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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 213 54 218 it is the complementary color RGB 42 201 37. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 213 54 218. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 213 54 218 shade: RGB 218 54 213, RGB 235 72 232, RGB 252 90 251, RGB 255 108 255 and RGB 255 126 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 213 54 218. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 213 54 218 shade: RGB 213 54 218, RGB 196 36 199, RGB 179 18 180, RGB 162 0 161 and RGB 145 0 142

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 213 54 218 shade: RGB 212 52 217, RGB 217 52 178, RGB 217 52 133, RGB 217 52 89 and RGB 217 52 52

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 213 54 218 shade: RGB 212 52 217, RGB 168 52 217, RGB 123 52 217, RGB 78 52 217 and RGB 52 52 217

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 213 54 218 shade matches the following richer shades: RGB 212 52 217 and RGB 231 33 237

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 213 54 218 shade: RGB 212 52 217, RGB 194 71 198, RGB 176 91 179, RGB 158 110 159 and RGB 139 130 140

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 213 54 218 shade: RGB 124 52 217, RGB 168 52 217, RGB 212 52 217, RGB 217 52 179 and RGB 217 52 135

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 213 54 218 shade: RGB 154 29 158, RGB 188 35 193, RGB 212 52 217, RGB 220 87 224 and RGB 227 122 230

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 213 54 218 shade: RGB 213 54 218, RGB 217 80 52 and RGB 52 217 146

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 213 54 218 shade: RGB 213 54 218, RGB 217 212 52 and RGB 52 217 212

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 213 54 218 shade: RGB 213 54 218, RGB 217 80 52, RGB 57 217 52 and RGB 52 190 217

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 213 54 218 shade: RGB 213 54 218, RGB 217 129 52, RGB 57 217 52 and RGB 52 140 217

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 75 / 0 / 15

HEX #D536DA

RGB 213 54 218

HSL 298.17, 0.69%, 0.53%

LAB 53.86, 77.92, -50.8

 

Complementary color

CMYK 79 / 0 / 82 / 21

HEX #2AC925

RGB 42 201 37

HSL 118.17, 0.69%, 0.47%

LAB 71.15, -67.82, 63.89

 

CMYK 0 / 75 / 2 / 15

HEX #DA36D5

RGB 218 54 213

HSL 301.83, 0.69%, 0.53%

LAB 54.39, 78.15, -47.07

 

CMYK 0 / 69 / 1 / 8

HEX #EB48E8

RGB 235 72 232

HSL 301.1, 0.8%, 0.6%

LAB 60, 79.1, -48.74

 

CMYK 0 / 64 / 0 / 1

HEX #FC5AFB

RGB 252 90 251

HSL 300.37, 0.96%, 0.67%

LAB 65.73, 79.52, -50.06

 

CMYK 0 / 58 / 0 / 0

HEX #FF6CFF

RGB 255 108 255

HSL 300, 1%, 0.71%

LAB 68.9, 73.78, -47.23

 

CMYK 0 / 51 / 0 / 0

HEX #FF7EFF

RGB 255 126 255

HSL 300, 1%, 0.75%

LAB 71.83, 65.87, -42.63

 

CMYK 2 / 75 / 0 / 15

HEX #D536DA

RGB 213 54 218

HSL 298.17, 0.69%, 0.53%

LAB 53.86, 77.92, -50.8

 

CMYK 2 / 82 / 0 / 22

HEX #C424C7

RGB 196 36 199

HSL 298.9, 0.69%, 0.46%

LAB 48.41, 76.27, -48.77

 

CMYK 1 / 90 / 0 / 29

HEX #B312B4

RGB 179 18 180

HSL 299.63, 0.82%, 0.39%

LAB 43.23, 73.57, -46.11

 

CMYK 0 / 100 / 1 / 36

HEX #A200A1

RGB 162 0 161

HSL 300.37, 1%, 0.32%

LAB 38.3, 69.83, -42.83

 

CMYK 0 / 100 / 2 / 43

HEX #91008E

RGB 145 0 142

HSL 301.24, 1%, 0.28%

LAB 33.93, 64.06, -38.41

 

CMYK 2 / 76 / 0 / 15

HEX #D434D9

RGB 212 52 217

HSL 298.18, 0.68%, 0.53%

LAB 53.45, 78.13, -50.9

 

CMYK 0 / 76 / 18 / 15

HEX #D934B2

RGB 217 52 178

HSL 314.18, 0.68%, 0.53%

LAB 52.31, 73.51, -30.16

 

CMYK 0 / 76 / 39 / 15

HEX #D93485

RGB 217 52 133

HSL 330.55, 0.68%, 0.53%

LAB 50.57, 68.26, -6.11

 

CMYK 0 / 76 / 59 / 15

HEX #D93459

RGB 217 52 89

HSL 346.55, 0.68%, 0.53%

LAB 49.41, 64.61, 18.94

 

CMYK 0 / 76 / 76 / 15

HEX #D93434

RGB 217 52 52

HSL 0, 0.68%, 0.53%

LAB 48.83, 62.74, 40.09

 

CMYK 2 / 76 / 0 / 15

HEX #D434D9

RGB 212 52 217

HSL 298.18, 0.68%, 0.53%

LAB 53.45, 78.13, -50.9

 

CMYK 23 / 76 / 0 / 15

HEX #A834D9

RGB 168 52 217

HSL 282.18, 0.68%, 0.53%

LAB 46.7, 69.8, -62.11

 

CMYK 43 / 76 / 0 / 15

HEX #7B34D9

RGB 123 52 217

HSL 265.82, 0.68%, 0.53%

LAB 40.7, 62.24, -72.14

 

CMYK 64 / 76 / 0 / 15

HEX #4E34D9

RGB 78 52 217

HSL 249.45, 0.68%, 0.53%

LAB 36.15, 56.35, -79.78

 

CMYK 76 / 76 / 0 / 15

HEX #3434D9

RGB 52 52 217

HSL 240, 0.68%, 0.53%

LAB 34.39, 54.02, -82.75

 

CMYK 2 / 76 / 0 / 15

HEX #D434D9

RGB 212 52 217

HSL 298.18, 0.68%, 0.53%

LAB 53.45, 78.13, -50.9

 

CMYK 3 / 86 / 0 / 7

HEX #E721ED

RGB 231 33 237

HSL 298.24, 0.85%, 0.53%

LAB 56.28, 88.79, -57.51

 

CMYK 2 / 76 / 0 / 15

HEX #D434D9

RGB 212 52 217

HSL 298.18, 0.68%, 0.53%

LAB 53.45, 78.13, -50.9

 

CMYK 2 / 64 / 0 / 22

HEX #C247C6

RGB 194 71 198

HSL 298.11, 0.53%, 0.53%

LAB 51.9, 64.68, -42.67

 

CMYK 2 / 49 / 0 / 30

HEX #B05BB3

RGB 176 91 179

HSL 297.95, 0.37%, 0.53%

LAB 51.8, 47.37, -32

 

CMYK 1 / 31 / 0 / 38

HEX #9E6E9F

RGB 158 110 159

HSL 298.78, 0.2%, 0.53%

LAB 52.87, 27.46, -18.88

 

CMYK 1 / 7 / 0 / 45

HEX #8B828C

RGB 139 130 140

HSL 294, 0.04%, 0.53%

LAB 55.43, 5.33, -4.16

 

CMYK 43 / 76 / 0 / 15

HEX #7C34D9

RGB 124 52 217

HSL 266.18, 0.68%, 0.53%

LAB 40.82, 62.39, -71.94

 

CMYK 23 / 76 / 0 / 15

HEX #A834D9

RGB 168 52 217

HSL 282.18, 0.68%, 0.53%

LAB 46.7, 69.8, -62.11

 

CMYK 2 / 76 / 0 / 15

HEX #D434D9

RGB 212 52 217

HSL 298.18, 0.68%, 0.53%

LAB 53.45, 78.13, -50.9

 

CMYK 0 / 76 / 18 / 15

HEX #D934B3

RGB 217 52 179

HSL 313.82, 0.68%, 0.53%

LAB 52.36, 73.64, -30.67

 

CMYK 0 / 76 / 38 / 15

HEX #D93487

RGB 217 52 135

HSL 329.82, 0.68%, 0.53%

LAB 50.64, 68.46, -7.21

 

CMYK 3 / 82 / 0 / 38

HEX #9A1D9E

RGB 154 29 158

HSL 298.14, 0.69%, 0.37%

LAB 38.23, 63.34, -41.21

 

CMYK 3 / 82 / 0 / 24

HEX #BC23C1

RGB 188 35 193

HSL 298.1, 0.69%, 0.45%

LAB 46.64, 74.06, -48.2

 

CMYK 2 / 76 / 0 / 15

HEX #D434D9

RGB 212 52 217

HSL 298.18, 0.68%, 0.53%

LAB 53.45, 78.13, -50.9

 

CMYK 2 / 61 / 0 / 12

HEX #DC57E0

RGB 220 87 224

HSL 298.25, 0.69%, 0.61%

LAB 59.36, 68.83, -45.42

 

CMYK 1 / 47 / 0 / 10

HEX #E37AE6

RGB 227 122 230

HSL 298.33, 0.68%, 0.69%

LAB 66.49, 55.77, -37.5

 

CMYK 2 / 75 / 0 / 15

HEX #D536DA

RGB 213 54 218

HSL 298.17, 0.69%, 0.53%

LAB 53.86, 77.92, -50.8

 

CMYK 0 / 63 / 76 / 15

HEX #D95034

RGB 217 80 52

HSL 10.18, 0.68%, 0.53%

LAB 52.66, 52.26, 44.18

 

CMYK 76 / 0 / 33 / 15

HEX #34D992

RGB 52 217 146

HSL 154.18, 0.68%, 0.53%

LAB 77.54, -57.47, 23.41

 

CMYK 2 / 75 / 0 / 15

HEX #D536DA

RGB 213 54 218

HSL 298.17, 0.69%, 0.53%

LAB 53.86, 77.92, -50.8

 

CMYK 0 / 2 / 76 / 15

HEX #D9D434

RGB 217 212 52

HSL 58.18, 0.68%, 0.53%

LAB 82.96, -15.58, 73.54

 

CMYK 76 / 0 / 2 / 15

HEX #34D9D4

RGB 52 217 212

HSL 178.18, 0.68%, 0.53%

LAB 79.1, -41.23, -9.39

 

CMYK 2 / 75 / 0 / 15

HEX #D536DA

RGB 213 54 218

HSL 298.17, 0.69%, 0.53%

LAB 53.86, 77.92, -50.8

 

CMYK 0 / 63 / 76 / 15

HEX #D95034

RGB 217 80 52

HSL 10.18, 0.68%, 0.53%

LAB 52.66, 52.26, 44.18

 

CMYK 74 / 0 / 76 / 15

HEX #39D934

RGB 57 217 52

HSL 118.18, 0.68%, 0.53%

LAB 76.52, -69.64, 64.67

 

CMYK 76 / 12 / 0 / 15

HEX #34BED9

RGB 52 190 217

HSL 189.82, 0.68%, 0.53%

LAB 71.26, -27.01, -23.92

 

CMYK 2 / 75 / 0 / 15

HEX #D536DA

RGB 213 54 218

HSL 298.17, 0.69%, 0.53%

LAB 53.86, 77.92, -50.8

 

CMYK 0 / 41 / 76 / 15

HEX #D98134

RGB 217 129 52

HSL 28, 0.68%, 0.53%

LAB 62.25, 28.06, 53.97

 

CMYK 74 / 0 / 76 / 15

HEX #39D934

RGB 57 217 52

HSL 118.18, 0.68%, 0.53%

LAB 76.52, -69.64, 64.67

 

CMYK 76 / 35 / 0 / 15

HEX #348CD9

RGB 52 140 217

HSL 208, 0.68%, 0.53%

LAB 56.58, 0.16, -46.77

 

Description

Color code: RGB 213 54 218 | qconv.com Color code: RGB 213 54 218 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 54 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 54 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 75 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 75% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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