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Color name
RGB 221 51 33

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 221 51 33 it is the complementary color RGB 34 204 222. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 221 51 33. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 221 51 33 shade: RGB 226 51 28, RGB 243 69 47, RGB 255 87 66, RGB 255 105 85 and RGB 255 123 104

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 221 51 33. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 221 51 33 shade: RGB 221 51 33, RGB 204 33 14, RGB 187 15 0, RGB 170 0 0 and RGB 153 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 221 51 33 shade: RGB 221 51 33 and RGB 221 33 33

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 221 51 33 shade: RGB 221 51 33, RGB 221 102 33, RGB 221 152 33, RGB 221 203 33 and RGB 188 221 33

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 221 51 33 shade matches the following richer shades: RGB 221 51 33 and RGB 242 34 12

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 221 51 33 shade: RGB 221 51 33, RGB 201 67 53, RGB 180 84 74, RGB 159 101 95 and RGB 139 117 115

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 221 51 33 shade: RGB 221 33 118, RGB 221 33 67, RGB 221 48 33, RGB 221 99 33 and RGB 221 149 33

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 221 51 33 shade: RGB 150 34 22, RGB 185 42 27, RGB 221 51 33, RGB 227 84 69 and RGB 232 117 104

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 221 51 33 shade: RGB 221 51 33, RGB 168 221 33 and RGB 33 92 221

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 221 51 33 shade: RGB 221 51 33, RGB 33 221 48 and RGB 48 33 221

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 221 51 33 shade: RGB 221 51 33, RGB 168 221 33, RGB 33 206 221 and RGB 86 33 221

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 221 51 33 shade: RGB 221 51 33, RGB 111 221 33, RGB 33 206 221 and RGB 143 33 221

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 77 / 85 / 13

HEX #DD3321

RGB 221 51 33

HSL 5.74, 0.74%, 0.5%

LAB 49.31, 63.67, 50.66

 

Complementary color

CMYK 85 / 8 / 0 / 13

HEX #22CCDE

RGB 34 204 222

HSL 185.74, 0.74%, 0.5%

LAB 75.33, -33.78, -20.46

 

CMYK 0 / 77 / 88 / 11

HEX #E2331C

RGB 226 51 28

HSL 6.97, 0.78%, 0.5%

LAB 50.24, 65.04, 54.03

 

CMYK 0 / 72 / 81 / 5

HEX #F3452F

RGB 243 69 47

HSL 6.73, 0.89%, 0.57%

LAB 55.6, 64.83, 51.16

 

CMYK 0 / 66 / 74 / 0

HEX #FF5742

RGB 255 87 66

HSL 6.67, 1%, 0.63%

LAB 60.31, 62.59, 46.96

 

CMYK 0 / 59 / 67 / 0

HEX #FF6955

RGB 255 105 85

HSL 7.06, 1%, 0.67%

LAB 63.36, 55.92, 40.28

 

CMYK 0 / 52 / 59 / 0

HEX #FF7B68

RGB 255 123 104

HSL 7.55, 1%, 0.7%

LAB 66.84, 48.74, 34.2

 

CMYK 0 / 77 / 85 / 13

HEX #DD3321

RGB 221 51 33

HSL 5.74, 0.74%, 0.5%

LAB 49.31, 63.67, 50.66

 

CMYK 0 / 84 / 93 / 20

HEX #CC210E

RGB 204 33 14

HSL 6, 0.87%, 0.43%

LAB 44.17, 63.23, 53.14

 

CMYK 0 / 92 / 100 / 27

HEX #BB0F00

RGB 187 15 0

HSL 4.81, 1%, 0.37%

LAB 39.42, 61.76, 53.45

 

CMYK 0 / 100 / 100 / 33

HEX #AA0000

RGB 170 0 0

HSL 0, 1%, 0.33%

LAB 35.1, 59.12, 49.41

 

CMYK 0 / 100 / 100 / 40

HEX #990000

RGB 153 0 0

HSL 0, 1%, 0.3%

LAB 31.28, 54.71, 45.14

 

CMYK 0 / 77 / 85 / 13

HEX #DD3321

RGB 221 51 33

HSL 5.74, 0.74%, 0.5%

LAB 49.31, 63.67, 50.66

 

CMYK 0 / 85 / 85 / 13

HEX #DD2121

RGB 221 33 33

HSL 0, 0.74%, 0.5%

LAB 47.71, 68.2, 49.29

 

CMYK 0 / 77 / 85 / 13

HEX #DD3321

RGB 221 51 33

HSL 5.74, 0.74%, 0.5%

LAB 49.31, 63.67, 50.66

 

CMYK 0 / 54 / 85 / 13

HEX #DD6621

RGB 221 102 33

HSL 22.02, 0.74%, 0.5%

LAB 57.06, 42.94, 57.21

 

CMYK 0 / 31 / 85 / 13

HEX #DD9821

RGB 221 152 33

HSL 37.98, 0.74%, 0.5%

LAB 67.98, 16.81, 66.28

 

CMYK 0 / 8 / 85 / 13

HEX #DDCB21

RGB 221 203 33

HSL 54.26, 0.74%, 0.5%

LAB 80.85, -9.95, 76.86

 

CMYK 15 / 0 / 85 / 13

HEX #BCDD21

RGB 188 221 33

HSL 70.53, 0.74%, 0.5%

LAB 83.19, -32.5, 77.76

 

CMYK 0 / 77 / 85 / 13

HEX #DD3321

RGB 221 51 33

HSL 5.74, 0.74%, 0.5%

LAB 49.31, 63.67, 50.66

 

CMYK 0 / 86 / 95 / 5

HEX #F2220C

RGB 242 34 12

HSL 5.74, 0.91%, 0.5%

LAB 51.89, 73.29, 62.14

 

CMYK 0 / 77 / 85 / 13

HEX #DD3321

RGB 221 51 33

HSL 5.74, 0.74%, 0.5%

LAB 49.31, 63.67, 50.66

 

CMYK 0 / 67 / 74 / 21

HEX #C94335

RGB 201 67 53

HSL 5.68, 0.58%, 0.5%

LAB 47.87, 52.33, 37.64

 

CMYK 0 / 53 / 59 / 29

HEX #B4544A

RGB 180 84 74

HSL 5.66, 0.42%, 0.5%

LAB 47.67, 38.15, 24.48

 

CMYK 0 / 36 / 40 / 38

HEX #9F655F

RGB 159 101 95

HSL 5.62, 0.25%, 0.5%

LAB 48.89, 22.66, 13.15

 

CMYK 0 / 16 / 17 / 45

HEX #8B7573

RGB 139 117 115

HSL 5, 0.09%, 0.5%

LAB 51.21, 8.21, 4.28

 

CMYK 0 / 85 / 47 / 13

HEX #DD2176

RGB 221 33 118

HSL 332.87, 0.74%, 0.5%

LAB 49.21, 72.56, 1.08

 

CMYK 0 / 85 / 70 / 13

HEX #DD2143

RGB 221 33 67

HSL 349.15, 0.74%, 0.5%

LAB 48.09, 69.31, 30.72

 

CMYK 0 / 78 / 85 / 13

HEX #DD3021

RGB 221 48 33

HSL 4.79, 0.74%, 0.5%

LAB 49, 64.55, 50.4

 

CMYK 0 / 55 / 85 / 13

HEX #DD6321

RGB 221 99 33

HSL 21.06, 0.74%, 0.5%

LAB 56.49, 44.39, 56.73

 

CMYK 0 / 33 / 85 / 13

HEX #DD9521

RGB 221 149 33

HSL 37.02, 0.74%, 0.5%

LAB 67.26, 18.42, 65.69

 

CMYK 0 / 77 / 85 / 41

HEX #962216

RGB 150 34 22

HSL 5.63, 0.74%, 0.34%

LAB 33.32, 46.96, 36.65

 

CMYK 0 / 77 / 85 / 27

HEX #B92A1B

RGB 185 42 27

HSL 5.7, 0.75%, 0.42%

LAB 41.29, 55.47, 43.87

 

CMYK 0 / 77 / 85 / 13

HEX #DD3321

RGB 221 51 33

HSL 5.74, 0.74%, 0.5%

LAB 49.31, 63.67, 50.66

 

CMYK 0 / 63 / 70 / 11

HEX #E35445

RGB 227 84 69

HSL 5.7, 0.74%, 0.58%

LAB 55.18, 54.71, 38.27

 

CMYK 0 / 50 / 55 / 9

HEX #E87568

RGB 232 117 104

HSL 6.09, 0.74%, 0.66%

LAB 62.4, 43.31, 27.83

 

CMYK 0 / 77 / 85 / 13

HEX #DD3321

RGB 221 51 33

HSL 5.74, 0.74%, 0.5%

LAB 49.31, 63.67, 50.66

 

CMYK 24 / 0 / 85 / 13

HEX #A8DD21

RGB 168 221 33

HSL 76.91, 0.74%, 0.5%

LAB 81.92, -40.38, 76.19

 

CMYK 85 / 58 / 0 / 13

HEX #215CDD

RGB 33 92 221

HSL 221.17, 0.74%, 0.5%

LAB 43.06, 29.91, -70.81

 

CMYK 0 / 77 / 85 / 13

HEX #DD3321

RGB 221 51 33

HSL 5.74, 0.74%, 0.5%

LAB 49.31, 63.67, 50.66

 

CMYK 85 / 0 / 78 / 13

HEX #21DD30

RGB 33 221 48

HSL 124.79, 0.74%, 0.5%

LAB 77.43, -73.96, 66.66

 

CMYK 78 / 85 / 0 / 13

HEX #3021DD

RGB 48 33 221

HSL 244.79, 0.74%, 0.5%

LAB 31.66, 63.64, -89.58

 

CMYK 0 / 77 / 85 / 13

HEX #DD3321

RGB 221 51 33

HSL 5.74, 0.74%, 0.5%

LAB 49.31, 63.67, 50.66

 

CMYK 24 / 0 / 85 / 13

HEX #A8DD21

RGB 168 221 33

HSL 76.91, 0.74%, 0.5%

LAB 81.92, -40.38, 76.19

 

CMYK 85 / 7 / 0 / 13

HEX #21CEDD

RGB 33 206 221

HSL 184.79, 0.74%, 0.5%

LAB 75.88, -35.1, -19.09

 

CMYK 61 / 85 / 0 / 13

HEX #5621DD

RGB 86 33 221

HSL 256.91, 0.74%, 0.5%

LAB 34.57, 66.1, -84.67

 

CMYK 0 / 77 / 85 / 13

HEX #DD3321

RGB 221 51 33

HSL 5.74, 0.74%, 0.5%

LAB 49.31, 63.67, 50.66

 

CMYK 50 / 0 / 85 / 13

HEX #6FDD21

RGB 111 221 33

HSL 95.11, 0.74%, 0.5%

LAB 79.16, -59.86, 72.73

 

CMYK 85 / 7 / 0 / 13

HEX #21CEDD

RGB 33 206 221

HSL 184.79, 0.74%, 0.5%

LAB 75.88, -35.1, -19.09

 

CMYK 35 / 85 / 0 / 13

HEX #8F21DD

RGB 143 33 221

HSL 275.11, 0.74%, 0.5%

LAB 41.45, 72.4, -73.1

 

Description

Color code: RGB 221 51 33 | qconv.com Color code: RGB 221 51 33 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 51 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 51 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 77 magenta, 85 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 77% 85% 13% C M Y K

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