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Color name
RGB 247 118 206

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 247 118 206 it is the complementary color RGB 8 137 49. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 247 118 206. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 247 118 206 shade: RGB 252 118 201, RGB 255 136 220, RGB 255 154 239, RGB 255 172 255 and RGB 255 190 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 247 118 206. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 247 118 206 shade: RGB 247 118 206, RGB 230 100 187, RGB 213 82 168, RGB 196 64 149 and RGB 179 46 130

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 247 118 206 shade: RGB 247 120 206, RGB 247 120 172, RGB 247 120 138 and RGB 247 120 120

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 247 118 206 shade: RGB 247 120 206, RGB 247 120 241, RGB 218 120 247, RGB 184 120 247 and RGB 150 120 247

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 247 118 206 shade matches the following richer shades: RGB 247 120 206

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 247 118 206 shade: RGB 247 120 206, RGB 235 131 202, RGB 224 143 198, RGB 212 154 194 and RGB 200 166 189

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 247 118 206 shade: RGB 219 120 247, RGB 247 120 240, RGB 247 120 206, RGB 247 120 173 and RGB 247 120 139

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 247 118 206 shade: RGB 242 42 178, RGB 244 81 192, RGB 247 120 206, RGB 249 159 220 and RGB 251 198 234

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 247 118 206 shade: RGB 247 118 206, RGB 247 185 120 and RGB 120 247 236

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 247 118 206 shade: RGB 247 118 206, RGB 206 247 120 and RGB 120 206 247

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 247 118 206 shade: RGB 247 118 206, RGB 247 185 120, RGB 120 247 160 and RGB 120 181 247

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 247 118 206 shade: RGB 247 118 206, RGB 247 223 120, RGB 120 247 160 and RGB 120 143 247

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 17 / 3

HEX #F776CE

RGB 247 118 206

HSL 319.07, 0.89%, 0.72%

LAB 67.42, 59.55, -22.5

 

Complementary color

CMYK 94 / 0 / 64 / 46

HEX #088931

RGB 8 137 49

HSL 139.07, 0.89%, 0.28%

LAB 49.7, -50.32, 37.56

 

CMYK 0 / 53 / 20 / 1

HEX #FC76C9

RGB 252 118 201

HSL 322.84, 0.96%, 0.73%

LAB 67.92, 60.31, -18.87

 

CMYK 0 / 47 / 14 / 0

HEX #FF88DC

RGB 255 136 220

HSL 317.65, 1%, 0.77%

LAB 72.25, 55.47, -22.8

 

CMYK 0 / 40 / 6 / 0

HEX #FF9AEF

RGB 255 154 239

HSL 309.5, 1%, 0.8%

LAB 76.44, 49.57, -26.8

 

CMYK 0 / 33 / 0 / 0

HEX #FFACFF

RGB 255 172 255

HSL 300, 1%, 0.84%

LAB 80.73, 43.12, -28.85

 

CMYK 0 / 25 / 0 / 0

HEX #FFBEFF

RGB 255 190 255

HSL 300, 1%, 0.87%

LAB 84.64, 33.72, -22.89

 

CMYK 0 / 52 / 17 / 3

HEX #F776CE

RGB 247 118 206

HSL 319.07, 0.89%, 0.72%

LAB 67.42, 59.55, -22.5

 

CMYK 0 / 57 / 19 / 10

HEX #E664BB

RGB 230 100 187

HSL 319.85, 0.72%, 0.65%

LAB 61.24, 60.08, -21.41

 

CMYK 0 / 62 / 21 / 16

HEX #D552A8

RGB 213 82 168

HSL 320.61, 0.61%, 0.58%

LAB 55.08, 60.42, -20.1

 

CMYK 0 / 67 / 24 / 23

HEX #C44095

RGB 196 64 149

HSL 321.36, 0.53%, 0.51%

LAB 48.97, 60.46, -18.47

 

CMYK 0 / 74 / 27 / 30

HEX #B32E82

RGB 179 46 130

HSL 322.11, 0.59%, 0.44%

LAB 42.99, 59.99, -16.39

 

CMYK 0 / 51 / 17 / 3

HEX #F778CE

RGB 247 120 206

HSL 319.37, 0.89%, 0.72%

LAB 67.77, 58.62, -21.96

 

CMYK 0 / 51 / 30 / 3

HEX #F778AC

RGB 247 120 172

HSL 335.43, 0.89%, 0.72%

LAB 66.66, 54, -4.49

 

CMYK 0 / 51 / 44 / 3

HEX #F7788A

RGB 247 120 138

HSL 351.5, 0.89%, 0.72%

LAB 65.78, 50.21, 13.53

 

CMYK 0 / 51 / 51 / 3

HEX #F77878

RGB 247 120 120

HSL 0, 0.89%, 0.72%

LAB 65.41, 48.56, 23.2

 

CMYK 0 / 51 / 17 / 3

HEX #F778CE

RGB 247 120 206

HSL 319.37, 0.89%, 0.72%

LAB 67.77, 58.62, -21.96

 

CMYK 0 / 51 / 2 / 3

HEX #F778F1

RGB 247 120 241

HSL 302.83, 0.89%, 0.72%

LAB 69.15, 64.13, -39.23

 

CMYK 12 / 51 / 0 / 3

HEX #DA78F7

RGB 218 120 247

HSL 286.3, 0.89%, 0.72%

LAB 65.79, 57.49, -48.06

 

CMYK 26 / 51 / 0 / 3

HEX #B878F7

RGB 184 120 247

HSL 270.24, 0.89%, 0.72%

LAB 61.95, 48.67, -54.39

 

CMYK 39 / 51 / 0 / 3

HEX #9678F7

RGB 150 120 247

HSL 254.17, 0.89%, 0.72%

LAB 58.63, 40.35, -59.87

 

CMYK 0 / 51 / 17 / 3

HEX #F778CE

RGB 247 120 206

HSL 319.37, 0.89%, 0.72%

LAB 67.77, 58.62, -21.96

 

CMYK 0 / 51 / 17 / 3

HEX #F778CE

RGB 247 120 206

HSL 319.37, 0.89%, 0.72%

LAB 67.77, 58.62, -21.96

 

CMYK 0 / 44 / 14 / 8

HEX #EB83CA

RGB 235 131 202

HSL 319.04, 0.72%, 0.72%

LAB 68.14, 48.98, -19.31

 

CMYK 0 / 36 / 12 / 12

HEX #E08FC6

RGB 224 143 198

HSL 319.26, 0.57%, 0.72%

LAB 69.16, 38.57, -15.66

 

CMYK 0 / 27 / 8 / 17

HEX #D49AC2

RGB 212 154 194

HSL 318.62, 0.4%, 0.72%

LAB 70.18, 27.94, -12.04

 

CMYK 0 / 17 / 5 / 22

HEX #C8A6BD

RGB 200 166 189

HSL 319.41, 0.24%, 0.72%

LAB 71.71, 16.33, -7.12

 

CMYK 11 / 51 / 0 / 3

HEX #DB78F7

RGB 219 120 247

HSL 286.77, 0.89%, 0.72%

LAB 65.91, 57.75, -47.86

 

CMYK 0 / 51 / 3 / 3

HEX #F778F0

RGB 247 120 240

HSL 303.31, 0.89%, 0.72%

LAB 69.11, 63.96, -38.74

 

CMYK 0 / 51 / 17 / 3

HEX #F778CE

RGB 247 120 206

HSL 319.37, 0.89%, 0.72%

LAB 67.77, 58.62, -21.96

 

CMYK 0 / 51 / 30 / 3

HEX #F778AD

RGB 247 120 173

HSL 334.96, 0.89%, 0.72%

LAB 66.69, 54.12, -5.02

 

CMYK 0 / 51 / 44 / 3

HEX #F7788B

RGB 247 120 139

HSL 351.02, 0.89%, 0.72%

LAB 65.8, 50.31, 12.99

 

CMYK 0 / 83 / 26 / 5

HEX #F22AB2

RGB 242 42 178

HSL 319.2, 0.88%, 0.56%

LAB 55.83, 81.45, -24.35

 

CMYK 0 / 67 / 21 / 4

HEX #F451C0

RGB 244 81 192

HSL 319.14, 0.88%, 0.64%

LAB 60.71, 72.33, -24.89

 

CMYK 0 / 51 / 17 / 3

HEX #F778CE

RGB 247 120 206

HSL 319.37, 0.89%, 0.72%

LAB 67.77, 58.62, -21.96

 

CMYK 0 / 36 / 12 / 2

HEX #F99FDC

RGB 249 159 220

HSL 319.33, 0.88%, 0.8%

LAB 76.13, 42, -16.98

 

CMYK 0 / 21 / 7 / 2

HEX #FBC6EA

RGB 251 198 234

HSL 319.25, 0.87%, 0.88%

LAB 85.42, 24.52, -10.58

 

CMYK 0 / 52 / 17 / 3

HEX #F776CE

RGB 247 118 206

HSL 319.07, 0.89%, 0.72%

LAB 67.42, 59.55, -22.5

 

CMYK 0 / 25 / 51 / 3

HEX #F7B978

RGB 247 185 120

HSL 30.71, 0.89%, 0.72%

LAB 79.52, 15.05, 41.52

 

CMYK 51 / 0 / 4 / 3

HEX #78F7EC

RGB 120 247 236

HSL 174.8, 0.89%, 0.72%

LAB 90.12, -37.9, -5.54

 

CMYK 0 / 52 / 17 / 3

HEX #F776CE

RGB 247 118 206

HSL 319.07, 0.89%, 0.72%

LAB 67.42, 59.55, -22.5

 

CMYK 17 / 0 / 51 / 3

HEX #CEF778

RGB 206 247 120

HSL 79.37, 0.89%, 0.72%

LAB 92.13, -32.21, 56.1

 

CMYK 51 / 17 / 0 / 3

HEX #78CEF7

RGB 120 206 247

HSL 199.37, 0.89%, 0.72%

LAB 78.96, -15.01, -28.15

 

CMYK 0 / 52 / 17 / 3

HEX #F776CE

RGB 247 118 206

HSL 319.07, 0.89%, 0.72%

LAB 67.42, 59.55, -22.5

 

CMYK 0 / 25 / 51 / 3

HEX #F7B978

RGB 247 185 120

HSL 30.71, 0.89%, 0.72%

LAB 79.52, 15.05, 41.52

 

CMYK 51 / 0 / 35 / 3

HEX #78F7A0

RGB 120 247 160

HSL 138.9, 0.89%, 0.72%

LAB 88.47, -53.94, 31.3

 

CMYK 51 / 27 / 0 / 3

HEX #78B5F7

RGB 120 181 247

HSL 211.18, 0.89%, 0.72%

LAB 72.07, -1.62, -38.79

 

CMYK 0 / 52 / 17 / 3

HEX #F776CE

RGB 247 118 206

HSL 319.07, 0.89%, 0.72%

LAB 67.42, 59.55, -22.5

 

CMYK 0 / 10 / 51 / 3

HEX #F7DF78

RGB 247 223 120

HSL 48.66, 0.89%, 0.72%

LAB 88.88, -4.57, 52.97

 

CMYK 51 / 0 / 35 / 3

HEX #78F7A0

RGB 120 247 160

HSL 138.9, 0.89%, 0.72%

LAB 88.47, -53.94, 31.3

 

CMYK 51 / 42 / 0 / 3

HEX #788FF7

RGB 120 143 247

HSL 229.13, 0.89%, 0.72%

LAB 61.96, 20.15, -54.7

 

Description

Color code: RGB 247 118 206 | qconv.com Color code: RGB 247 118 206 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 247 red, 118 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
247 118 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 17 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 17% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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