEX #24A3C6

RGB 36 163 198

HSL 192.96, 0.69%, 0.46%

LAB 62.21, -21, -27.35

 

CMYK 0 / 82 / 2 / 23

HEX #C524C2

RGB 197 36 194

HSL 301.12, 0.69%, 0.46%

LAB 48.29, 75.69, -46.04

 

CMYK 0 / 40 / 82 / 22

HEX #C67724

RGB 198 119 36

HSL 30.74, 0.69%, 0.46%

LAB 57.39, 24.86, 55.08

 

CMYK 82 / 0 / 80 / 22

HEX #24C627

RGB 36 198 39

HSL 121.11, 0.69%, 0.46%

LAB 70.11, -67.53, 62.35

 

CMYK 82 / 42 / 0 / 22

HEX #2472C6

RGB 36 114 198

HSL 211.11, 0.69%, 0.46%

LAB 47.61, 7.2, -50.3

 

Description

Color code: RGB 197 36 194 | qconv.com Color code: RGB 197 36 194 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 36 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 36 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 82 magenta, 2 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 82% 2% 23% C M Y K

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Provide designers and agencies with accurate color values.

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