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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 34 153 106 it is the complementary color RGB 221 102 149. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 34 153 106. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 34 153 106 shade: RGB 39 153 101, RGB 56 171 120, RGB 73 189 139, RGB 90 207 158 and RGB 107 225 177

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 34 153 106. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 34 153 106 shade: RGB 34 153 106, RGB 17 135 87, RGB 0 117 68, RGB 0 99 49 and RGB 0 81 30

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 34 153 106 shade: RGB 33 154 107, RGB 33 154 74, RGB 33 154 41, RGB 58 154 33 and RGB 91 154 33

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 34 153 106 shade: RGB 33 154 107, RGB 33 154 139, RGB 33 137 154, RGB 33 104 154 and RGB 33 72 154

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 34 153 106 shade matches the following richer shades: RGB 33 154 107, RGB 18 169 110 and RGB 3 185 113

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 34 153 106 shade: RGB 33 154 107, RGB 49 139 103, RGB 64 124 100, RGB 79 108 97 and RGB 95 93 94

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 34 153 106 shade: RGB 33 154 42, RGB 33 154 74, RGB 33 154 106, RGB 33 154 138 and RGB 33 138 154

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 34 153 106 shade: RGB 19 87 60, RGB 26 120 83, RGB 33 154 107, RGB 41 188 130 and RGB 59 212 151

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 34 153 106 shade: RGB 34 153 106, RGB 33 58 154 and RGB 154 58 33

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 34 153 106 shade: RGB 34 153 106, RGB 106 33 154 and RGB 154 106 33

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 34 153 106 shade: RGB 34 153 106, RGB 33 58 154, RGB 154 33 82 and RGB 154 130 33

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 34 153 106 shade: RGB 34 153 106, RGB 46 33 154, RGB 154 33 82 and RGB 142 154 33

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 0 / 31 / 40

HEX #22996A

RGB 34 153 106

HSL 156.3, 0.64%, 0.37%

LAB 56.25, -43.33, 15.77

 

Complementary color

CMYK 0 / 54 / 33 / 13

HEX #DD6695

RGB 221 102 149

HSL 336.3, 0.64%, 0.63%

LAB 59.02, 51.33, -3

 

CMYK 75 / 0 / 34 / 40

HEX #279965

RGB 39 153 101

HSL 152.63, 0.59%, 0.38%

LAB 56.24, -43.75, 18.56

 

CMYK 67 / 0 / 30 / 33

HEX #38AB78

RGB 56 171 120

HSL 153.39, 0.51%, 0.45%

LAB 62.78, -44.25, 17.09

 

CMYK 61 / 0 / 26 / 26

HEX #49BD8B

RGB 73 189 139

HSL 154.14, 0.47%, 0.51%

LAB 69.24, -44.48, 15.77

 

CMYK 57 / 0 / 24 / 19

HEX #5ACF9E

RGB 90 207 158

HSL 154.87, 0.55%, 0.58%

LAB 75.62, -44.55, 14.56

 

CMYK 52 / 0 / 21 / 12

HEX #6BE1B1

RGB 107 225 177

HSL 155.59, 0.66%, 0.65%

LAB 81.92, -44.51, 13.46

 

CMYK 78 / 0 / 31 / 40

HEX #22996A

RGB 34 153 106

HSL 156.3, 0.64%, 0.37%

LAB 56.25, -43.33, 15.77

 

CMYK 87 / 0 / 36 / 47

HEX #118757

RGB 17 135 87

HSL 155.59, 0.78%, 0.3%

LAB 49.66, -42.23, 17.43

 

CMYK 100 / 0 / 42 / 54

HEX #007544

RGB 0 117 68

HSL 154.87, 1%, 0.23%

LAB 42.97, -40.65, 19.28

 

CMYK 100 / 0 / 51 / 61

HEX #006331

RGB 0 99 49

HSL 149.7, 1%, 0.19%

LAB 36.26, -37.72, 21.44

 

CMYK 100 / 0 / 63 / 68

HEX #00511E

RGB 0 81 30

HSL 142.22, 1%, 0.16%

LAB 29.36, -34.45, 23.61

 

CMYK 79 / 0 / 31 / 40

HEX #219A6B

RGB 33 154 107

HSL 156.69, 0.65%, 0.37%

LAB 56.58, -43.63, 15.67

 

CMYK 79 / 0 / 52 / 40

HEX #219A4A

RGB 33 154 74

HSL 140.33, 0.65%, 0.37%

LAB 56.02, -50.06, 32.77

 

CMYK 79 / 0 / 73 / 40

HEX #219A29

RGB 33 154 41

HSL 123.97, 0.65%, 0.37%

LAB 55.68, -54.13, 47.53

 

CMYK 62 / 0 / 79 / 40

HEX #3A9A21

RGB 58 154 33

HSL 107.6, 0.65%, 0.37%

LAB 56.21, -49.88, 51.11

 

CMYK 41 / 0 / 79 / 40

HEX #5B9A21

RGB 91 154 33

HSL 91.24, 0.65%, 0.37%

LAB 57.51, -39.93, 52.81

 

CMYK 79 / 0 / 31 / 40

HEX #219A6B

RGB 33 154 107

HSL 156.69, 0.65%, 0.37%

LAB 56.58, -43.63, 15.67

 

CMYK 79 / 0 / 10 / 40

HEX #219A8B

RGB 33 154 139

HSL 172.56, 0.65%, 0.37%

LAB 57.37, -35.39, -1.33

 

CMYK 79 / 11 / 0 / 40

HEX #21899A

RGB 33 137 154

HSL 188.43, 0.65%, 0.37%

LAB 52.45, -22.43, -17.3

 

CMYK 79 / 32 / 0 / 40

HEX #21689A

RGB 33 104 154

HSL 204.79, 0.65%, 0.37%

LAB 42.09, -3.73, -33.36

 

CMYK 79 / 53 / 0 / 40

HEX #21489A

RGB 33 72 154

HSL 220.66, 0.65%, 0.37%

LAB 32.46, 17.12, -48.75

 

CMYK 79 / 0 / 31 / 40

HEX #219A6B

RGB 33 154 107

HSL 156.69, 0.65%, 0.37%

LAB 56.58, -43.63, 15.67

 

CMYK 89 / 0 / 35 / 34

HEX #12A96E

RGB 18 169 110

HSL 156.56, 0.81%, 0.37%

LAB 61.33, -50.24, 20.48

 

CMYK 98 / 0 / 39 / 27

HEX #03B971

RGB 3 185 113

HSL 156.26, 0.97%, 0.37%

LAB 66.45, -56.19, 25.73

 

CMYK 79 / 0 / 31 / 40

HEX #219A6B

RGB 33 154 107

HSL 156.69, 0.65%, 0.37%

LAB 56.58, -43.63, 15.67

 

CMYK 65 / 0 / 26 / 45

HEX #318B67

RGB 49 139 103

HSL 156, 0.48%, 0.37%

LAB 51.95, -35.61, 11.55

 

CMYK 48 / 0 / 19 / 51

HEX #407C64

RGB 64 124 100

HSL 156, 0.32%, 0.37%

LAB 47.53, -25.65, 7.13

 

CMYK 27 / 0 / 10 / 58

HEX #4F6C61

RGB 79 108 97

HSL 157.24, 0.16%, 0.37%

LAB 43.14, -13.14, 2.73

 

CMYK 0 / 2 / 1 / 63

HEX #5F5D5E

RGB 95 93 94

HSL 330, 0.01%, 0.37%

LAB 39.7, 1, -0.3

 

CMYK 79 / 0 / 73 / 40

HEX #219A2A

RGB 33 154 42

HSL 124.46, 0.65%, 0.37%

LAB 55.69, -54.04, 47.15

 

CMYK 79 / 0 / 52 / 40

HEX #219A4A

RGB 33 154 74

HSL 140.33, 0.65%, 0.37%

LAB 56.02, -50.06, 32.77

 

CMYK 79 / 0 / 31 / 40

HEX #219A6A

RGB 33 154 106

HSL 156.2, 0.65%, 0.37%

LAB 56.56, -43.86, 16.2

 

CMYK 79 / 0 / 10 / 40

HEX #219A8A

RGB 33 154 138

HSL 172.07, 0.65%, 0.37%

LAB 57.34, -35.67, -0.8

 

CMYK 79 / 10 / 0 / 40

HEX #218A9A

RGB 33 138 154

HSL 187.93, 0.65%, 0.37%

LAB 52.77, -22.95, -16.82

 

CMYK 78 / 0 / 31 / 66

HEX #13573C

RGB 19 87 60

HSL 156.18, 0.64%, 0.21%

LAB 32.44, -28.01, 9.84

 

CMYK 78 / 0 / 31 / 53

HEX #1A7853

RGB 26 120 83

HSL 156.38, 0.64%, 0.29%

LAB 44.63, -35.96, 12.87

 

CMYK 79 / 0 / 31 / 40

HEX #219A6B

RGB 33 154 107

HSL 156.69, 0.65%, 0.37%

LAB 56.58, -43.63, 15.67

 

CMYK 78 / 0 / 31 / 26

HEX #29BC82

RGB 41 188 130

HSL 156.33, 0.64%, 0.45%

LAB 68.06, -51.07, 18.88

 

CMYK 72 / 0 / 29 / 17

HEX #3BD497

RGB 59 212 151

HSL 156.08, 0.64%, 0.53%

LAB 76.22, -53.59, 19

 

CMYK 78 / 0 / 31 / 40

HEX #22996A

RGB 34 153 106

HSL 156.3, 0.64%, 0.37%

LAB 56.25, -43.33, 15.77

 

CMYK 79 / 62 / 0 / 40

HEX #213A9A

RGB 33 58 154

HSL 227.6, 0.65%, 0.37%

LAB 28.6, 26.65, -55.03

 

CMYK 0 / 62 / 79 / 40

HEX #9A3A21

RGB 154 58 33

HSL 12.4, 0.65%, 0.37%

LAB 37.85, 38.76, 35.45

 

CMYK 78 / 0 / 31 / 40

HEX #22996A

RGB 34 153 106

HSL 156.3, 0.64%, 0.37%

LAB 56.25, -43.33, 15.77

 

CMYK 31 / 79 / 0 / 40

HEX #6A219A

RGB 106 33 154

HSL 276.2, 0.65%, 0.37%

LAB 30.6, 52.16, -51.47

 

CMYK 0 / 31 / 79 / 40

HEX #9A6A21

RGB 154 106 33

HSL 36.2, 0.65%, 0.37%

LAB 48.62, 12.55, 46.13

 

CMYK 78 / 0 / 31 / 40

HEX #22996A

RGB 34 153 106

HSL 156.3, 0.64%, 0.37%

LAB 56.25, -43.33, 15.77

 

CMYK 79 / 62 / 0 / 40

HEX #213A9A

RGB 33 58 154

HSL 227.6, 0.65%, 0.37%

LAB 28.6, 26.65, -55.03

 

CMYK 0 / 79 / 47 / 40

HEX #9A2152

RGB 154 33 82

HSL 335.7, 0.65%, 0.37%

LAB 35.14, 52.13, 1.61

 

CMYK 0 / 16 / 79 / 40

HEX #9A8221

RGB 154 130 33

HSL 48.1, 0.65%, 0.37%

LAB 55.02, -1.06, 52.13

 

CMYK 78 / 0 / 31 / 40

HEX #22996A

RGB 34 153 106

HSL 156.3, 0.64%, 0.37%

LAB 56.25, -43.33, 15.77

 

CMYK 70 / 79 / 0 / 40

HEX #2E219A

RGB 46 33 154

HSL 246.45, 0.65%, 0.37%

LAB 23.68, 43.47, -63.09

 

CMYK 0 / 79 / 47 / 40

HEX #9A2152

RGB 154 33 82

HSL 335.7, 0.65%, 0.37%

LAB 35.14, 52.13, 1.61

 

CMYK 8 / 0 / 79 / 40

HEX #8E9A21

RGB 142 154 33

HSL 65.95, 0.65%, 0.37%

LAB 60.76, -19.34, 57

 

Description

Color code: RGB 34 153 106 | qconv.com Color code: RGB 34 153 106 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 34 red, 153 green and 106 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
34 153 106 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, none magenta, 31 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 0% 31% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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