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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 239 196 76 it is the complementary color RGB 16 59 179. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 239 196 76. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 239 196 76 shade: RGB 244 196 71, RGB 255 214 90, RGB 255 232 109, RGB 255 250 128 and RGB 255 255 147

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 239 196 76. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 239 196 76 shade: RGB 239 196 76, RGB 222 178 57, RGB 205 160 38, RGB 188 142 19 and RGB 171 124 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 239 196 76 shade: RGB 239 196 76, RGB 239 152 76, RGB 239 108 76 and RGB 239 76 76

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 239 196 76 shade: RGB 239 196 76, RGB 238 239 76, RGB 194 239 76, RGB 150 239 76 and RGB 106 239 76

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 239 196 76 shade matches the following richer shades: RGB 239 196 76

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 239 196 76 shade: RGB 239 196 76, RGB 223 189 92, RGB 208 181 108, RGB 192 174 123 and RGB 176 166 139

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 239 196 76 shade: RGB 239 109 76, RGB 239 152 76, RGB 239 196 76, RGB 239 239 76 and RGB 196 239 76

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 239 196 76 shade: RGB 214 163 18, RGB 236 184 38, RGB 239 196 76, RGB 242 208 114 and RGB 246 221 152

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 239 196 76 shade: RGB 239 196 76, RGB 87 239 76 and RGB 130 76 239

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 239 196 76 shade: RGB 239 196 76, RGB 76 239 196 and RGB 196 76 239

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 239 196 76 shade: RGB 239 196 76, RGB 87 239 76, RGB 76 120 239 and RGB 228 76 239

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 239 196 76 shade: RGB 239 196 76, RGB 76 239 114, RGB 76 120 239 and RGB 239 76 201

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 68 / 6

HEX #EFC44C

RGB 239 196 76

HSL 44.17, 0.84%, 0.62%

LAB 80.93, 2.94, 63.57

 

Complementary color

CMYK 91 / 67 / 0 / 30

HEX #103BB3

RGB 16 59 179

HSL 224.17, 0.84%, 0.38%

LAB 30.62, 34.41, -66.78

 

CMYK 0 / 20 / 71 / 4

HEX #F4C447

RGB 244 196 71

HSL 43.35, 0.89%, 0.62%

LAB 81.38, 4.79, 66.21

 

CMYK 0 / 16 / 65 / 0

HEX #FFD65A

RGB 255 214 90

HSL 45.09, 1%, 0.68%

LAB 87.04, 1.14, 64.61

 

CMYK 0 / 9 / 57 / 0

HEX #FFE86D

RGB 255 232 109

HSL 50.55, 1%, 0.71%

LAB 91.72, -6.71, 61.51

 

CMYK 0 / 2 / 50 / 0

HEX #FFFA80

RGB 255 250 128

HSL 57.64, 1%, 0.75%

LAB 96.49, -14.11, 58.47

 

CMYK 0 / 0 / 42 / 0

HEX #FFFF93

RGB 255 255 147

HSL 60, 1%, 0.79%

LAB 97.99, -14.83, 51.43

 

CMYK 0 / 18 / 68 / 6

HEX #EFC44C

RGB 239 196 76

HSL 44.17, 0.84%, 0.62%

LAB 80.93, 2.94, 63.57

 

CMYK 0 / 20 / 74 / 13

HEX #DEB239

RGB 222 178 57

HSL 44, 0.71%, 0.55%

LAB 74.61, 4.2, 64.21

 

CMYK 0 / 22 / 81 / 20

HEX #CDA026

RGB 205 160 38

HSL 43.83, 0.69%, 0.48%

LAB 68.21, 5.67, 64.28

 

CMYK 0 / 24 / 90 / 26

HEX #BC8E13

RGB 188 142 19

HSL 43.67, 0.82%, 0.41%

LAB 61.73, 7.39, 63.29

 

CMYK 0 / 27 / 100 / 33

HEX #AB7C00

RGB 171 124 0

HSL 43.51, 1%, 0.34%

LAB 55.15, 9.37, 61.02

 

CMYK 0 / 18 / 68 / 6

HEX #EFC44C

RGB 239 196 76

HSL 44.17, 0.84%, 0.62%

LAB 80.93, 2.94, 63.57

 

CMYK 0 / 36 / 68 / 6

HEX #EF984C

RGB 239 152 76

HSL 27.98, 0.84%, 0.62%

LAB 70.41, 26.09, 52.35

 

CMYK 0 / 55 / 68 / 6

HEX #EF6C4C

RGB 239 108 76

HSL 11.78, 0.84%, 0.62%

LAB 61.31, 48.42, 42.09

 

CMYK 0 / 68 / 68 / 6

HEX #EF4C4C

RGB 239 76 76

HSL 0, 0.84%, 0.62%

LAB 56.13, 62.18, 35.98

 

CMYK 0 / 18 / 68 / 6

HEX #EFC44C

RGB 239 196 76

HSL 44.17, 0.84%, 0.62%

LAB 80.93, 2.94, 63.57

 

CMYK 0 / 0 / 68 / 6

HEX #EEEF4C

RGB 238 239 76

HSL 60.37, 0.84%, 0.62%

LAB 91.88, -19.05, 74.61

 

CMYK 19 / 0 / 68 / 6

HEX #C2EF4C

RGB 194 239 76

HSL 76.56, 0.84%, 0.62%

LAB 88.79, -36.5, 70.51

 

CMYK 37 / 0 / 68 / 6

HEX #96EF4C

RGB 150 239 76

HSL 92.76, 0.84%, 0.62%

LAB 86.37, -52.3, 67.26

 

CMYK 56 / 0 / 68 / 6

HEX #6AEF4C

RGB 106 239 76

HSL 108.96, 0.84%, 0.62%

LAB 84.65, -65.11, 64.92

 

CMYK 0 / 18 / 68 / 6

HEX #EFC44C

RGB 239 196 76

HSL 44.17, 0.84%, 0.62%

LAB 80.93, 2.94, 63.57

 

CMYK 0 / 18 / 68 / 6

HEX #EFC44C

RGB 239 196 76

HSL 44.17, 0.84%, 0.62%

LAB 80.93, 2.94, 63.57

 

CMYK 0 / 15 / 59 / 13

HEX #DFBD5C

RGB 223 189 92

HSL 44.43, 0.67%, 0.62%

LAB 77.79, 0.86, 52.63

 

CMYK 0 / 13 / 48 / 18

HEX #D0B56C

RGB 208 181 108

HSL 43.8, 0.52%, 0.62%

LAB 74.53, 0.17, 40.58

 

CMYK 0 / 9 / 36 / 25

HEX #C0AE7B

RGB 192 174 123

HSL 44.35, 0.35%, 0.62%

LAB 71.49, -1.03, 28.56

 

CMYK 0 / 6 / 21 / 31

HEX #B0A68B

RGB 176 166 139

HSL 43.78, 0.19%, 0.62%

LAB 68.29, -0.88, 15.3

 

CMYK 0 / 54 / 68 / 6

HEX #EF6D4C

RGB 239 109 76

HSL 12.15, 0.84%, 0.62%

LAB 61.49, 47.94, 42.3

 

CMYK 0 / 36 / 68 / 6

HEX #EF984C

RGB 239 152 76

HSL 27.98, 0.84%, 0.62%

LAB 70.41, 26.09, 52.35

 

CMYK 0 / 18 / 68 / 6

HEX #EFC44C

RGB 239 196 76

HSL 44.17, 0.84%, 0.62%

LAB 80.93, 2.94, 63.57

 

CMYK 0 / 0 / 68 / 6

HEX #EFEF4C

RGB 239 239 76

HSL 60, 0.84%, 0.62%

LAB 91.96, -18.65, 74.71

 

CMYK 18 / 0 / 68 / 6

HEX #C4EF4C

RGB 196 239 76

HSL 75.83, 0.84%, 0.62%

LAB 88.92, -35.74, 70.67

 

CMYK 0 / 24 / 92 / 16

HEX #D6A312

RGB 214 163 18

HSL 44.39, 0.84%, 0.45%

LAB 69.85, 7.56, 70.91

 

CMYK 0 / 22 / 84 / 7

HEX #ECB826

RGB 236 184 38

HSL 44.24, 0.84%, 0.54%

LAB 77.43, 6.43, 73.41

 

CMYK 0 / 18 / 68 / 6

HEX #EFC44C

RGB 239 196 76

HSL 44.17, 0.84%, 0.62%

LAB 80.93, 2.94, 63.57

 

CMYK 0 / 14 / 53 / 5

HEX #F2D072

RGB 242 208 114

HSL 44.06, 0.83%, 0.7%

LAB 84.59, 0.55, 50.59

 

CMYK 0 / 10 / 38 / 4

HEX #F6DD98

RGB 246 221 152

HSL 44.04, 0.84%, 0.78%

LAB 88.72, -0.86, 37.02

 

CMYK 0 / 18 / 68 / 6

HEX #EFC44C

RGB 239 196 76

HSL 44.17, 0.84%, 0.62%

LAB 80.93, 2.94, 63.57

 

CMYK 64 / 0 / 68 / 6

HEX #57EF4C

RGB 87 239 76

HSL 115.95, 0.84%, 0.62%

LAB 84.11, -69.41, 64.19

 

CMYK 46 / 68 / 0 / 6

HEX #824CEF

RGB 130 76 239

HSL 259.88, 0.84%, 0.62%

LAB 47.17, 57.91, -74.04

 

CMYK 0 / 18 / 68 / 6

HEX #EFC44C

RGB 239 196 76

HSL 44.17, 0.84%, 0.62%

LAB 80.93, 2.94, 63.57

 

CMYK 68 / 0 / 18 / 6

HEX #4CEFC4

RGB 76 239 196

HSL 164.17, 0.84%, 0.62%

LAB 85.63, -51.84, 8.66

 

CMYK 18 / 68 / 0 / 6

HEX #C44CEF

RGB 196 76 239

HSL 284.17, 0.84%, 0.62%

LAB 55.21, 70.62, -60.63

 

CMYK 0 / 18 / 68 / 6

HEX #EFC44C

RGB 239 196 76

HSL 44.17, 0.84%, 0.62%

LAB 80.93, 2.94, 63.57

 

CMYK 64 / 0 / 68 / 6

HEX #57EF4C

RGB 87 239 76

HSL 115.95, 0.84%, 0.62%

LAB 84.11, -69.41, 64.19

 

CMYK 68 / 50 / 0 / 6

HEX #4C78EF

RGB 76 120 239

HSL 223.8, 0.84%, 0.62%

LAB 53.17, 23.39, -64.48

 

CMYK 5 / 68 / 0 / 6

HEX #E44CEF

RGB 228 76 239

HSL 295.95, 0.84%, 0.62%

LAB 59.79, 77.36, -53.04

 

CMYK 0 / 18 / 68 / 6

HEX #EFC44C

RGB 239 196 76

HSL 44.17, 0.84%, 0.62%

LAB 80.93, 2.94, 63.57

 

CMYK 68 / 0 / 52 / 6

HEX #4CEF72

RGB 76 239 114

HSL 133.99, 0.84%, 0.62%

LAB 84.22, -67.27, 48.04

 

CMYK 68 / 50 / 0 / 6

HEX #4C78EF

RGB 76 120 239

HSL 223.8, 0.84%, 0.62%

LAB 53.17, 23.39, -64.48

 

CMYK 0 / 68 / 16 / 6

HEX #EF4CC9

RGB 239 76 201

HSL 313.99, 0.84%, 0.62%

LAB 59.65, 74.09, -31.74

 

Description

Color code: RGB 239 196 76 | qconv.com Color code: RGB 239 196 76 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 196 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 196 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 68 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 68% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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