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Color name
RGB 206 82 109

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 206 82 109 it is the complementary color RGB 49 173 146. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 206 82 109. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 206 82 109 shade: RGB 211 82 104, RGB 228 100 123, RGB 245 118 142, RGB 255 136 161 and RGB 255 154 180

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 206 82 109. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 206 82 109 shade: RGB 206 82 109, RGB 189 64 90, RGB 172 46 71, RGB 155 28 52 and RGB 138 10 33

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 206 82 109 shade: RGB 205 79 107 and RGB 205 79 79

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 206 82 109 shade: RGB 205 79 107, RGB 205 79 141, RGB 205 79 175, RGB 202 79 205 and RGB 168 79 205

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 206 82 109 shade matches the following richer shades: RGB 205 79 107, RGB 223 61 97 and RGB 241 43 86

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 206 82 109 shade: RGB 205 79 107, RGB 187 98 117, RGB 169 116 127, RGB 151 134 138 and RGB 133 152 148

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 206 82 109 shade: RGB 205 79 176, RGB 205 79 142, RGB 205 79 109, RGB 205 84 79 and RGB 205 117 79

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 206 82 109 shade: RGB 158 44 69, RGB 190 53 83, RGB 205 79 107, RGB 214 112 134 and RGB 223 144 161

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 206 82 109 shade: RGB 206 82 109, RGB 205 201 79 and RGB 79 159 205

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 206 82 109 shade: RGB 206 82 109, RGB 109 205 79 and RGB 79 109 205

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 206 82 109 shade: RGB 206 82 109, RGB 205 201 79, RGB 79 205 176 and RGB 79 84 205

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 206 82 109 shade: RGB 206 82 109, RGB 172 205 79, RGB 79 205 176 and RGB 113 79 205

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 47 / 19

HEX #CE526D

RGB 206 82 109

HSL 346.94, 0.56%, 0.56%

LAB 52.13, 51.36, 10.34

 

Complementary color

CMYK 72 / 0 / 16 / 32

HEX #31AD92

RGB 49 173 146

HSL 166.94, 0.56%, 0.44%

LAB 63.85, -40, 4.2

 

CMYK 0 / 61 / 51 / 17

HEX #D35268

RGB 211 82 104

HSL 349.77, 0.59%, 0.57%

LAB 52.82, 52.56, 14.41

 

CMYK 0 / 56 / 46 / 11

HEX #E4647B

RGB 228 100 123

HSL 349.22, 0.7%, 0.64%

LAB 59.01, 51.77, 12.25

 

CMYK 0 / 52 / 42 / 4

HEX #F5768E

RGB 245 118 142

HSL 348.66, 0.86%, 0.71%

LAB 65.22, 50.89, 10.42

 

CMYK 0 / 47 / 37 / 0

HEX #FF88A1

RGB 255 136 161

HSL 347.39, 1%, 0.77%

LAB 70.48, 47.58, 7.39

 

CMYK 0 / 40 / 29 / 0

HEX #FF9AB4

RGB 255 154 180

HSL 344.55, 1%, 0.8%

LAB 74.61, 40.79, 2.8

 

CMYK 0 / 60 / 47 / 19

HEX #CE526D

RGB 206 82 109

HSL 346.94, 0.56%, 0.56%

LAB 52.13, 51.36, 10.34

 

CMYK 0 / 66 / 52 / 26

HEX #BD405A

RGB 189 64 90

HSL 347.52, 0.49%, 0.5%

LAB 45.94, 51.94, 12.77

 

CMYK 0 / 73 / 59 / 33

HEX #AC2E47

RGB 172 46 71

HSL 348.1, 0.58%, 0.43%

LAB 39.88, 52.14, 15.81

 

CMYK 0 / 82 / 66 / 39

HEX #9B1C34

RGB 155 28 52

HSL 348.66, 0.69%, 0.36%

LAB 34.08, 51.62, 19.67

 

CMYK 0 / 93 / 76 / 46

HEX #8A0A21

RGB 138 10 33

HSL 349.22, 0.86%, 0.29%

LAB 28.72, 49.89, 24.58

 

CMYK 0 / 61 / 48 / 20

HEX #CD4F6B

RGB 205 79 107

HSL 346.67, 0.56%, 0.56%

LAB 51.42, 52.19, 10.51

 

CMYK 0 / 61 / 61 / 20

HEX #CD4F4F

RGB 205 79 79

HSL 0, 0.56%, 0.56%

LAB 50.85, 49.96, 26.41

 

CMYK 0 / 61 / 48 / 20

HEX #CD4F6B

RGB 205 79 107

HSL 346.67, 0.56%, 0.56%

LAB 51.42, 52.19, 10.51

 

CMYK 0 / 61 / 31 / 20

HEX #CD4F8D

RGB 205 79 141

HSL 330.48, 0.56%, 0.56%

LAB 52.39, 55.85, -8.39

 

CMYK 0 / 61 / 15 / 20

HEX #CD4FAF

RGB 205 79 175

HSL 314.29, 0.56%, 0.56%

LAB 53.67, 60.49, -26.45

 

CMYK 1 / 61 / 0 / 20

HEX #CA4FCD

RGB 202 79 205

HSL 298.57, 0.56%, 0.56%

LAB 54.61, 64.54, -42.31

 

CMYK 18 / 61 / 0 / 20

HEX #A84FCD

RGB 168 79 205

HSL 282.38, 0.56%, 0.56%

LAB 49.89, 56.3, -50.11

 

CMYK 0 / 61 / 48 / 20

HEX #CD4F6B

RGB 205 79 107

HSL 346.67, 0.56%, 0.56%

LAB 51.42, 52.19, 10.51

 

CMYK 0 / 73 / 57 / 13

HEX #DF3D61

RGB 223 61 97

HSL 346.67, 0.72%, 0.56%

LAB 51.71, 63.97, 17.4

 

CMYK 0 / 82 / 64 / 5

HEX #F12B56

RGB 241 43 86

HSL 346.97, 0.88%, 0.56%

LAB 53.06, 73.3, 26.4

 

CMYK 0 / 61 / 48 / 20

HEX #CD4F6B

RGB 205 79 107

HSL 346.67, 0.56%, 0.56%

LAB 51.42, 52.19, 10.51

 

CMYK 0 / 48 / 37 / 27

HEX #BB6275

RGB 187 98 117

HSL 347.19, 0.4%, 0.56%

LAB 52.49, 37.75, 5.7

 

CMYK 0 / 31 / 25 / 34

HEX #A9747F

RGB 169 116 127

HSL 347.55, 0.24%, 0.56%

LAB 54.51, 22.47, 2.42

 

CMYK 0 / 11 / 9 / 41

HEX #97868A

RGB 151 134 138

HSL 345.88, 0.08%, 0.56%

LAB 57.53, 7.14, 0.2

 

CMYK 13 / 0 / 3 / 40

HEX #859894

RGB 133 152 148

HSL 167.37, 0.08%, 0.56%

LAB 61.29, -7.55, -0.19

 

CMYK 0 / 61 / 14 / 20

HEX #CD4FB0

RGB 205 79 176

HSL 313.81, 0.56%, 0.56%

LAB 53.71, 60.64, -26.97

 

CMYK 0 / 61 / 31 / 20

HEX #CD4F8E

RGB 205 79 142

HSL 330, 0.56%, 0.56%

LAB 52.42, 55.97, -8.94

 

CMYK 0 / 61 / 47 / 20

HEX #CD4F6D

RGB 205 79 109

HSL 345.71, 0.56%, 0.56%

LAB 51.47, 52.37, 9.38

 

CMYK 0 / 59 / 61 / 20

HEX #CD544F

RGB 205 84 79

HSL 2.38, 0.56%, 0.56%

LAB 51.71, 47.68, 27.51

 

CMYK 0 / 43 / 61 / 20

HEX #CD754F

RGB 205 117 79

HSL 18.1, 0.56%, 0.56%

LAB 58.29, 31.03, 35.7

 

CMYK 0 / 72 / 56 / 38

HEX #9E2C45

RGB 158 44 69

HSL 346.84, 0.56%, 0.4%

LAB 36.93, 48.36, 12.63

 

CMYK 0 / 72 / 56 / 25

HEX #BE3553

RGB 190 53 83

HSL 346.86, 0.56%, 0.48%

LAB 44.4, 55.98, 15

 

CMYK 0 / 61 / 48 / 20

HEX #CD4F6B

RGB 205 79 107

HSL 346.67, 0.56%, 0.56%

LAB 51.42, 52.19, 10.51

 

CMYK 0 / 48 / 37 / 16

HEX #D67086

RGB 214 112 134

HSL 347.06, 0.55%, 0.64%

LAB 59.53, 42.22, 6.32

 

CMYK 0 / 35 / 28 / 13

HEX #DF90A1

RGB 223 144 161

HSL 347.09, 0.55%, 0.72%

LAB 68.17, 32.12, 3.55

 

CMYK 0 / 60 / 47 / 19

HEX #CE526D

RGB 206 82 109

HSL 346.94, 0.56%, 0.56%

LAB 52.13, 51.36, 10.34

 

CMYK 0 / 2 / 61 / 20

HEX #CDC94F

RGB 205 201 79

HSL 58.1, 0.56%, 0.56%

LAB 79.22, -13.73, 59.59

 

CMYK 61 / 22 / 0 / 20

HEX #4F9FCD

RGB 79 159 205

HSL 201.9, 0.56%, 0.56%

LAB 62.39, -10.68, -30.88

 

CMYK 0 / 60 / 47 / 19

HEX #CE526D

RGB 206 82 109

HSL 346.94, 0.56%, 0.56%

LAB 52.13, 51.36, 10.34

 

CMYK 47 / 0 / 61 / 20

HEX #6DCD4F

RGB 109 205 79

HSL 105.71, 0.56%, 0.56%

LAB 74.49, -51.34, 52.72

 

CMYK 61 / 47 / 0 / 20

HEX #4F6DCD

RGB 79 109 205

HSL 225.71, 0.56%, 0.56%

LAB 48.27, 18.94, -53.16

 

CMYK 0 / 60 / 47 / 19

HEX #CE526D

RGB 206 82 109

HSL 346.94, 0.56%, 0.56%

LAB 52.13, 51.36, 10.34

 

CMYK 0 / 2 / 61 / 20

HEX #CDC94F

RGB 205 201 79

HSL 58.1, 0.56%, 0.56%

LAB 79.22, -13.73, 59.59

 

CMYK 61 / 0 / 14 / 20

HEX #4FCDB0

RGB 79 205 176

HSL 166.19, 0.56%, 0.56%

LAB 75.11, -41.69, 4.15

 

CMYK 61 / 59 / 0 / 20

HEX #4F54CD

RGB 79 84 205

HSL 237.62, 0.56%, 0.56%

LAB 41.86, 34.58, -63.51

 

CMYK 0 / 60 / 47 / 19

HEX #CE526D

RGB 206 82 109

HSL 346.94, 0.56%, 0.56%

LAB 52.13, 51.36, 10.34

 

CMYK 16 / 0 / 61 / 20

HEX #ACCD4F

RGB 172 205 79

HSL 75.71, 0.56%, 0.56%

LAB 77.87, -29.14, 57.41

 

CMYK 61 / 0 / 14 / 20

HEX #4FCDB0

RGB 79 205 176

HSL 166.19, 0.56%, 0.56%

LAB 75.11, -41.69, 4.15

 

CMYK 45 / 61 / 0 / 20

HEX #714FCD

RGB 113 79 205

HSL 256.19, 0.56%, 0.56%

LAB 43.52, 43.9, -60.68

 

Description

Color code: RGB 206 82 109 | qconv.com Color code: RGB 206 82 109 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 82 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 82 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 47 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 47% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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