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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 212 186 121 it is the complementary color RGB 43 69 134. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 212 186 121. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 212 186 121 shade: RGB 217 186 116, RGB 234 204 135, RGB 251 222 154, RGB 255 240 173 and RGB 255 255 192

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 212 186 121. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 212 186 121 shade: RGB 212 186 121, RGB 195 168 102, RGB 178 150 83, RGB 161 132 64 and RGB 144 114 45

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 212 186 121 shade: RGB 211 185 120, RGB 211 160 120, RGB 211 136 120 and RGB 211 120 120

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 212 186 121 shade: RGB 211 185 120, RGB 211 209 120, RGB 188 211 120, RGB 163 211 120 and RGB 139 211 120

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 212 186 121 shade matches the following richer shades: RGB 211 185 120, RGB 225 191 105, RGB 240 197 91 and RGB 254 203 76

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 212 186 121 shade: RGB 211 185 120, RGB 196 179 134, RGB 182 172 149, RGB 167 166 163 and RGB 153 160 177

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 212 186 121 shade: RGB 211 135 120, RGB 211 159 120, RGB 211 183 120, RGB 211 208 120 and RGB 190 211 120

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 212 186 121 shade: RGB 187 151 61, RGB 201 169 89, RGB 211 185 120, RGB 221 201 151 and RGB 231 217 182

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 212 186 121 shade: RGB 212 186 121, RGB 129 211 120 and RGB 147 120 211

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 212 186 121 shade: RGB 212 186 121, RGB 120 211 183 and RGB 183 120 211

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 212 186 121 shade: RGB 212 186 121, RGB 129 211 120, RGB 120 147 211 and RGB 202 120 211

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 212 186 121 shade: RGB 212 186 121, RGB 120 211 138, RGB 120 147 211 and RGB 211 120 193

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 43 / 17

HEX #D4BA79

RGB 212 186 121

HSL 42.86, 0.51%, 0.65%

LAB 76.37, 0.46, 36.31

 

Complementary color

CMYK 68 / 49 / 0 / 47

HEX #2B4586

RGB 43 69 134

HSL 222.86, 0.51%, 0.35%

LAB 30.62, 12.82, -39.45

 

CMYK 0 / 14 / 47 / 15

HEX #D9BA74

RGB 217 186 116

HSL 41.58, 0.57%, 0.65%

LAB 76.76, 1.99, 39.46

 

CMYK 0 / 13 / 42 / 8

HEX #EACC87

RGB 234 204 135

HSL 41.82, 0.7%, 0.72%

LAB 83.14, 1.35, 38.22

 

CMYK 0 / 12 / 39 / 2

HEX #FBDE9A

RGB 251 222 154

HSL 42.06, 0.92%, 0.79%

LAB 89.43, 0.79, 37.02

 

CMYK 0 / 6 / 32 / 0

HEX #FFF0AD

RGB 255 240 173

HSL 49.02, 1%, 0.84%

LAB 94.57, -4.61, 34.27

 

CMYK 0 / 0 / 25 / 0

HEX #FFFFC0

RGB 255 255 192

HSL 60, 1%, 0.88%

LAB 98.66, -9.68, 30.2

 

CMYK 0 / 12 / 43 / 17

HEX #D4BA79

RGB 212 186 121

HSL 42.86, 0.51%, 0.65%

LAB 76.37, 0.46, 36.31

 

CMYK 0 / 14 / 48 / 24

HEX #C3A866

RGB 195 168 102

HSL 42.58, 0.44%, 0.58%

LAB 69.87, 1.11, 37.58

 

CMYK 0 / 16 / 53 / 30

HEX #B29653

RGB 178 150 83

HSL 42.32, 0.38%, 0.51%

LAB 63.26, 1.89, 38.9

 

CMYK 0 / 18 / 60 / 37

HEX #A18440

RGB 161 132 64

HSL 42.06, 0.43%, 0.44%

LAB 56.54, 2.83, 40.22

 

CMYK 0 / 21 / 69 / 44

HEX #90722D

RGB 144 114 45

HSL 41.82, 0.52%, 0.37%

LAB 49.68, 3.98, 41.44

 

CMYK 0 / 12 / 43 / 17

HEX #D3B978

RGB 211 185 120

HSL 42.86, 0.51%, 0.65%

LAB 76.01, 0.48, 36.34

 

CMYK 0 / 24 / 43 / 17

HEX #D3A078

RGB 211 160 120

HSL 26.37, 0.51%, 0.65%

LAB 69.72, 13.85, 28.16

 

CMYK 0 / 36 / 43 / 17

HEX #D38878

RGB 211 136 120

HSL 10.55, 0.51%, 0.65%

LAB 64.01, 26.86, 20.51

 

CMYK 0 / 43 / 43 / 17

HEX #D37878

RGB 211 120 120

HSL 0, 0.51%, 0.65%

LAB 60.46, 35.41, 15.64

 

CMYK 0 / 12 / 43 / 17

HEX #D3B978

RGB 211 185 120

HSL 42.86, 0.51%, 0.65%

LAB 76.01, 0.48, 36.34

 

CMYK 0 / 1 / 43 / 17

HEX #D3D178

RGB 211 209 120

HSL 58.68, 0.51%, 0.65%

LAB 82.27, -11.91, 44.24

 

CMYK 11 / 0 / 43 / 17

HEX #BCD378

RGB 188 211 120

HSL 75.16, 0.51%, 0.65%

LAB 81.09, -21.92, 42.39

 

CMYK 23 / 0 / 43 / 17

HEX #A3D378

RGB 163 211 120

HSL 91.65, 0.51%, 0.65%

LAB 79.46, -31.27, 39.99

 

CMYK 34 / 0 / 43 / 17

HEX #8BD378

RGB 139 211 120

HSL 107.47, 0.51%, 0.65%

LAB 78.13, -39.56, 38.03

 

CMYK 0 / 12 / 43 / 17

HEX #D3B978

RGB 211 185 120

HSL 42.86, 0.51%, 0.65%

LAB 76.01, 0.48, 36.34

 

CMYK 0 / 15 / 53 / 12

HEX #E1BF69

RGB 225 191 105

HSL 43, 0.67%, 0.65%

LAB 78.63, 1.66, 47.44

 

CMYK 0 / 18 / 62 / 6

HEX #F0C55B

RGB 240 197 91

HSL 42.68, 0.83%, 0.65%

LAB 81.41, 3.72, 57.61

 

CMYK 0 / 20 / 70 / 0

HEX #FECB4C

RGB 254 203 76

HSL 42.81, 0.99%, 0.65%

LAB 84.12, 5.61, 67.31

 

CMYK 0 / 12 / 43 / 17

HEX #D3B978

RGB 211 185 120

HSL 42.86, 0.51%, 0.65%

LAB 76.01, 0.48, 36.34

 

CMYK 0 / 9 / 32 / 23

HEX #C4B386

RGB 196 179 134

HSL 43.55, 0.34%, 0.65%

LAB 73.35, -0.73, 25.22

 

CMYK 0 / 5 / 18 / 29

HEX #B6AC95

RGB 182 172 149

HSL 41.82, 0.18%, 0.65%

LAB 70.61, -0.28, 13.13

 

CMYK 0 / 1 / 2 / 35

HEX #A7A6A3

RGB 167 166 163

HSL 45, 0.02%, 0.65%

LAB 68.12, -0.2, 1.67

 

CMYK 14 / 10 / 0 / 31

HEX #99A0B1

RGB 153 160 177

HSL 222.5, 0.13%, 0.65%

LAB 65.82, 1.03, -9.65

 

CMYK 0 / 36 / 43 / 17

HEX #D38778

RGB 211 135 120

HSL 9.89, 0.51%, 0.65%

LAB 63.78, 27.4, 20.2

 

CMYK 0 / 25 / 43 / 17

HEX #D39F78

RGB 211 159 120

HSL 25.71, 0.51%, 0.65%

LAB 69.47, 14.39, 27.83

 

CMYK 0 / 13 / 43 / 17

HEX #D3B778

RGB 211 183 120

HSL 41.54, 0.51%, 0.65%

LAB 75.5, 1.53, 35.69

 

CMYK 0 / 1 / 43 / 17

HEX #D3D078

RGB 211 208 120

HSL 58.02, 0.51%, 0.65%

LAB 82.01, -11.41, 43.91

 

CMYK 10 / 0 / 43 / 17

HEX #BED378

RGB 190 211 120

HSL 73.85, 0.51%, 0.65%

LAB 81.23, -21.15, 42.6

 

CMYK 0 / 19 / 67 / 27

HEX #BB973D

RGB 187 151 61

HSL 42.86, 0.51%, 0.49%

LAB 64.19, 3.64, 50.87

 

CMYK 0 / 16 / 56 / 21

HEX #C9A959

RGB 201 169 89

HSL 42.86, 0.51%, 0.57%

LAB 70.54, 1.94, 45.1

 

CMYK 0 / 12 / 43 / 17

HEX #D3B978

RGB 211 185 120

HSL 42.86, 0.51%, 0.65%

LAB 76.01, 0.48, 36.34

 

CMYK 0 / 9 / 32 / 13

HEX #DDC997

RGB 221 201 151

HSL 42.86, 0.51%, 0.73%

LAB 81.5, -0.37, 27.57

 

CMYK 0 / 6 / 21 / 9

HEX #E7D9B6

RGB 231 217 182

HSL 42.86, 0.51%, 0.81%

LAB 86.99, -0.7, 18.99

 

CMYK 0 / 12 / 43 / 17

HEX #D4BA79

RGB 212 186 121

HSL 42.86, 0.51%, 0.65%

LAB 76.37, 0.46, 36.31

 

CMYK 39 / 0 / 43 / 17

HEX #81D378

RGB 129 211 120

HSL 114.07, 0.51%, 0.65%

LAB 77.65, -42.76, 37.31

 

CMYK 30 / 43 / 0 / 17

HEX #9378D3

RGB 147 120 211

HSL 257.8, 0.51%, 0.65%

LAB 56.43, 30.16, -43.29

 

CMYK 0 / 12 / 43 / 17

HEX #D4BA79

RGB 212 186 121

HSL 42.86, 0.51%, 0.65%

LAB 76.37, 0.46, 36.31

 

CMYK 43 / 0 / 13 / 17

HEX #78D3B7

RGB 120 211 183

HSL 161.54, 0.51%, 0.65%

LAB 78.46, -33.76, 5.4

 

CMYK 13 / 43 / 0 / 17

HEX #B778D3

RGB 183 120 211

HSL 281.54, 0.51%, 0.65%

LAB 60.07, 40.45, -37.3

 

CMYK 0 / 12 / 43 / 17

HEX #D4BA79

RGB 212 186 121

HSL 42.86, 0.51%, 0.65%

LAB 76.37, 0.46, 36.31

 

CMYK 39 / 0 / 43 / 17

HEX #81D378

RGB 129 211 120

HSL 114.07, 0.51%, 0.65%

LAB 77.65, -42.76, 37.31

 

CMYK 43 / 30 / 0 / 17

HEX #7893D3

RGB 120 147 211

HSL 222.2, 0.51%, 0.65%

LAB 61.28, 7.11, -35.82

 

CMYK 4 / 43 / 0 / 17

HEX #CA78D3

RGB 202 120 211

HSL 294.07, 0.51%, 0.65%

LAB 62.25, 46.06, -33.75

 

CMYK 0 / 12 / 43 / 17

HEX #D4BA79

RGB 212 186 121

HSL 42.86, 0.51%, 0.65%

LAB 76.37, 0.46, 36.31

 

CMYK 43 / 0 / 35 / 17

HEX #78D38A

RGB 120 211 138

HSL 131.87, 0.51%, 0.65%

LAB 77.53, -42.63, 27.89

 

CMYK 43 / 30 / 0 / 17

HEX #7893D3

RGB 120 147 211

HSL 222.2, 0.51%, 0.65%

LAB 61.28, 7.11, -35.82

 

CMYK 0 / 43 / 9 / 17

HEX #D378C1

RGB 211 120 193

HSL 311.87, 0.51%, 0.65%

LAB 62.62, 45.57, -22.94

 

Description

Color code: RGB 212 186 121 | qconv.com Color code: RGB 212 186 121 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 186 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 186 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 43 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 43% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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