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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 2 213 155 it is the complementary color RGB 253 42 100. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 2 213 155. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 2 213 155 shade: RGB 7 213 150, RGB 24 231 169, RGB 41 249 188, RGB 58 255 207 and RGB 75 255 226

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 2 213 155. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 2 213 155 shade: RGB 2 213 155, RGB 0 195 136, RGB 0 177 117, RGB 0 159 98 and RGB 0 141 79

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 2 213 155 shade: RGB 2 212 154, RGB 2 212 97, RGB 2 212 41, RGB 19 212 2 and RGB 76 212 2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 2 213 155 shade: RGB 2 212 154, RGB 2 212 210, RGB 2 156 212, RGB 2 99 212 and RGB 2 43 212

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 2 213 155 shade matches the following richer shades: RGB 2 212 154

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 2 213 155 shade: RGB 2 212 154, RGB 19 194 146, RGB 36 177 138, RGB 54 160 130 and RGB 71 142 123

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 2 213 155 shade: RGB 2 212 40, RGB 2 212 96, RGB 2 212 152, RGB 2 212 208 and RGB 2 159 212

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 2 213 155 shade: RGB 1 130 94, RGB 1 171 124, RGB 2 212 154, RGB 3 252 183 and RGB 43 252 195

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 2 213 155 shade: RGB 2 213 155, RGB 2 19 212 and RGB 212 68 2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 2 213 155 shade: RGB 2 213 155, RGB 152 2 212 and RGB 212 152 2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 2 213 155 shade: RGB 2 213 155, RGB 2 19 212, RGB 212 2 61 and RGB 212 194 2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 2 213 155 shade: RGB 2 213 155, RGB 47 2 212, RGB 212 2 61 and RGB 166 212 2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 99 / 0 / 27 / 16

HEX #02D59B

RGB 2 213 155

HSL 163.51, 0.98%, 0.42%

LAB 76.05, -57.34, 16.56

 

Complementary color

CMYK 0 / 83 / 60 / 1

HEX #FD2A64

RGB 253 42 100

HSL 343.51, 0.98%, 0.58%

LAB 55.54, 77.35, 21.72

 

CMYK 97 / 0 / 30 / 16

HEX #07D596

RGB 7 213 150

HSL 161.65, 0.94%, 0.43%

LAB 75.97, -58.32, 19.1

 

CMYK 90 / 0 / 27 / 9

HEX #18E7A9

RGB 24 231 169

HSL 162.03, 0.81%, 0.5%

LAB 81.95, -60.06, 17.46

 

CMYK 84 / 0 / 24 / 2

HEX #29F9BC

RGB 41 249 188

HSL 162.4, 0.95%, 0.57%

LAB 87.9, -61.44, 15.96

 

CMYK 77 / 0 / 19 / 0

HEX #3AFFCF

RGB 58 255 207

HSL 165.38, 1%, 0.61%

LAB 90.29, -57.85, 9.57

 

CMYK 71 / 0 / 11 / 0

HEX #4BFFE2

RGB 75 255 226

HSL 170.33, 1%, 0.65%

LAB 91.01, -51.3, 0.82

 

CMYK 99 / 0 / 27 / 16

HEX #02D59B

RGB 2 213 155

HSL 163.51, 0.98%, 0.42%

LAB 76.05, -57.34, 16.56

 

CMYK 100 / 0 / 30 / 24

HEX #00C388

RGB 0 195 136

HSL 161.85, 1%, 0.38%

LAB 70.04, -55.02, 18.34

 

CMYK 100 / 0 / 34 / 31

HEX #00B175

RGB 0 177 117

HSL 159.66, 1%, 0.35%

LAB 63.94, -52.56, 20.2

 

CMYK 100 / 0 / 38 / 38

HEX #009F62

RGB 0 159 98

HSL 156.98, 1%, 0.31%

LAB 57.73, -50.01, 22.15

 

CMYK 100 / 0 / 44 / 45

HEX #008D4F

RGB 0 141 79

HSL 153.62, 1%, 0.28%

LAB 51.4, -47.32, 24.18

 

CMYK 99 / 0 / 27 / 17

HEX #02D49A

RGB 2 212 154

HSL 163.43, 0.98%, 0.42%

LAB 75.72, -57.19, 16.63

 

CMYK 99 / 0 / 54 / 17

HEX #02D461

RGB 2 212 97

HSL 147.14, 0.98%, 0.42%

LAB 74.8, -67.95, 44.38

 

CMYK 99 / 0 / 81 / 17

HEX #02D429

RGB 2 212 41

HSL 131.14, 0.98%, 0.42%

LAB 74.36, -73.57, 65.68

 

CMYK 91 / 0 / 99 / 17

HEX #13D402

RGB 19 212 2

HSL 115.14, 0.98%, 0.42%

LAB 74.34, -74.13, 72.27

 

CMYK 64 / 0 / 99 / 17

HEX #4CD402

RGB 76 212 2

HSL 98.86, 0.98%, 0.42%

LAB 75.22, -66.4, 73.35

 

CMYK 99 / 0 / 27 / 17

HEX #02D49A

RGB 2 212 154

HSL 163.43, 0.98%, 0.42%

LAB 75.72, -57.19, 16.63

 

CMYK 99 / 0 / 1 / 17

HEX #02D4D2

RGB 2 212 210

HSL 179.43, 0.98%, 0.42%

LAB 77.13, -42.37, -11.3

 

CMYK 99 / 26 / 0 / 17

HEX #029CD4

RGB 2 156 212

HSL 196, 0.98%, 0.42%

LAB 60.38, -14.07, -38.04

 

CMYK 99 / 53 / 0 / 17

HEX #0263D4

RGB 2 99 212

HSL 212.29, 0.98%, 0.42%

LAB 43.79, 20.5, -64.51

 

CMYK 99 / 80 / 0 / 17

HEX #022BD4

RGB 2 43 212

HSL 228.29, 0.98%, 0.42%

LAB 30.63, 55.13, -86.15

 

CMYK 99 / 0 / 27 / 17

HEX #02D49A

RGB 2 212 154

HSL 163.43, 0.98%, 0.42%

LAB 75.72, -57.19, 16.63

 

CMYK 99 / 0 / 27 / 17

HEX #02D49A

RGB 2 212 154

HSL 163.43, 0.98%, 0.42%

LAB 75.72, -57.19, 16.63

 

CMYK 90 / 0 / 25 / 24

HEX #13C292

RGB 19 194 146

HSL 163.54, 0.82%, 0.42%

LAB 70.03, -51.55, 12.96

 

CMYK 80 / 0 / 22 / 31

HEX #24B18A

RGB 36 177 138

HSL 163.4, 0.66%, 0.42%

LAB 64.69, -45.34, 9.8

 

CMYK 66 / 0 / 19 / 37

HEX #36A082

RGB 54 160 130

HSL 163.02, 0.5%, 0.42%

LAB 59.47, -37.52, 6.87

 

CMYK 50 / 0 / 13 / 44

HEX #478E7B

RGB 71 142 123

HSL 163.94, 0.33%, 0.42%

LAB 54.15, -27.18, 3.28

 

CMYK 99 / 0 / 81 / 17

HEX #02D428

RGB 2 212 40

HSL 130.86, 0.98%, 0.42%

LAB 74.35, -73.63, 65.95

 

CMYK 99 / 0 / 55 / 17

HEX #02D460

RGB 2 212 96

HSL 146.86, 0.98%, 0.42%

LAB 74.79, -68.1, 44.84

 

CMYK 99 / 0 / 28 / 17

HEX #02D498

RGB 2 212 152

HSL 162.86, 0.98%, 0.42%

LAB 75.68, -57.65, 17.64

 

CMYK 99 / 0 / 2 / 17

HEX #02D4D0

RGB 2 212 208

HSL 178.86, 0.98%, 0.42%

LAB 77.07, -42.95, -10.32

 

CMYK 99 / 25 / 0 / 17

HEX #029FD4

RGB 2 159 212

HSL 195.14, 0.98%, 0.42%

LAB 61.28, -15.71, -36.64

 

CMYK 99 / 0 / 28 / 49

HEX #01825E

RGB 1 130 94

HSL 163.26, 0.98%, 0.26%

LAB 47.98, -39.62, 11.08

 

CMYK 99 / 0 / 27 / 33

HEX #01AB7C

RGB 1 171 124

HSL 163.41, 0.99%, 0.34%

LAB 62.16, -48.62, 13.92

 

CMYK 99 / 0 / 27 / 17

HEX #02D49A

RGB 2 212 154

HSL 163.43, 0.98%, 0.42%

LAB 75.72, -57.19, 16.63

 

CMYK 99 / 0 / 27 / 1

HEX #03FCB7

RGB 3 252 183

HSL 163.37, 0.98%, 0.5%

LAB 88.48, -65.32, 19.31

 

CMYK 83 / 0 / 23 / 1

HEX #2BFCC3

RGB 43 252 195

HSL 163.64, 0.97%, 0.58%

LAB 88.96, -60.82, 13.85

 

CMYK 99 / 0 / 27 / 16

HEX #02D59B

RGB 2 213 155

HSL 163.51, 0.98%, 0.42%

LAB 76.05, -57.34, 16.56

 

CMYK 99 / 91 / 0 / 17

HEX #0213D4

RGB 2 19 212

HSL 235.14, 0.98%, 0.42%

LAB 27.39, 64.81, -91.55

 

CMYK 0 / 68 / 99 / 17

HEX #D44402

RGB 212 68 2

HSL 18.86, 0.98%, 0.42%

LAB 49.66, 54.47, 60.28

 

CMYK 99 / 0 / 27 / 16

HEX #02D59B

RGB 2 213 155

HSL 163.51, 0.98%, 0.42%

LAB 76.05, -57.34, 16.56

 

CMYK 28 / 99 / 0 / 17

HEX #9802D4

RGB 152 2 212

HSL 282.86, 0.98%, 0.42%

LAB 40.36, 76.78, -69.65

 

CMYK 0 / 28 / 99 / 17

HEX #D49802

RGB 212 152 2

HSL 42.86, 0.98%, 0.42%

LAB 66.87, 12.41, 70.92

 

CMYK 99 / 0 / 27 / 16

HEX #02D59B

RGB 2 213 155

HSL 163.51, 0.98%, 0.42%

LAB 76.05, -57.34, 16.56

 

CMYK 99 / 91 / 0 / 17

HEX #0213D4

RGB 2 19 212

HSL 235.14, 0.98%, 0.42%

LAB 27.39, 64.81, -91.55

 

CMYK 0 / 99 / 71 / 17

HEX #D4023D

RGB 212 2 61

HSL 343.14, 0.98%, 0.42%

LAB 44.77, 70.82, 29.9

 

CMYK 0 / 8 / 99 / 17

HEX #D4C202

RGB 212 194 2

HSL 54.86, 0.98%, 0.42%

LAB 77.63, -9.72, 78.51

 

CMYK 99 / 0 / 27 / 16

HEX #02D59B

RGB 2 213 155

HSL 163.51, 0.98%, 0.42%

LAB 76.05, -57.34, 16.56

 

CMYK 78 / 99 / 0 / 17

HEX #2F02D4

RGB 47 2 212

HSL 252.86, 0.98%, 0.42%

LAB 27.85, 69.12, -90.74

 

CMYK 0 / 99 / 71 / 17

HEX #D4023D

RGB 212 2 61

HSL 343.14, 0.98%, 0.42%

LAB 44.77, 70.82, 29.9

 

CMYK 22 / 0 / 99 / 17

HEX #A6D402

RGB 166 212 2

HSL 73.14, 0.98%, 0.42%

LAB 79.16, -37.72, 78.11

 

Description

Color code: RGB 2 213 155 | qconv.com Color code: RGB 2 213 155 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 2 red, 213 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
2 213 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 99 cyan, none magenta, 27 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
99% 0% 27% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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